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Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair. Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".
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Seitenzahl: 37
Here and there in a sunless corner skulked a little snow under a veil of coal specks, but the men taking down storm windows were laboring in shirt sleeves and the turf was becoming firm underfoot.
In the streets, dresses dyed after fruit, leaf and flower emerged from beneath the shed somber skins of animals; now only a few old men wore mousy caps pulled down over their ears. That was the day Forrest Winslow forgot the long fret of the past winter as one forgets inevitable afflictions, sickness, and war, and turned with blind confidence toward the summer, thinking he already recognized in it all the summers of the past--the golfing, sailing, swimming summers.
For eight years Forrest had gone East to school and then to college; now he worked for his father in a large Minnesota city. He was handsome, popular and rather spoiled in a conservative way, and so the past year had been a comedown. The discrimination that had picked Scroll and Key at New Haven was applied to sorting furs; the hand that had signed the Junior Prom expense checks had since rocked in a sling for two months with mild dermatitis venenata. After work, Forrest found no surcease in the girls with whom he had grown up. On the contrary, the news of a stranger within the tribe stimulated him and during the transit of a popular visitor he displayed a convulsive activity. So far, nothing had happened; but here was summer.
On the day spring broke through and summer broke through--it is much the same thing in Minnesota--Forrest stopped his coupé in front of a music store and took his pleasant vanity inside. As he said to the clerk, "I want some records," a little bomb of excitement exploded in his larynx, causing an unfamiliar and almost painful vacuum in his upper diaphragm. The unexpected detonation was caused by the sight of a corn-colored girl who was being waited on across the counter.
She was a stalk of ripe corn, but bound not as cereals are but as a rare first edition, with all the binder's art. She was lovely and expensive, and about nineteen, and he had never seen her before. She looked at him for just an unnecessary moment too long, with so much self-confidence that he felt his own rush out and away to join hers--". . . from him that hath not shall be taken away even that which he hath." Then her head swayed forward and she resumed her inspection of a catalogue.
Forrest looked at the list a friend had sent him from New York. Unfortunately, the first title was: "When Voo-do-o-do Meets Boop-boop-a-doop, There'll Soon be a Hot-Cha-Cha." Forrest read it with horror. He could scarcely believe a title could be so repulsive.
Meanwhile the girl was asking: "Isn't there a record of Prokofiev's 'Fils Prodigue'?"
"I'll see, madam." The saleswoman turned to Forrest.
"'When Voo--'" Forrest began, and then repeated, "'When Voo--'"
There was no use; he couldn't say it in front of that nymph of the harvest across the table.
"Never mind that one," he said quickly. "Give me 'Huggable--'"
Again he broke off.
"'Huggable, Kissable You'?" suggested the clerk helpfully, and her assurance that it was very nice suggested a humiliating community of taste.
"I want Stravinsky's 'Fire Bird,'" said the other customer, "and this album of Chopin waltzes."
Forrest ran his eye hastily down the rest of his list: "Digga Diggity," "Ever So Goosy," "Bunkey Doodle I Do."
"Anybody would take me for a moron," he thought. He crumpled up the list and fought for air--his own kind of air, the air of casual superiority.
"I'd like," he said coldly, "Beethoven's 'Moonlight Sonata.'"
There was a record of it at home, but it didn't matter. It gave him the right to glance at the girl again and again. Life became interesting; she was the loveliest concoction; it would be easy to trace her. With the "Moonlight Sonata" wrapped face to face with "Huggable, Kissable You," Forrest quitted the shop.
There was a new book store down the street, and here also he entered, as if books and records could fill the vacuum that spring was making in his heart. As he looked among the lifeless words of many titles together, he was wondering how soon he could find her, and what then.
"I'd like a hard-boiled detective story," he said.
A weary young man shook his head with patient reproof; simultaneously, a spring draft from the door blew in with it the familiar glow of cereal hair.
"We don't carry detective stories or stuff like that," said the young man in an unnecessarily loud voice. "I imagine you'll find it at a department store."
"I thought you carried books," said Forrest feebly.
"Books, yes, but not that kind." The young man turned to wait on his other customer.