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Fans of golden-age mystery fiction, you're definitely in for a treat. This novel has it all: skillful writing, a drum-tight plot, and snappy, witty dialogue. The Circular Staircase is about Rachel Innes, a well-to-do woman of a certain age. Her Pittsburgh manse is in need of an overhaul, so she decides to spend some time at the country home of a friend to escape the hustle and bustle of the remodeling process. But what appears at first to be a quaint rural outpost soon reveals itself to be the epicenter of a beguiling puzzle.
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WHERE IS HALSEY?
Gertrude gazed at the face in a kind of fascination. Then she put out her hands blindly, and I thought she was going to faint.
"He has killed him!" she muttered almost inarticulately; and at that, because my nerves were going, I gave her a good shake.
"What do you mean?" I said frantically. There was a depth of grief and conviction in her tone that was worse than anything she could have said. The shake braced her, anyhow, and she seemed to pull herself together. But not another word would she say: she stood gazing down at that gruesome figure on the floor, while Liddy, ashamed of her flight and afraid to come back alone, drove before her three terrified women-servants into the drawing-room, which was as near as any of them would venture.
Once in the drawing-room, Gertrude collapsed and went from one fainting spell into another. I had all I could do to keep Liddy from drowning her with cold water, and the maids huddled in a corner, as much use as so many sheep. In a short time, although it seemed hours, a car came rushing up, and Anne Watson, who had waited to dress, opened the door. Three men from the Greenwood Club, in all kinds of costumes, hurried in. I recognized a Mr. Jarvis, but the others were strangers.
"What's wrong?" the Jarvis man asked--and we made a strange picture, no doubt. "Nobody hurt, is there?" He was looking at Gertrude.
"Worse than that, Mr. Jarvis," I said. "I think it is murder."
At the word there was a commotion. The cook began to cry, and Mrs. Watson knocked over a chair. The men were visibly impressed.
"Not any member of the family?" Mr. Jarvis asked, when he had got his breath.
"No," I said; and motioning Liddy to look after Gertrude, I led the way with a lamp to the card-room door. One of the men gave an exclamation, and they all hurried across the room. Mr. Jarvis took the lamp from me--I remember that--and then, feeling myself getting dizzy and light-headed, I closed my eyes. When I opened them their brief examination was over, and Mr. Jarvis was trying to put me in a chair.
"You must get up-stairs," he said firmly, "you and Miss Gertrude, too. This has been a terrible shock. In his own home, too."
I stared at him without comprehension. "Who is it?" I asked with difficulty. There was a band drawn tight around my throat.
"It is Arnold Armstrong," he said, looking at me oddly, "and he has been murdered in his father's house."
After a minute I gathered myself together and Mr. Jarvis helped me into the living-room. Liddy had got Gertrude up-stairs, and the two strange men from the club stayed with the body. The reaction from the shock and strain was tremendous: I was collapsed--and then Mr. Jarvis asked me a question that brought back my wandering faculties.
"Where is Halsey?" he asked.
"Halsey!" Suddenly Gertrude's stricken face rose before me the empty rooms up-stairs. Where was Halsey?
"He was here, wasn't he?" Mr. Jarvis persisted. "He stopped at the club on his way over."
"I--don't know where he is," I said feebly.
One of the men from the club came in, asked for the telephone, and I could hear him excitedly talking, saying something about coroners and detectives. Mr. Jarvis leaned over to me.
"Why don't you trust me, Miss Innes?" he said. "If I can do anything I will. But tell me the whole thing."
I did, finally, from the beginning, and when I told of Jack Bailey's being in the house that night, he gave a long whistle.
"I wish they were both here," he said when I finished. "Whatever mad prank took them away, it would look better if they were here. Especially--"
"Especially what?"
"Especially since Jack Bailey and Arnold Armstrong were notoriously bad friends. It was Bailey who got Arnold into trouble last spring--something about the bank. And then, too--"
"Go on," I said. "If there is anything more, I ought to know."
"There's nothing more," he said evasively. "There's just one thing we may bank on, Miss Innes. Any court in the country will acquit a man who kills an intruder in his house, at night. If Halsey--"
"Why, you don't think Halsey did it!" I exclaimed. There was a queer feeling of physical nausea coming over me.
"No, no, not at all," he said with forced cheerfulness. "Come, Miss Innes, you're a ghost of yourself and I am going to help you up-stairs and call your maid. This has been too much for you."