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Errant, Gabriel Levin's sixth collection, opens and ends with invocations: of Venus at dawn and Hesperus at dusk. The book's day takes us on a three-part planetary journey. 'What Drew Me On' is inspired by Tamara Rikman's free-floating works on paper and by Plato's image of the music of the spheres. Ghostly pres¬ences are evoked in several poetic forms, including terza rima for the poet's take on image-making down the ages. 'First came sooty beings shinnying up walls.'There are elegies to the cineastes Abbas Kiarostami and Chantal Akerman, as well as translations from Greek and (in villanelle form) from the Medieval Hebrew of Avraham Ibn Ezra. There are aubades, lyrics, and a sequence arranged in short-lined triads of psychic retreat in Jerusalem. The wanderer picks up where he left off in earlier books, striking out from home, conjuring Sa'adi's Gulistan or Nasir-i Khursaw in Cairo; pocketing bits of obsidian on the island of Melos, paying homage to Yannis Ritsos in Crete.
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Veröffentlichungsjahr: 2018
GABRIEL LEVIN
Grateful acknowledgements to the follow journals in which some of the poems were originally published: PN Review, Raritan and Stand.
The epigraph is taken from Giordano Bruno, On The Heroic Frenzies, a translation of De gli eroici furori by Ingrid D. Rowland, text edited by Eugenio Canone, the Da Ponte Italian Library, published in collaboration with the UCLA Centre for Medieval and Renaissance Studies, University of Toronto Press, Toronto, Buffalo, London, 2013, p.205.
Cicada: Let us go, and as we walk discover whether or not we can unravel this riddle.
Tansillo: Very well.
Giordano Bruno, On the Heroic Frenzies
At the fourth watch extend
your blank errancy
your slip away rills of light, oh my cilia
bright dawn, my cloven
hoofed, tawny Aurora
rising from your flushed bed
of noughts, O my new-
born fleeting doe, my occluded, errant
one, spun tremulous
on your spindly axis