TYPHOON
BY JOSEPH CONRAD
Far as the mariner on highest
mast Can see all around upon the calmed vast, So wide was Neptune's
hall . . . -- KEATS
AUTHOR'S NOTE
The main characteristic of this
volume consists in this, that all the stories composing it belong
not only to the same period but have been written one after another
in the order in which they appear in the book.
The period is that which follows
on my connection with Blackwood's Magazine. I had just finished
writing "The End of the Tether" and was casting about for some
subject which could be developed in a shorter form than the tales
in the volume of "Youth" when the instance of a steamship full of
returning coolies from Singapore to some port in northern China
occurred to my recollection. Years before I had heard it being
talked about in the East as a recent occurrence. It was for us
merely one subject of conversation amongst many others of the kind.
Men earning their bread in any very specialized occupation will
talk shop, not only because it is the most vital interest of their
lives but also because they have not much knowledge of other
subjects. They have never had the time to get acquainted with them.
Life, for most of us, is not so much a hard as an exacting
taskmaster.
I never met anybody personally
concerned in this affair, the interest of which for us was, of
course, not the bad weather but the extraordinary complication
brought into the ship's life at a moment of exceptional stress by
the human element below her deck. Neither was the story itself ever
enlarged upon in my hearing. In that company each of us could
imagine easily what the whole thing was like. The financial
difficulty of it, presenting also a human problem, was solved by a
mind much too simple to be perplexed by anything in the world
except men's idle talk for which it was not adapted.
From the first the mere anecdote,
the mere statement I might say, that such a thing had happened on
the high seas, appeared to me a sufficient subject for meditation.
Yet it was but a bit of a sea yarn after all. I felt that to bring
out its
deeper significance which was
quite apparent to me, something other, something more was required;
a leading motive that would harmonize all these violent noises, and
a point of view that would put all that elemental fury into its
proper place.
What was needed of course was
Captain MacWhirr. Directly I perceived him I could see that he was
the man for the situation. I don't mean to say that I ever saw
Captain MacWhirr in the flesh, or had ever come in contact with his
literal mind and his dauntless temperament. MacWhirr is not an
acquaintance of a few hours, or a few weeks, or a few months. He is
the product of twenty years of life. My own life. Conscious
invention had little to do with him. If it is true that Captain
MacWhirr never walked and breathed on this earth (which I find for
my part extremely difficult to believe) I can also assure my
readers that he is perfectly authentic. I may venture to assert the
same of every aspect of the story, while I confess that the
particular typhoon of the tale was not a typhoon of my actual
experience.
At its first appearance
"Typhoon," the story, was classed by some critics as a deliberately
intended storm-piece. Others picked out MacWhirr, in whom they
perceived a definite symbolic intention. Neither was exclusively my
intention. Both the typhoon and Captain MacWhirr presented
themselves to me as the necessities of the deep conviction with
which I approached the subject of the story. It was their
opportunity. It was also my opportunity; and it would be vain to
discourse about what I made of it in a handful of pages, since the
pages themselves are here, between the covers of this volume, to
speak for themselves.
This is a belated reflection. If
it had occurred to me before it would have perhaps done away with
the existence of this Author's Note; for, indeed, the same remark
applies to every story in this volume. None of them are stories of
experience in the absolute sense of the word. Experience in them is
but the canvas of the attempted picture. Each of them has its more
than one intention. With each the question is what the writer has
done with his opportunity; and each answers the question for itself
in words which, if I may say so without undue solemnity, were
written with a conscientious regard for the truth of my own
sensations. And each of those stories, to mean something, must
justify itself in its own way to the conscience of each successive
reader.
"Falk"--the second story in the
volume--offended the delicacy of one critic at least by certain
peculiarities of its subject. But what is the subject of "Falk"? I
personally do not feel so very certain about it. He who reads must
find out for himself. My intention in writing "Falk" was not to
shock anybody. As in most of my writings I insist not on the events
but on their effect upon the persons in the tale. But in everything
I have written there is always one invariable intention, and
that is to capture the reader's
attention, by securing his interest and enlisting his sympathies
for the matter in hand, whatever it may be, within the limits of
the visible world and within the boundaries of human
emotions.
I may safely say that Falk is
absolutely true to my experience of certain straightforward
characters combining a perfectly natural ruthlessness with a
certain amount of moral delicacy. Falk obeys the law of
self-preservation without the slightest misgivings as to his right,
but at a crucial turn of that ruthlessly preserved life he will not
condescend to dodge the truth. As he is presented as sensitive
enough to be affected permanently by a certain unusual experience,
that experience had to be set by me before the reader vividly; but
it is not the subject of the tale. If we go by mere facts then the
subject is Falk's attempt to get married; in which the narrator of
the tale finds himself unexpectedly involved both on its ruthless
and its delicate side.
"Falk" shares with one other of
my stories ("The Return" in the "Tales of Unrest" volume) the
distinction of never having been serialized. I think the copy was
shown to the editor of some magazine who rejected it indignantly on
the sole ground that "the girl never says anything." This is
perfectly true. From first to last Hermann's niece utters no word
in the tale--and it is not because she is dumb, but for the simple
reason that whenever she happens to come under the observation of
the narrator she has either no occasion or is too profoundly moved
to speak. The editor, who obviously had read the story, might have
perceived that for himself. Apparently he did not, and I refrained
from pointing out the impossibility to him because, since he did
not venture to say that "the girl" did not live, I felt no concern
at his indignation.
All the other stories were
serialized. The "Typhoon" appeared in the early numbers of the Pall
Mall Magazine, then under the direction of the late Mr. Halkett. It
was on that occasion, too, that I saw for the first time my
conceptions rendered by an artist in another medium. Mr. Maurice
Grieffenhagen knew how to combine in his illustrations the effect
of his own most distinguished personal vision with an absolute
fidelity to the inspiration of the writer. "Amy Foster" was
published in The Illustrated London News with a fine drawing of Amy
on her day out giving tea to the children at her home, in a hat
with a big feather. "To- morrow" appeared first in the Pall Mall
Magazine. Of that story I will only say that it struck many people
by its adaptability to the stage and that I was induced to
dramatize it under the title of "One Day More"; up to the present
my only effort in that direction. I may also add that each of the
four stories on their appearance in book form was picked out on
various grounds as the "best of the lot" by different critics, who
reviewed the volume with a warmth of appreciation and
understanding, a sympathetic insight and a friendliness of
expression for which I cannot be sufficiently grateful.
1919. J. C.
TYPHOON
I
Captain MacWhirr, of the steamer
Nan-Shan, had a physiognomy that, in the order of material
appearances, was the exact counterpart of his mind: it presented no
marked characteristics of firmness or stupidity; it had no
pronounced characteristics whatever; it was simply ordinary,
irresponsive, and unruffled.
The only thing his aspect might
have been said to suggest, at times, was bashfulness; because he
would sit, in business offices ashore, sunburnt and smiling
faintly, with downcast eyes. When he raised them, they were
perceived to be direct in their glance and of blue colour. His hair
was fair and extremely fine, clasping from temple to temple the
bald dome of his skull in a clamp as of fluffy silk. The hair of
his face, on the contrary, carroty and flaming, resembled a growth
of copper wire clipped short to the line of the lip; while, no
matter how close he shaved, fiery metallic gleams passed, when he
moved his head, over the surface of his cheeks. He was rather below
the medium height, a bit round- shouldered, and so sturdy of limb
that his clothes always looked a shade too tight for his arms and
legs. As if unable to grasp what is due to the difference of
latitudes, he wore a brown bowler hat, a complete suit of a
brownish hue, and clumsy black boots. These harbour togs gave to
his thick figure an air of stiff and uncouth smartness. A thin
silver watch chain looped his waistcoat, and he never left his ship
for the shore without clutching in his powerful, hairy fist an
elegant umbrella of the very best quality, but generally unrolled.
Young Jukes, the chief mate, attending his commander to the
gangway, would sometimes venture to say, with the greatest
gentleness, "Allow me, sir"--and possessing himself of the umbrella
deferentially, would elevate the ferule, shake the folds, twirl a
neat furl in a jiffy, and hand it back; going through the
performance with a face of such portentous gravity, that Mr.
Solomon Rout, the chief engineer, smoking his morning cigar over
the skylight, would turn away his head in order to hide a smile.
"Oh! aye! The blessed gamp.
Thank 'ee, Jukes,
thank 'ee," would
mutter Captain MacWhirr,
heartily, without looking up.
Having just enough imagination to
carry him through each successive day, and no more, he was
tranquilly sure of himself; and from the very same cause he was not
in the least conceited. It is your imaginative superior who is
touchy, overbearing, and difficult to please; but every ship
Captain MacWhirr commanded was the floating abode of harmony and
peace. It was, in truth, as impossible for him to take a flight of
fancy as it would be for a watchmaker to put together a chronometer
with nothing except a two-pound hammer and a whip-saw in the
way of tools. Yet the
uninteresting lives of men so entirely given to the actuality of
the bare existence have their mysterious side. It was impossible in
Captain MacWhirr's case, for instance, to understand what under
heaven could have induced that perfectly satisfactory son of a
petty grocer in Belfast to run away to sea. And yet he had done
that very thing at the age of fifteen. It was enough, when you
thought it over, to give you the idea of an immense, potent, and
invisible hand thrust into the ant-heap of the earth, laying hold
of shoulders, knocking heads together, and setting the unconscious
faces of the multitude towards inconceivable goals and in
undreamt-of directions.
His father never really forgave
him for this undutiful stupidity. "We could have got on without
him," he used to say later on, "but there's the business. And he an
only son, too!" His mother wept very much after his disappearance.
As it had never occurred to him to leave word behind, he was
mourned over for dead till, after eight months, his first letter
arrived from Talcahuano. It was short, and contained the statement:
"We had very fine weather on our passage out." But evidently, in
the writer's mind, the only important intelligence was to the
effect that his captain had, on the very day of writing, entered
him regularly on the ship's articles as Ordinary Seaman. "Because I
can do the work," he explained.
The mother again wept copiously,
while the remark, "Tom's an ass," expressed the emotions of the
father. He was a corpulent man, with a gift for sly chaffing, which
to the end of his life he exercised in his intercourse with his
son, a little pityingly, as if upon a half-witted person.
MacWhirr's visits to his home
were necessarily rare, and in the course of years he despatched
other letters to his parents, informing them of his successive
promotions and of his movements upon the vast earth. In these
missives could be found sentences like this: "The heat here is very
great." Or: "On Christmas day at 4 P. M. we fell in with some
icebergs." The old people ultimately became acquainted with a good
many names of ships, and with the names of the skippers who
commanded them--with the names of Scots and English
shipowners--with the names of seas, oceans, straits,
promontories--with outlandish names of lumber-ports, of rice-ports,
of cotton-ports--with the names of islands--with the name of their
son's young woman. She was called Lucy. It did not suggest itself
to him to mention whether he thought the name pretty. And then they
died.
The great day of MacWhirr's
marriage came in due course, following shortly upon the great day
when he got his first command.
All these events had taken place
many years before the morning when, in the chart-room of the
steamer Nan-Shan, he stood confronted by the fall of a barometer he
had no reason to distrust. The fall--taking into account the
excellence of the instrument, the time of the year, and the ship's
position on the
terrestrial globe--was of a
nature ominously prophetic; but the red face of the man betrayed no
sort of inward disturbance. Omens were as nothing to him, and he
was unable to discover the message of a prophecy till the
fulfilment had brought it home to his very door. "That's a fall,
and no mistake," he thought. "There must be some uncommonly dirty
weather knocking about."