Erhalten Sie Zugang zu diesem und mehr als 300000 Büchern ab EUR 5,99 monatlich.
David Clarke's first full collection follows on from an acclaimed and award-winning pamphlet Gaud (winner of the 2013 Michael Marks Pamphlet Prize). Follow the trail of these fleet-footed poems, and you'll be swept along from sonnets for Scott Walker to Orpheus as white van man, via 'epic fails' and sword-swallowing for beginners. It's a memorable trip you'll want to start afresh as soon as you finish reading. By turns subtle, bittersweet and wickedly sharp, this is a debut collection of poems to be savoured, which you will find yourself returning to revisit again and again.
Sie lesen das E-Book in den Legimi-Apps auf:
Seitenzahl: 42
Das E-Book (TTS) können Sie hören im Abo „Legimi Premium” in Legimi-Apps auf:
Arc
Arc
David Clarke
ISBN: 978-0-9931201-5-2
Copyright © David Clarke
Cover artwork © Eleanor Bennett
www.eleanorleonnebennett.com
All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
David Clarke has asserted his right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
First published September 2015 by:
Nine Arches Press
Unit 14, Sir Frank Whittle Business Centre,
Great Central Way, Rugby.
CV21 3XH
United Kingdom
www.ninearchespress.com
Printed in Britain by:
The Russell Press Ltd.
This book is for Malcolm
Throw
Epic Fail
The Messengers
Lyre
Dear Superman,
Epic Fail
Votive
Philosophy of Cake
Queer
Why I Moved to London
Scott Walker Sonnet
At Kirkgate Market
A Harmony for Spring
A Provincial Recital
Permanent Emergency
Sword-Swallowing for Beginners
The Psychiatrist Addresses His Patient, a Soldier
Asklepieion of Epidauros
Permanent Emergency
Reading Habits
Lenin at the Music Hall
Elaborate Moustache
Notes Towards a Definition of the Revolution
Patrick J Hinds
October 1962
You Explain to Me Your Plans for Surviving the End of Civilization as We Know It
How It Was
A Journey
Arcadia
Song of His Sooterkin Brother
Murder Ballad
To the Harvesters of Ambergris
The End of a Film with Jimmy Stewart
Driving Back to Lincolnshire for a Funeral
Paysage marin
Ode to Achilles
In Hangzhou
Exodus
Substance
Candy
1/8
Gran Reserva
Halfzware Shag
Powder
Boats
From Here
A Family Romance
From Here
On Assembling and Disassembling a Greenhouse
See England by Train
News from Home
To The Gloucestershire Echo
Domestic Gods
Shed
than you expected
For Hanna on Her 50th Birthday
About the Ocean
House of the Artist
Author Photograph
Notes & Acknowledgements
I am the boy who threw the ball
into summer’s empty mouth
then saw there was no void at all –
as at the zenith of my lob
the sun’s hot lozenge stuck like tar
and held my missile’s arc aloft
for seconds, minutes, hours it seemed.
Dark jewel set in a golden ring,
black pupil stitched with molten seam,
agate globe in quartz’s kiss,
iron plunged in an ember pit –
little eclipse and apocalypse.
I squinted to see where it would land,
running forward with empty hands.
Hark!, the angels are crying. We do not hear.
Even while they pace the lime-washed halls
brandishing bold lilies, as if to direct
our spiritual traffic – we are nonplussed.
We turn the pages of magazines, inspect
the sorry heel of our own dangled shoe.
Hark! and Hark! again. The rain is dashing
redbrick walls, cars illuminate
the prosey night, while ministers of all
religions bob home to a book or spouse –
and every one just out of earshot
for seraphim, Hark!-ing themselves hoarse.
Not even poets attend to that hailing,
haloed in their screen-bright fug.
Such barren shores they choose to call to,
those heralds. Such blasted shores.
Orpheus wants two Americanos.
His mate is impatient on double yellows
in the van where they keep the harp,
rapping the roof with his knuckles.
Our godly axeman flashes a victory V,
thus drives home the point
of the goth girl’s pen
tracing cutely bulbous capitals
on her yellow pad, endlessly redrafting
a PERSONAL STATEMENT
as she chews on a hank of purple hair
that curtains the puffy eyes
of the barista. He slouches,
hung-over, to the steam machine
with a face full of shrapnel,
stomach turning at that burnt
milk smell of hot babies
screaming in 4x4s. Half-bald pigeons,
cyclists in eye-watering Lycra,
the whole ragged street tensed
beyond the café windows
waiting for Orpheus to swing
back into his van and strike
the morning’s opening chord.
I know, sometimes we have to take our chances.
But even now I feel like every shiver
in the air could be you passing. Asses
still need whipping and you’re such a giver –
giving them hell, I mean. Those freaks who slither
in every gutter spell plenty of printer’s ink.
Pictures of you turning a swollen river,
zapping the chains of captives, link by link.
Such meek-seeming schoolboy manners. You flush so pink
at the world’s praise. Looking back, I cringe to think
how I’d lie awake to watch for a chink
of light beneath our bedroom door, the mirror
showing a failed sidekick, tired of the stink
of battle on your cape. Not thinking bigger
than the two of us, I’d never linger
on news of disaster. You’d scoot to salvage NASA’s
latest screw-up. I’d long to see you dither,
shyly reach for your alter ego’s glasses.
The pelicans in St James’ Park are preening
on their artificial rock, presenting
pieces of themselves for inspection –
their wings like clattering plates of armour.
They rattle sabre bills against their chests,
sprinkle white and grey confetti of feathers
onto the island’s setting of luminous algae.