The Princess and the Goblin E-Book

George MacDonald

• Herausgeber: libreka classics
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2019

Seitenzahl: 259

Beschreibung

The Princess and the Goblin by George MacDonald libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!

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Titel: The Princess and the Goblin

von Scott Hemphill, L. M. Montgomery, L. Frank Baum, John Milton, René Descartes, Baroness Emmuska Orczy Orczy, Karl Marx, Friedrich Engels, Edgar Rice Burroughs, Unknown, Norman F. Joly, Norman Coombs, David Slowinski, Mark Twain, Henry David Thoreau, Stephen Crane, John Goodwin, Nathaniel Hawthorne, Winn Schwartau, Odd De Presno, Sir Walter Scott, Jules Verne, Mary Wollstonecraft Shelley, United States. Central Intelligence Agency, United States, Canada, Willa Sibert Cather, Anthony Hope, Edwin Abbott Abbott, Charles Dickens, Frederick Douglass, William Shakespeare, Bruce Sterling, Franklin Delano Roosevelt, Jane Austen, Thomas Hardy, Sir Arthur Conan Doyle, Edna St. Vincent Millay, Gene Stratton-Porter, Richard McGowan, Frances Hodgson Burnett, United States. Bureau of the Census, Electronic Frontier Foundation, Robert Louis Stevenson, Anonymous, Jerry Bonnell, Robert Nemiroff, Andrew Lang, G. K. Chesterton, John Bunyan, Sunzi 6th cent. B.C., Harold Frederic, Mary Wollstonecraft, Victor Hugo, René Doumic, Upton Sinclair, Virginia Woolf, George Eliot, Thomas Paine, Benjamin Franklin, Plato, Samuel Taylor Coleridge, Ruth M. Sprague, William Dean Howells, Wilkie Collins, Jean Webster, H. G. Wells, Kate Chopin, Mark Eliot Laxer, Louisa May Alcott, Frank Norris, Edith Wharton, S. D. Humphrey, Henry Hunt Snelling, William Morris, Mrs. Susanna Rowson, Christopher Morley, Sax Rohmer, Oscar Wilde, Gaston Leroux, Henry James, Project Gutenberg, Harriet Beecher Stowe, Various, Robert W. Service, A. B. Paterson, Henry Lawson, Jack London, Laozi, D. H. Lawrence, Julius Caesar, Joseph Conrad, W. Somerset Maugham, George MacDonald, Marcus Tullius Cicero, Virgil, Theodore Dreiser, Giuseppe Salza, Rudyard Kipling, ca. 50 BCE-16 BCE Sextus Propertius, Robert A. Harris, William Wells Brown, graf Leo Tolstoy, Omar Khayyám, Michael Hart, Library of Congress. Copyright Office, Coalition for Networked Information, Geoffrey Chaucer, Adam Lindsay Gordon, Hiram Corson, Robert Browning, Amy Lowell, Rupert Brooke, Joyce Kilmer, John Gower, Saki, Kenneth Grahame, Anna Sewell, Martin Luther, Philipp Melanchthon, National Atomic Museum, Alexander William Kinglake, Charles John Cutcliffe Wright Hyne, Amelia Edith Huddleston Barr, James Branch Cabell, Bayard Taylor, Horatio Alger, Booth Tarkington, Hjalmar Hjorth Boyesen, Michael Husted, Émile Gaboriau, Jerome K. Jerome, Stephen Vincent Benét, Edwin Arlington Robinson, J. Frank Dobie, Joseph Rodman Drake, Eliot Gregory, John Fox, John Muir, Richard Harding Davis, Edgar A. Guest, Mary Roberts Rinehart, Thomas Nelson Page, Sir Walter Alexander Raleigh, Rebecca Harding Davis, Charles Alexander Eastman, Zitkala-Sa, Marie L. McLaughlin, J. M. Barrie, Bram Stoker, Hesiod, Edna Ferber, John McCrae, Anna Howard Shaw, Elizabeth Garver Jordan, Frances Jenkins Olcott, P.-J. Proudhon, Eleanor H. Porter, Mary Hunter Austin, Sarah Orne Jewett, Russell Herman Conwell, Daniel Defoe, Henry Benjamin Wheatley, Ambrose Bierce, Nettie Garmer Barker, Martí Joan de Galba, Joanot Martorell, Oliver Goldsmith, Zane Grey, Winston Churchill, Arthur Machen, L. Cranmer-Byng, Torquato Tasso, H. De Vere Stacpoole, Elizabeth Cleghorn Gaskell, Frank Richard Stockton, Rutherford Hayes Platt, Sara Teasdale, Samuel Smiles, W. E. B. Du Bois, Phillis Wheatley, Elbert Hubbard, Richard Jefferies, George Henry Borrow, Sherwood Anderson, Vachel Lindsay, David Graham Phillips, Harry Houdini, Eugene Field, Gustave Le Bon, Henry Brodribb Irving, William Healy, Mary Tenney Healy, Charles Godfrey Leland, Ralph Parlette, Don Marquis, Richard Le Gallienne, Stewart Edward White, Andrew Steinmetz, Madame de La Fayette, Abbé Prévost, Honoré de Balzac, Charles W. Chesnutt, Sara Cone Bryant, William Booth, James Nasmyth, Enrico Ferri, Joe Hutsko, Miriam Michelson, Oliver Optic, Victor MacClure, Calamity Jane, Gertrude Franklin Horn Atherton, Dinah Maria Mulock Craik, Henry J. Coke, Kate Douglas Smith Wiggin, Victor [pseud.] Appleton, Carlo Collodi, Hugh Lofting, John Philip Sousa, Andrew Dickson White, Joseph Sheridan Le Fanu, Isaac Taylor Headland, Amy Steedman, B. M. Bower, William Tuckwell, Clarence Edgar Johnson, Sinclair Lewis, Rex Stout, Carl R. Maag, Steve Rohrer, Mariano Azuela, Royall Tyler, John Buchan, Ross Kay, J. L. Kennon, Eros Urides, Friedrich Schiller, William Cowper Brann, Adelaide L. Fries, Beatrix Potter, Mary Lamb, Charles Lamb, William Blake, Francis Bacon, Samuel Johnson, Tadashi Nakashima, Sidney Lanier, Edward Jenkins, Harriet E. Wilson, Ellen Craft, William Craft, Sir Thomas Browne, Alexander H. Japp, Guy de Maupassant, Thomas Bailey Aldrich, Snorri Sturluson, William Makepeace Thackeray, Fyodor Dostoyevsky, M. G. Lewis, Lucan, Edwin Lester Linden Arnold, Frank Bird Linderman, Tingfang Wu, Baron Alfred Tennyson Tennyson, Japan, Lodovico Ariosto, Alan Seeger, Anthony Trollope, Lewis Carroll, William James, Jonathan Swift, Edward Bellamy, Richard de Bury, Charles Mackay, Eliza Burt Gamble, R. M. Ballantyne, Fanny Van de Grift Stevenson, Mrs. Sutherland Orr, William Sharp, 4th century Smyrnaeus Quintus, Noah Webster, Russ Walter, Plutarch, Charles Kingsley, Frances Ellen Watkins Harper, Sarojini Naidu, Maksim Gorky, Greg Fee, Izaak Walton, U.S. Arms Control and Disarmament Agency, United States. Army. Corps of Engineers. Manhattan District, European Union, Alice Moore Dunbar-Nelson, Bertrand Russell, James Whitcomb Riley, S. Weir Mitchell, Horace Walpole, John Ruskin, Martha Young, Richard Lovelace, Henry Van Dyke, Michael Fairless, E. W. Hornung

ISBN 978-3-7429-0659-5

Alle Rechte vorbehalten.

THE PRINCESS AND THE GOBLIN

by

GEORGE MACDONALD

CONTENTS

1.  

Why the Princess Has a Story About Her

2.  

The Princess Loses Herself

3.  

The Princess and—We Shall See Who

4.  

What the Nurse Thought of It

5.  

The Princess Lets Well Alone

6.  

The Little Miner

7.  

The Mines

8.  

The Goblins

9.  

The Hall of the Goblin Palace

10.  

The Princess's King-Papa

11.  

The Old Lady's Bedroom

12.  

A Short Chapter About Curdie

13.  

The Cobs' Creatures

14.  

That Night Week

15.  

Woven and then Spun

16.  

The Ring

17.  

Springtime

18.  

Curdie's Clue

19.  

Goblin Counsels

20.  

Irene's Clue

21.  

The Escape

22.  

The Old Lady and Curdie

23.  

Curdie and His Mother

24.  

Irene Behaves Like a Princess

25.  

Curdie Comes to Grief

26.  

The Goblin-Miners

27.  

The Goblins in the King's House

28.  

Curdie's Guide

29.  

Masonwork

30.  

The King and the Kiss

31.  

The Subterranean Waters

32.  

The Last Chapter

CHAPTER 1

Why the Princess Has a Story About Her

There was once a little princess whose father was king over a great country full of mountains and valleys. His palace was built upon one of the mountains, and was very grand and beautiful. The princess, whose name was Irene, was born there, but she was sent soon after her birth, because her mother was not very strong, to be brought up by country people in a large house, half castle, half farmhouse, on the side of another mountain, about half-way between its base and its peak.

The princess was a sweet little creature, and at the time my story begins was about eight years old, I think, but she got older very fast. Her face was fair and pretty, with eyes like two bits of night sky, each with a star dissolved in the blue. Those eyes you would have thought must have known they came from there, so often were they turned up in that direction. The ceiling of her nursery was blue, with stars in it, as like the sky as they could make it. But I doubt if ever she saw the real sky with the stars in it, for a reason which I had better mention at once.

These mountains were full of hollow places underneath; huge caverns, and winding ways, some with water running through them, and some shining with all colours of the rainbow when a light was taken in. There would not have been much known about them, had there not been mines there, great deep pits, with long galleries and passages running off from them, which had been dug to get at the ore of which the mountains were full. In the course of digging, the miners came upon many of these natural caverns. A few of them had far-off openings out on the side of a mountain, or into a ravine.

Now in these subterranean caverns lived a strange race of beings, called by some gnomes, by some kobolds, by some goblins. There was a legend current in the country that at one time they lived above ground, and were very like other people. But for some reason or other, concerning which there were different legendary theories, the king had laid what they thought too severe taxes upon them, or had required observances of them they did not like, or had begun to treat them with more severity, in some way or other, and impose stricter laws; and the consequence was that they had all disappeared from the face of the country. According to the legend, however, instead of going to some other country, they had all taken refuge in the subterranean caverns, whence they never came out but at night, and then seldom showed themselves in any numbers, and never to many people at once. It was only in the least frequented and most difficult parts of the mountains that they were said to gather even at night in the open air. Those who had caught sight of any of them said that they had greatly altered in the course of generations; and no wonder, seeing they lived away from the sun, in cold and wet and dark places. They were now, not ordinarily ugly, but either absolutely hideous, or ludicrously grotesque both in face and form. There was no invention, they said, of the most lawless imagination expressed by pen or pencil, that could surpass the extravagance of their appearance. But I suspect those who said so had mistaken some of their animal companions for the goblins themselves—of which more by and by. The goblins themselves were not so far removed from the human as such a description would imply. And as they grew misshapen in body they had grown in knowledge and cleverness, and now were able to do things no mortal could see the possibility of. But as they grew in cunning, they grew in mischief, and their great delight was in every way they could think of to annoy the people who lived in the open-air storey above them. They had enough of affection left for each other to preserve them from being absolutely cruel for cruelty's sake to those that came in their way; but still they so heartily cherished the ancestral grudge against those who occupied their former possessions and especially against the descendants of the king who had caused their expulsion, that they sought every opportunity of tormenting them in ways that were as odd as their inventors; and although dwarfed and misshapen, they had strength equal to their cunning. In the process of time they had got a king and a government of their own, whose chief business, beyond their own simple affairs, was to devise trouble for their neighbours. It will now be pretty evident why the little princess had never seen the sky at night. They were much too afraid of the goblins to let her out of the house then, even in company with ever so many attendants; and they had good reason, as we shall see by and by.

CHAPTER 2

The Princess Loses Herself

I have said the Princess Irene was about eight years old when my story begins. And this is how it begins.

One very wet day, when the mountain was covered with mist which was constantly gathering itself together into raindrops, and pouring down on the roofs of the great old house, whence it fell in a fringe of water from the eaves all round about it, the princess could not of course go out. She got very tired, so tired that even her toys could no longer amuse her. You would wonder at that if I had time to describe to you one half of the toys she had. But then, you wouldn't have the toys themselves, and that makes all the difference: you can't get tired of a thing before you have it. It was a picture, though, worth seeing—the princess sitting in the nursery with the sky ceiling over her head, at a great table covered with her toys. If the artist would like to draw this, I should advise him not to meddle with the toys. I am afraid of attempting to describe them, and I think he had better not try to draw them. He had better not. He can do a thousand things I can't, but I don't think he could draw those toys. No man could better make the princess herself than he could, though—leaning with her back bowed into the back of the chair, her head hanging down, and her hands in her lap, very miserable as she would say herself, not even knowing what she would like, except it were to go out and get thoroughly wet, and catch a particularly nice cold, and have to go to bed and take gruel. The next moment after you see her sitting there, her nurse goes out of the room.

Even that is a change, and the princess wakes up a little, and looks about her. Then she tumbles off her chair and runs out of the door, not the same door the nurse went out of, but one which opened at the foot of a curious old stair of worm-eaten oak, which looked as if never anyone had set foot upon it. She had once before been up six steps, and that was sufficient reason, in such a day, for trying to find out what was at the top of it.

Up and up she ran—such a long way it seemed to her!—until she came to the top of the third flight. There she found the landing was the end of a long passage. Into this she ran. It was full of doors on each side. There were so many that she did not care to open any, but ran on to the end, where she turned into another passage, also full of doors. When she had turned twice more, and still saw doors and only doors about her, she began to get frightened. It was so silent! And all those doors must hide rooms with nobody in them! That was dreadful. Also the rain made a great trampling noise on the roof. She turned and started at full speed, her little footsteps echoing through the sounds of the rain—back for the stairs and her safe nursery. So she thought, but she had lost herself long ago. It doesn't follow that she was lost, because she had lost herself, though.

She ran for some distance, turned several times, and then began to be afraid. Very soon she was sure that she had lost the way back. Rooms everywhere, and no stair! Her little heart beat as fast as her little feet ran, and a lump of tears was growing in her throat. But she was too eager and perhaps too frightened to cry for some time. At last her hope failed her. Nothing but passages and doors everywhere! She threw herself on the floor, and burst into a wailing cry broken by sobs.

She did not cry long, however, for she was as brave as could be expected of a princess of her age. After a good cry, she got up, and brushed the dust from her frock. Oh, what old dust it was! Then she wiped her eyes with her hands, for princesses don't always have their handkerchiefs in their pockets, any more than some other little girls I know of. Next, like a true princess, she resolved on going wisely to work to find her way back: she would walk through the passages, and look in every direction for the stair. This she did, but without success. She went over the same ground again an again without knowing it, for the passages and doors were all alike. At last, in a corner, through a half-open door, she did see a stair. But alas! it went the wrong way: instead of going down, it went up. Frightened as she was, however, she could not help wishing to see where yet further the stair could lead. It was very narrow, and so steep that she went on like a four-legged creature on her hands and feet.

CHAPTER 3

The Princess and—We Shall See Who

When she came to the top, she found herself in a little square place, with three doors, two opposite each other, and one opposite the top of the stair. She stood for a moment, without an idea in her little head what to do next. But as she stood, she began to hear a curious humming sound. Could it be the rain? No. It was much more gentle, and even monotonous than the sound of the rain, which now she scarcely heard. The low sweet humming sound went on, sometimes stopping for a little while and then beginning again. It was more like the hum of a very happy bee that had found a rich well of honey in some globular flower, than anything else I can think of at this moment. Where could it come from? She laid her ear first to one of the doors to hearken if it was there—then to another. When she laid her ear against the third door, there could be no doubt where it came from: it must be from something in that room. What could it be? She was rather afraid, but her curiosity was stronger than her fear, and she opened the door very gently and peeped in. What do you think she saw? A very old lady who sat spinning.

Perhaps you will wonder how the princess could tell that the old lady was an old lady, when I inform you that not only was she beautiful, but her skin was smooth and white. I will tell you more. Her hair was combed back from her forehead and face, and hung loose far down and all over her back. That is not much like an old lady—is it? Ah! but it was white almost as snow. And although her face was so smooth, her eyes looked so wise that you could not have helped seeing she must be old. The princess, though she could not have told you why, did think her very old indeed—quite fifty, she said to herself. But she was rather older than that, as you shall hear.

While the princess stared bewildered, with her head just inside the door, the old lady lifted hers, and said, in a sweet, but old and rather shaky voice, which mingled very pleasantly with the continued hum of her wheel:

'Come in, my dear; come in. I am glad to see you.'

That the princess was a real princess you might see now quite plainly; for she didn't hang on to the handle of the door, and stare without moving, as I have known some do who ought to have been princesses but were only rather vulgar little girls. She did as she was told, stepped inside the door at once, and shut it gently behind her.

'Come to me, my dear,' said the old lady.

And again the princess did as she was told. She approached the old lady—rather slowly, I confess—but did not stop until she stood by her side, and looked up in her face with her blue eyes and the two melted stars in them.

'Why, what have you been doing with your eyes, child?' asked the old lady.

'Crying,' answered the princess.

'Why, child?'

'Because I couldn't find my way down again.'

'But you could find your way up.'

'Not at first—not for a long time.'

'But your face is streaked like the back of a zebra. Hadn't you a handkerchief to wipe your eyes with?'

'No.'

'Then why didn't you come to me to wipe them for you?'

'Please, I didn't know you were here. I will next time.'

'There's a good child!' said the old lady.

Then she stopped her wheel, and rose, and, going out of the room, returned with a little silver basin and a soft white towel, with which she washed and wiped the bright little face. And the princess thought her hands were so smooth and nice!

When she carried away the basin and towel, the little princess wondered to see how straight and tall she was, for, although she was so old, she didn't stoop a bit. She was dressed in black velvet with thick white heavy-looking lace about it; and on the black dress her hair shone like silver. There was hardly any more furniture in the room than there might have been in that of the poorest old woman who made her bread by her spinning. There was no carpet on the floor—no table anywhere—nothing but the spinning-wheel and the chair beside it. When she came back, she sat down and without a word began her spinning once more, while Irene, who had never seen a spinning-wheel, stood by her side and looked on. When the old lady had got her thread fairly going again, she said to the princess, but without looking at her:

'Do you know my name, child?'

'No, I don't know it,' answered the princess.

'My name is Irene.'

'That's my name!' cried the princess.

'I know that. I let you have mine. I haven't got your name. You've got mine.'

'How can that be?' asked the princess, bewildered. 'I've always had my name.'

'Your papa, the king, asked me if I had any objection to your having it; and, of course, I hadn't. I let you have it with pleasure.'

'It was very kind of you to give me your name—and such a pretty one,' said the princess.

'Oh, not so very kind!' said the old lady. 'A name is one of those things one can give away and keep all the same. I have a good many such things. Wouldn't you like to know who I am, child?'

'Yes, that I should—very much.'

'I'm your great-great-grandmother,' said the lady.

'What's that?' asked the princess.

'I'm your father's mother's father's mother.'

'Oh, dear! I can't understand that,' said the princess.

'I dare say not. I didn't expect you would. But that's no reason why I shouldn't say it.'

'Oh, no!' answered the princess.

'I will explain it all to you when you are older,' the lady went on. 'But you will be able to understand this much now: I came here to take care of you.'

'Is it long since you came? Was it yesterday? Or was it today, because it was so wet that I couldn't get out?'

'I've been here ever since you came yourself.'

'What a long time!' said the princess. 'I don't remember it at all.'

'No. I suppose not.'

'But I never saw you before.'

'No. But you shall see me again.'

'Do you live in this room always?'

'I don't sleep in it. I sleep on the opposite side of the landing. I sit here most of the day.'

'I shouldn't like it. My nursery is much prettier. You must be a queen too, if you are my great big grand-mother.'

'Yes, I am a queen.'

'Where is your crown, then?' 'In my bedroom.'

'I should like to see it.'

'You shall some day—not today.'

'I wonder why nursie never told me.'

'Nursie doesn't know. She never saw me.'

'But somebody knows that you are in the house?'

'No; nobody.'

'How do you get your dinner, then?'

'I keep poultry—of a sort.'

'Where do you keep them?'

'I will show you.'

'And who makes the chicken broth for you?'

'I never kill any of MY chickens.'

'Then I can't understand.'

'What did you have for breakfast this morning?' asked the lady.

'Oh! I had bread and milk, and an egg—I dare say you eat their eggs.'

'Yes, that's it. I eat their eggs.'

'Is that what makes your hair so white?'

'No, my dear. It's old age. I am very old.'

'I thought so. Are you fifty?'

'Yes—more than that.'

'Are you a hundred?'

'Yes—more than that. I am too old for you to guess. Come and see my chickens.'

Again she stopped her spinning. She rose, took the princess by the hand, led her out of the room, and opened the door opposite the stair. The princess expected to see a lot of hens and chickens, but instead of that, she saw the blue sky first, and then the roofs of the house, with a multitude of the loveliest pigeons, mostly white, but of all colours, walking about, making bows to each other, and talking a language she could not understand. She clapped her hands with delight, and up rose such a flapping of wings that she in her turn was startled.

'You've frightened my poultry,' said the old lady, smiling.

'And they've frightened me,' said the princess, smiling too. 'But what very nice poultry! Are the eggs nice?'

'Yes, very nice.' 'What a small egg-spoon you must have! Wouldn't it be better to keep hens, and get bigger eggs?'

'How should I feed them, though?'

'I see,' said the princess. 'The pigeons feed themselves. They've got wings.'

'Just so. If they couldn't fly, I couldn't eat their eggs.'

'But how do you get at the eggs? Where are their nests?'

The lady took hold of a little loop of string in the wall at the side of the door and, lifting a shutter, showed a great many pigeon-holes with nests, some with young ones and some with eggs in them. The birds came in at the other side, and she took out the eggs on this side. She closed it again quickly, lest the young ones should be frightened.

'Oh, what a nice way!' cried the princess. 'Will you give me an egg to eat? I'm rather hungry.'

'I will some day, but now you must go back, or nursie will be miserable about you. I dare say she's looking for you everywhere.'

'Except here,' answered the princess. 'Oh, how surprised she will be when I tell her about my great big grand-grand-mother!'

'Yes, that she will!' said the old lady with a curious smile. 'Mind you tell her all about it exactly.'

'That I will. Please will you take me back to her?'

'I can't go all the way, but I will take you to the top of the stair, and then you must run down quite fast into your own room.'

The little princess put her hand in the old lady's, who, looking this way and that, brought her to the top of the first stair, and thence to the bottom of the second, and did not leave her till she saw her half-way down the third. When she heard the cry of her nurse's pleasure at finding her, she turned and walked up the stairs again, very fast indeed for such a very great grandmother, and sat down to her spinning with another strange smile on her sweet old face.

About this spinning of hers I will tell you more another time.

Guess what she was spinning.

CHAPTER 4

What the Nurse Thought of It

'Why, where can you have been, princess?' asked the nurse, taking her in her arms. 'It's very unkind of you to hide away so long. I began to be afraid—' Here she checked herself.

'What were you afraid of, nursie?' asked the princess.

'Never mind,' she answered. 'Perhaps I will tell you another day. Now tell me where you have been.'

'I've been up a long way to see my very great, huge, old grandmother,' said the princess.

'What do you mean by that?' asked the nurse, who thought she was making fun.

'I mean that I've been a long way up and up to see My GREAT grandmother. Ah, nursie, you don't know what a beautiful mother of grandmothers I've got upstairs. She is such an old lady, with such lovely white hair—as white as my silver cup. Now, when I think of it, I think her hair must be silver.'

'What nonsense you are talking, princess!' said the nurse.

'I'm not talking nonsense,' returned Irene, rather offended. 'I will tell you all about her. She's much taller than you, and much prettier.'

'Oh, I dare say!' remarked the nurse.

'And she lives upon pigeons' eggs.'

'Most likely,' said the nurse.

'And she sits in an empty room, spin-spinning all day long.'

'Not a doubt of it,' said the nurse.

'And she keeps her crown in her bedroom.'

'Of course—quite the proper place to keep her crown in. She wears it in bed, I'll be bound.'

'She didn't say that. And I don't think she does. That wouldn't be comfortable—would it? I don't think my papa wears his crown for a night-cap. Does he, nursie?'

'I never asked him. I dare say he does.'

'And she's been there ever since I came here—ever so many years.'

'Anybody could have told you that,' said the nurse, who did not believe a word Irene was saying.

'Why didn't you tell me, then?'

'There was no necessity. You could make it all up for yourself.'

'You don't believe me, then!' exclaimed the princess, astonished and angry, as she well might be.

'Did you expect me to believe you, princess?' asked the nurse coldly. 'I know princesses are in the habit of telling make-believes, but you are the first I ever heard of who expected to have them believed,' she added, seeing that the child was strangely in earnest.

The princess burst into tears.

'Well, I must say,' remarked the nurse, now thoroughly vexed with her for crying, 'it is not at all becoming in a princess to tell stories and expect to be believed just because she is a princess.'

'But it's quite true, I tell you.'

'You've dreamt it, then, child.'

'No, I didn't dream it. I went upstairs, and I lost myself, and if I hadn't found the beautiful lady, I should never have found myself.'

'Oh, I dare say!'

'Well, you just come up with me, and see if I'm not telling the truth.'

'Indeed I have other work to do. It's your dinnertime, and I won't have any more such nonsense.'

The princess wiped her eyes, and her face grew so hot that they were soon quite dry. She sat down to her dinner, but ate next to nothing. Not to be believed does not at all agree with princesses: for a real princess cannot tell a lie. So all the afternoon she did not speak a word. Only when the nurse spoke to her, she answered her, for a real princess is never rude—even when she does well to be offended.

Of course the nurse was not comfortable in her mind—not that she suspected the least truth in Irene's story, but that she loved her dearly, and was vexed with herself for having been cross to her. She thought her crossness was the cause of the princess's unhappiness, and had no idea that she was really and deeply hurt at not being believed. But, as it became more and more plain during the evening in her every motion and look, that, although she tried to amuse herself with her toys, her heart was too vexed and troubled to enjoy them, her nurse's discomfort grew and grew. When bedtime came, she undressed and laid her down, but the child, instead of holding up her little mouth to be kissed, turned away from her and lay still. Then nursie's heart gave way altogether, and she began to cry. At the sound of her first sob the princess turned again, and held her face to kiss her as usual. But the nurse had her handkerchief to her eyes, and did not see the movement.

'Nursie,' said the princess, 'why won't you believe me?'

'Because I can't believe you,' said the nurse, getting angry again.

'Ah! then, you can't help it,' said Irene, 'and I will not be vexed with you any more. I will give you a kiss and go to sleep.'

'You little angel!' cried the nurse, and caught her out of bed, and walked about the room with her in her arms, kissing and hugging her.