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Katharine Tynan

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Beschreibung

Katharine Tynan's "The Story of Bawn" is a captivating novel set against the lush backdrop of rural Ireland, weaving a tale of love, loss, and the complexities of human relationships. Tynan employs a lyrical prose style that reflects the natural beauty and cultural richness of her homeland, creating an immersive experience for the reader. The novel resonates with themes of identity and belonging, delving deep into the psychological landscapes of its characters while also examining the social changes of early 20th-century Ireland, a period marked by both awakening and turmoil. Katharine Tynan, a prolific writer and poet, was steeped in the cultural and political currents of her time. Born in 1861, her extensive body of work reflects her deep connections to Irish nationalism and the struggles for independence. Her lived experiences, including her encounters with the Irish literary revival and friendships with notable figures such as W.B. Yeats, greatly shaped her perspective. These influences are palpable in "The Story of Bawn," as Tynan intricately threads her emotional truths through the narrative. This book is a remarkable exploration for readers seeking profound character studies intertwined with historical context. Tynan's ability to evoke the spirit of Ireland alongside rich character development makes "The Story of Bawn" an essential read for those interested in literary traditions and the depths of human emotion.

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Veröffentlichungsjahr: 2022

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Katharine Tynan

The Story of Bawn

 
EAN 8596547344018
DigiCat, 2022 Contact: [email protected]

Table of Contents

CHAPTER I
MYSELF
CHAPTER II
THE GHOSTS
CHAPTER III
THE CREAMERY
CHAPTER IV
RICHARD DAWSON
CHAPTER V
THE NURSE
CHAPTER VI
ONE SIDE OF A STORY
CHAPTER VII
OLD, UNHAPPY, FAR-OFF THINGS
CHAPTER VIII
THE STILE IN THE WOOD
CHAPTER IX
A ROUGH LOVER
CHAPTER X
THE TRAP
CHAPTER XI
THE FRIEND
CHAPTER XII
THE ENEMY
CHAPTER XIII
ENLIGHTENMENT
CHAPTER XIV
THE MINIATURE
CHAPTER XV
THE EMPTY HOUSE
CHAPTER XVI
THE PORTRAIT
CHAPTER XVII
THE WILL OF OTHERS
CHAPTER XVIII.
FLIGHT
CHAPTER XIX
THE CRYING IN THE NIGHT
CHAPTER XX
AN EAVESDROPPER
CHAPTER XXI
THE NEW MAID
CHAPTER XXII
THE DINNER-PARTY
CHAPTER XXIII
THE BARGAIN
CHAPTER XXIV
THE BLOW FALLS
CHAPTER XXV
THE LOVER
CHAPTER XXVI
THE TRIBUNAL
CHAPTER XXVII
BROSNA
CHAPTER XXVIII
THE QUICK AND THE DEAD
CHAPTER XXIX
THE SICKNESS
CHAPTER XXX
THE DARK DAYS
CHAPTER XXXI
THE WEDDING-DRESS
CHAPTER XXXII
THE NEW HOME
CHAPTER XXXIII
THE END OF IT
CHAPTER XXXIV
THE KNOCKING AT THE DOOR
CHAPTER XXXV
THE MESSENGER
CHAPTER XXXVI
THE OLD LOVERS
CHAPTER XXXVII
THE JUDGMENT OF GOD
CHAPTER XXXVIII
CONFESSION
CHAPTER XXXIX
THE BRIDEGROOM COMES
CHAPTER XL
KING COPHETUA

CHAPTER I

Table of Contents

MYSELF

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I am Bawn Devereux, and I have lived as long as I remember at Aghadoe Abbey with my grandfather and grandmother, the Lord and Lady St. Leger.

At one time we were a family of five. There was my Uncle Luke, and there was my cousin Theobald.

Theobald was my boy cousin, and we played together up and down the long corridors in winter, and in the darkness of the underground passage, in summer in the woods and shrubberies and gardens, and we were happy together.

I was eager to please Theobald, and I put away from me my natural shrinkings from things he did not mind, lest he should despise me and be dissatisfied with me, longing for a boy's company. I would do all he did, and I must have been a famous tomboy. But my reward was that he never seemed to desire other company than mine.

Once, indeed, I remember that when he handed me live bait to put upon the hook I turned suddenly pale and burst into tears.

When I had done it I looked at him apprehensively, dreading to see his contempt written in his face, but there was no such thing. There was instead the dawn of a new feeling. My cousin's face wore such an expression as I had never seen in it before. He was at this time a tall boy of fifteen, and Bridget Connor, my grandmother's maid, was making me my first long frock.

He looked at me with that strange expression, and he said, "Poor little Bawn!"

It was the beginning of the new order of things in which I fagged for him no more, but was spared the labours and fatigues I had endured cheerfully during our early years. Indeed, I often wonder now at the things I did for him, such things as the feminine nature turns from with horror, although they seem to come naturally enough to a boy.

That day I heard my grandfather and grandmother discussing me.

Theobald was playing in a cricket match in the neighbourhood, and I was at home, reading in one of the recesses of the library. The book was Thackeray's "Henry Esmond," and I was so lost in the romance and tenderness of it—I was at that chapter where Harry returns bringing his sheaves with him—that I did not notice what they were saying till my own name caught my ears.

I remember that the afternoon had come on wet, and that while I read the wet branches of the lilac beat against the leaded window. I could see the flowers through an open pane, and smell their delightful perfume. There was an apple tree in view, too, with all its blossoms hanging in pink limpness.

I had forgotten my grandfather and grandmother sitting by the library fire, within the hooded settle that made the fireside like a little room; and they had forgotten my presence, if indeed they had known of it.

"Bawn is the very moral of what I was at her age," my grandmother said. "Have you noticed, Toby"—my grandfather also was a Theobald—"how tall she grows? And how she sways in walking like a poplar tree? She has my complexion before it ran in streaks, and my hair before it faded, and my eyes before they were dim. She has the carriage of the head which made them call me the Swan of Dunclody. She will be fifteen come Michaelmas, and she shall have my pearls for her neck."

I heard her in an excessive surprise. My grandmother had been esteemed a great beauty in her day and had been sung by the ballad-singers. Was it possible that my looks could be like hers? I had not thought about them hitherto any more than my cousin had about his. It was with almost a sense of relief that I heard my grandfather's reply.

"The child is well enough," he said, "but as for being so like you, that she is not, nor ever will have your share of beauty. As for your spoilt roses I do not see them, nor the dimmed eyes, nor the faded hair. You were lovely when I saw you first, and you are no less lovely in my sight to-day."

"In your sight—at seventy!" my grandmother said; and I could picture to myself the well-pleased expression of her dear face.

As for my Uncle Luke, of him I have but a dim memory, yet it is of something bonny. To be sure I have his picture in my grandmother's boudoir to remind me of him, a fair, full-lipped, smiling and merry face, with dark brown hair which would have curled if it were permitted. His comeliness survived even the hideous fashion of men's dress of his day, and my memory of him is of one in riding-breeches and a scarlet coat, for I think that must have been how I saw him oftenest.

He used to lift me to his shoulders and let me climb upon his head, and I remember that it seemed very fine to me to survey the world from that eminence.

I could have been no more than six years of age when my Uncle Luke vanished out of my surroundings.

At that time Theobald had not come to be an inmate of Aghadoe, and I noticed things as an over-wise child, accustomed to the society of its elders, will.

I often wondered about it in later years. I had no memory of a wake and a funeral, and I think if these things had been I should have known. But there was a period of trouble in which I was packed away to my nursery and the companionship of Maureen Kelly, our old nurse.

When I emerged from that it was to find my grandfather stern and sad, and my grandmother with a scared look and the roses of her cheeks faded.

And for long the shadow lay over Aghadoe. But in course of time people grew used to it as they will to all things, and my grandfather took snuff and played whist with his cronies, and drank his French claret, and rode to hounds, as he had been used; and my grandmother played on the harp to him of evenings when we were alone, and walked with him and talked to him, and saw to the affairs of her household, as though the machinery of life had not for a period run slow and heavy.

CHAPTER II

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THE GHOSTS

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We were very old-fashioned at Aghadoe Abbey and satisfied with old-fashioned ways. There was a great deal of talk about opening up the country, and even the gentry were full of it, but my grandfather would take snuff and look scornful.

"And when you have opened it up," he said, "you will let in the devil and all his angels."

It was certainly true that the people had hitherto been kind and innocent, so that any change might be for the worse, yet I was a little curious about what lay out in the world beyond our hills. And now it was no great journey to see, for they had opened a light railway, and from the front of the house we could see beyond the lake and the park, through the opening where the Purple Hill rises, that weird thing which rushes round the base of the hill half a dozen times a day before it climbs with no effort to the gorge between the hills and makes its way into the world. It does not even go by steam, so the thing was a great marvel to us and our people, to whom steam was quite marvel enough.

My grandfather at first would not even look on it. I have seen him turn away sharply from the window to avoid seeing it. When we went out to drive we turned our backs upon it, my grandfather saying that he would not insult his horses by letting them look at it, and indeed I think that, old as they were, yet having blood in them they would curvet a bit if they saw anything so strange to them.

There is one thing the light railway has done, and that is to give the people a market for their goods. We were all much poorer than we once were, except Mr. Dawson, who made his money by money-lending in Dublin and London; but even with Mr. Dawson's big house we did not make a market for the countryside.

Besides, there was a stir among the people there used not to be. They were spinning and weaving in their cottages, and they were rearing fowl and growing fruit and flowers.

The things which before the peasant children did for sport they now did for profit as well. It caused the greatest surprise in the minds of the people when they discovered that anybody could want their blackberries and their mushrooms; that money was to be made out of even the gathering of shamrocks. They thought that people out in the world who were ready to pay money for such things must be very queer people indeed. But since there were "such quare ould oddities," it was just as well, since they made life easier for the poor.

Another thing was that a creamery had been started at Araglin, only a mile or two from us, and the girls went there from the farms to learn the trade of dairying.

If it were not for the light railway none of these things would have been possible, and so I forgave it that it flew with a shriek round the base of the Purple Hill, setting all the mountains rattling with echoes, and disturbing the water fowl on the lakes and the song-birds in the woods, the eagle in his eyrie, and the wild red deer, to say nothing of the innumerable grouse and partridges and black cock and plover and hares and rabbits on the mountain-side.

My grandmother was not as angry against the light railway as my grandfather; she used to say that we must go with the times, and she was glad the people were stirring since it kept their thoughts from turning to America. She had been talked over by Miss Champion, my godmother and the greatest friend we have. And Miss Champion was always on the side of the people, and had even persuaded my grandmother to let her have some of her famous recipes, such as those for elder and blackberry wine, and for various preserves, and for fine soaps and washes for the skin, so that the people might know them and make more money.

"Every one makes money except the gentry," my grandfather grumbled, "and we grow poorer year by year."

My grandfather talked freely in my presence; and I knew that Aghadoe Abbey was mortgaged to the doors and that the mortgages would be foreclosed at my grandfather's death. They kept nothing from me, and my grandmother has said to me with a watery smile: "If I survive your grandfather, Bawn, my dear, you and I will have to find genteel lodgings in Dublin. It would be a strange thing for a Lady St. Leger to come down from Aghadoe Abbey to that. To be sure there was once a Countess went ballad-singing in the streets of Cork."

"That day is far away," I answered. "And when it comes there will be no genteel lodgings, but Theobald and I will take care of you somewhere. In a little house it may be, but one with a garden where you can walk in the sun in winter mornings as you do now, and prod at the weeds in the path as you do now with your silver-headed cane."

"If I could survive your grandfather," she said, turning away her head, "my heart would break to leave Aghadoe. I ask nothing of you and Theobald, Bawn, but that you should take care of each other when we are gone. It is not right that the old should burden the young."

I have always known, or at least since I was capable of entertaining such things, that our grandparents destined Theobald and me for each other. I have no love for Theobald such as I find in my books, but I have a great affection for him as the dearest of brothers.

I have not said before that he is a soldier. What else should he be but a soldier? Since there have always been soldiers in the family, and my grandfather could not have borne him to be anything else.

Dear Theobald, how brave and simple and kind he was!

I have said nothing about the ghosts of Aghadoe Abbey, but it has many ghosts, or it had.

First and foremost there is the Lord St. Leger, who was killed in a Dublin street brawl a hundred years ago, who will come driving home at midnight headless in his coach, and the coachman driving him also headless, carrying his head under his arm. That is not a very pleasant thing to see enter as the gates swing open of themselves to let the ghost through.

Then there is the ghost of the woman who cries outside in the shrubbery. I have seen her myself in a glint of the moonlight, her black hair covering her face as she bends to the earth, incessantly seeking something among the dead leaves, which she cannot discover, and for which she cries.

And again, there is the lady who goes down the stairs, down, down, through the underground passage, and yet lower to the well that lies under the house, and is seen no more. A new maid once saw her in broad daylight—or at least in the grey of the morning—and followed her down the stairs, thinking that it was one of the family ill perhaps, who needed some attention. She could tell afterwards the very pattern of the lace on the fine nightgown, and describe how the fair curls clustered on the lady's neck. It was only when the lady disappeared before her, a white shimmer down the darkness of the underground corridor, that the poor thing realized she had seen a ghost, and fell fainting, with a clatter of her dustpan and brush which brought her help.

I could make a long list of the ghosts, for they are many, but I will not, lest I should be tedious. Only Aghadoe Abbey was eerie at night, especially in winter storms, since my cousin Theobald went away. I have often thought that the curious formation of the house, which has as many rooms beneath the ground as above it, helped to give it an eerie feeling, for one could not but imagine those downstair rooms filled with ghosts. I had seen the rooms lit dimly once or twice, but for a long time we had not used them, the expense of lighting them with a thousand wax candles glimmering in glittering chandeliers being too great.

But in the days before Cousin Theobald left us I was not afraid. He slept across the corridor from my room, and I had only to cry out and I knew he would fly to my assistance.

His sword was new at that time, and he was very proud of it. He turned it about, making it flash in the sunlight, and, said he, "Cousin Bawn, fear nothing; for if anything were to frighten you, either ghost or mortal, I would run it through with my sword. At your least cry I should wake, and I have always the sword close to my hand. Very often I lie awake when you do not think it to watch over you."

It gave me great comfort at the time, though looking back on it now I think my cousin, being so healthy and in the air all day, must have slept very soundly. Yet I am sure he thought he woke.

And, indeed, after he left the ghosts were worse than ever. I used to take my little dog into my arms for company, and, hiding my head under the bedclothes, I used to lie quaking because of the crying of the ghosts. It was a wild winter when Theobald left us, and they cried every night. It is a sound I have never grown used to, though I have heard it every winter I can remember. And also the swish of the satin as it went by my door, and the tap of high-heeled shoes. They cried more that winter than I ever heard them, except in the winter after Uncle Luke went away (but then I was little, and had the company of Maureen Kelly, my nurse); and in a winter which was yet to be.

But at that time I was happy despite the ghosts, and had no idea that the world held any fate for me other than to be always among such gentle, high-minded people as were my grandfather and grandmother, my cousin Theobald, and my dear godmother. For ghosts, especially of one's own blood, are gentle and little likely to harm one, and must be permitted by the good God to come back for some good reason.

It is another matter when it is some one of flesh and blood, who wants to take you in his arms and kiss you while your flesh creeps, and your whole soul cries out against it. And it is the worst matter of all when those to whom you have fled all your days for help and protection, to whom you would have looked to save you from such a thing, look on, with pale faces indeed, yet never interfere.

Often, often in the days that were to come I had rather be of the company of the ghosts than to endure the things I had to endure.

CHAPTER III

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THE CREAMERY

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It was through my godmother that I went to learn the butter-making at the Creamery, and since it was strange that my grandparents should have permitted me to go, I must explain how it was that Miss Champion came to have so much influence with them and over our affairs generally, and who the lady was.

She was our nearest neighbour, at Castle Clody, the beautiful old house which stands on the side of the river Clody, overlooking the falls. She had been an orphan almost from her birth, and had grown up as independent and able to manage her affairs as any man.

She was a great sportswoman even in our country of such, and being exposed to all manner of wind and weathers, her face had come to have a weather-beaten look. She had very beautiful grey eyes and a deal of black, silken hair, and she was unusually tall. Even the weather, when it had roughened and tanned her complexion, had but given her a new charm to my mind, for she looked as wholesome and sweet and out-of-doors as the weather itself. Yet people said she was plain. I could not see it, but then she was too good to me and I loved her.

I remember that usually she wore grey tweed tailor-made gowns, in which her beautiful figure showed to advantage, unless she happened to be riding when she wore a dark grey habit. But I have seen her very splendid when she went out in the evening; and I have never seen a woman better fitted to grace splendid garments.

She had taken to herself at Castle Clody, because it was her nature to foster and protect something, a cousin of hers, a peevish, exacting invalid whom we always called Miss Joan, her name being Joan Standish.

If you spent only ten minutes by Miss Joan's bedside you were sure to hear her grumble at her cousin Mary. Since everything was done for her that could possibly be done for an invalid her lot had great alleviations, but she seemed to take it as an offence that my godmother should be so strong and free, should walk with such a swinging stride, and always enjoy her food, and bring that smell of the open air with her wherever she came.

She had an unpleasant flattering way with her at times.

"Come, my dear," she would say, "sit down and talk to me. I live in so dreary an isolation, and my nerves get into that state that I could scream when a harsh voice falls on my ear. Your voice is soft and sweet, but have you ever noticed Mary's? It is as harsh as a crow's, and when she comes in with those strong boots of hers creaking she destroys my peace of mind for an hour."

"She has a beautiful voice," I answered her once, "and there is such assurance in her tread. I should think it would be more trying to the nerves to live where every one went tiptoe."

But no manner of coldness could check Miss Joan's propensity for belittling her benefactress. And I remember that once she had been tittle-tattling as usual, and had said something more indefensible than usual of her benefactress, when looking up suddenly we found Miss Champion in the room.

"Let the child love me, Joan," she said, with the nearest approach to sharpness I ever heard in her speech; but when Miss Joan burst into tears she stooped and shook up her pillows and soothed her in a way that was tender without being attached, and afterwards she said something to me which was a dark saying since I did not know the secret between her and Miss Joan.

"One must needs be good to anything that has hurt one so much," she said.

I had always known vaguely that there was something between Mary Champion and my Uncle Luke, and that explained to some extent her influence with my grandparents. She brought into their shut-up lives, indeed, the open air and the ways of other folk, without which I think we should have all grown too strange and odd and a century at least behind our time. Indeed, even with her, I think we were so much out of date.

"The child grows more and more like a plant which has lived without the light," she said one day of me to my grandmother.

"It is Bawn's nature to look pale," my grandmother said, looking at me in an alarmed way.

"It is her nature to look pale perhaps," my godmother said, while I fidgeted at hearing myself discussed, "but she ought to look no paler than this apple-blossom I am wearing, which at all events dreams of rose-colour. You keep her too much penned. I shall have to carry her off to Dublin for some gaiety. If the season were not nearly over——"

"We couldn't do without Bawn," said my grandmother hastily. "We are too old to live without something young beside us. Besides, she is very happy—aren't you, Bawn?"

"Very happy." I answered the appeal in her dear voice and eyes. And to be sure I was happy, if it were not for the loneliness and the ghosts at night.

"She is always reading," my godmother went on. "Young girls should not be always reading. It bends their backs and dims their eyes and makes them forget their walks and rides. I'll tell you what, Lady St. Leger, you had better let Bawn come and learn butter-making with me at the Creamery. I am going to take a course of lessons and then I can make my own butter. I think Margaret Dwyer is getting past her work. Joan says the butter is rancid, and for once I believe Joan has cause. Every lady ought to at least superintend her own dairy."

"I used to visit mine often," said my grandmother, "before Lord St. Leger needed so much of my time. It was a pretty place, with white walls and a fountain bubbling. It is a long time since I have visited it."

"Let Bawn do it. I went to visit Lady Ardaragh the other day, and she gave me tea in her dairy. It is coming into fashion to be housekeepers and dairymaids once more."

"Would you like to go to the Creamery, Bawn?" asked my grandmother.

"I should love to," said I. "And to have a herd of little Kerries like Lady Ardaragh. The dairy is as pretty as ever, but it wants washing, and the fountain is broken. I believe Michael Friely could mend it."

My grandfather made no objection when he heard of the plan, only saying something with a laugh about fine ladies liking to play dairymaids. So it was settled I should go to the Creamery; and Bridget Connor made gowns of cotton for me to wear at the Creamery, and white aprons to go with them.

I think my grandmother looked on it as a child's play for my diversion, and she would have Bridget make me as pretty as she could. I dare say I did look as though I played at work, for I caught sight of myself in the Venetian mirror on the wall of my grandmother's boudoir as she turned me round about, her maid, Bridget Connor, who learnt dressmaking in Paris, pinching here and letting loose there.

The walls of my grandmother's boudoir are covered with mother-of-pearl which glows splendidly when the lamps are lit.

I glanced at the Venetian mirror and saw myself like a rose in my rosy frock, with the apron of spotless muslin and the mushroom hat with a wreath of pink roses. My grandmother said something about dairying at the Petit Trianon, but indeed my intentions were of the most business-like.

I remember that it was the month of May, and all the pastures were richest gold and snowiest white, drifts of gold and white. The thorn-trees were all in bloom, and the banks were covered with the white stitchwort and blue speedwell. The birds were in full song, and the mornings and evenings were especially delicious.

I was to attend the Creamery for three months, so as to become proficient in dairymaid work, and then I thought I could do some good among our own people who could not afford to send a girl to the Creamery to learn her business. Or it might be where there was no girl, and the vanithee-that is to say, the good woman—did her work in her own way, not half pressing the water out of the butter, so that it became rancid after a few hours, or letting the cream become rancid before she churned it. I had hopes that I could persuade even the most obstinate of them to mend their ways; and that perhaps was an indication of my youth.

CHAPTER IV

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RICHARD DAWSON

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I used to go to Araglin every day, wet or dry. It is about three miles from the Abbey as one goes to it through our own park, and by Daly's Wood, which is a little wood, barely more than a coppice; the entrance to it faces a gate in our park wall, and when you have traversed its short length you have cut off a mile of the distance to Araglin if you went by road.

I liked the work at the Creamery extremely. The place was so cool and sweet with the splashing of falling water and the smell of cream and warm milk, and the fresh-looking, wholesome girls in their print frocks, and all the shining, clean utensils.

The walk to and from the Creamery was most delightful, especially those May days when there were such drifts of flowers and the wood was full of bluebells, and little white and blue wild anemones and harebells and sweet woodruff.

Nothing could well be more fragrant than the wood in those days of early summer.

It was a place in which the trees were of the light and springing variety with slender, pale trunks, but high overhead a mass of feathery leaves made a roof against the sky.

I have often sheltered in the wood from a heavy shower and not received a drop; yet it was suffused through the sunshiny hours with a soft goldenness. Below the trees was only undergrowth and the grass sown thickly with flowers. The path went so straight through it that as you entered by the stile at one end you saw far before you the arch of light over the stile that took you on to the road at the other end.

Occasionally my godmother was at the Creamery, working away with the rest, but she had so much to do of many kinds that she could not be looked for regularly.

In a little while I was very much at home among the girls, who at first were shy of me. If I could have gone to the Creamery at Araglin without their knowing that I was Bawn Devereux, the young lady at the big house, I would have enjoyed it, but that was not possible.

However, they soon forgot to be afraid of me, and laughed and chattered among themselves, very little deterred by my presence, except for giving me a shy glance now and again. They were most polite and gentle with me, and would help me if they saw me lifting a heavy crock of milk, with a "By your leave, Miss Bawn," which was very pleasant.

I used to listen to their simple talk after they had forgotten their awe of me, and smile and sigh to myself. It was often of lovers, and they rallied each other about this or that swain; and sometimes it was of their fortunes, which were being built up by tiny sums out of much poverty, so that their milk and roses, their bright eyes and satin heads might be gilt for their cold lovers. But I never heard anything Lady St. Leger would not wish me to hear; indeed, the talk those summer days was in keeping with the freshness and sweetness of the world about us.