Basil and Cleopatra E-Book

F.Scott Fitzgerald

• Herausgeber: Books on Demand
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2015

Seitenzahl: 33

Beschreibung

Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair. Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".

Leseprobe

I

Wherever she was, became a beautiful and enchanted place to Basil, but he did not think of it that way. He thought the fascination was inherent in the locality, and long afterward a commonplace street or the mere name of a city would exude a peculiar glow, a sustained sound, that struck his soul alert with delight. In her presence he was too absorbed to notice his surroundings; so that her absence never made them empty, but, rather, sent him seeking for her through haunted rooms and gardens that he had never really seen before.

This time, as usual, he saw only the expression of her face, the mouth that gave an attractive interpretation of any emotion she felt or pretended to feel--oh, invaluable mouth--and the rest of her, new as a peach and old as sixteen. He was almost unconscious that they stood in a railroad station and entirely unconscious that she had just glanced over his shoulder and fallen in love with another young man. Turning to walk with the rest to the car, she was already acting for the stranger; no less so because her voice was pitched for Basil and she clung to him, squeezing his arm.

Had Basil noticed this other young man that the train discharged he would merely have been sorry for him--as he had been sorry for the wretched people in the villages along the railroad and for his fellow travelers--they were not entering Yale in a fortnight nor were they about to spend three days in the same town with Miss Erminie Gilberte Labouisse Bibble. There was something dense, hopeless and a little contemptible about them all.

Basil had come to visit here because Erminie Bibble was visiting here.

On the sad eve of her departure from his native Western city a month before, she had said, with all the promise one could ask in her urgent voice:

"If you know a boy in Mobile, why don't you make him invite you down when I'll be there?"

He had followed this suggestion. And now with the soft, unfamiliar Southern city actually flowing around him, his excitement led him to believe that Fat Gaspar's car floated off immediately they entered it. A voice from the curb came as a surprise:

"Hi, Bessie Belle. Hi, William. How you all?"

The newcomer was tall and lean and a year or so older than Basil. He wore a white linen suit and a panama hat, under which burned fierce, undefeated Southern eyes.

"Why, Littleboy Le Moyne!" exclaimed Miss Cheever. "When did you get home?"

"Jus' now, Bessie Belle. Saw you lookin' so fine and pretty, had to come and see closer."

He was introduced to Minnie and Basil.

"Drop you somewhere, Littleboy?" asked Fat--on his native heath, William.

"Why--" Le Moyne hesitated. "You're very kind, but the man ought to be here with the car."

"Jump in."

Le Moyne swung his bag on top of Basil's and with courteous formality got in the back seat beside them. Basil caught Minnie's eye and she smiled quickly back, as if to say, "This is too bad, but it'll soon be over."

"Do you happen to come from New Orleans, Miss Bibble?" asked Le Moyne.

"Sure do."

"'Cause I just came from there and they told me one of their mos' celebrated heartbreakers was visiting up here, and meanwhile her suitors were shooting themselves all over the city. That's the truth. I used to help pick 'em up myself sometimes when they got littering the streets."

"This must be Mobile Bay on the left," Basil thought; "Down Mobile," and the Dixie moonlight and darky stevedores singing. The houses on either side of the street were gently faded behind proud, protecting vines; there had been crinolines on these balconies, and guitars by night in these broken gardens.

It was so warm; the voices were so sure they had time to say everything--even Minnie's voice, answering the banter of the youth with the odd nickname, seemed slower and lazier--he had scarcely ever thought of her as a Southern girl before. They stopped at a large gate where flickers of a yellow house showed through luscious trees. Le Moyne got out.