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Purgatory is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. In the poem, Purgatory is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the poem represents the Christian life, and in describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sin arises from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
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Canto III
Canto IV
Canto V
Canto VI
Canto VII
Canto VIII
Canto IX
Canto X
Canto XI
Canto XII
Canto XIII
Canto IV
Canto XV
Canto XVI
Canto XVII
Canto XVIII
Canto IXX
Canto XX
Canto XXI
Canto XXII
Canto XXIII
Canto XXIV
Canto XXV
Canto XXVI
Canto XXVII
Canto XXVIII
Canto XXIX
Canto XXX
Canto XXXI
Canto XXXII
Canto XXXIII
O’er better waves to speed her rapid course
The light bark of my genius lifts the sail,
Well pleas’d to leave so cruel sea behind;
And of that second region will I sing,
In which the human spirit from sinful blot
Is purg’d, and for ascent to Heaven prepares.
Here, O ye hallow’d Nine! for in your train
I follow, here the deadened strain revive;
Nor let Calliope refuse to sound
A somewhat higher song, of that loud tone,
Which when the wretched birds of chattering note
Had heard, they of forgiveness lost all hope.
Sweet hue of eastern sapphire, that was spread
O’er the serene aspect of the pure air,
High up as the first circle, to mine eyes
Unwonted joy renew’d, soon as I ’scap’d
Forth from the atmosphere of deadly gloom,
That had mine eyes and bosom fill’d with grief.
The radiant planet, that to love invites,
Made all the orient laugh, and veil’d beneath
The Pisces’ light, that in his escort came.
To the right hand I turn’d, and fix’d my mind
On the’ other pole attentive, where I saw
Four stars ne’er seen before save by the ken
Of our first parents. Heaven of their rays
Seem’d joyous. O thou northern site, bereft
Indeed, and widow’d, since of these depriv’d!
As from this view I had desisted, straight
Turning a little tow’rds the other pole,
There from whence now the wain had disappear’d,
I saw an old man standing by my side
Alone, so worthy of rev’rence in his look,
That ne’er from son to father more was ow’d.
Low down his beard and mix’d with hoary white
Descended, like his locks, which parting fell
Upon his breast in double fold. The beams
Of those four luminaries on his face
So brightly shone, and with such radiance clear
Deck’d it, that I beheld him as the sun.
“Say who are ye, that stemming the blind stream,
Forth from th’ eternal prison-house have fled?”
He spoke and moved those venerable plumes.
“Who hath conducted, or with lantern sure
Lights you emerging from the depth of night,
That makes the infernal valley ever black?
Are the firm statutes of the dread abyss
Broken, or in high heaven new laws ordain’d,
That thus, condemn’d, ye to my caves approach?”
My guide, then laying hold on me, by words
And intimations given with hand and head,
Made my bent knees and eye submissive pay
Due reverence; then thus to him replied.
“Not of myself I come; a Dame from heaven
Descending, had besought me in my charge
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