Better Dead E-Book

J.m Barrie

• Herausgeber: Booksell-Verlag
• Kategorie: Abenteuer, Thriller, Horror
• Sprache: Englisch

Veröffentlichungsjahr: 2019

Beschreibung

In "Better Dead," J. M. Barrie explores the complex interplay between life, death, and the consequences of one's existence through a compelling narrative that weaves elements of realism with the fantastical. Barrie delves into the human psyche, posing existential questions that resonate with the spirit of the early 20th century, while his characteristic wit and introspective prose shine throughout the text. With sharp dialogue and richly drawn characters, the story reveals the moral dilemmas faced by individuals caught between societal expectations and personal desires, all set against the backdrop of a society grappling with the profound impact of World War I. J. M. Barrie, renowned for creating the beloved character Peter Pan, possessed a unique perspective shaped by his own childhood experiences and the loss of siblings. His ability to navigate the borders of innocence and maturity informs his exploration of darker themes in "Better Dead," reflecting his understanding of the fragility of life and the weight of responsibility. Barrie's evolution as a writer led him to tackle more profound issues, culminating in this thought-provoking narrative that challenges readers to confront their own beliefs about mortality and legacy. "Better Dead" is a must-read for those who appreciate literature that delves into the depths of human emotion and the philosophical inquiries surrounding existence. Barrie's skillful storytelling and poignant observations invite reflection on what it means to live fully while confronting the inevitability of death. This book serves as both a literary journey and a catalyst for introspection, making it essential for readers interested in the intersections of life, choice, and consequence.

Leseprobe

J. M. Barrie

Better Dead

Published by Good Press, 2022

[email protected]

EAN 4057664599230

Table of Contents

TO FREDERICK GREENWOOD

INTRODUCTION

BETTER DEAD

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

TO FREDERICK GREENWOOD

Table of Contents

INTRODUCTION

Table of Contents

This is the only American edition of my books produced with my sanction, and I have special reasons for thanking Messrs. Scribner for its publication; they let it be seen, by this edition, what are my books, for I know not how many volumes purporting to be by me, are in circulation in America which are no books of mine. I have seen several of these, bearing such titles as "Two of Them," "An Auld Licht Manse," "A Tillyloss Scandal," and some of them announce themselves as author's editions, or published by arrangement with the author. They consist of scraps collected and published without my knowledge, and I entirely disown them. I have written no books save those that appear in this edition.

I am asked to write a few lines on the front page of each of these volumes, to say something, as I take it, about how they came into being. Well, they were written mainly to please one woman who is now dead, but as I am writing a little book about my mother I shall say no more of her here.

Many of the chapters in "Auld Licht Idylls" first appeared in a different form in the St. James's Gazette, and there is little doubt that they would never have appeared anywhere but for the encouragement given to me by the editor of that paper. It was pressure from him that induced me to write a second "Idyll" and a third after I thought the first completed the picture, he set me thinking seriously of these people, and though he knew nothing of them himself, may be said to have led me back to them. It seems odd, and yet I am not the first nor the fiftieth who has left Thrums at sunrise to seek the life-work that was all the time awaiting him at home. And we seldom sally forth a second time. I had always meant to be a novelist, but London, I thought, was the quarry.

For long I had an uneasy feeling that no one save the editor read my contributions, for I was leading a lonely life in London, and not another editor could I find in the land willing to print the Scotch dialect. The magazines, Scotch and English, would have nothing to say to me—I think I tried them all with "The Courting of T'nowhead's Bell," but it never found shelter until it got within book-covers. In time, however, I found another paper, the British Weekly, with an editor as bold as my first (or shall we say he suffered from the same infirmity?). He revived my drooping hopes, and I was again able to turn to the only kind of literary work I now seemed to have much interest in. He let me sign my articles, which was a big step for me and led to my having requests for work from elsewhere, but always the invitations said "not Scotch—the public will not read dialect." By this time I had put together from these two sources and from my drawerful of rejected stories this book of "Auld Licht Idylls," and in its collected form it again went the rounds. I offered it to certain firms as a gift, but they would not have it even at that. And then, on a day came actually an offer for it from Messrs. Hodder and Stoughton. For this, and for many another kindness, I had the editor of the British Weekly to thank. Thus the book was published at last, and as for Messrs. Hodder and Stoughton I simply dare not say what a generous firm I found them, lest it send too many aspirants to their doors. But, indeed, I have had the pleasantest relations with all my publishers.

"Better Dead" is, by my wish, no longer on sale in Great Britain, and I should have preferred not to see it here, for it is in no way worthy of the beautiful clothes Messrs. Scribner have given it. Weighted with "An Edinburgh Eleven" it would rest very comfortably in the mill dam, but the publishers have reasons for its inclusion; among them, I suspect, is a well-grounded fear that if I once began to hack and hew, I should not stop until I had reduced the edition to two volumes. This juvenile effort is a field of prickles into which none may be advised to penetrate—I made the attempt lately in cold blood and came back shuddering, but I had read enough to have the profoundest reason for declining to tell what the book is about. And yet I have a sentimental interest in "Better Dead," for it was my first—published when I had small hope of getting any one to accept the Scotch—and there was a week when I loved to carry it in my pocket and did not think it dead weight. Once I almost saw it find a purchaser. She was a pretty girl and it lay on a bookstall, and she read some pages and smiled, and then retired, and came back and began another chapter. Several times she did this, and I stood in the background trembling with hope and fear. At last she went away without the book, but I am still of opinion that, had it been just a little bit better, she would have bought it.

BETTER DEAD

Table of Contents

CHAPTER I

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When Andrew Riach went to London, his intention was to become private secretary to a member of the Cabinet. If time permitted, he proposed writing for the Press.

"It might be better if you and Clarrie understood each other," the minister said.

It was their last night together. They faced each other in the manse-parlour at Wheens, whose low, peeled ceiling had threatened Mr. Eassie at his desk every time he looked up with his pen in his mouth until his wife died, when he ceased to notice things. The one picture on the walls, an engraving of a boy in velveteen, astride a tree, entitled "Boyhood of Bunyan," had started life with him. The horsehair chairs were not torn, and you did not require to know the sofa before you sat down on it, that day thirty years before, when a chubby minister and his lady walked to the manse between two cart-loads of furniture, trying not to look elated.

Clarrie rose to go, when she heard her name. The love-light was in her eyes, but Andrew did not open the door for her, for he was a Scotch graduate. Besides, she might one day be his wife.

The minister's toddy-ladle clinked against his tumbler, but Andrew did not speak. Clarrie was the girl he generally adored.

"As for Clarrie," he said at last, "she puts me in an awkward position. How do I know that I love her?"