Two Gentlemen of Verona
Two Gentlemen of VeronaTHE TWO GENTLEMEN OF VERONA.ACT I.I. 1 Scene I. Verona. An open place.I. 2 Scene II. The same. Garden of Julia’s house.I. 3 Scene III. The same. Antonio’s house.ACT II.II. 1 Scene I. Milan. The Duke’s Palace.II. 2 Scene II. Verona. Julia’s house.II. 3 Scene III. The same. A street.II. 4 Scene IV. Milan. The Duke’s palace.II. 5 Scene V. The same. A street.II. 6 Scene VI. The same. The Duke’s palace.II. 7 Scene VII. Verona. Julia’s house.ACT III.III. 1 Scene I. Milan. Ante-room in the Duke’s palace.III. 2 Scene II. The same. The Duke’s palace.ACT IV.IV. 1 Scene I. The frontiers of Mantua. A forest.IV. 2 Scene II. Milan. Outside the Duke’s palace, under Silvia’s chamber.IV. 3 Scene III. The same.IV. 4 Scene IV. The same.ACT V.V. 1 Scene I. Milan. An abbey.IV. 2 Scene II. The same. The Duke’s palace.V. 3 Scene III. The frontiers of Mantua. The forest.V. 4 Scene IV. Another part of the forest.NOTES.LinenotesCopyright
Two Gentlemen of Verona
William Shakespeare
THE TWO GENTLEMEN OF VERONA.
DRAMATIS PERSONÆ.1
Duke of Milan2, Father to
Silvia.Valentine,the two Gentlemen.Proteus3,Antonio4, Father to
Proteus.Thurio, a foolish rival to Valentine.Eglamour, Agent for Silvia in her escape.Host, where Julia lodges.Outlaws, with Valentine.Speed, a clownish Servant to Valentine.Launce, the like to Proteus.Panthino5, Servant to
Antonio.Julia, beloved of Proteus.Silvia, beloved of Valentine.Lucetta, waiting-woman to Julia.Servants,
Musicians6.Scene, Verona; Milan; the frontiers of Mantua7.1.Dramatis Personæ.] The names of all the
Actors F1, at the end of the
play.2.of Milan] added by
Pope.3.Proteus] Steevens. Protheus Ff.
Seenote (I).4.Antonio] Capell. Anthonio
Ff.5.Panthino] Capell. Panthion Ff.
Seenote (I).6.Servants, Musicians] Theobald.7.Scene ...] Pope and
Hanmer.
ACT I.
I. 1 Scene I. Verona. An open place.
Enter Valentine and Proteus.Val.Cease to persuade, my loving
Proteus:Home-keeping youth have ever homely wits.Were’t not affection chains thy tender daysTo the sweet glances of thy honour’d love,5 I rather would entreat thy companyTo see the wonders of the world abroad,Than, living dully sluggardized at home,Wear out thy youthwithshapeless idleness.But since thou lovest, love still, and thrive
therein,10Even as I would, when I to love begin.Pro.Wilt thou be gone? Sweet
Valentine, adieu!Think on thy Proteus, when thou haply seestSome rare note-worthy object in thy travel:Wish me partaker in thy happiness,15 When thou dost meet good hap; and in thy
danger,If ever danger do environ thee,Commend thy grievance to my holy prayers,For I will be thy beadsman, Valentine.Val.And on a love-book pray
formysuccess?20Pro.Upon some
book I love I’ll pray for thee.Val.That’s on some shallow story of deep
love:How young Leander cross’d the Hellespont.Pro.That’s a deep story of a
deeper love;For he was more than over shoes in love.I. 1.
25Val.’Tis true;foryou are over boots in
love,And yet you never swum the Hellespont.Pro.Over the boots? nay, give me
not the boots.Val.No, I will not, for it
bootstheenot.Pro.What?Val.To be in love, where scorn
is bought with groans;30 Coy looks with heart-sore sighs; onefadingmoment’s mirthWith twenty watchful, weary, tedious nights:If haply won, perhaps a hapless gain;If lost, why then a grievous labour won;However, but a folly bought with wit,35 Or else a wit by folly vanquished.Pro.So, by your circumstance,
you call me fool.Val.So, by your circumstance, I
fear you’ll prove.Pro.’Tis love you cavil at: I am
not Love.Val.Love is your master, for he
masters you:40 And he that is so yoked by a fool,Methinks, should not be chronicled for wise.Pro.Yet writers say, as in the
sweetest budThe eating canker dwells, so eating loveInhabits in the finest wits of all.45Val.And writers
say, as the most forward budIs eaten by the canker ere it blow,Even so by love the young and tender witIs turn’d to folly;blastingin the bud,Losing his verdure even in the prime,I. 1.
50 And all the fair effects of future hopes.But wherefore waste I time to counsel thee,That art a votary to fond desire?Once more adieu! my father at the roadExpects my coming, there to see me shipp’d.55Pro.And thither
will I bring thee, Valentine.Val.Sweet Proteus, no; now let
us take our leave.ToMilan let me hear from thee by
lettersOf thy success in love, and what news elseBetideth here in absence of thy friend;60 And I likewise will visit thee with mine.Pro.All happiness bechance to
thee in Milan!Val.As much to you at home! and
so, farewell.Exit.Pro.He after honour hunts, I
after love:He leaves his friends to dignify them more;65 Ileavemyself, my
friends, and all, for love.Thou, Julia, thou hast metamorphosed me,Made me neglect my studies, lose my time,War with good counsel, set the world at nought;Madewit with musing weak, heart sick with
thought.Enter Speed.70Speed.Sir Proteus, save
you! Saw you my master?Pro.But now he parted hence, to
embark for Milan.Speed.Twenty to one, then, he is
shipp’d already,And I have play’d the sheep in losing him.Pro.Indeed, a sheep doth very
often stray,I. 1.
75 An if the shepherd be awhile away.Speed.You conclude that my
master is a shepherd, then, and Iasheep?Pro.I do.Speed.Why then, my horns are his
horns, whether I 80 wake or sleep.Pro.A silly answer, and fitting
well a sheep.Speed.This proves me still a
sheep.Pro.True; and thy master a
shepherd.Speed.Nay, that I can deny by a
circumstance.85Pro.It shall go
hard but I’ll prove it by another.Speed.The shepherd seeks the
sheep, and not the sheep the shepherd; but I seek my master, and my
master seeks not me: therefore I am no sheep.Pro.The sheep for fodderfollowthe shepherd; the 90 shepherd for food
follows not the sheep: thou for wages followest thy master; thy
master for wages follows not thee: therefore thou art a
sheep.Speed.Such another proof will
make me cry ‘baa.’Pro.But, dost thou hear? gavest
thou my letter to 95 Julia?Speed.Ay, sir: I, a lost mutton,
gave your letter to her, a laced mutton, and she, a laced mutton,
gave me, a lost mutton, nothing for my labour.Pro.Here’s too small a pasture
for such store of muttons.I. 1.
100Speed.If the ground be
overcharged, you were best stick her.Pro.Nay: in that you are
astray, ’twere best pound you.Speed.Nay, sir, less than a
pound shall serve me for carrying your letter.105Pro.You
mistake; I mean the pound,—apinfold.Speed.From a pound to a pin?
fold it over and over,
’ Tis threefold too little for carrying a letter to your
lover.Pro.But what said
she?Speed.[First
nodding] Ay.110Pro.Nod—Ay—why, that’s noddy.Speed.You mistook, sir; Isay, she did nod: and you ask me if she did
nod; and I say, ‘Ay.’Pro.And that set together is
noddy.Speed.Now you have taken the
pains to set it together, 115 take it for your
pains.Pro.No, no; you shall have it
for bearing the letter.Speed.Well, I perceive I must be
fain to bear with you.Pro.Why, sir, how do you bear
with me?Speed.Marry, sir, the letter,
very orderly; having nothing 120 but the word ‘noddy’ for my
pains.Pro.Beshrew me, but you have a
quick wit.Speed.And yet it cannot overtake
your slow purse.Pro.Come, come, open the matter
in brief: what said she?I. 1.
125Speed.Open your purse, that
the money and the matter may be bothat oncedelivered.Pro.Well, sir, here is for your
pains. What said she?Speed.Truly, sir, I think you’ll
hardly win her.Pro.Why, couldst thou perceive
so much from her?130Speed.Sir, I could
perceive nothing at allfrom her; no,
not so much as a ducat for delivering your letter: and being so
hard to me thatbroughtyour mind, I fear
she’ll prove as hard to you in tellingyourmind. Give her no token but stones; for she’s as hard as
steel.135Pro.What said
she? nothing?Speed.No, not so muchas ‘Take this for thy pains.’ To testify your bounty, I thank
you, you havetesternedme;
in requital whereof,henceforthcarry
yourlettersyourself: and so, sir, I’ll
commend you to my master.140Pro.Go, go, be
gone, to save your ship from wreck,Which cannot perish having thee aboard,Being destined to a drier death on shore.Exit Speed.I must go send some better messenger:I fear my Julia would not deign my lines,145 Receiving them from such a worthless post.Exit.
I. 2 Scene II. The same. Garden of Julia’s house.
Enter Julia and Lucetta.
Jul.But say,
Lucetta,now we arealone,
Wouldst thou, then, counsel me to fall in love?
Luc.Ay, madam; so you stumble not
unheedfully.
Jul.Of all the fair resort of
gentlemen
5 That every day
withparleencounter me,
In thy opinion which is worthiest love?
Luc.Please you repeat their
names, I’ll show my mind
According to my shallow simple skill.
Jul.What think’st thou of the
fair Sir Eglamour?
10Luc.As of a knight
well-spoken, neat and fine;
But, were I you, he never should be mine.
Jul.What think’st thou of the
rich Mercatio?
Luc.Well of his wealth; but of
himself, so so.
Jul.What think’st thou of the
gentle Proteus?
15Luc.Lord, Lord! to
see what follyreignsin us!
Jul.How now! what means this
passion at his name?
Luc.Pardon, dear madam: ’tis a
passing shame
That I, unworthy body as
Iam,
Shouldcensure thus on lovely
gentlemen.
20Jul.Why not on
Proteus, asofall the rest?
Luc.Then thus,—of many good I
think him best.
Jul.Your reason?
Luc.I have no other but a woman’s
reason;
I think him so, because I think him so.
I. 2.
25Jul.And wouldst thou have me
cast my love on him?
Luc.Ay, if you thought your love
not cast away.
Jul.Why, he, of all the rest,
hath never moved me.
Luc.Yet he, of all the rest, I
think, best loves ye.
Jul.His little speaking shows his
love but small.
30Luc.Fire
that’sclosest kept burns most of all.
Jul.They do not love that do not
show their love.
Luc.O, they love least that let
men know their love.
Jul.I would I knew his
mind.
Luc.Peruse this paper,
madam.
35Jul.‘To
Julia.’—Say, from whom?
Luc.That the contents will
show.
Jul.Say, say, who gave it
thee?
Luc.Sir Valentine’s page; and
sent, I think, from Proteus.
He would have given it you;
but I,being in the
way,
40 Did in your name receive it:pardon the
fault, I pray.
Jul.Now, by my modesty, a goodly
broker!
Dare you presume to harbour wanton lines?
To whisper and conspire against my youth?
Now, trust me, ’tis an office of great worth,
45 And you an officer fit for the place.
There, take the paper: see it be return’d;
Or else return no more into my sight.
Luc.To plead for love deserves
more fee than hate.
Jul.Will ye be
gone?
Luc.
That you may
ruminate.Exit.
I. 2.
50Jul.And yet I would I had
o’erlook’d the letter:
It were a shame to call her back again,
And pray her to a fault for which I chid her.
What a foolis she, that knows I am a
maid,
And would not force the letter to my view!
55 Since maids, in modesty, say ’no’ to that
Which they would have the profferer construe ‘ay.’
Fie, fie, how wayward is this foolish love,
That, like a testy babe, will scratch the nurse,
And presently, all humbled, kiss the rod!
60 How churlishly I chid Lucetta hence,
When willingly I would have had her here!
How angerly I taught my brow to frown,
When inward joy enforced my heart to smile!
My penance is, to call Lucetta back,
65 And ask remission for my folly past.
What, ho! Lucetta!
Re-enter Lucetta.
Luc.
What would your ladyship?
Jul.Is’t
neardinner-time?
Luc.
I would it were;
That you might kill your stomach on your meat,
And not upon your maid.
70Jul.What is’t that
you took up so gingerly?
Luc.Nothing.
Jul.Why didst thou stoop,
then?
Luc.To take a paper up that I let
fall.
Jul.And is that paper
nothing?
I. 2.
75Luc.Nothing concerning
me.
Jul.Then let it lie for those
that it concerns.
Luc.Madam, it will not lie where
it concerns,
Unless it have a false interpreter.
Jul.Some love of yours hath writ
to you in rhyme.
80Luc.That I might
sing it, madam, to a tune.
Give me a note: your ladyship
canset.
Jul.—As little by such toys as
may be possible.
Best sing it to the tune of ‘Lighto’
love.’
Luc.It is too heavy for so light
a tune.
85Jul.Heavy! belike
it hath some burden, then?
Luc.Ay; and melodious were it,
would you sing it.
Jul.And why not
you?
Luc.
I cannot reach so high.
Jul.Let’s see your
song.How now, minion!
Luc.Keep tune there still, so you
will sing it out:
90 And yet methinks I do not like this tune.
Jul.You do not?
Luc.
No, madam; it is too sharp.
Jul.You, minion, are too
saucy.
Luc.Nay, now you are too
flat,
And mar the concord with too harsh a descant:
95 There wanteth but a mean to
fillyoursong.
Jul.The mean is drown’d with your
unruly bass.
Luc.Indeed, I bid the base for
Proteus.
Jul.This babble shall not
henceforth trouble me.
Here is a coil with protestation!Tears
the letter.
I. 2.
100 Go get you gone, and let the papers lie:
You would be fingering them, to anger me.
Luc.