A Little Princess E-Book

Frances Hodgson Burnett

• Herausgeber: epubli
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2018

Seitenzahl: 321

Beschreibung

"A Little Princess" is a 1905 children's novel by Frances Hodgson Burnett. It is a revised and expanded version of Burnett's 1888 serialised novel entitled "Sara Crewe: or, What Happened at Miss Minchin's", which was published in "St. Nicholas Magazine". According to Burnett, she had been composing a play based on the story when she found out a lot of characters she had missed. The publisher asked her to publish a new, revised story of the novella, producing the novel. Based on a 2007 online poll, the National Education Association named the book one of its "Teachers' Top 100 Books for Children." It was one of the "Top 100 Chapter Books" of all time in a 2012 poll by "School Library Journal".

Leseprobe

Chapter 1: Sara

Once on a dark winter's day, when the yellow fog hung so thick and heavy in the streets of London that the lamps were lighted and the shop windows blazed with gas as they do at night, an odd-looking little girl sat in a cab with her father and was driven rather slowly through the big thoroughfares.

She sat with her feet tucked under her, and leaned against her father, who held her in his arm, as she stared out of the window at the passing people with a queer old-fashioned thoughtfulness in her big eyes.

She was such a little girl that one did not expect to see such a look on her small face. It would have been an old look for a child of twelve, and Sara Crewe was only seven. The fact was, however, that she was always dreaming and thinking odd things and could not herself remember any time when she had not been thinking things about grown-up people and the world they belonged to. She felt as if she had lived a long, long time.

At this moment she was remembering the voyage she had just made from Bombay with her father, Captain Crewe. She was thinking of the big ship, of the Lascars passing silently to and fro on it, of the children playing about on the hot deck, and of some young officers' wives who used to try to make her talk to them and laugh at the things she said.

Principally, she was thinking of what a queer thing it was that at one time one was in India in the blazing sun, and then in the middle of the ocean, and then driving in a strange vehicle through strange streets where the day was as dark as the night. She found this so puzzling that she moved closer to her father.

"Papa," she said in a low, mysterious little voice which was almost a whisper, "papa."

"What is it, darling?" Captain Crewe answered, holding her closer and looking down into her face. "What is Sara thinking of?"

"Is this the place?" Sara whispered, cuddling still closer to him. "Is it, papa?"

"Yes, little Sara, it is. We have reached it at last." And though she was only seven years old, she knew that he felt sad when he said it.

It seemed to her many years since he had begun to prepare her mind for "the place," as she always called it. Her mother had died when she was born, so she had never known or missed her. Her young, handsome, rich, petting father seemed to be the only relation she had in the world. They had always played together and been fond of each other. She only knew he was rich because she had heard people say so when they thought she was not listening, and she had also heard them say that when she grew up she would be rich, too. She did not know all that being rich meant. She had always lived in a beautiful bungalow, and had been used to seeing many servants who made salaams to her and called her "Missee Sahib," and gave her her own way in everything. She had had toys and pets and an ayah who worshipped her, and she had gradually learned that people who were rich had these things. That, however, was all she knew about it.

During her short life only one thing had troubled her, and that thing was "the place" she was to be taken to some day. The climate of India was very bad for children, and as soon as possible they were sent away from it--generally to England and to school. She had seen other children go away, and had heard their fathers and mothers talk about the letters they received from them. She had known that she would be obliged to go also, and though sometimes her father's stories of the voyage and the new country had attracted her, she had been troubled by the thought that he could not stay with her.

"Couldn't you go to that place with me, papa?" she had asked when she was five years old. "Couldn't you go to school, too? I would help you with your lessons."

"But you will not have to stay for a very long time, little Sara," he had always said. "You will go to a nice house where there will be a lot of little girls, and you will play together, and I will send you plenty of books, and you will grow so fast that it will seem scarcely a year before you are big enough and clever enough to come back and take care of papa."

She had liked to think of that. To keep the house for her father; to ride with him, and sit at the head of his table when he had dinner parties; to talk to him and read his books--that would be what she would like most in the world, and if one must go away to "the place" in England to attain it, she must make up her mind to go. She did not care very much for other little girls, but if she had plenty of books she could console herself. She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself. Sometimes she had told them to her father, and he had liked them as much as she did.

"Well, papa," she said softly, "if we are here I suppose we must be resigned."

He laughed at her old-fashioned speech and kissed her. He was really not at all resigned himself, though he knew he must keep that a secret. His quaint little Sara had been a great companion to him, and he felt he should be a lonely fellow when, on his return to India, he went into his bungalow knowing he need not expect to see the small figure in its white frock come forward to meet him. So he held her very closely in his arms as the cab rolled into the big, dull square in which stood the house which was their destination.

It was a big, dull, brick house, exactly like all the others in its row, but that on the front door there shone a brass plate on which was engraved in black letters:

MISS MINCHIN, Select Seminary for Young Ladies.

"Here we are, Sara," said Captain Crewe, making his voice sound as cheerful as possible. Then he lifted her out of the cab and they mounted the steps and rang the bell. Sara often thought afterward that the house was somehow exactly like Miss Minchin. It was respectable and well furnished, but everything in it was ugly; and the very armchairs seemed to have hard bones in them. In the hall everything was hard and polished--even the red cheeks of the moon face on the tall clock in the corner had a severe varnished look. The drawing room into which they were ushered was covered by a carpet with a square pattern upon it, the chairs were square, and a heavy marble timepiece stood upon the heavy marble mantel.

As she sat down in one of the stiff mahogany chairs, Sara cast one of her quick looks about her.

"I don't like it, papa," she said. "But then I dare say soldiers-- even brave ones--don't really LIKE going into battle."

Captain Crewe laughed outright at this. He was young and full of fun, and he never tired of hearing Sara's queer speeches.

"Oh, little Sara," he said. "What shall I do when I have no one to say solemn things to me? No one else is as solemn as you are."

"But why do solemn things make you laugh so?" inquired Sara.

"Because you are such fun when you say them," he answered, laughing still more. And then suddenly he swept her into his arms and kissed her very hard, stopping laughing all at once and looking almost as if tears had come into his eyes.

Chapter 2: A French Lesson

When Sara entered the schoolroom the next morning everybody looked at her with wide, interested eyes. By that time every pupil-- from Lavinia Herbert, who was nearly thirteen and felt quite grown up, to Lottie Legh, who was only just four and the baby of the school-- had heard a great deal about her. They knew very certainly that she was Miss Minchin's show pupil and was considered a credit to the establishment. One or two of them had even caught a glimpse of her French maid, Mariette, who had arrived the evening before. Lavinia had managed to pass Sara's room when the door was open, and had seen Mariette opening a box which had arrived late from some shop.

"It was full of petticoats with lace frills on them--frills and frills," she whispered to her friend Jessie as she bent over her geography. "I saw her shaking them out. I heard Miss Minchin say to Miss Amelia that her clothes were so grand that they were ridiculous for a child. My mamma says that children should be dressed simply. She has got one of those petticoats on now. I saw it when she sat down."

"She has silk stockings on!" whispered Jessie, bending over her geography also. "And what little feet! I never saw such little feet."

"Oh," sniffed Lavinia, spitefully, "that is the way her slippers are made. My mamma says that even big feet can be made to look small if you have a clever shoemaker. I don't think she is pretty at all. Her eyes are such a queer color."

"She isn't pretty as other pretty people are," said Jessie, stealing a glance across the room; "but she makes you want to look at her again. She has tremendously long eyelashes, but her eyes are almost green."

Sara was sitting quietly in her seat, waiting to be told what to do. She had been placed near Miss Minchin's desk. She was not abashed at all by the many pairs of eyes watching her. She was interested and looked back quietly at the children who looked at her. She wondered what they were thinking of, and if they liked Miss Minchin, and if they cared for their lessons, and if any of them had a papa at all like her own. She had had a long talk with Emily about her papa that morning.

"He is on the sea now, Emily," she had said. "We must be very great friends to each other and tell each other things. Emily, look at me. You have the nicest eyes I ever saw--but I wish you could speak."

She was a child full of imaginings and whimsical thoughts, and one of her fancies was that there would be a great deal of comfort in even pretending that Emily was alive and really heard and understood. After Mariette had dressed her in her dark-blue schoolroom frock and tied her hair with a dark-blue ribbon, she went to Emily, who sat in a chair of her own, and gave her a book.

"You can read that while I am downstairs," she said; and, seeing Mariette looking at her curiously, she spoke to her with a serious little face.

"What I believe about dolls," she said, "is that they can do things they will not let us know about. Perhaps, really, Emily can read and talk and walk, but she will only do it when people are out of the room. That is her secret. You see, if people knew that dolls could do things, they would make them work. So, perhaps, they have promised each other to keep it a secret. If you stay in the room, Emily will just sit there and stare; but if you go out, she will begin to read, perhaps, or go and look out of the window. Then if she heard either of us coming, she would just run back and jump into her chair and pretend she had been there all the time."

"Comme elle est drole!" Mariette said to herself, and when she went downstairs she told the head housemaid about it. But she had already begun to like this odd little girl who had such an intelligent small face and such perfect manners. She had taken care of children before who were not so polite. Sara was a very fine little person, and had a gentle, appreciative way of saying, "If you please, Mariette," "Thank you, Mariette," which was very charming. Mariette told the head housemaid that she thanked her as if she was thanking a lady.

"Elle a l'air d'une princesse, cette petite," she said. Indeed, she was very much pleased with her new little mistress and liked her place greatly.

After Sara had sat in her seat in the schoolroom for a few minutes, being looked at by the pupils, Miss Minchin rapped in a dignified manner upon her desk.

"Young ladies," she said, "I wish to introduce you to your new companion." All the little girls rose in their places, and Sara rose also. "I shall expect you all to be very agreeable to Miss Crewe; she has just come to us from a great distance--in fact, from India. As soon as lessons are over you must make each other's acquaintance."

The pupils bowed ceremoniously, and Sara made a little curtsy, and then they sat down and looked at each other again.

"Sara," said Miss Minchin in her schoolroom manner, "come here to me."

She had taken a book from the desk and was turning over its leaves. Sara went to her politely.

"As your papa has engaged a French maid for you," she began, "I conclude that he wishes you to make a special study of the French language."

Sara felt a little awkward.

"I think he engaged her," she said, "because he--he thought I would like her, Miss Minchin."

"I am afraid," said Miss Minchin, with a slightly sour smile, "that you have been a very spoiled little girl and always imagine that things are done because you like them. My impression is that your papa wished you to learn French."

If Sara had been older or less punctilious about being quite polite to people, she could have explained herself in a very few words. But, as it was, she felt a flush rising on her cheeks. Miss Minchin was a very severe and imposing person, and she seemed so absolutely sure that Sara knew nothing whatever of French that she felt as if it would be almost rude to correct her. The truth was that Sara could not remember the time when she had not seemed to know French. Her father had often spoken it to her when she had been a baby. Her mother had been a French woman, and Captain Crewe had loved her language, so it happened that Sara had always heard and been familiar with it.

"I--I have never really learned French, but--but--" she began, trying shyly to make herself clear.

One of Miss Minchin's chief secret annoyances was that she did not speak French herself, and was desirous of concealing the irritating fact. She, therefore, had no intention of discussing the matter and laying herself open to innocent questioning by a new little pupil.

"That is enough," she said with polite tartness. "If you have not learned, you must begin at once. The French master, Monsieur Dufarge, will be here in a few minutes. Take this book and look at it until he arrives."

Sara's cheeks felt warm. She went back to her seat and opened the book. She looked at the first page with a grave face. She knew it would be rude to smile, and she was very determined not to be rude. But it was very odd to find herself expected to study a page which told her that "le pere" meant "the father," and "la mere" meant "the mother."

Miss Minchin glanced toward her scrutinizingly.

"You look rather cross, Sara," she said. "I am sorry you do not like the idea of learning French."

"I am very fond of it," answered Sara, thinking she would try again; "but--"

"You must not say `but' when you are told to do things," said Miss Minchin. "Look at your book again."

And Sara did so, and did not smile, even when she found that "le fils" meant "the son," and "le frere" meant "the brother."

"When Monsieur Dufarge comes," she thought, "I can make him understand."

Monsieur Dufarge arrived very shortly afterward. He was a very nice, intelligent, middle-aged Frenchman, and he looked interested when his eyes fell upon Sara trying politely to seem absorbed in her little book of phrases.

"Is this a new pupil for me, madame?" he said to Miss Minchin. "I hope that is my good fortune."

"Her papa--Captain Crewe--is very anxious that she should begin the language. But I am afraid she has a childish prejudice against it. She does not seem to wish to learn," said Miss Minchin.

"I am sorry of that, mademoiselle," he said kindly to Sara. "Perhaps, when we begin to study together, I may show you that it is a charming tongue."

Little Sara rose in her seat. She was beginning to feel rather desperate, as if she were almost in disgrace. She looked up into Monsieur Dufarge's face with her big, green-gray eyes, and they were quite innocently appealing. She knew that he would understand as soon as she spoke. She began to explain quite simply in pretty and fluent French. Madame had not understood. She had not learned French exactly--not out of books--but her papa and other people had always spoken it to her, and she had read it and written it as she had read and written English. Her papa loved it, and she loved it because he did. Her dear mamma, who had died when she was born, had been French. She would be glad to learn anything monsieur would teach her, but what she had tried to explain to madame was that she already knew the words in this book-- and she held out the little book of phrases.

When she began to speak Miss Minchin started quite violently and sat staring at her over her eyeglasses, almost indignantly, until she had finished. Monsieur Dufarge began to smile, and his smile was one of great pleasure. To hear this pretty childish voice speaking his own language so simply and charmingly made him feel almost as if he were in his native land--which in dark, foggy days in London sometimes seemed worlds away. When she had finished, he took the phrase book from her, with a look almost affectionate. But he spoke to Miss Minchin.

"Ah, madame," he said, "there is not much I can teach her. She has not LEARNED French; she is French. Her accent is exquisite."

"You ought to have told me," exclaimed Miss Minchin, much mortified, turning to Sara.

"I--I tried," said Sara. "I--I suppose I did not begin right."

Miss Minchin knew she had tried, and that it had not been her fault that she was not allowed to explain. And when she saw that the pupils had been listening and that Lavinia and Jessie were giggling behind their French grammars, she felt infuriated.

"Silence, young ladies!" she said severely, rapping upon the desk. "Silence at once!"

And she began from that minute to feel rather a grudge against her show pupil.

Chapter 3: Ermengarde

On that first morning, when Sara sat at Miss Minchin's side, aware that the whole schoolroom was devoting itself to observing her, she had noticed very soon one little girl, about her own age, who looked at her very hard with a pair of light, rather dull, blue eyes. She was a fat child who did not look as if she were in the least clever, but she had a good-naturedly pouting mouth. Her flaxen hair was braided in a tight pigtail, tied with a ribbon, and she had pulled this pigtail around her neck, and was biting the end of the ribbon, resting her elbows on the desk, as she stared wonderingly at the new pupil. When Monsieur Dufarge began to speak to Sara, she looked a little frightened; and when Sara stepped forward and, looking at him with the innocent, appealing eyes, answered him, without any warning, in French, the fat little girl gave a startled jump, and grew quite red in her awed amazement. Having wept hopeless tears for weeks in her efforts to remember that "la mere" meant "the mother," and "le pere," "the father,"-- when one spoke sensible English--it was almost too much for her suddenly to find herself listening to a child her own age who seemed not only quite familiar with these words, but apparently knew any number of others, and could mix them up with verbs as if they were mere trifles.

She stared so hard and bit the ribbon on her pigtail so fast that she attracted the attention of Miss Minchin, who, feeling extremely cross at the moment, immediately pounced upon her.

"Miss St. John!" she exclaimed severely. "What do you mean by such conduct? Remove your elbows! Take your ribbon out of your mouth! Sit up at once!"

Upon which Miss St. John gave another jump, and when Lavinia and Jessie tittered she became redder than ever--so red, indeed, that she almost looked as if tears were coming into her poor, dull, childish eyes; and Sara saw her and was so sorry for her that she began rather to like her and want to be her friend. It was a way of hers always to want to spring into any fray in which someone was made uncomfortable or unhappy.

"If Sara had been a boy and lived a few centuries ago," her father used to say, "she would have gone about the country with her sword drawn, rescuing and defending everyone in distress. She always wants to fight when she sees people in trouble."

So she took rather a fancy to fat, slow, little Miss St. John, and kept glancing toward her through the morning. She saw that lessons were no easy matter to her, and that there was no danger of her ever being spoiled by being treated as a show pupil. Her French lesson was a pathetic thing. Her pronunciation made even Monsieur Dufarge smile in spite of himself, and Lavinia and Jessie and the more fortunate girls either giggled or looked at her in wondering disdain. But Sara did not laugh. She tried to look as if she did not hear when Miss St. John called "le bon pain," "lee bong pang." She had a fine, hot little temper of her own, and it made her feel rather savage when she heard the titters and saw the poor, stupid, distressed child's face.

"It isn't funny, really," she said between her teeth, as she bent over her book. "They ought not to laugh."

When lessons were over and the pupils gathered together in groups to talk, Sara looked for Miss St. John, and finding her bundled rather disconsolately in a window-seat, she walked over to her and spoke. She only said the kind of thing little girls always say to each other by way of beginning an acquaintance, but there was something friendly about Sara, and people always felt it.

"What is your name?" she said.

To explain Miss St. John's amazement one must recall that a new pupil is, for a short time, a somewhat uncertain thing; and of this new pupil the entire school had talked the night before until it fell asleep quite exhausted by excitement and contradictory stories. A new pupil with a carriage and a pony and a maid, and a voyage from India to discuss, was not an ordinary acquaintance.

"My name's Ermengarde St. John," she answered.

"Mine is Sara Crewe," said Sara. "Yours is very pretty. It sounds like a story book."

"Do you like it?" fluttered Ermengarde. "I--I like yours."

Miss St. John's chief trouble in life was that she had a clever father. Sometimes this seemed to her a dreadful calamity. If you have a father who knows everything, who speaks seven or eight languages, and has thousands of volumes which he has apparently learned by heart, he frequently expects you to be familiar with the contents of your lesson books at least; and it is not improbable that he will feel you ought to be able to remember a few incidents of history and to write a French exercise. Ermengarde was a severe trial to Mr. St. John. He could not understand how a child of his could be a notably and unmistakably dull creature who never shone in anything.

"Good heavens!" he had said more than once, as he stared at her, "there are times when I think she is as stupid as her Aunt Eliza!"

If her Aunt Eliza had been slow to learn and quick to forget a thing entirely when she had learned it, Ermengarde was strikingly like her. She was the monumental dunce of the school, and it could not be denied.

"She must be made to learn," her father said to Miss Minchin.

Consequently Ermengarde spent the greater part of her life in disgrace or in tears. She learned things and forgot them; or, if she remembered them, she did not understand them. So it was natural that, having made Sara's acquaintance, she should sit and stare at her with profound admiration.

"You can speak French, can't you?" she said respectfully.

Sara got on to the window-seat, which was a big, deep one, and, tucking up her feet, sat with her hands clasped round her knees.

"I can speak it because I have heard it all my life," she answered. "You could speak it if you had always heard it."

"Oh, no, I couldn't," said Ermengarde. "I never could speak it!"

"Why?" inquired Sara, curiously.

Ermengarde shook her head so that the pigtail wobbled.

"You heard me just now," she said. "I'm always like that. I can't say the words. They're so queer."

She paused a moment, and then added with a touch of awe in her voice, "You are clever, aren't you?"

Sara looked out of the window into the dingy square, where the sparrows were hopping and twittering on the wet, iron railings and the sooty branches of the trees. She reflected a few moments. She had heard it said very often that she was "clever," and she wondered if she was--and if she was, how it had happened.

"I don't know," she said. "I can't tell." Then, seeing a mournful look on the round, chubby face, she gave a little laugh and changed the subject.

"Would you like to see Emily?" she inquired.

"Who is Emily?" Ermengarde asked, just as Miss Minchin had done.

"Come up to my room and see," said Sara, holding out her hand.

They jumped down from the window-seat together, and went upstairs.

"Is it true," Ermengarde whispered, as they went through the hall- -"is it true that you have a playroom all to yourself?"

"Yes," Sara answered. "Papa asked Miss Minchin to let me have one, because--well, it was because when I play I make up stories and tell them to myself, and I don't like people to hear me. It spoils it if I think people listen."

They had reached the passage leading to Sara's room by this time, and Ermengarde stopped short, staring, and quite losing her breath.

"You make up stories!" she gasped. "Can you do that--as well as speak French? Can you?"

Sara looked at her in simple surprise.

"Why, anyone can make up things," she said. "Have you never tried?"

She put her hand warningly on Ermengarde's.

"Let us go very quietly to the door," she whispered, "and then I will open it quite suddenly; perhaps we may catch her."

She was half laughing, but there was a touch of mysterious hope in her eyes which fascinated Ermengarde, though she had not the remotest idea what it meant, or whom it was she wanted to "catch," or why she wanted to catch her. Whatsoever she meant, Ermengarde was sure it was something delightfully exciting. So, quite thrilled with expectation, she followed her on tiptoe along the passage. They made not the least noise until they reached the door. Then Sara suddenly turned the handle, and threw it wide open. Its opening revealed the room quite neat and quiet, a fire gently burning in the grate, and a wonderful doll sitting in a chair by it, apparently reading a book.

"Oh, she got back to her seat before we could see her!" Sara explained. "Of course they always do. They are as quick as lightning."

Ermengarde looked from her to the doll and back again.

"Can she--walk?" she asked breathlessly.

"Yes," answered Sara. "At least I believe she can. At least I pretend I believe she can. And that makes it seem as if it were true. Have you never pretended things?"

"No," said Ermengarde. "Never. I--tell me about it."

She was so bewitched by this odd, new companion that she actually stared at Sara instead of at Emily--notwithstanding that Emily was the most attractive doll person she had ever seen.

"Let us sit down," said Sara, "and I will tell you. It's so easy that when you begin you can't stop. You just go on and on doing it always. And it's beautiful. Emily, you must listen. This is Ermengarde St. John, Emily. Ermengarde, this is Emily. Would you like to hold her?"

"Oh, may I?" said Ermengarde. "May I, really? She is beautiful!" And Emily was put into her arms.

Never in her dull, short life had Miss St. John dreamed of such an hour as the one she spent with the queer new pupil before they heard the lunch-bell ring and were obliged to go downstairs.

Sara sat upon the hearth-rug and told her strange things. She sat rather huddled up, and her green eyes shone and her cheeks flushed. She told stories of the voyage, and stories of India; but what fascinated Ermengarde the most was her fancy about the dolls who walked and talked, and who could do anything they chose when the human beings were out of the room, but who must keep their powers a secret and so flew back to their places "like lightning" when people returned to the room.

"We couldn't do it," said Sara, seriously. "You see, it's a kind of magic."

Once, when she was relating the story of the search for Emily, Ermengarde saw her face suddenly change. A cloud seemed to pass over it and put out the light in her shining eyes. She drew her breath in so sharply that it made a funny, sad little sound, and then she shut her lips and held them tightly closed, as if she was determined either to do or not to do something. Ermengarde had an idea that if she had been like any other little girl, she might have suddenly burst out sobbing and crying. But she did not.

"Have you a--a pain?" Ermengarde ventured.

"Yes," Sara answered, after a moment's silence. "But it is not in my body." Then she added something in a low voice which she tried to keep quite steady, and it was this: "Do you love your father more than anything else in all the whole world?"

Ermengarde's mouth fell open a little. She knew that it would be far from behaving like a respectable child at a select seminary to say that it had never occurred to you that you could love your father, that you would do anything desperate to avoid being left alone in his society for ten minutes. She was, indeed, greatly embarrassed.

"I--I scarcely ever see him," she stammered. "He is always in the library--reading things."

"I love mine more than all the world ten times over," Sara said. "That is what my pain is. He has gone away."

She put her head quietly down on her little, huddled-up knees, and sat very still for a few minutes.

"She's going to cry out loud," thought Ermengarde, fearfully.

But she did not. Her short, black locks tumbled about her ears, and she sat still. Then she spoke without lifting her head.

"I promised him I would bear it," she said. "And I will. You have to bear things. Think what soldiers bear! Papa is a soldier. If there was a war he would have to bear marching and thirstiness and, perhaps, deep wounds. And he would never say a word--not one word."

Ermengarde could only gaze at her, but she felt that she was beginning to adore her. She was so wonderful and different from anyone else.

Presently, she lifted her face and shook back her black locks, with a queer little smile.

"If I go on talking and talking," she said, "and telling you things about pretending, I shall bear it better. You don't forget, but you bear it better."

Ermengarde did not know why a lump came into her throat and her eyes felt as if tears were in them.

"Lavinia and Jessie are `best friends,'" she said rather huskily. "I wish we could be `best friends.' Would you have me for yours? You're clever, and I'm the stupidest child in the school, but I-- oh, I do so like you!"

"I'm glad of that," said Sara. "It makes you thankful when you are liked. Yes. We will be friends. And I'll tell you what"-- a sudden gleam lighting her face--"I can help you with your French lessons."

Chapter 4: Lottie

If Sara had been a different kind of child, the life she led at Miss Minchin's Select Seminary for the next few years would not have been at all good for her. She was treated more as if she were a distinguished guest at the establishment than as if she were a mere little girl. If she had been a self-opinionated, domineering child, she might have become disagreeable enough to be unbearable through being so much indulged and flattered. If she had been an indolent child, she would have learned nothing. Privately Miss Minchin disliked her, but she was far too worldly a woman to do or say anything which might make such a desirable pupil wish to leave her school. She knew quite well that if Sara wrote to her papa to tell him she was uncomfortable or unhappy, Captain Crewe would remove her at once. Miss Minchin's opinion was that if a child were continually praised and never forbidden to do what she liked, she would be sure to be fond of the place where she was so treated. Accordingly, Sara was praised for her quickness at her lessons, for her good manners, for her amiability to her fellow pupils, for her generosity if she gave sixpence to a beggar out of her full little purse; the simplest thing she did was treated as if it were a virtue, and if she had not had a disposition and a clever little brain, she might have been a very self-satisfied young person. But the clever little brain told her a great many sensible and true things about herself and her circumstances, and now and then she talked these things over to Ermengarde as time went on.

"Things happen to people by accident," she used to say. "A lot of nice accidents have happened to me. It just happened that I always liked lessons and books, and could remember things when I learned them. It just happened that I was born with a father who was beautiful and nice and clever, and could give me everything I liked. Perhaps I have not really a good temper at all, but if you have everything you want and everyone is kind to you, how can you help but be good-tempered? I don't know"--looking quite serious--"how I shall ever find out whether I am really a nice child or a horrid one. Perhaps I'm a hideous child, and no one will ever know, just because I never have any trials."

"Lavinia has no trials," said Ermengarde, stolidly, "and she is horrid enough."

Sara rubbed the end of her little nose reflectively, as she thought the matter over.

"Well," she said at last, "perhaps--perhaps that is because Lavinia is growing." This was the result of a charitable recollection of having heard Miss Amelia say that Lavinia was growing so fast that she believed it affected her health and temper.

Lavinia, in fact, was spiteful. She was inordinately jealous of Sara. Until the new pupil's arrival, she had felt herself the leader in the school. She had led because she was capable of making herself extremely disagreeable if the others did not follow her. She domineered over the little children, and assumed grand airs with those big enough to be her companions. She was rather pretty, and had been the best-dressed pupil in the procession when the Select Seminary walked out two by two, until Sara's velvet coats and sable muffs appeared, combined with drooping ostrich feathers, and were led by Miss Minchin at the head of the line. This, at the beginning, had been bitter enough; but as time went on it became apparent that Sara was a leader, too, and not because she could make herself disagreeable, but because she never did.

"There's one thing about Sara Crewe," Jessie had enraged her "best friend" by saying honestly, "she's never `grand' about herself the least bit, and you know she might be, Lavvie. I believe I couldn't help being--just a little--if I had so many fine things and was made such a fuss over. It's disgusting, the way Miss Minchin shows her off when parents come."

"`Dear Sara must come into the drawing room and talk to Mrs. Musgrave about India,'" mimicked Lavinia, in her most highly flavored imitation of Miss Minchin. "`Dear Sara must speak French to Lady Pitkin. Her accent is so perfect.' She didn't learn her French at the Seminary, at any rate. And there's nothing so clever in her knowing it. She says herself she didn't learn it at all. She just picked it up, because she always heard her papa speak it. And, as to her papa, there is nothing so grand in being an Indian officer."