Essential Novelists - Frances Hodgson Burnett E-Book

Frances Hodgson Burnett

• Herausgeber: Tacet Books
• Kategorie: Gesellschafts- und Liebesromane
• Serie: Essential Novelists
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Seitenzahl: 742

Beschreibung

Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Frances Hodgson Burnett which are A Little Princess and The Secret Garden. English-born American author Frances Hodgson Burnetthad a long and productive writing career, during which she penned 55 titles, 5 of which became best-sellers and 13 of which were adapted for the stage. Although remembered primarily for her children's books, such as Little Lord Fauntleroy, A Little Princess, and The Secret Garden, Burnett also wrote for adults, including the well-received novel That Lass o' Lowrie's. Novels selected for this book: - A Little Princess - The Secret GardenThis is one ofmany books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

Leseprobe

Table of Contents

Title Page

Author

A Little Princess

The Secret Garden

About the Publisher

Author

FRANCES HODGSON GREW up in increasingly straitened circumstances after the death of her father in 1854. In 1865 the family immigrated to the United States and settled in New Market, near Knoxville, Tennessee, where the promise of support from a maternal uncle failed to materialize. In 1868 Hodgson managed to place a story with Godey’s Lady’s Book. Within a few years she was being published regularly in Godey’s, Peterson’s Ladies’ Magazine, Scribner’s Monthly, and Harper’s. In 1873, after a year’s visit to England, she married Dr. Swan Moses Burnett of New Market (divorced 1898).

Burnett’s first novel, That Lass o’ Lowrie’s, which had been serialized in Scribner’s, was published in 1877. Like her short stories, the book combined a remarkable gift for realistic detail in portraying scenes of working-class life—unusual in that day—with a plot consisting of the most romantic and improbable of turns. After moving with her husband to Washington, D.C., Burnett wrote the novels Haworth’s (1879), Louisiana (1880), A Fair Barbarian (1881), and Through One Administration (1883), as well as a play, Esmeralda (1881), written with actor-playwright William Gillette.

In 1886 Burnett’s most famous and successful book appeared. First serialized in St. Nicholas magazine, Little Lord Fauntleroy was intended as a children’s book, but it had its greatest appeal to mothers. It established the main character’s long curls (based on her son Vivian’s) and velvet suit with lace collar (based on Oscar Wilde’s attire) as a mother’s model for small boys, who generally hated it. The book sold more than half a million copies, and Burnett’s income was increased by her dramatized version, which quickly became a repertory standard on the order of Uncle Tom’s Cabin. In 1888 she won a lawsuit in England over the dramatic rights to Little Lord Fauntleroy, establishing a precedent that was incorporated into British copyright law in 1911.

Her later books include Sara Crewe (1888), dramatized as The Little Princess (1905), and The Secret Garden (1909), both of which were also written for children. The Lady of Quality (1896) has been considered the best of her other plays. These, like most of her 40-odd novels, stress sentimental, romantic themes. In 1893 she published a memoir of her youth, The One I Knew Best of All. From the mid-1890s she lived mainly in England, but in 1909 she built a house in Plandome, Long Island, New York, where she died in 1924. Her son Vivian Burnett, the model for Little Lord Fauntleroy, wrote a biography of her in 1927 entitled The Romantick Lady.

A Little Princess

1

SARA

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ONCE ON A DARK WINTER's day, when the yellow fog hung so thick and heavy in the streets of London that the lamps were lighted and the shop windows blazed with gas as they do at night, an odd-looking little girl sat in a cab with her father and was driven rather slowly through the big thoroughfares.

She sat with her feet tucked under her, and leaned against her father, who held her in his arm, as she stared out of the window at the passing people with a queer old-fashioned thoughtfulness in her big eyes.

She was such a little girl that one did not expect to see such a look on her small face. It would have been an old look for a child of twelve, and Sara Crewe was only seven. The fact was, however, that she was always dreaming and thinking odd things and could not herself remember any time when she had not been thinking things about grown-up people and the world they belonged to. She felt as if she had lived a long, long time.

At this moment she was remembering the voyage she had just made from Bombay with her father, Captain Crewe. She was thinking of the big ship, of the Lascars passing silently to and fro on it, of the children playing about on the hot deck, and of some young officers' wives who used to try to make her talk to them and laugh at the things she said.

Principally, she was thinking of what a queer thing it was that at one time one was in India in the blazing sun, and then in the middle of the ocean, and then driving in a strange vehicle through strange streets where the day was as dark as the night. She found this so puzzling that she moved closer to her father.

"Papa," she said in a low, mysterious little voice which was almost a whisper, "papa."

"What is it, darling?" Captain Crewe answered, holding her closer and looking down into her face. "What is Sara thinking of?"

"Is this the place?" Sara whispered, cuddling still closer to him. "Is it, papa?"

"Yes, little Sara, it is. We have reached it at last." And though she was only seven years old, she knew that he felt sad when he said it.

It seemed to her many years since he had begun to prepare her mind for "the place," as she always called it. Her mother had died when she was born, so she had never known or missed her. Her young, handsome, rich, petting father seemed to be the only relation she had in the world. They had always played together and been fond of each other. She only knew he was rich because she had heard people say so when they thought she was not listening, and she had also heard them say that when she grew up she would be rich, too. She did not know all that being rich meant. She had always lived in a beautiful bungalow, and had been used to seeing many servants who made salaams to her and called her "Missee Sahib," and gave her her own way in everything. She had had toys and pets and an ayah who worshipped her, and she had gradually learned that people who were rich had these things. That, however, was all she knew about it.

During her short life only one thing had troubled her, and that thing was "the place" she was to be taken to some day. The climate of India was very bad for children, and as soon as possible they were sent away from it—generally to England and to school. She had seen other children go away, and had heard their fathers and mothers talk about the letters they received from them. She had known that she would be obliged to go also, and though sometimes her father's stories of the voyage and the new country had attracted her, she had been troubled by the thought that he could not stay with her.

"Couldn't you go to that place with me, papa?" she had asked when she was five years old. "Couldn't you go to school, too? I would help you with your lessons."

"But you will not have to stay for a very long time, little Sara," he had always said. "You will go to a nice house where there will be a lot of little girls, and you will play together, and I will send you plenty of books, and you will grow so fast that it will seem scarcely a year before you are big enough and clever enough to come back and take care of papa."

She had liked to think of that. To keep the house for her father; to ride with him, and sit at the head of his table when he had dinner parties; to talk to him and read his books—that would be what she would like most in the world, and if one must go away to "the place" in England to attain it, she must make up her mind to go. She did not care very much for other little girls, but if she had plenty of books she could console herself. She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself. Sometimes she had told them to her father, and he had liked them as much as she did.

"Well, papa," she said softly, "if we are here I suppose we must be resigned."

He laughed at her old-fashioned speech and kissed her. He was really not at all resigned himself, though he knew he must keep that a secret. His quaint little Sara had been a great companion to him, and he felt he should be a lonely fellow when, on his return to India, he went into his bungalow knowing he need not expect to see the small figure in its white frock come forward to meet him. So he held her very closely in his arms as the cab rolled into the big, dull square in which stood the house which was their destination.

It was a big, dull, brick house, exactly like all the others in its row, but that on the front door there shone a brass plate on which was engraved in black letters:

MISS MINCHIN, 

Select Seminary for Young Ladies.

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"HERE WE ARE, SARA," said Captain Crewe, making his voice sound as cheerful as possible. Then he lifted her out of the cab and they mounted the steps and rang the bell. Sara often thought afterward that the house was somehow exactly like Miss Minchin. It was respectable and well furnished, but everything in it was ugly; and the very armchairs seemed to have hard bones in them. In the hall everything was hard and polished—even the red cheeks of the moon face on the tall clock in the corner had a severe varnished look. The drawing room into which they were ushered was covered by a carpet with a square pattern upon it, the chairs were square, and a heavy marble timepiece stood upon the heavy marble mantel.

As she sat down in one of the stiff mahogany chairs, Sara cast one of her quick looks about her.

"I don't like it, papa," she said. "But then I dare say soldiers—even brave ones—don't really LIKE going into battle."

Captain Crewe laughed outright at this. He was young and full of fun, and he never tired of hearing Sara's queer speeches.

"Oh, little Sara," he said. "What shall I do when I have no one to say solemn things to me? No one else is as solemn as you are."

"But why do solemn things make you laugh so?" inquired Sara.

"Because you are such fun when you say them," he answered, laughing still more. And then suddenly he swept her into his arms and kissed her very hard, stopping laughing all at once and looking almost as if tears had come into his eyes.

It was just then that Miss Minchin entered the room. She was very like her house, Sara felt: tall and dull, and respectable and ugly. She had large, cold, fishy eyes, and a large, cold, fishy smile. It spread itself into a very large smile when she saw Sara and Captain Crewe. She had heard a great many desirable things of the young soldier from the lady who had recommended her school to him. Among other things, she had heard that he was a rich father who was willing to spend a great deal of money on his little daughter.

"It will be a great privilege to have charge of such a beautiful and promising child, Captain Crewe," she said, taking Sara's hand and stroking it. "Lady Meredith has told me of her unusual cleverness. A clever child is a great treasure in an establishment like mine."

Sara stood quietly, with her eyes fixed upon Miss Minchin's face. She was thinking something odd, as usual.

"Why does she say I am a beautiful child?" she was thinking. "I am not beautiful at all. Colonel Grange's little girl, Isobel, is beautiful. She has dimples and rose-colored cheeks, and long hair the color of gold. I have short black hair and green eyes; besides which, I am a thin child and not fair in the least. I am one of the ugliest children I ever saw. She is beginning by telling a story."

She was mistaken, however, in thinking she was an ugly child. She was not in the least like Isobel Grange, who had been the beauty of the regiment, but she had an odd charm of her own. She was a slim, supple creature, rather tall for her age, and had an intense, attractive little face. Her hair was heavy and quite black and only curled at the tips; her eyes were greenish gray, it is true, but they were big, wonderful eyes with long, black lashes, and though she herself did not like the color of them, many other people did. Still she was very firm in her belief that she was an ugly little girl, and she was not at all elated by Miss Minchin's flattery.

"I should be telling a story if I said she was beautiful," she thought; "and I should know I was telling a story. I believe I am as ugly as she is—in my way. What did she say that for?"

After she had known Miss Minchin longer she learned why she had said it. She discovered that she said the same thing to each papa and mamma who brought a child to her school.

Sara stood near her father and listened while he and Miss Minchin talked. She had been brought to the seminary because Lady Meredith's two little girls had been educated there, and Captain Crewe had a great respect for Lady Meredith's experience. Sara was to be what was known as "a parlor boarder," and she was to enjoy even greater privileges than parlor boarders usually did. She was to have a pretty bedroom and sitting room of her own; she was to have a pony and a carriage, and a maid to take the place of the ayah who had been her nurse in India.

"I am not in the least anxious about her education," Captain Crewe said, with his gay laugh, as he held Sara's hand and patted it. "The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books—great, big, fat ones—French and German as well as English—history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much. Make her ride her pony in the Row or go out and buy a new doll. She ought to play more with dolls."

"Papa," said Sara, "you see, if I went out and bought a new doll every few days I should have more than I could be fond of. Dolls ought to be intimate friends. Emily is going to be my intimate friend."

Captain Crewe looked at Miss Minchin and Miss Minchin looked at Captain Crewe.

"Who is Emily?" she inquired.

"Tell her, Sara," Captain Crewe said, smiling.

Sara's green-gray eyes looked very solemn and quite soft as she answered.

"She is a doll I haven't got yet," she said. "She is a doll papa is going to buy for me. We are going out together to find her. I have called her Emily. She is going to be my friend when papa is gone. I want her to talk to about him."

Miss Minchin's large, fishy smile became very flattering indeed.

"What an original child!" she said. "What a darling little creature!"

"Yes," said Captain Crewe, drawing Sara close. "She is a darling little creature. Take great care of her for me, Miss Minchin."

Sara stayed with her father at his hotel for several days; in fact, she remained with him until he sailed away again to India. They went out and visited many big shops together, and bought a great many things. They bought, indeed, a great many more things than Sara needed; but Captain Crewe was a rash, innocent young man and wanted his little girl to have everything she admired and everything he admired himself, so between them they collected a wardrobe much too grand for a child of seven. There were velvet dresses trimmed with costly furs, and lace dresses, and embroidered ones, and hats with great, soft ostrich feathers, and ermine coats and muffs, and boxes of tiny gloves and handkerchiefs and silk stockings in such abundant supplies that the polite young women behind the counters whispered to each other that the odd little girl with the big, solemn eyes must be at least some foreign princess—perhaps the little daughter of an Indian rajah.

And at last they found Emily, but they went to a number of toy shops and looked at a great many dolls before they discovered her.

"I want her to look as if she wasn't a doll really," Sara said. "I want her to look as if she LISTENS when I talk to her. The trouble with dolls, papa"—and she put her head on one side and reflected as she said it—"the trouble with dolls is that they never seem to HEAR." So they looked at big ones and little ones—at dolls with black eyes and dolls with blue—at dolls with brown curls and dolls with golden braids, dolls dressed and dolls undressed.

"You see," Sara said when they were examining one who had no clothes. "If, when I find her, she has no frocks, we can take her to a dressmaker and have her things made to fit. They will fit better if they are tried on."

After a number of disappointments they decided to walk and look in at the shop windows and let the cab follow them. They had passed two or three places without even going in, when, as they were approaching a shop which was really not a very large one, Sara suddenly started and clutched her father's arm.

"Oh, papa!" she cried. "There is Emily!"

A flush had risen to her face and there was an expression in her green-gray eyes as if she had just recognized someone she was intimate with and fond of.

"She is actually waiting there for us!" she said. "Let us go in to her."

"Dear me," said Captain Crewe, "I feel as if we ought to have someone to introduce us."

"You must introduce me and I will introduce you," said Sara. "But I knew her the minute I saw her—so perhaps she knew me, too."

Perhaps she had known her. She had certainly a very intelligent expression in her eyes when Sara took her in her arms. She was a large doll, but not too large to carry about easily; she had naturally curling golden-brown hair, which hung like a mantle about her, and her eyes were a deep, clear, gray-blue, with soft, thick eyelashes which were real eyelashes and not mere painted lines.

"Of course," said Sara, looking into her face as she held her on her knee, "of course papa, this is Emily."

So Emily was bought and actually taken to a children's outfitter's shop and measured for a wardrobe as grand as Sara's own. She had lace frocks, too, and velvet and muslin ones, and hats and coats and beautiful lace-trimmed underclothes, and gloves and handkerchiefs and furs.

"I should like her always to look as if she was a child with a good mother," said Sara. "I'm her mother, though I am going to make a companion of her."

Captain Crewe would really have enjoyed the shopping tremendously, but that a sad thought kept tugging at his heart. This all meant that he was going to be separated from his beloved, quaint little comrade.

He got out of his bed in the middle of that night and went and stood looking down at Sara, who lay asleep with Emily in her arms. Her black hair was spread out on the pillow and Emily's golden-brown hair mingled with it, both of them had lace-ruffled nightgowns, and both had long eyelashes which lay and curled up on their cheeks. Emily looked so like a real child that Captain Crewe felt glad she was there. He drew a big sigh and pulled his mustache with a boyish expression.

"Heigh-ho, little Sara!" he said to himself "I don't believe you know how much your daddy will miss you."

The next day he took her to Miss Minchin's and left her there. He was to sail away the next morning. He explained to Miss Minchin that his solicitors, Messrs. Barrow & Skipworth, had charge of his affairs in England and would give her any advice she wanted, and that they would pay the bills she sent in for Sara's expenses. He would write to Sara twice a week, and she was to be given every pleasure she asked for.

"She is a sensible little thing, and she never wants anything it isn't safe to give her," he said.

Then he went with Sara into her little sitting room and they bade each other good-by. Sara sat on his knee and held the lapels of his coat in her small hands, and looked long and hard at his face.

"Are you learning me by heart, little Sara?" he said, stroking her hair.

"No," she answered. "I know you by heart. You are inside my heart." And they put their arms round each other and kissed as if they would never let each other go.

When the cab drove away from the door, Sara was sitting on the floor of her sitting room, with her hands under her chin and her eyes following it until it had turned the corner of the square. Emily was sitting by her, and she looked after it, too. When Miss Minchin sent her sister, Miss Amelia, to see what the child was doing, she found she could not open the door.

"I have locked it," said a queer, polite little voice from inside. "I want to be quite by myself, if you please."

Miss Amelia was fat and dumpy, and stood very much in awe of her sister. She was really the better-natured person of the two, but she never disobeyed Miss Minchin. She went downstairs again, looking almost alarmed.

"I never saw such a funny, old-fashioned child, sister," she said. "She has locked herself in, and she is not making the least particle of noise."

"It is much better than if she kicked and screamed, as some of them do," Miss Minchin answered. "I expected that a child as much spoiled as she is would set the whole house in an uproar. If ever a child was given her own way in everything, she is."

"I've been opening her trunks and putting her things away," said Miss Amelia. "I never saw anything like them—sable and ermine on her coats, and real Valenciennes lace on her underclothing. You have seen some of her clothes. What DO you think of them?"

"I think they are perfectly ridiculous," replied Miss Minchin, sharply; "but they will look very well at the head of the line when we take the schoolchildren to church on Sunday. She has been provided for as if she were a little princess."

And upstairs in the locked room Sara and Emily sat on the floor and stared at the corner round which the cab had disappeared, while Captain Crewe looked backward, waving and kissing his hand as if he could not bear to stop.

2

A FRENCH LESSON

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WHEN SARA ENTERED THE schoolroom the next morning everybody looked at her with wide, interested eyes. By that time every pupil—from Lavinia Herbert, who was nearly thirteen and felt quite grown up, to Lottie Legh, who was only just four and the baby of the school—had heard a great deal about her. They knew very certainly that she was Miss Minchin's show pupil and was considered a credit to the establishment. One or two of them had even caught a glimpse of her French maid, Mariette, who had arrived the evening before. Lavinia had managed to pass Sara's room when the door was open, and had seen Mariette opening a box which had arrived late from some shop.

"It was full of petticoats with lace frills on them—frills and frills," she whispered to her friend Jessie as she bent over her geography. "I saw her shaking them out. I heard Miss Minchin say to Miss Amelia that her clothes were so grand that they were ridiculous for a child. My mamma says that children should be dressed simply. She has got one of those petticoats on now. I saw it when she sat down."

"She has silk stockings on!" whispered Jessie, bending over her geography also. "And what little feet! I never saw such little feet."

"Oh," sniffed Lavinia, spitefully, "that is the way her slippers are made. My mamma says that even big feet can be made to look small if you have a clever shoemaker. I don't think she is pretty at all. Her eyes are such a queer color."

"She isn't pretty as other pretty people are," said Jessie, stealing a glance across the room; "but she makes you want to look at her again. She has tremendously long eyelashes, but her eyes are almost green."

Sara was sitting quietly in her seat, waiting to be told what to do. She had been placed near Miss Minchin's desk. She was not abashed at all by the many pairs of eyes watching her. She was interested and looked back quietly at the children who looked at her. She wondered what they were thinking of, and if they liked Miss Minchin, and if they cared for their lessons, and if any of them had a papa at all like her own. She had had a long talk with Emily about her papa that morning.

"He is on the sea now, Emily," she had said. "We must be very great friends to each other and tell each other things. Emily, look at me. You have the nicest eyes I ever saw—but I wish you could speak."

She was a child full of imaginings and whimsical thoughts, and one of her fancies was that there would be a great deal of comfort in even pretending that Emily was alive and really heard and understood. After Mariette had dressed her in her dark-blue schoolroom frock and tied her hair with a dark-blue ribbon, she went to Emily, who sat in a chair of her own, and gave her a book.

"You can read that while I am downstairs," she said; and, seeing Mariette looking at her curiously, she spoke to her with a serious little face.

"What I believe about dolls," she said, "is that they can do things they will not let us know about. Perhaps, really, Emily can read and talk and walk, but she will only do it when people are out of the room. That is her secret. You see, if people knew that dolls could do things, they would make them work. So, perhaps, they have promised each other to keep it a secret. If you stay in the room, Emily will just sit there and stare; but if you go out, she will begin to read, perhaps, or go and look out of the window. Then if she heard either of us coming, she would just run back and jump into her chair and pretend she had been there all the time."

"Comme elle est drole!" Mariette said to herself, and when she went downstairs she told the head housemaid about it. But she had already begun to like this odd little girl who had such an intelligent small face and such perfect manners. She had taken care of children before who were not so polite. Sara was a very fine little person, and had a gentle, appreciative way of saying, "If you please, Mariette," "Thank you, Mariette," which was very charming. Mariette told the head housemaid that she thanked her as if she was thanking a lady.

"Elle a l'air d'une princesse, cette petite," she said. Indeed, she was very much pleased with her new little mistress and liked her place greatly.

After Sara had sat in her seat in the schoolroom for a few minutes, being looked at by the pupils, Miss Minchin rapped in a dignified manner upon her desk.

"Young ladies," she said, "I wish to introduce you to your new companion." All the little girls rose in their places, and Sara rose also. "I shall expect you all to be very agreeable to Miss Crewe; she has just come to us from a great distance—in fact, from India. As soon as lessons are over you must make each other's acquaintance."

The pupils bowed ceremoniously, and Sara made a little curtsy, and then they sat down and looked at each other again.

"Sara," said Miss Minchin in her schoolroom manner, "come here to me."

She had taken a book from the desk and was turning over its leaves. Sara went to her politely.

"As your papa has engaged a French maid for you," she began, "I conclude that he wishes you to make a special study of the French language."

Sara felt a little awkward.

"I think he engaged her," she said, "because he—he thought I would like her, Miss Minchin."

"I am afraid," said Miss Minchin, with a slightly sour smile, "that you have been a very spoiled little girl and always imagine that things are done because you like them. My impression is that your papa wished you to learn French."

If Sara had been older or less punctilious about being quite polite to people, she could have explained herself in a very few words. But, as it was, she felt a flush rising on her cheeks. Miss Minchin was a very severe and imposing person, and she seemed so absolutely sure that Sara knew nothing whatever of French that she felt as if it would be almost rude to correct her. The truth was that Sara could not remember the time when she had not seemed to know French. Her father had often spoken it to her when she had been a baby. Her mother had been a French woman, and Captain Crewe had loved her language, so it happened that Sara had always heard and been familiar with it.

"I—I have never really learned French, but—but—" she began, trying shyly to make herself clear.

One of Miss Minchin's chief secret annoyances was that she did not speak French herself, and was desirous of concealing the irritating fact. She, therefore, had no intention of discussing the matter and laying herself open to innocent questioning by a new little pupil.

"That is enough," she said with polite tartness. "If you have not learned, you must begin at once. The French master, Monsieur Dufarge, will be here in a few minutes. Take this book and look at it until he arrives."

Sara's cheeks felt warm. She went back to her seat and opened the book. She looked at the first page with a grave face. She knew it would be rude to smile, and she was very determined not to be rude. But it was very odd to find herself expected to study a page which told her that "le pere" meant "the father," and "la mere" meant "the mother."

Miss Minchin glanced toward her scrutinizingly.

"You look rather cross, Sara," she said. "I am sorry you do not like the idea of learning French."

"I am very fond of it," answered Sara, thinking she would try again; "but—"

"You must not say 'but' when you are told to do things," said Miss Minchin. "Look at your book again."

And Sara did so, and did not smile, even when she found that "le fils" meant "the son," and "le frere" meant "the brother."

"When Monsieur Dufarge comes," she thought, "I can make him understand."

Monsieur Dufarge arrived very shortly afterward. He was a very nice, intelligent, middle-aged Frenchman, and he looked interested when his eyes fell upon Sara trying politely to seem absorbed in her little book of phrases.

"Is this a new pupil for me, madame?" he said to Miss Minchin. "I hope that is my good fortune."

"Her papa—Captain Crewe—is very anxious that she should begin the language. But I am afraid she has a childish prejudice against it. She does not seem to wish to learn," said Miss Minchin.

"I am sorry of that, mademoiselle," he said kindly to Sara. "Perhaps, when we begin to study together, I may show you that it is a charming tongue."

Little Sara rose in her seat. She was beginning to feel rather desperate, as if she were almost in disgrace. She looked up into Monsieur Dufarge's face with her big, green-gray eyes, and they were quite innocently appealing. She knew that he would understand as soon as she spoke. She began to explain quite simply in pretty and fluent French. Madame had not understood. She had not learned French exactly—not out of books—but her papa and other people had always spoken it to her, and she had read it and written it as she had read and written English. Her papa loved it, and she loved it because he did. Her dear mamma, who had died when she was born, had been French. She would be glad to learn anything monsieur would teach her, but what she had tried to explain to madame was that she already knew the words in this book—and she held out the little book of phrases.

When she began to speak Miss Minchin started quite violently and sat staring at her over her eyeglasses, almost indignantly, until she had finished. Monsieur Dufarge began to smile, and his smile was one of great pleasure. To hear this pretty childish voice speaking his own language so simply and charmingly made him feel almost as if he were in his native land—which in dark, foggy days in London sometimes seemed worlds away. When she had finished, he took the phrase book from her, with a look almost affectionate. But he spoke to Miss Minchin.

"Ah, madame," he said, "there is not much I can teach her. She has not LEARNED French; she is French. Her accent is exquisite."

"You ought to have told me," exclaimed Miss Minchin, much mortified, turning to Sara.

"I—I tried," said Sara. "I—I suppose I did not begin right."

Miss Minchin knew she had tried, and that it had not been her fault that she was not allowed to explain. And when she saw that the pupils had been listening and that Lavinia and Jessie were giggling behind their French grammars, she felt infuriated.

"Silence, young ladies!" she said severely, rapping upon the desk. "Silence at once!"

And she began from that minute to feel rather a grudge against her show pupil.

3

ERMENGARDE

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ON THAT FIRST MORNING, when Sara sat at Miss Minchin's side, aware that the whole schoolroom was devoting itself to observing her, she had noticed very soon one little girl, about her own age, who looked at her very hard with a pair of light, rather dull, blue eyes. She was a fat child who did not look as if she were in the least clever, but she had a good-naturedly pouting mouth. Her flaxen hair was braided in a tight pigtail, tied with a ribbon, and she had pulled this pigtail around her neck, and was biting the end of the ribbon, resting her elbows on the desk, as she stared wonderingly at the new pupil. When Monsieur Dufarge began to speak to Sara, she looked a little frightened; and when Sara stepped forward and, looking at him with the innocent, appealing eyes, answered him, without any warning, in French, the fat little girl gave a startled jump, and grew quite red in her awed amazement. Having wept hopeless tears for weeks in her efforts to remember that "la mere" meant "the mother," and "le pere," "the father,"—when one spoke sensible English—it was almost too much for her suddenly to find herself listening to a child her own age who seemed not only quite familiar with these words, but apparently knew any number of others, and could mix them up with verbs as if they were mere trifles.

She stared so hard and bit the ribbon on her pigtail so fast that she attracted the attention of Miss Minchin, who, feeling extremely cross at the moment, immediately pounced upon her.

"Miss St. John!" she exclaimed severely. "What do you mean by such conduct? Remove your elbows! Take your ribbon out of your mouth! Sit up at once!"

Upon which Miss St. John gave another jump, and when Lavinia and Jessie tittered she became redder than ever—so red, indeed, that she almost looked as if tears were coming into her poor, dull, childish eyes; and Sara saw her and was so sorry for her that she began rather to like her and want to be her friend. It was a way of hers always to want to spring into any fray in which someone was made uncomfortable or unhappy.

"If Sara had been a boy and lived a few centuries ago," her father used to say, "she would have gone about the country with her sword drawn, rescuing and defending everyone in distress. She always wants to fight when she sees people in trouble."

So she took rather a fancy to fat, slow, little Miss St. John, and kept glancing toward her through the morning. She saw that lessons were no easy matter to her, and that there was no danger of her ever being spoiled by being treated as a show pupil. Her French lesson was a pathetic thing. Her pronunciation made even Monsieur Dufarge smile in spite of himself, and Lavinia and Jessie and the more fortunate girls either giggled or looked at her in wondering disdain. But Sara did not laugh. She tried to look as if she did not hear when Miss St. John called "le bon pain," "lee bong pang." She had a fine, hot little temper of her own, and it made her feel rather savage when she heard the titters and saw the poor, stupid, distressed child's face.

"It isn't funny, really," she said between her teeth, as she bent over her book. "They ought not to laugh."

When lessons were over and the pupils gathered together in groups to talk, Sara looked for Miss St. John, and finding her bundled rather disconsolately in a window-seat, she walked over to her and spoke. She only said the kind of thing little girls always say to each other by way of beginning an acquaintance, but there was something friendly about Sara, and people always felt it.

"What is your name?" she said.

To explain Miss St. John's amazement one must recall that a new pupil is, for a short time, a somewhat uncertain thing; and of this new pupil the entire school had talked the night before until it fell asleep quite exhausted by excitement and contradictory stories. A new pupil with a carriage and a pony and a maid, and a voyage from India to discuss, was not an ordinary acquaintance.

"My name's Ermengarde St. John," she answered.

"Mine is Sara Crewe," said Sara. "Yours is very pretty. It sounds like a story book."

"Do you like it?" fluttered Ermengarde. "I—I like yours."

Miss St. John's chief trouble in life was that she had a clever father. Sometimes this seemed to her a dreadful calamity. If you have a father who knows everything, who speaks seven or eight languages, and has thousands of volumes which he has apparently learned by heart, he frequently expects you to be familiar with the contents of your lesson books at least; and it is not improbable that he will feel you ought to be able to remember a few incidents of history and to write a French exercise. Ermengarde was a severe trial to Mr. St. John. He could not understand how a child of his could be a notably and unmistakably dull creature who never shone in anything.

"Good heavens!" he had said more than once, as he stared at her, "there are times when I think she is as stupid as her Aunt Eliza!"

If her Aunt Eliza had been slow to learn and quick to forget a thing entirely when she had learned it, Ermengarde was strikingly like her. She was the monumental dunce of the school, and it could not be denied.

"She must be MADE to learn," her father said to Miss Minchin.

Consequently Ermengarde spent the greater part of her life in disgrace or in tears. She learned things and forgot them; or, if she remembered them, she did not understand them. So it was natural that, having made Sara's acquaintance, she should sit and stare at her with profound admiration.

"You can speak French, can't you?" she said respectfully.

Sara got on to the window-seat, which was a big, deep one, and, tucking up her feet, sat with her hands clasped round her knees.

"I can speak it because I have heard it all my life," she answered. "You could speak it if you had always heard it."

"Oh, no, I couldn't," said Ermengarde. "I NEVER could speak it!"

"Why?" inquired Sara, curiously.

Ermengarde shook her head so that the pigtail wobbled.

"You heard me just now," she said. "I'm always like that. I can't SAY the words. They're so queer."

She paused a moment, and then added with a touch of awe in her voice, "You are CLEVER, aren't you?"

Sara looked out of the window into the dingy square, where the sparrows were hopping and twittering on the wet, iron railings and the sooty branches of the trees. She reflected a few moments. She had heard it said very often that she was "clever," and she wondered if she was—and IF she was, how it had happened.

"I don't know," she said. "I can't tell." Then, seeing a mournful look on the round, chubby face, she gave a little laugh and changed the subject.

"Would you like to see Emily?" she inquired.

"Who is Emily?" Ermengarde asked, just as Miss Minchin had done.

"Come up to my room and see," said Sara, holding out her hand.

They jumped down from the window-seat together, and went upstairs.

"Is it true," Ermengarde whispered, as they went through the hall—"is it true that you have a playroom all to yourself?"

"Yes," Sara answered. "Papa asked Miss Minchin to let me have one, because—well, it was because when I play I make up stories and tell them to myself, and I don't like people to hear me. It spoils it if I think people listen."

They had reached the passage leading to Sara's room by this time, and Ermengarde stopped short, staring, and quite losing her breath.

"You MAKE up stories!" she gasped. "Can you do that—as well as speak French? CAN you?"

Sara looked at her in simple surprise.

"Why, anyone can make up things," she said. "Have you never tried?"

She put her hand warningly on Ermengarde's.

"Let us go very quietly to the door," she whispered, "and then I will open it quite suddenly; perhaps we may catch her."

She was half laughing, but there was a touch of mysterious hope in her eyes which fascinated Ermengarde, though she had not the remotest idea what it meant, or whom it was she wanted to "catch," or why she wanted to catch her. Whatsoever she meant, Ermengarde was sure it was something delightfully exciting. So, quite thrilled with expectation, she followed her on tiptoe along the passage. They made not the least noise until they reached the door. Then Sara suddenly turned the handle, and threw it wide open. Its opening revealed the room quite neat and quiet, a fire gently burning in the grate, and a wonderful doll sitting in a chair by it, apparently reading a book.

"Oh, she got back to her seat before we could see her!" Sara explained. "Of course they always do. They are as quick as lightning."

Ermengarde looked from her to the doll and back again.

"Can she—walk?" she asked breathlessly.

"Yes," answered Sara. "At least I believe she can. At least I PRETEND I believe she can. And that makes it seem as if it were true. Have you never pretended things?"

"No," said Ermengarde. "Never. I—tell me about it."

She was so bewitched by this odd, new companion that she actually stared at Sara instead of at Emily—notwithstanding that Emily was the most attractive doll person she had ever seen.

"Let us sit down," said Sara, "and I will tell you. It's so easy that when you begin you can't stop. You just go on and on doing it always. And it's beautiful. Emily, you must listen. This is Ermengarde St. John, Emily. Ermengarde, this is Emily. Would you like to hold her?"

"Oh, may I?" said Ermengarde. "May I, really? She is beautiful!" And Emily was put into her arms.

Never in her dull, short life had Miss St. John dreamed of such an hour as the one she spent with the queer new pupil before they heard the lunch-bell ring and were obliged to go downstairs.

Sara sat upon the hearth-rug and told her strange things. She sat rather huddled up, and her green eyes shone and her cheeks flushed. She told stories of the voyage, and stories of India; but what fascinated Ermengarde the most was her fancy about the dolls who walked and talked, and who could do anything they chose when the human beings were out of the room, but who must keep their powers a secret and so flew back to their places "like lightning" when people returned to the room.

"WE couldn't do it," said Sara, seriously. "You see, it's a kind of magic."

Once, when she was relating the story of the search for Emily, Ermengarde saw her face suddenly change. A cloud seemed to pass over it and put out the light in her shining eyes. She drew her breath in so sharply that it made a funny, sad little sound, and then she shut her lips and held them tightly closed, as if she was determined either to do or NOT to do something. Ermengarde had an idea that if she had been like any other little girl, she might have suddenly burst out sobbing and crying. But she did not.

"Have you a—a pain?" Ermengarde ventured.

"Yes," Sara answered, after a moment's silence. "But it is not in my body." Then she added something in a low voice which she tried to keep quite steady, and it was this: "Do you love your father more than anything else in all the whole world?"

Ermengarde's mouth fell open a little. She knew that it would be far from behaving like a respectable child at a select seminary to say that it had never occurred to you that you COULD love your father, that you would do anything desperate to avoid being left alone in his society for ten minutes. She was, indeed, greatly embarrassed.

"I—I scarcely ever see him," she stammered. "He is always in the library—reading things."

"I love mine more than all the world ten times over," Sara said. "That is what my pain is. He has gone away."

She put her head quietly down on her little, huddled-up knees, and sat very still for a few minutes.

"She's going to cry out loud," thought Ermengarde, fearfully.

But she did not. Her short, black locks tumbled about her ears, and she sat still. Then she spoke without lifting her head.

"I promised him I would bear it," she said. "And I will. You have to bear things. Think what soldiers bear! Papa is a soldier. If there was a war he would have to bear marching and thirstiness and, perhaps, deep wounds. And he would never say a word—not one word."

Ermengarde could only gaze at her, but she felt that she was beginning to adore her. She was so wonderful and different from anyone else.

Presently, she lifted her face and shook back her black locks, with a queer little smile.

"If I go on talking and talking," she said, "and telling you things about pretending, I shall bear it better. You don't forget, but you bear it better."

Ermengarde did not know why a lump came into her throat and her eyes felt as if tears were in them.

"Lavinia and Jessie are 'best friends,'" she said rather huskily. "I wish we could be 'best friends.' Would you have me for yours? You're clever, and I'm the stupidest child in the school, but I—oh, I do so like you!"

"I'm glad of that," said Sara. "It makes you thankful when you are liked. Yes. We will be friends. And I'll tell you what"—a sudden gleam lighting her face—"I can help you with your French lessons."

4

LOTTIE

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IF SARA HAD BEEN A different kind of child, the life she led at Miss Minchin's Select Seminary for the next few years would not have been at all good for her. She was treated more as if she were a distinguished guest at the establishment than as if she were a mere little girl. If she had been a self-opinionated, domineering child, she might have become disagreeable enough to be unbearable through being so much indulged and flattered. If she had been an indolent child, she would have learned nothing. Privately Miss Minchin disliked her, but she was far too worldly a woman to do or say anything which might make such a desirable pupil wish to leave her school. She knew quite well that if Sara wrote to her papa to tell him she was uncomfortable or unhappy, Captain Crewe would remove her at once. Miss Minchin's opinion was that if a child were continually praised and never forbidden to do what she liked, she would be sure to be fond of the place where she was so treated. Accordingly, Sara was praised for her quickness at her lessons, for her good manners, for her amiability to her fellow pupils, for her generosity if she gave sixpence to a beggar out of her full little purse; the simplest thing she did was treated as if it were a virtue, and if she had not had a disposition and a clever little brain, she might have been a very self-satisfied young person. But the clever little brain told her a great many sensible and true things about herself and her circumstances, and now and then she talked these things over to Ermengarde as time went on.

"Things happen to people by accident," she used to say. "A lot of nice accidents have happened to me. It just HAPPENED that I always liked lessons and books, and could remember things when I learned them. It just happened that I was born with a father who was beautiful and nice and clever, and could give me everything I liked. Perhaps I have not really a good temper at all, but if you have everything you want and everyone is kind to you, how can you help but be good-tempered? I don't know"—looking quite serious—"how I shall ever find out whether I am really a nice child or a horrid one. Perhaps I'm a HIDEOUS child, and no one will ever know, just because I never have any trials."

"Lavinia has no trials," said Ermengarde, stolidly, "and she is horrid enough."

Sara rubbed the end of her little nose reflectively, as she thought the matter over.

"Well," she said at last, "perhaps—perhaps that is because Lavinia is GROWING." This was the result of a charitable recollection of having heard Miss Amelia say that Lavinia was growing so fast that she believed it affected her health and temper.

Lavinia, in fact, was spiteful. She was inordinately jealous of Sara. Until the new pupil's arrival, she had felt herself the leader in the school. She had led because she was capable of making herself extremely disagreeable if the others did not follow her. She domineered over the little children, and assumed grand airs with those big enough to be her companions. She was rather pretty, and had been the best-dressed pupil in the procession when the Select Seminary walked out two by two, until Sara's velvet coats and sable muffs appeared, combined with drooping ostrich feathers, and were led by Miss Minchin at the head of the line. This, at the beginning, had been bitter enough; but as time went on it became apparent that Sara was a leader, too, and not because she could make herself disagreeable, but because she never did.

"There's one thing about Sara Crewe," Jessie had enraged her "best friend" by saying honestly, "she's never 'grand' about herself the least bit, and you know she might be, Lavvie. I believe I couldn't help being—just a little—if I had so many fine things and was made such a fuss over. It's disgusting, the way Miss Minchin shows her off when parents come."

"'Dear Sara must come into the drawing room and talk to Mrs. Musgrave about India,'" mimicked Lavinia, in her most highly flavored imitation of Miss Minchin. "'Dear Sara must speak French to Lady Pitkin. Her accent is so perfect.' She didn't learn her French at the Seminary, at any rate. And there's nothing so clever in her knowing it. She says herself she didn't learn it at all. She just picked it up, because she always heard her papa speak it. And, as to her papa, there is nothing so grand in being an Indian officer."

"Well," said Jessie, slowly, "he's killed tigers. He killed the one in the skin Sara has in her room. That's why she likes it so. She lies on it and strokes its head, and talks to it as if it was a cat."

"She's always doing something silly," snapped Lavinia. "My mamma says that way of hers of pretending things is silly. She says she will grow up eccentric."

It was quite true that Sara was never "grand." She was a friendly little soul, and shared her privileges and belongings with a free hand. The little ones, who were accustomed to being disdained and ordered out of the way by mature ladies aged ten and twelve, were never made to cry by this most envied of them all. She was a motherly young person, and when people fell down and scraped their knees, she ran and helped them up and patted them, or found in her pocket a bonbon or some other article of a soothing nature. She never pushed them out of her way or alluded to their years as a humiliation and a blot upon their small characters.

"If you are four you are four," she said severely to Lavinia on an occasion of her having—it must be confessed—slapped Lottie and called her "a brat;" "but you will be five next year, and six the year after that. And," opening large, convicting eyes, "it takes sixteen years to make you twenty."

"Dear me," said Lavinia, "how we can calculate!" In fact, it was not to be denied that sixteen and four made twenty—and twenty was an age the most daring were scarcely bold enough to dream of.

So the younger children adored Sara. More than once she had been known to have a tea party, made up of these despised ones, in her own room. And Emily had been played with, and Emily's own tea service used—the one with cups which held quite a lot of much-sweetened weak tea and had blue flowers on them. No one had seen such a very real doll's tea set before. From that afternoon Sara was regarded as a goddess and a queen by the entire alphabet class.

Lottie Legh worshipped her to such an extent that if Sara had not been a motherly person, she would have found her tiresome. Lottie had been sent to school by a rather flighty young papa who could not imagine what else to do with her. Her young mother had died, and as the child had been treated like a favorite doll or a very spoiled pet monkey or lap dog ever since the first hour of her life, she was a very appalling little creature. When she wanted anything or did not want anything she wept and howled; and, as she always wanted the things she could not have, and did not want the things that were best for her, her shrill little voice was usually to be heard uplifted in wails in one part of the house or another.

Her strongest weapon was that in some mysterious way she had found out that a very small girl who had lost her mother was a person who ought to be pitied and made much of. She had probably heard some grown-up people talking her over in the early days, after her mother's death. So it became her habit to make great use of this knowledge.

The first time Sara took her in charge was one morning when, on passing a sitting room, she heard both Miss Minchin and Miss Amelia trying to suppress the angry wails of some child who, evidently, refused to be silenced. She refused so strenuously indeed that Miss Minchin was obliged to almost shout—in a stately and severe manner—to make herself heard.

"What IS she crying for?" she almost yelled.

"Oh—oh—oh!" Sara heard; "I haven't got any mam—ma-a!"

"Oh, Lottie!" screamed Miss Amelia. "Do stop, darling! Don't cry! Please don't!"

"Oh! Oh! Oh! Oh! Oh!" Lottie howled tempestuously. "Haven't—got—any—mam—ma-a!"

"She ought to be whipped," Miss Minchin proclaimed. "You SHALL be whipped, you naughty child!"

Lottie wailed more loudly than ever. Miss Amelia began to cry. Miss Minchin's voice rose until it almost thundered, then suddenly she sprang up from her chair in impotent indignation and flounced out of the room, leaving Miss Amelia to arrange the matter.

Sara had paused in the hall, wondering if she ought to go into the room, because she had recently begun a friendly acquaintance with Lottie and might be able to quiet her. When Miss Minchin came out and saw her, she looked rather annoyed. She realized that her voice, as heard from inside the room, could not have sounded either dignified or amiable.

"Oh, Sara!" she exclaimed, endeavoring to produce a suitable smile.

"I stopped," explained Sara, "because I knew it was Lottie—and I thought, perhaps—just perhaps, I could make her be quiet. May I try, Miss Minchin?"

"If you can, you are a clever child," answered Miss Minchin, drawing in her mouth sharply. Then, seeing that Sara looked slightly chilled by her asperity, she changed her manner. "But you are clever in everything," she said in her approving way. "I dare say you can manage her. Go in." And she left her.

When Sara entered the room, Lottie was lying upon the floor, screaming and kicking her small fat legs violently, and Miss Amelia was bending over her in consternation and despair, looking quite red and damp with heat. Lottie had always found, when in her own nursery at home, that kicking and screaming would always be quieted by any means she insisted on. Poor plump Miss Amelia was trying first one method, and then another.

"Poor darling," she said one moment, "I know you haven't any mamma, poor—" Then in quite another tone, "If you don't stop, Lottie, I will shake you. Poor little angel! There—! You wicked, bad, detestable child, I will smack you! I will!"

Sara went to them quietly. She did not know at all what she was going to do, but she had a vague inward conviction that it would be better not to say such different kinds of things quite so helplessly and excitedly.

"Miss Amelia," she said in a low voice, "Miss Minchin says I may try to make her stop—may I?"

Miss Amelia turned and looked at her hopelessly. "Oh, DO you think you can?" she gasped.

"I don't know whether I CAN", answered Sara, still in her half-whisper; "but I will try."

Miss Amelia stumbled up from her knees with a heavy sigh, and Lottie's fat little legs kicked as hard as ever.

"If you will steal out of the room," said Sara, "I will stay with her."

"Oh, Sara!" almost whimpered Miss Amelia. "We never had such a dreadful child before. I don't believe we can keep her."

But she crept out of the room, and was very much relieved to find an excuse for doing it.