The Shining Pyramid E-Book

ARTHUR MACHEN

• Herausgeber: Parthian Books
• Kategorie: Abenteuer, Thriller, Horror
• Sprache: Englisch
• Veröffentlichungsjahr: 2015

Seitenzahl: 57

Beschreibung

Strange arrangements of stones appear at the edge of a young man's property. When he and a friend attempt to decipher their meaning, they uncover something ancient dwelling deep underground - something best left untouched ... Originally published in 1895, this classic tale of subterranean prehistoric entities was acclaimed by genre legends such as H. P. Lovecraft and Robert E. Howard, so much so that the latter would later write and publish a sequel of sorts - 'The Little People' - in 1970.

Leseprobe

Contents

Title PageAbout Arthur MachenTHE SHINING PYRAMIDI. The Arrowhead CharacterII. The Eyes on the WallIII. The Search for the BowlIV. The Secret of the PyramidV. The Little PeopleNotes on the text 2AcknowledgementsThe Friends of Arthur MachenCopyright

THE SHINING PYRAMID

Arthur Machen

Arthur Machen wasborn in 1863 in Caerleon, Gwent. His father, vicar of the small parish of Llanddewi Fach, was unable to fund Machen’s full education and withdrew his son from Hereford Cathedral School, effectively ending his chances of university and ordination. Instead, Machen moved to London with hopes of a literary career, sparked by his private publication of 100 copies of the long poem ‘Eleusinia’. He took up a variety of writing commissions including translatingThe Memoirs of Jacques Casanova, as well as cataloguing an enormous body of works on the occult. His first authored book,The Anatomy of Tobacco, was published in 1884, but it was in the 1890s that Machen achieved literary success and a reputation as a leading author of gothic texts. In this decade he publishedThe Great God Pan,‘The Shining Pyramid’ andThe Three Impostors, but also wrote several of his most famous works, includingThe Hill of Dreams, ‘The White People’ and ‘The Secret Glory’. Machen gained widespread notoriety in 1914 with the publication of his story ‘The Bowmen’, describing the spectral appearance of the bowmen of Agincourt in the trenches of the First World War.

Machen’s work bears the imprint of the Welsh border country of his upbringing, and his native Caerleon, with its links to both Roman history and the myth of King Arthur’s Round Table; the occult and gothic works of thefin de siècle; his self-avowed ‘Celtic’ identity; and literary London. He published three volumes of autobiography:Far Off Things(1922),Things Near and Far(1923) andThe London Adventure(1924). Arthur Machen died in 1947 aged 84; and maintains a loyal and international following to this day.

THESHINING PYRAMID

I

The Arrowhead Character

‘Haunted, you said?’

‘Yes, haunted. Don’t you remember, when I saw you three years ago, you told me about your place in the west with the ancient woods hanging all about it, and the wild, domed hills, and the ragged land? It has always remained a sort of enchanted picture in my mind as I sit at my desk and hear the traffic rattling in the street in the midst of whirling London1. But when did you come up?’

‘The fact is, Dyson, I have only just got out of the train. I drove to the station early this morning and caught the 10.45.’

‘Well, I am very glad you looked in on me. How have you been getting on since we last met? There is no Mrs Vaughan, I suppose?’

‘No,’ said Vaughan, ‘I am still a hermit, like yourself. I have done nothing but loaf about.’

Vaughan had lit his pipe and sat in the elbow chair, fidgeting and glancing about him in a somewhat dazed and restless manner. Dyson had wheeled round his chair when his visitor entered and sat with one arm fondly reclining on the desk of his bureau, and touching the litter of manuscript.

‘And you are still engaged in the old task?’ said Vaughan, pointing to the pile of papers and the teeming pigeonholes.

‘Yes, the vain pursuit of literature, as idle as alchemy, and as entrancing. But you have come to town for some time I suppose; what shall we do tonight?’

‘Well, I rather wanted you to try a few days with me down in the west. It would do you a lot of good, I’m sure.’ ‘You are very kind, Vaughan, but London in September is hard to leave. Doré could not have designed anything more wonderful and mystic than Oxford Street as I saw it the other evening2; the sunset flaming, the blue haze transmuting the plain street into a road “far in the spiritual city”3.’

‘I should like you to come down though. You would enjoy roaming over our hills. Does this racket go on all day and all night? It quite bewilders me; I wonder how you can work through it. I am sure you would revel in the great peace of my old home among the woods.’

Vaughan lit his pipe again, and looked anxiously at Dyson to see if his inducements had had any effect, but the man of letters shook his head, smiling, and vowed in his heart a firm allegiance to the streets.

‘You cannot tempt me,’ he said.

‘Well, you may be right. Perhaps, after all, I was wrong to speak of the peace of the country. There, when a tragedy does occur, it is like a stone thrown into a pond4; the circles of disturbance keep on widening, and it seems as if the water would never be still again.’

‘Have you ever any tragedies where you are?’

‘I can hardly say that. But I was a good deal disturbed about a month ago by something that happened; it may or may not have been a tragedy in the usual sense of the word.’

‘What was the occurrence?’

‘Well, the fact is a girl disappeared in a way which seems highly mysterious5. Her parents, people of the name of Trevor, are well-to-do farmers, and their eldest daughter Annie was a sort of village beauty; she was really remarkably handsome. One afternoon she thought she would go and see her aunt, a widow who farms her own land, and as the two houses are only about five or six miles apart, she started off, telling her parents she would take the short cut over the hills. She never got to her aunt’s, and she never was seen again. That’s putting it in a few words.’

‘What an extraordinary thing! I suppose there are no disused mines, are there, on the hills? I don’t think you quite run to anything so formidable as a precipice?’

‘No; the path the girl must have taken had no pitfalls of any description; it is just a track over wild, bare hillside, far, even, from a byroad. One may walk for miles without meeting a soul, but it is all perfectly safe.’

‘And what do people say about it?’

‘Oh, they talk nonsense – among themselves. You have no notion as to how superstitious English cottagers are in out-of-the-way parts like mine. They are as bad as the Irish, every whit, and even more secretive.’

‘But what do they say?’

‘Oh, the poor girl is supposed to have “gone with the fairies”, or to have been “taken by the fairies”. Such stuff!’ he went on, ‘one would laugh if it were not for the real tragedy of the case.’

Dyson looked somewhat interested.

‘Yes,’ he said, ‘“fairies” certainly strike a little curiously on the ear in these days. But what do the police say? I presume they do not accept the fairy-tale hypothesis?’