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Frances Eliza Hodgson Burnett (24 November 1849 – 29 October 1924) was a British-American novelist and playwright. She is best known for the three children's novels Little Lord Fauntleroy (published in 1885–1886), A Little Princess (1905), and The Secret Garden (1911).Frances Eliza Hodgson was born in Cheetham, Manchester, England. After her father died in 1852, the family fell on straitened circumstances and in 1865 immigrated to the United States, settling near Knoxville, Tennessee. There Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870, her mother died, and in 1872 Frances married Swan Burnett, who became a medical doctor. The Burnetts lived for two years in Paris, where their two sons were born, before returning to the United States to live in Washington, D.C., Burnett then began to write novels, the first of which (That Lass o' Lowrie's), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular. She wrote and helped to produce stage versions of Little Lord Fauntleroy and A Little Princess.Burnett enjoyed socializing and lived a lavish lifestyle. Beginning in the 1880s, she began to travel to England frequently and in the 1890s bought a home there, where she wrote The Secret Garden. Her oldest son, Lionel, died of tuberculosis in 1890, which caused a relapse of the depression she had struggled with for much of her life. She divorced Swan Burnett in 1898, married Stephen Townsend in 1900, and divorced him in 1902. A few years later she settled in Nassau County, Long Island, where she died in 1924 and is buried in Roslyn Cemetery.In 1936 a memorial sculpture by Bessie Potter Vonnoh was erected in her honour in Central Park's Conservatory Garden. The statue depicts her two famous Secret Garden characters, Mary and Dickon.
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A Fair Barbarian
Francis Hodgson Burnett
CONTENTS
I. MISS OCTAVIA BASSETT
II. "AN INVESTMENT, ANYWAY"
III. L'ARGENTVILLE
IV. LADY THEOBALD
V. LUCIA
VI. ACCIDENTAL
VII. "I SHOULD LIKE TO SEE MORE OF SLOWBRIDGE"
VIII. SHARES LOOKING UP
IX. WHITE MUSLIN
X. ANNOUNCING MR. BAROLD
XI. A SLIGHT INDISCRETION
XII. AN INVITATION
XIII. INTENTIONS
XIV. A CLERICAL VISIT
XV. SUPERIOR ADVANTAGES
XVI. CROQUET
XVII. ADVANTAGES
XVIII. CONTRAST
XIX. AN EXPERIMENT
XX. PECULIAR TO NEVADA
XXI. LORD LANSDOWNE
XXII. "YOU HAVE MADE IT LIVELIER"
XXIII. "MAY I GO?"
XXIV. THE GARDEN PARTY
XXV. "SOMEBODY ELSE"
XXVI. "JACK"
A FAIR BARBARIAN.
CHAPTER I.
MISS OCTAVIA BASSETT.
Slowbridge had been shaken to its foundations.
It may as well be explained, however, at the outset, that it would not take much of a sensation to give Slowbridge a great shock. In the first place, Slowbridge was not used to sensations, and was used to going on the even and respectable tenor of its way, regarding the outside world with private distrust, if not with open disfavor. The new mills had been a trial to Slowbridge, a sore trial. On being told of the owners' plan of building them, old Lady Theobald, who was the corner-stone of the social edifice of Slowbridge, was said, by a spectator, to have turned deathly pale with rage; and, on the first day of their being opened in working order, she had taken to her bed, and remained shut up in her darkened room for a week, refusing to see anybody, and even going so far as to send a scathing message to the curate of St. James, who called in fear and trembling, because he was afraid to stay away.
"With mills and mill-hands," her ladyship announced to Mr. Laurence, the mill-owner, when chance first threw them together, "with mills and mill-hands come murder, massacre, and mob law." And she said it so loud, and with so stern an air of conviction, that the two Misses Briarton, who were of a timorous and fearful nature, dropped their buttered muffins (it was at one of the tea-parties which were Slowbridge's only dissipation), and shuddered hysterically, feeling that their fate was sealed, and that they might, any night, find three masculine mill-hands secreted under their beds, with bludgeons. But as no massacres took place, and the mill-hands were pretty regular in their habits, and even went so far as to send their children to Lady Theobald's free school, and accepted the tracts left weekly at their doors, whether they could read or not, Slowbridge gradually recovered from the shock of finding itself forced to exist in close proximity to mills, and was just settling itself to sleep the sleep of the just again, when, as I have said, it was shaken to its foundations.
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