CHAPTER I Moving Shadow-Shapes
One
of the occasions when I experienced “that grand and glorious
feeling” was when my law business had achieved proportions that
justified my removal from my old office to new and more commodious
quarters. I selected a somewhat pretentious building on Madison
Avenue between Thirtieth and Fortieth Streets, and it was a
red-letter day for me when I moved into my pleasant rooms on its
top
floor.The
Puritan Trust Company occupied all of the ground floor and there
were
also some of the private offices of that institution on the top
floor, as well as a few offices to be let.My
rooms were well located and delightfully light, and I furnished
them
with care, selecting chairs and desks of a dignified type, and rugs
of appropriately quiet coloring. I also selected my stenographer
with
care, and Norah MacCormack was a red-haired piece of perfection. If
she had a weakness, it was for reading detective stories, but I
condoned that, for in my hammocky moods I, too, dipped into the
tangled-web school of fiction.And,
without undue conceit, I felt that I could give most specimens of
the
genus Sherlock cards and spades and beat them at their own game of
deduction. I practiced it on Norah sometimes. She would bring me a
veil or glove of some friend of hers, and I would try to deduce the
friend’s traits of character. My successes and failures were about
fifty-fifty, but Norah thought I improved with practice, and,
anyway,
it exercised my intelligence.I
had failed to pass examination for the army, because of a defect,
negligible, it seemed to me, in my eyesight. I was deeply
disappointed, but as the law of compensation is usually in force, I
unexpectedly proved to be of some use to my Government after
all.Across
the hall from me was the private office of Amos Gately, the
President
of the Puritan Trust Company, and a man of city-wide reputation. I
didn’t know the great financier personally, but everyone knew of
him, and his name was a synonym for all that is sound, honorable,
and
philanthropic in the money mart. He was of that frequently seen
type,
with the silver gray hair that so becomingly accompanies deep-set
dark eyes.And
yet, I had never seen Mr. Gately himself. My knowledge of him was
gained from his frequent portraiture in the papers or in an
occasional magazine. And I had gathered, in a vague way, that he
was
a connoisseur of the fine arts, and that his offices, as well as
his
home, were palatial in their appointments.I
may as well admit, therefore, that going in and out of my own rooms
I
often looked toward his door, in hopes that I might get a glimpse,
at
least, of the treasures within. But so far I had not done
so.To
be sure, I had only occupied my own suite about a week and then
again
Mr. Gately was not always in his private offices during business
hours. Doubtless, much of the time he was down in the banking
rooms.There
was a yellow-haired stenographer, who wore her hair in ear-muffs,
and
who was, I should say, addicted to the vanity-case. This young
person, Norah had informed me, was Jenny Boyd.And
that sums up the whole of my intimate knowledge of Amos
Gately—until
the day of the black snow squall!I
daresay my prehistoric ancestors were sun-worshipers. At any rate,
I
am perfectly happy when the sun shines, and utterly miserable on a
gloomy day. Of course, after sunset, I don’t care, but days when
artificial light must be used, I get fidgety and am positively
unable
to concentrate on any important line of thought.And
so, when Norah snapped on her green-shaded desk light in
mid-afternoon, I impulsively jumped up to go home. I could stand
electrically lighted rooms better in my diggings than in the
work-compelling atmosphere of my office.
“
Finish
that bit of work,” I told my competent assistant, “and then go
home yourself. I’m going now.”
“
But
it’s only three o’clock, Mr. Brice,” and Norah’s gray eyes
looked up from the clicking keys.
“
I
know it, but a snow storm is brewing,—and Lord knows there’s snow
enough in town now!”
“
There
is so! I’m thinking they won’t get the black mountains out of the
side streets before Fourth of July,—and the poor White Wings
working themselves to death!”
“
Statistics
haven’t yet proved that cause of death prevalent among
snow-shovelers,” I returned, “but I’m pretty sure there’s
more chance for it coming to them!”I
hate snow. For the ocular defect that kept me out of the army is
corrected by not altogether unbecoming glasses, but when these are
moistened or misted by falling snow, I am greatly incommoded. So I
determined to reach home, if possible, before the squall which was
so
indubitably imminent.I
snugged into my overcoat, and jammed my hat well down on my head,
for
the wind was already blowing a gale.
“
Get
away soon, Norah,” I said, as I opened the door into the hall, “and
if it proves a blizzard you needn’t show up tomorrow.”
“
Oh,
I’ll be here, Mr. Brice,” she returned, in her cheery way, and
resumed her clicking.The
offices of Mr. Gately, opposite mine, had three doors to the hall,
meaning, I assumed, three rooms in his suite.My
own door was exactly opposite the middle one of the three. On that
was the number two. To its left was number one, and to its right,
number three.Each
of these three doors had an upper panel of thick, clouded glass,
and,
as the hall was not yet lighted and Mr. Gately’s rooms were, I
could see quite plainly the shadows of two heads on the middle
door,—the door numbered two.Perhaps
I am unduly curious, perhaps it was merely a natural interest, but
I
stood still a moment, outside my own door, and watched the two
shadowed heads.The
rippled clouding of the glass made their outlines somewhat vague,
but
I could distinguish the fine, thick mane of Amos Gately, as I had
so
often seen it pictured. The other was merely a human shadow with no
striking characteristics.It
was evident their interview was not amicable. I heard a loud,
explosive “No!” from one or other of them, and then both figures
rose and there was a hand-to-hand struggle. Their voices indicated
a
desperate quarrel, though no words were distinguishable.And
then, as I looked, the shadows blurred into one
another,—swayed,—separated, and then a pistol shot rang out,
followed immediately by a woman’s shrill scream.Impulsively
I sprang across the hall, and turned the knob of door number
two,—the
one opposite my own door, and the one through which I had seen the
shadowed actions.But
the door would not open.I
hesitated only an instant and then hurried to the door next on the
right, number three.This,
too, was fastened on the inside, so I ran back to the only other
door, number one,—to the left of the middle door.This
door opened at my touch, and I found myself in the first of Amos
Gately’s magnificent rooms.Beyond
one quick, admiring glance, I paid no attention to the beautiful
appointments, and I opened the communicating door into the next or
middle room.This,
like the first, contained no human being, but it was filled with
the
smoke and the odor of a recently fired pistol.I
looked around, aghast. This was the room where the altercation had
taken place, where two men had grappled, where a pistol had been
fired, and moreover, where a woman had screamed. Where were these
people?In
the next room, of course, I reasoned.With
eager curiosity, I went on into the third room. It was
empty.And
that was all the rooms of the suite.Where
were the people I had seen and heard? That is, I had seen their
shadows on the glass door, and human shadows cannot appear without
people to cast them. Where were the men who had fought? Where was
the
woman who had screamed? And who were they?Dazed,
I went back through the rooms. Their several uses were clear
enough.
Number one was the entrance office. There was an attendant’s desk,
a typewriter, reception chairs, and all the effects of the first
stage of an interview with the great man.The
second office, beyond a doubt, was Mr. Gately’s sanctum. A stunning
mahogany table-desk was in the middle of the floor, and a large,
unusually fine swivel-chair stood behind it. On the desk, things
were
somewhat disordered. The telephone was upset, the papers pushed
into
an untidy heap, a pen-tray overturned, and a chair opposite the big
desk chair lay over on its side, as if Mr. Gately’s visitor had
risen hurriedly. The last room, number three, was, clearly, the
very
holy of holies. Surely, only the most important or most beloved
guests were received in here. It was furnished as richly as a royal
salon, yet all in most perfect taste and quiet harmony. The general
coloring of draperies and upholstery was soft blue, and splendid
pictures hung on the wall. Also, there was a huge war map of
Europe,
and indicative pins stuck in it proved Mr. Gately’s intense
interest in the progress of events over there.But
though tempted to feast my eyes on the art treasures all about, I
eagerly pursued my quest for the vanished human beings I
sought.There
was no one in any of these three rooms, and I could see no exit,
save
into the hall from which I had entered. I looked into three or four
cupboards, but they were full of books and papers, and no sign of a
hidden human being, alive or dead, could I find.Perhaps
the strangeness of it all blunted my efficiency. I had always
flattered myself that I was at my best in an emergency, but all
previous emergencies in which I had found myself were trivial and
unimportant compared with this.I
felt as if I had been at a moving picture show. I had seen, as on
the
screen, a man shot, perhaps killed, and now all the actors had
vanished as completely as they do when the movie is over.Then,
for I am not entirely devoid of conscience, it occurred to me that
I
had a duty,—that it was incumbent upon me to report to somebody. I
thought of the police, but was it right to call them when I had so
vague a report to make? What could I tell them? That I had seen
shadows fighting? Heard a woman scream? Smelled smoke? Heard the
report of a pistol? A whimsical thought came that the report of the
pistol was the only definite report I could swear to!Yet
the whole scene was definite enough to me.I
had seen two men fighting,—shadows, to be sure, but shadows of real
men. I had heard their voices raised in dissension of some sort, I
had seen a scuffle and had heard a shot, of which I had afterward
smelled the smoke, and,—most incriminating of all,—I had heard a
woman’s scream. A scream, too, of terror, as for her life!And
then, I had immediately entered these rooms, and I had found them
empty of all human presence, but with the smoke still hanging low,
to
prove my observations had been real, and no figment of my
imagination.I
believed I had latent detective ability. Well, surely here was a
chance to exercise it!What
more bewildering mystery could be desired than to witness a
shooting,
and, breaking in upon the scene, to find no victim, no criminal,
and
no weapon!I
hunted for the pistol, but found no more trace of that than of the
hand that had fired it.My
brain felt queer; I said to myself, over and over, “a fight, a
shot, a scream! No victim, no criminal, no weapon!”I
looked out in the hall again. I had already looked out two or three
times, but I had seen no one. However, I didn’t suppose the villain
and his victim had gone down by the elevator or by the
stairway.But
where were they? And where was the woman who had screamed?Perhaps
it was she who had been shot. Why did I assume that Mr. Gately was
the victim? Could not he have been the criminal?The
thought of Amos Gately in the rôle of murderer was a little too
absurd! Still, the whole situation was absurd.For
me, Tom Brice, to be involved in this baffling mystery was the
height
of all that was incredible!And
yet, was I involved? I had only to walk out and go home to be out
of
it all. No one had seen me and no one could know I had been
there.And
then something sinister overcame me. A kind of cold dread of the
whole affair; an uncanny feeling that I was drawn into a fearful
web
of circumstances from which I could not honorably escape, if,
indeed,
I could escape at all. The three Gately rooms, though lighted, felt
dark and eerie. I glanced out of a window. The sky was almost black
and scattering snowflakes were falling. I realized, too, that
though
the place was lighted, the fixtures were those great alabaster
bowls,
and, as they hung from the ceiling, they seemed to give out a
ghostly
radiance that emphasized the strange silence.For,
in my increasingly nervous state, the silence was intensified and
it
seemed the silence of death,—not the mere quiet of an empty
room.I
pulled myself together, for I had not lost all sense of my duty.
I
must do something,
I told myself, sternly,—but what?My
hand crept toward the telephone that lay, turned over on its side,
on
Mr. Gately’s desk.But
I drew back quickly, not so much because of a disinclination to
touch
the thing that had perhaps figured in a tragedy but because of a
dim
instinct of leaving everything untouched as a possible clew.Clew!
The very word helped restore my equilibrium. There had been a crime
of some sort,—at least, there had been a shooting, and I had been
an eye-witness, even if my eyes had seen only shadows.My
rôle, then, was an important one. My duty was to tell what I had
seen and render any assistance I could. But I wouldn’t use that
telephone. It must be out of order, anyway, or the operator
downstairs would be looking after it. I would go back to my own
office and call up somebody. As I crossed the hall, I was still
debating whether that somebody would better be the police or the
bank
people downstairs. The latter, I decided, for it was their place to
look after their president, not mine.I
found Norah putting on her hat. The sight of her shrewd gray eyes
and
intelligent face caused an outburst of confidence, and I told her
the
whole story as fast as I could rattle it out.
“
Oh,
Mr. Brice,” she exclaimed, her eyes wide with excitement, “let me
go over there! May I?”
“
Wait
a minute, Norah: I think I ought to speak to the bank people. I
think
I’ll telephone down and ask if Mr. Gately is down there. You know
it may not have been Mr. Gately at all, whose shadow I
saw——”
“
Ooh,
yes, it was! You couldn’t mistake his head, and, too, who else
would be in there? Please, Mr. Brice, wait just a minute before you
telephone,—let me take one look round,—you don’t want to make
a—to look foolish, you know.”She
had so nearly warned me against making a fool of myself, that I
took
the hint, and I followed her across the hall.She
went in quickly at the door of room number one. One glance around
it
and she said, “This is the first office, you see: callers come
here, the secretary or stenographer takes their names and all that,
and shows them into Mr. Gately’s office.”As
Norah spoke she went on to the second room. Oblivious to its
grandeur
and luxury, she gave swift, darting glances here and there and said
positively: “Of course, it was Mr. Gately who was shot, and by a
woman too!”
“
The
woman who screamed?”
“
No:
more likely not. I expect the woman who screamed was his
stenographer. I know her,—at least, I’ve seen her. A little
doll-faced jig, who belongs about third from the end, in the
chorus!
Be sure she’d scream at the pistol shot, but the lady who fired the
shot wouldn’t.”
“
But
I saw the scrimmage and it was a man who shot.”
“
Are
you sure? That thick, clouded glass blurs a shadow beyond
recognition.”
“
What
makes you think it was a woman, then?”
“
This,”
and Norah pointed to a hatpin that lay on the big desk.It
was a fine-looking pin, with a big head, but when I was about to
pick
it up Norah dissuaded me.
“
Don’t
touch it,” she warned; “you know, Mr. Brice, we’ve really no
right here and we simply must not touch anything.”
“
But,
Norah,” I began, my common sense and good judgment having returned
to me with the advent of human companionship, “I don’t want to do
anything wrong. If we’ve no right here, for Heaven’s sake, let’s
get out!”
“
Yes,
in a minute, but let me think what you ought to do. And, oh, do let
me take a minute to look round!”
“
No,
girl; this is no time to satisfy your curiosity or, to enjoy a
sight
of these——”
“
Oh,
I don’t mean that! But I want to see if there isn’t some clew or
some bit of evidence to the whole thing. It is too weird! too
impossible that three people should have disappeared into
nothingness! Where are they?”Norah
looked in the same closets I had explored; she drew aside window
draperies and portières, she hastily glanced under desks and
tables,
not so much, I felt sure, in expectation of finding anyone, as with
a
general idea of searching the place thoroughly.She
scrutinized the desk fittings of the stenographer.
“
Everything
of the best,” she commented, “but very little real work done up
here. I fancy these offices of Mr. Gately’s are more for private
conferences and personal appointments than any real business
matters.”
“
Which
would account for the lady’s hatpin,” I observed.
“
Yes;
but how did they get out? You looked out in the hall, at once, you
say?”
“
Yes;
I came quickly through these three rooms, and then looked out into
the hall at once, and there was no elevator in sight nor could I
see
anyone on the stairs.”
“
Well,
there’s not much to be seen here. I suppose you’d better call up
the bank people. Though if they thought there was anything queer
they’d be up here by this time.”I
left Norah in Mr. Gately’s rooms while I went back to my own office
and called up the Puritan Trust Company.A
polite voice assured me that they knew nothing of Mr. Gately’s
whereabouts at that moment, but if I would leave a message he would
ultimately receive it.So,
then, I told them, in part, what had happened, or, rather, what I
believed had happened, and still a little unconcerned, the polite
man
agreed to send somebody up.
“
Stuffy
people!” I said to Norah, as I returned to the room she was in.
“They seemed to think me officious.”
“
I
feared they would, Mr. Brice, but you had to do it. There’s no
doubt Mr. Gately left this room in mad haste. See, here’s his
personal checkbook on his desk, and he drew a check
today.”
“
Nothing
remarkable in his drawing a check,” I observed, “but decidedly
peculiar to leave his checkbook around so carelessly. As you say,
Norah, he left in a hurry.”
“
But
how did he leave?”
“
That’s
the mystery; and I, for one, give it up. I’m quite willing to wait
until some greater brain than mine works out the
problem.”
“
But
it’s incomprehensible,” Norah went on; “where’s Jenny?”
“
For
that matter,” I countered, “where’s Mr. Gately? Where’s his
angry visitor, male or female? and, finally, where’s the pistol
that made the sound and smoke of which I had positive
evidence?”
“
We
may find that,” suggested Norah, hopefully.But
careful search failed to discover any firearms, as it had failed to
reveal the actors of the drama.Nor
did the representative from the bank come up at once. This seemed
queer, I thought, and with a sudden impulse to find out something,
I
declared I was going down to the bank myself.
“
Go
on,” said Norah, “I’ll stay here, for I must know what they
find out when they do come.”I
went out into the hall and pushed the “Down” button of the
elevator.
“
Be
careful,” Norah warned me, as the car was heard ascending, “say
very little, Mr. Brice, except to the proper authorities. This may
be
a terrible thing, and you mustn’t get mixed up in it until you know
more about it. You were not only the first to discover the
disappearance,—but you and I are apparently the only ones in this
corridor who know of it yet, we may be——”
“
Suspected
of the abduction of Amos Gately! Hardly! Don’t let your detective
instinct run away with you Norah!”And
then the elevator door slid open and I got into the car.