The Field in Winter - David Clarke - E-Book

The Field in Winter E-Book

David Clarke

0,0

Beschreibung

The Field in Winter, the third collection of poetry by David Clarke, winner of the Michael Marks Award, elegantly reflects on memory, time, and the very particular landscape of loss, in a calendar of poems, a 'charm of words' that track and loop through seasons of nature and living. The relationship between the environment, the human body and the self takes centre stage here in poetry that is concerned with being in the world - senses alive to the detail of things, the trunk of a linden tree , the shock of cold water, the frenzy of bees and blossom. But these remarkable poems also write towards the intangible in the late summer's dusk – an empty cage, a bird flown; history's slow grind and echo. Clarke's elegies reach out to touch what passes us fleetingly in a moment of time – 'before the tongue can catch them' – held for that second, precious, in his poised and finely weighted poetry.

Sie lesen das E-Book in den Legimi-Apps auf:

Android
iOS
von Legimi
zertifizierten E-Readern

Seitenzahl: 30

Das E-Book (TTS) können Sie hören im Abo „Legimi Premium” in Legimi-Apps auf:

Android
iOS
Bewertungen
0,0
0
0
0
0
0
Mehr Informationen
Mehr Informationen
Legimi prüft nicht, ob Rezensionen von Nutzern stammen, die den betreffenden Titel tatsächlich gekauft oder gelesen/gehört haben. Wir entfernen aber gefälschte Rezensionen.



The Field in Winter

The Field in Winter

David Clarke

ISBN: 978-1-913437-76-3

eISBN: 978-1-913437-77-0

Copyright © David Clarke, 2023.

Cover artwork: ‘Winter Evening’ by John Northcote Nash (1893-1977) © Worthing Museum / © Estate of John Northcote Nash. All rights reserved 2023 / Bridgeman Images.

All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.

David Clarke has asserted his right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

First published September 2023 by:

Nine Arches Press

Unit 14, Sir Frank Whittle Business Centre,

Great Central Way, Rugby.

CV21 3XH

United Kingdom

www.ninearchespress.com

Printed on recycled paper in the United Kingdom by Imprint Digital.

Nine Arches Press is supported using public funding by Arts Council England.

In memory of my father,

John Frederick Clarke

(1944 - 2021)

Contents

Reciting a Poem by Czesław Miłosz at Krasnogruda

After the Plum Harvest

“Sweetie”

First Time Swimming in the Lake at Krasnogruda

A Stork at Krasnogruda

The Path from Krasnogruda to Ogrodniki

A Spider in My Kitchen

Flies

Before Storm Ellen Arrives

Before Storm Ellen Leaves

Rabbit

Starlings at Royal Well

Fen Lane

Fog in Byron Road

Clais Fhearnaig

November

Fog at Auborn

Picking Sloes

The Field in Winter

A Spider’s Web on Exmoor

Old Dalby

Liniment

The Word Box

Anniversary

February

The Severn by Sedbury

After Impact

The Field in Spring

Starlings in the Garden

Cherry Blossom

Coult Avenue

Before the Plum Harvest

Sunken Lane

The Bees

The Fall

Crow

Advice for Those Who Are Not Yet Fifty Years Old

Accident

Mahonia Blossom

Urban Fox

Toad Lesson

Wake

The Path from Ogrodniki to Krasnogruda

Second Time Swimming in the Lake at Krasnogruda

Another Stork at Krasnogruda

The day the soldiers come

Marginal

In Wartime

Glen Quoich

The Severn by Waldings Pill

Incident on Coldstream Terrace

In the Street of Late Evening

Song

The End of Summer

Acknowledgements and Thanks

About the author and this book

Reciting a Poem by Czesław Miłosz at Krasnogruda

for Krzysztof Czyżewski

The first thing I want to tell you about

is the trunk of this linden tree –

the surprise of its having taken up

a whole day’s heat from the earth

through the wick of its cracked skin.

Then, at my feet, there are ants

in a web of leaves, twigs and dust,

busy in their unknowable world.

The villagers line up to speak

the poet’s words, which I do not

understand fully in any language.

I’ve chosen one of his last, taking it

as confession of doubt that drove him.

The villagers listen politely as I stumble

over the poem’s uneven threshold –

If I could at last tell you what is in me.

These words turn for a moment in my mind

before the tongue can catch them, briefly,

on their flight through birch and thicket,

to ignite the lake’s dark eye.

After the Plum Harvest

August has turned blue to black.

Bulbs of syrupy liquor droop,

pendulous on brittle staves.

Welts in flesh that will not scar –

they open, glisten to the wasps

who tumble, twitchy-limbed

to lap at ooze. Now amber tears

run dry and make a tacky gum.

The sun is low.

It silhouettes drab sacks of skin

that wither in the canopy.

Is summer still inside?

They drop through green

and mulch the earth with boozy rot.

“Sweetie”

The children carry a cage beneath the trees,