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William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868), considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel Antonina was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on dramatic and fictional works. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During this time he began suffering from gout took opium for pain and developed an addiction. During the 1870s and '80s the quality of his writing declined along with his health. Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves except for a 2-year separation, and his common law wife Martha Rudd with whom he had 3 children (font: Wikipedia)
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Greenwater Broad
Two Young Hearts.
Swedenborg and the Sibyl.
The Curtain Falls.
My Story.
Her Story.
The Woman on the Bridge.
The Kindred Spirits
Natural and Supernatural.
Saint Anthony’s Well.
The Letter of Introduction.
The Disasters of Mrs. Van Brandt.
Not Cured Yet.
Mrs. Van Brandt at Home.
The Obstacle Beats Me.
My Mother’s Diary.
Shetland Hospitality.
The Darkened Room.
The Cats.
The Green Flag.
She Comes Between Us.
She Claims Me Again.
The Kiss.
In the Shadow of St. Paul’s.
I Keep My Appointment.
Conversation with My Mother.
Conversation with Mrs. Van Brandt.
Love and Money.
Our Destinies Part Us.
The Prospect Darkens.
The Physician’s Opinion.
A Last Look at Greenwater Broad.
A Vision of the Night.
By Land and Sea.
Under the Window.
Love and Pride.
The Two Destinies.
MANY years have passed since my wife and I left the United States to pay our first visit to England.
We were provided with letters of introduction, as a matter of course. Among them there was a letter which had been written for us by my wife’s brother. It presented us to an English gentleman who held a high rank on the list of his old and valued friends.
“You will become acquainted with Mr. George Germaine,” my brother-in-law said, when we took leave of him, “at a very interesting period of his life. My last news of him tells me that he is just married. I know nothing of the lady, or of the circumstances under which my friend first met with her. But of this I am certain: married or single, George Germaine will give you and your wife a hearty welcome to England, for my sake.”
The day after our arrival in London, we left our letter of introduction at the house of Mr. Germaine.
The next morning we went to see a favorite object of American interest, in the metropolis of England — the Tower of London. The citizens of the United States find this relic of the good old times of great use in raising their national estimate of the value of republican institutions. On getting back to the hotel, the cards of Mr. and Mrs. Germaine told us that they had already returned our visit. The same evening we received an invitation to dine with the newly married couple. It was inclosed in a little note from Mrs. Germaine to my wife, warning us that we were not to expect to meet a large party. “It is the first dinner we give, on our return from our wedding tour” (the lady wrote); “and you will only be introduced to a few of my husband’s old friends.”
In America, and (as I hear) on the continent of Europe also, when your host invites you to dine at a given hour, you pay him the compliment of arriving punctually at his house. In England alone, the incomprehensible and discourteous custom prevails of keeping the host and the dinner waiting for half an hour or more — without any assignable reason and without any better excuse than the purely formal apology that is implied in the words, “Sorry to be late.”
Arriving at the appointed time at the house of Mr. and Mrs. Germaine, we had every reason to congratulate ourselves on the ignorant punctuality which had brought us into the drawing-room half an hour in advance of the other guests.
In the first place, there was so much heartiness, and so little ceremony, in the welcome accorded to us, that we almost fancied ourselves back in our own country. In the second place, both husband and wife interested us the moment we set eyes on them. The lady, especially, although she was not, strictly speaking, a beautiful woman, quite fascinated us. There was an artless charm in her face and manner, a simple grace in all her movements, a low, delicious melody in her voice, which we Americans felt to be simply irresistible. And then, it was so plain (and so pleasant) to see that here at least was a happy marriage! Here were two people who had all their dearest hopes, wishes, and sympathies in common — who looked, if I may risk the expression, born to be man and wife. By the time when the fashionable delay of the half hour had expired, we were talking together as familiarly and as confidentially as if we had been all four of us old friends.
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!