The Spectacles E-Book

Edgar Allan Poe

• Herausgeber: SAMPI Books
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2024

Beschreibung

In Edgar Allan Poe's "The Spectacles", a vain young man, neglecting his need for glasses, falls in love at first sight. He later discovers that the woman he has fallen in love with is his great-grandmother, revealing a biting irony about perception and reality.

Leseprobe

The Spectacles

Edgar Allan Poe

SYNOPSIS

In Edgar Allan Poe's "The Spectacles", a vain young man, neglecting his need for glasses, falls in love at first sight. He later discovers that the woman he has fallen in love with is his great-grandmother, revealing a biting irony about perception and reality.

Keywords

Love, Illusion, Irony

NOTICE

This text is a work in the public domain and reflects the norms, values and perspectives of its time. Some readers may find parts of this content offensive or disturbing, given the evolution in social norms and in our collective understanding of issues of equality, human rights and mutual respect. We ask readers to approach this material with an understanding of the historical era in which it was written, recognizing that it may contain language, ideas or descriptions that are incompatible with today's ethical and moral standards.

Names from foreign languages will be preserved in their original form, with no translation.

The Spectacles

Many years ago, it was the fashion to ridicule the idea of “love at first sight;” but those who think, not less than those who feel deeply, have always advocated its existence. Modern discoveries, indeed, in what may be termed ethical magnetism or magnetoesthetics, render it probable that the most natural, and, consequently, the truest and most intense of the human affections are those which arise in the heart as if by electric sympathy—in a word, that the brightest and most enduring of the psychal fetters are those which are riveted by a glance. The confession I am about to make will add another to the already almost innumerable instances of the truth of the position.

My story requires that I should be somewhat minute. I am still a very young man—not yet twenty-two years of age. My name, at present, is a very usual and rather plebeian one—Simpson. I say “at present;” for it is only lately that I have been so called—having legislatively adopted this surname within the last year in order to receive a large inheritance left me by a distant male relative, Adolphus Simpson, Esq. The bequest was conditioned upon my taking the name of the testator, —the family, not the Christian name; my Christian name is Napoleon Bonaparte—or, more properly, these are my first and middle appellations.

I assumed the name, Simpson, with some reluctance, as in my true patronym, Froissart, I felt a very pardonable pride—believing that I could trace a descent from the immortal author of the “Chronicles.” While on the subject of names, by the bye, I may mention a singular coincidence of sound attending the names of some of my immediate predecessors. My father was a Monsieur Froissart, of Paris. His wife—my mother, whom he married at fifteen—was a Mademoiselle Croissart, eldest daughter of Croissart the banker, whose wife, again, being only sixteen when married, was the eldest daughter of one Victor Voissart. Monsieur Voissart, very singularly, had married a lady of similar name—a Mademoiselle Moissart. She, too, was quite a child when married; and her mother, also, Madame Moissart, was only fourteen when led to the altar. These early marriages are usual in France. Here, however, are Moissart, Voissart, Croissart, and Froissart, all in the direct line of descent. My own name, though, as I say, became Simpson, by act of Legislature, and with so much repugnance on my part, that, at one period, I actually hesitated about accepting the legacy with the useless and annoying proviso attached.

As to personal endowments, I am by no means deficient. On the contrary, I believe that I am well made, and possess what nine tenths of the world would call a handsome face. In height I am five feet eleven. My hair is black and curling. My nose is sufficiently good. My eyes are large and gray; and although, in fact they are weak to a very inconvenient degree, still no defect in this regard would be suspected from their appearance. The weakness itself, however, has always much annoyed me, and I have resorted to every remedy—short of wearing glasses. Being youthful and good-looking, I naturally dislike these, and have resolutely refused to employ them. I know nothing, indeed, which so disfigures the countenance of a young person, or so impresses every feature with an air of demureness, if not altogether of sanctimoniousness and of age. An eyeglass, on the other hand, has a savor of downright foppery and affectation. I have hitherto managed as well as I could without either. But something too much of these merely personal details, which, after all, are of little importance. I will content myself with saying, in addition, that my temperament is sanguine, rash, ardent, enthusiastic—and that all my life I have been a devoted admirer of the women.

One night last winter I entered a box at the P—— Theatre, in company with a friend, Mr. Talbot. It was an opera night, and the bills presented a very rare attraction, so that the house was excessively crowded. We were in time, however, to obtain the front seats which had been reserved for us, and into which, with some little difficulty, we elbowed our way.

For two hours my companion, who was a musical fanatico, gave his undivided attention to the stage; and, in the meantime, I amused myself by observing the audience, which consisted, in chief part, of the very elite of the city. Having satisfied myself upon this point, I was about turning my eyes to the prima donna, when they were arrested and riveted by a figure in one of the private boxes which had escaped my observation.