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A visceral new version of Strindberg's compelling, bitingly funny battle of wills. On an isolated island, military captain Edgar and his wife Alice live a bitter life, their marriage soured by hatred. When the possibility of redemption and escape arrives for Alice in the shape of their former comrade Kurt, it seems that Edgar is prepared to use his very last breath to make their lives a living hell. Conor McPherson's version of The Dance of Death premiered at Trafalgar Studios, London in December 2012. 'it's impossible to look away' Time Out 'a grotesque comedy that anticipates the work of theatrical absurdists such as Beckett and Ionesco... a profoundly seminal work' Guardian 'shockingly funny... its raw savagery is thrilling and its bleak existential despair almost Beckettian' The Times
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Veröffentlichungsjahr: 2014
THE DANCEOF DEATH
August Strindberg
adapted by
Conor McPherson
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Title Page
Original Production
Characters and Setting
Act One
Act Two
About the Author
Copyright and Performing Rights Information
This version of The Dance of Death was first performed at the Trafalgar Studios, London, as part of the Donmar Trafalgar season, on 13 December 2012. The cast was as follows:
KURT
Daniel Lapaine
THE CAPTAIN
Kevin R. McNally
ALICE
Indira Varma
Director
Titas Halder
Designer
Richard Kent
Lighting Designer
Richard Howell
Composer and Sound Designer
Alex Baranowski
Movement Director
Laïla Diallo
Characters
THE CAPTAIN, at a coastal artillery fortress, late fifties/sixties
ALICE, his wife, forties
KURT, newly appointed Master of Quarantine, forties
Setting
An island near a port in Sweden, 1900.
ACT ONE
The interior of a round fortress tower built of granite.
Upstage are a large pair of doors with glass windowpanes, through which can be seen the sky at dusk and a distant shoreline with some lights. To the side of each door is a window.
There is a dresser with some framed pictures and books; a piano; a table with some chairs; an armchair; a mounted mercurial barometer and a desk with a telegraph machine. There is also a kind of ‘bar’ –a high table against one wall – with glasses and bottles of liquor with a mirror above it. There are a few rugs, but the walls are bare granite and nothing can take away a feeling of foreboding – this building used to be a jailhouse. On one wall hangs a portrait of ALICE .
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!