Essential Novelists - Paul Heyse E-Book

Paul Heyse

• Herausgeber: Tacet Books
• Kategorie: Gesellschafts- und Liebesromane
• Serie: Essential Novelists
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Seitenzahl: 1592

Beschreibung

Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Paul Heysewhich areThe Children of the World and The Romance of the Canoness.Paul Heyse was a distinguished German writer and translator. The sum of Heyse's many and varied productions made him a dominant figure among German men of letters. He was awarded the Nobel Prize for Literature in 1910 "as a tribute to the consummate artistry, permeated with idealism, which he has demonstrated during his long productive career as a lyric poet, dramatist, novelist and writer of world-renowned short stories." Wirsen, one of the Nobel judges, said that "Germany has not had a greater literary genius since Goethe." Novels selected for this book: - The Children of the World - The Romance of the CanonessThis is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

Leseprobe

Table of Contents

Title Page

Author

The Children of the World

The Romance of the Canoness

About the Publisher

Author

PAUL JOHANN LUDWIG von Heyse, (born March 15, 1830, Berlin, Prussia [Germany]—died April 2, 1914, Munich, Ger.), German writer and prominent member of the traditionalist Munich school who received the Nobel Prize for Literature in 1910.

Heyse studied classical and Romance languages and traveled for a year in Italy, supported by a research grant. After completing his studies he became an independent scholar and was called to Munich by Maximilian II of Bavaria. There, with the poet Emanuel Geibel, he became the head of the Munich circle of writers, who sought to preserve traditional artistic values from the encroachments of political radicalism, materialism, and realism. He became a master of the carefully wrought short story, a chief example of which is L’Arrabbiata (1855). He also published novels (Kinder der Welt, 1873; Children of the World) and many unsuccessful plays.

Among his best works are his translations of the works of Giacomo Leopardi and other Italian poets. His poems provided the lyrics for many lieder by the composer Hugo Wolf. Heyse, who was given to idealization and who refused to portray the dark side of life, became an embittered opponent of the growing school of Naturalism, and his popularity had greatly decreased by the time he received the Nobel Prize.

The Children of the World

"The children of this world are in their generation wiser than the

children of light."

––––––––

BOOK I.

––––––––

CHAPTER I.

––––––––

A FEW YEARS AGO, IN the Dorotheen-strasse, in the midst of the Latin Quarter of Berlin, whose quiet, student-like appearance threatens to become effaced by the growing elegance of the capital, a small, narrow, unpretending two-story house, stood humbly, as if intimidated, between its broad-shouldered neighbors, though every year it received a washing of a delicate pink hue, and recently had even had a new lightning-rod affixed to its ancient gable roof. The owner, an honest master shoemaker, had in the course of time accumulated money enough to have comfortably established himself in a new and far more elegant dwelling, but he had experienced beneath this sharply sloping roof, all the blessings of his life and though a man by no means given to sentimental weaknesses, he would have thought it base ingratitude to turn his back, without good reason, upon the old witnesses and protectors of his happiness. He had, at one time or another, laid his head in almost every corner, from the little attic chamber, where, as a poor dunce of an apprentice, he had, many a night, been unable to close his eyes on account of the pattering raindrops, to the best room on the first story, where stood his nuptial couch, when, after a long and faithful apprenticeship, he brought home, as head journeyman, the daughter of his dead master. But he was far too economical to permit himself to occupy these aristocratic quarters longer than six months, preferring to live in the second story, unassuming as it was—the little house having a front of but three windows—and there, two children had grown up about him. These first-floor apartments were rented to a childless old couple, to whom the owner would not have given notice to quit on any account; for in the white-haired old man he honored a once famous tenor, whom in his youth, he had heard and admired; while the little withered old woman, his wife, had, in her time, been a no less celebrated actress. They had already been pensioned twelve years, and, without song or noise of any kind, spent their quiet days in their tiny rooms, adorned with faded laurel-wreaths and pictures of their famous colleagues. These celebrities, according to the ideas of the proprietor, gave to his little house a certain artistic reputation, and if there were customers in the shop at noon when the old couple returned from their walk, he never failed to direct attention to them and with boastful assurance to revive the fame of the two forgotten and very shrivelled great personages.

On the ground floor was the shop, over which a black sign bore the inscription in gilt letters: "Boot & Shoe Making Done by Gottfried Feyertag." The shoemaker had ordered the large brown boot and red slipper, which had originally been painted on the right and left side, to be effaced, because it annoyed him to see them, when they no longer represented the fashion. He kept up with the times in his trade, and could not possibly alter his sign at every change of style. The shop, he generally left to the management of his wife he himself spending most of the day in the workroom, where he kept a sharp eye on his four or five journeymen. A narrow entry led past the shop into a small, well-kept courtyard, in whose centre stood a tall acacia-tree, three quarters of which had died for want of air and sunlight, so that only its topmost branches were still adorned with a few pale green, consumptive-looking leaves, which every autumn turned yellow some weeks before any other foliage. Here, in one corner, beside the pump, an arbor had been erected by the head journeyman, for the daughter of the house, when a school-girl; it consisted of a few small poles roughly nailed together, and now overgrown with bean-vines, which bloomed most dutifully every summer, but in the best years never produced more than a handful of stunted pods. A little bed along the so-called sunny side of the house contained all sorts of plants that seek the shade, and thrive luxuriantly around cisterns and cellars; and in midsummer, when the sun actually sent a few rays into the courtyard at noonday, the little spot really looked quite gay, especially if the fair-haired Reginchen, now a young girl of seventeen, were seated there reading—if it chanced to be a Sunday—some tale of robbers from a book obtained at a circulating library.

A grey, neglected back building, only united to the front house by the bare adjoining walls, had also two stories, with three windows looking out upon this courtyard; and a steep, ruinous staircase, which creaked and groaned at every step, led past the ground floor, where the workshop and journeymen's sleeping-rooms were situated, to the rooms above. On the night when our story begins, this place was suffocatingly hot. It was one of those evenings late in summer, when not a breath of air was stirring no dew was falling, and when only the dust, which had risen during the day, floated down in light invisible clouds, oppressing with mountainous weight every breathing creature. A slender young man, in a straw hat and grey summer clothes, softly opened the door of the house, walked along the narrow entry on tip-toe, and then crossed the stones with which the courtyard was paved. He could not help seizing the pump-handle and cooling his burning face and hands with the water, which to be sure was none of the freshest. But the noise did not disturb any one; at least nothing stirred below or above. He stood still a few moments and allowed the air to dry the moisture, gazing meantime at the windows of the upper story, which reflected the bright moonlight. Only one was open, and a large white cat lay on the sill, apparently asleep. The windows in the first story were all open, and a faint light stole out and illumined part of the trunk of the acacia with a pale red glow.

There was nothing remarkable in all this. Moreover, the thoughts of the lonely watcher beside the pump seemed to be far away from the narrow, oppressive courtyard, in some fairy garden, for, with a happy smile he sat down on a little stool in the bean arbor, and pulled to pieces a withered leaf, upon which he had first pressed his lips. From the open windows of the workshop in front of him he heard the loud snoring of one of the journeymen, who had found the room in the rear too close, and another seemed to be talking in his sleep. A smell of fresh leather, cobbler's thread, and varnish, penetrated to his retreat, and these odors, in connection with those coarse natural sounds, would have disgusted any one else with this Midsummer Night's Dream. But the youth in the straw hat could not seem to make up his mind to exchange the hard seat under the scanty foliage for his usual bed. He had removed his hat and leaned back against the wall, whose damp surface was pleasant to his burning head. He gazed through the roof of poles at the small patch of sky visible between the walls, and began to count the stars. The topmost branches of the acacia gleamed in the moonlight, as if coated with silver, and the opposite wall, as far as it was touched by the pale light, glittered as if covered with thin ice or hoarfrost. "Ah!" said the lonely man in the arbor, "life is still worth the trouble! True, its brightest gift, fair as yonder stars, is as unattainable as they—but what does that matter? Does not what we are permitted to admire, what we can not forget, belong to us as much, nay more, than if we had it in a chest and had lost the key?" The striking of a clock in a neighboring steeple roused him from this half-conscious, dreamy soliloquy. "One!" he said to himself. "It is time to think of going to sleep. If Balder should have kept awake to watch for me, though I expressly forbade it—"

He rose hastily and entered the house. When he had groped his way cautiously up the rickety stairs and reached the landing on the first story, he perceived to his astonishment that the door which led into the rooms stood half open. A small dark ante-chamber led into a larger apartment, lighted by a sleepy little lamp. On the sofa behind the table lay a female figure, still completely dressed, absorbed in a book. The light fell upon a sharply cut, sullen face, past its first youth, with very dark hair and heavy brows, to which an expression of power and defiance lent a certain charm. The reader's thick locks had become unbound, and she wore a plain summer dress of calico, which left her shoulders and arms bare. Not the slightest change of countenance betrayed that she had heard the sound of the loiterer's footsteps, and when he paused a moment in the entry and looked through the door, she did not even raise her eyes from her book, or push back the hair which had fallen over her forehead.

"Are you still up, Fräulein Christiane?" he said at last, advancing to the threshold of the ante-room.

"As you see, Herr Doctor," she replied in a deep voice, without being in the least disturbed. "The heat—and perhaps also this book—will not permit me to sleep. I was so absorbed that I did not even hear you come in. Besides, it is quite time to go to sleep. Good night."

"May I be permitted to ask, Fräulein, what book it is that will not let you sleep?" he said, still in the dark entry.

"Why not?" was the reply, after some little hesitation. "Besides, you have a special right to do so, for it is your book. The proprietor of the house, Meister Feyertag, borrowed it of you several weeks ago, and yesterday told me so much about it, that I begged it of him for a day. Now I can not leave it."

He laughed, and stepped within the room. "So the wicked rat-catcher, to whose pipe all the men and women now dance, even though they often declare his tunes horrible, has seized upon you also. You have certainly just read the chapter on women, whose most striking portions our worthy host daily quotes to his wife; and though it makes you angry, you can not drive it out of your mind. The old sinner knows how to begin: he hasn't read Göthe for nothing.

"'Doch wem gar nichts dran gelegen

Scheinet ob er reizt und rührt,

Der beleidigt, der verführt!"

"You are mistaken," she replied, now sitting erect, so that her face was shaded by the green screen on the lamp. "True, I have read the chapter, but it made no special impression upon me, either favorable or otherwise It is a caricature, very like, and yet utterly false. He seems to have known only the portion of our sex called 'females': 'tell me with whom you associate,' etc. Well, we are used to that. But where I have become inspired with a great respect for him, is from the chapter entitled 'The Sorrows of the World.' I could, at almost every sentence, make a note or quote an example from what I have myself experienced or witnessed in others. And I also know why, notwithstanding this, we like to read it; because he relates it without a murmur, so calmly and in such a matter-of-course manner, that we see it would be foolish to complain of it, or to hope for anything better for our poor miserable selves, than is bestowed upon a whole world. You must lend me his other books."

"My dear Fräulein," he replied, "we will discuss the question further some other time. You must not suppose that I am one of the professors of philosophy who wish to silence this singular man. It is a pity that he is not still alive to be asked the various and numerous questions, from which he carefully retired to his sybarite seclusion in the Swan, at Frankfort-on-the-Main. But be that as it may, it is too warm to-night to philosophize. Throw Schopenhauer aside, Fräulein, and play something for me,—the Moonlight Sonata, or any sweet, pensive harmony. I should like to cleanse my ears from the ballet-music to which I have been compelled to listen."

"You! listen to ballet-music?"

"Yes; it sounds ridiculous, but nevertheless it is true. How did it come about? You know, at least by sight, our tyrant, the so-called medical counsellor, my university friend and physician in ordinary. He comes up to our hen-roost every day. Well, I have overworked myself a little this summer, finishing a prize essay,—a haste that was most unnecessary, since with my heresies I am safe from academical honors. However, I gained the second premium,—a heavy head, with such rebellious nerves that my state almost borders on a disordered brain, or one of the mild forms of lunacy. A journey, or a few weeks on the Rhigi, would be the best cure. But our physician in ordinary, for excellent reasons, prescribed no such luxurious remedy. It would be much cheaper, he thought, to let the manufactory of thought rest for a while. He proposed to me to play cards, make a collection of beetles, train a poodle, or fall in love. Unfortunately I had neither inclination nor talent for any of these very simple and undoubtedly efficacious remedies. So, early this morning, he brought me a ticket to the opera-house: he always has acquaintances before and behind the scenes. A new ballet was to be performed, to hear and see which would repay even an old habitué, let alone a whimsical fellow like myself, who had not entered a theatre for ten years. Well, I could not escape the experiment. He who has a doctor for a friend must occasionally submit to try new remedies, and a ballet is better than a silver tube in one's stomach."

He smiled,—a half-satisfied, half-mysterious smile.

"Play me the Moonlight Sonata," he asked again. "Life is beautiful, Fräulein Christiane, in spite of all the sorrows of the world. What lovely roses you have in that vase! Permit me—"

He took a small bouquet, which was standing on the table, and pressed it against his face. The full-blown flowers suddenly fell apart, and the leaves covered the book.

"Oh! dear," said he, coloring with embarrassment, "I have done a fine thing now. Will you forgive me, dear Fräulein?"

"Certainly, Herr Doctor, if you will be reasonable now, and go up stairs to sleep off your intoxication. For you are in a condition—You must know how it happened."

"I? I did not know—"

"Any better than to ask me to play for you at half-past two o'clock in the morning! We shall wake the people in the house, and others can see us,—me from the opposite windows. And besides—"

She had risen, and now repressed the rest of the words that were on her lips. After pacing several times up and down the heated room, which contained little furniture except her bed, her piano, and a bookcase, she pushed back her hair from her brow and shoulders, and folding her bare arms across her chest, stood quietly at the window. A sigh heaved the breast which had learned to keep a strict guard over its thoughts and feelings. In this attitude she waited, with apparent calmness, for him to take his leave.

"I must really seem a very singular person," he said, in a frank, honest tone. "We have lived in the same house for months, and the only use I have made of this vicinity, was by my first and only visit, when I begged you not to play during certain hours, which I had selected for study. Now I enter your room in the middle of the night, and take the liberties of an old acquaintance. Forgive me, on account of my disordered brain, dear Fräulein, and—may you have a good night's rest."

He bent his head slightly, and left the room.

As soon as she heard him go up stairs, she hurried into the little ante-chamber, closed the outer door, bolted it, and then stood still a short time, listening, with her trembling body pressed close against the door, and her hands clenched on the latch. He walked slowly up a few steps, and then paused again, as if he had suddenly become absorbed in some dreamy thought. She shuddered, sighed heavily, and tottered back into the sitting-room. Her dress seemed too tight for her, for she slipped out of it like a butterfly from its chrysalis, and then in the airiest night costume, sat down at the open piano. It was an old, much-worn instrument, of very poor tone, and as she ran her slender fingers lightly over the keys, it sounded in the entry outside like the distant music of a harp.

The young man had just reached the topmost stair when he heard it.

"There! she is playing the sonata, after all," he said to himself. "A strange, obstinate person. What can she have suffered from fate? To-morrow I will take more notice of her. It's a pity she is so ugly, and yet—what does it matter? There is a charm in her finger-tips. What wonderful music!"

He stood still a moment listening to the familiar tones, which seemed to express all the familiar thoughts that had been wandering in a confused chaos through his mind. Suddenly he heard a voice from within.

"Is that you, Edwin?"

"Of course it is I," he replied.

The next instant he had opened the door and entered the room which was brightly lighted by the moonbeams.

CHAPTER II.

––––––––

THIS ROOM, TERMED BY its occupants' friends "the tun," was a large three-windowed apartment, with walls painted light grey, a floor scoured snow white, and over the windows instead of curtains, three narrow green calico lambrequins of the simplest pattern. A desk stood at the right-hand window, a small turning-lathe at the left, and in the spaces between the casements two tall bookcases; there were two beds placed against the wall, several cane chairs and small chests made of white wood, and finally, a low, smoky ceiling, which here and there showed large cracks, and threatened to fall. But the room, spite of its simplicity, had an aristocratic air from the presence of two copperplate engravings of Raphael's paintings, framed in plain brown wood, that hung over the beds, and two antique busts on the bookcases,—one a head of Aristotle, the other the gloomy-eyed, stern-browed Demosthenes. Even the low stove was adorned with a piece of sculpture at which no one is ever weary of gazing—the mask of Michael Angelo's young prisoner, who, with closed lids, lets his beautiful head sink on his shoulder as if weary of torture and longing for sleep. Here, however, the moonlight did not reach: it merely fell obliquely across the bed placed against the wall.

On this bed, with his eyes fixed upon the door, lay a young man, whose pale features, almost feminine in their delicacy, were framed in a wreath of thick, fair locks. It was difficult to guess his age from his countenance, since the boyish expression of mirth that dwelt about his mouth contrasted strangely with the mature beauties of the finely cut features. He was wrapped in a light quilt, and a book lay open on the chair beside him. When Edwin entered, he slowly rose and held out a white delicately formed hand.

"Well," said he, "was it very fine? Has it done you good?"

"Good evening, Balder," replied Edwin, "or rather, good morning! You see I do everything thoroughly, even rioting at night. But I see I must not leave you alone again, child. I really believe you have been reading by moonlight."

A deep flush crimsoned the face of the recumbent youth. "Don't be angry," said he in a clear, musical voice. "I could not sleep; and, as the lamp had burned out and the room was so bright,—but now tell me About it. Has the remedy already produced an effect?"

"To-morrow you shall hear as much as you wish, but not a syllable now, to punish you for your carelessness in spoiling your eyes and heating your head. Do you know that your forehead is burning again?" And he passed his hand tenderly over the soft hair. "I will complain of you to the physician in ordinary. And you don't seem to have touched your supper; there is the plate with your bread and butter."

"I wasn't hungry," replied the youth, letting his head fall gently back on the pillow. "Besides, I thought if you came home late, and, after the unusual excitement, might perhaps feel inclined to eat something."

Edwin brought the plate to the bed. "If you don't want me to be seriously angry, you artful fellow," said he, "you will have the goodness to repair the omission at once. But to make it easier for you, I'll take half myself. Heavens! what is to be done with such a disobedient child? So divide fairly, or I'll complain of you to-morrow to Jungfrau Reginchen, who will soon bring you to reason."

Again a vivid blush crimsoned the young man's face, but Edwin pretended not to notice it. He had sat down on the bed, and was beginning to eat, from time to time pushing a piece into his brother's mouth, who submitted with a half smile. "The bread is good," said Edwin; "the butter might be better. But that is Reginchen's weak point. Now a drink as fresh as our cellar affords."

He poured out a class of water, and swallowed it at a single gulp. "Balder," said he, "I am returning to truth and nature, after having incurred the danger of being enervated by luxury. Just think, I had some ice-cream at the theatre. It could not be helped; others eat it, and a philosopher must become familiar with everything. Besides, it wasn't worth the five groschen, for I learned nothing new, and only regretted that you could not have it. Once, and no more, good night."

While undressing, he said to himself, "This shameless moon! As soon as we have any extra money, we must get curtains, so that we can be able to close our eyes on such nights. However, the illumination is very moderate, compared to that of an opera-house. It took me so by surprise as I entered the box, that I would gladly have retreated and seen the whole spectacle from the corridor outside. Believe me, child, the doorkeepers have the real and best enjoyment. To walk up and down in the cooler passages over soft carpets, with the faint buzzing and sighing of the orchestra in one's ears, interrupted at times by a louder passage with the drums and trumpets, which, smothered by the walls, sounds like a melodious thunder-storm, and often, when some belated great lady rustles in, to obtain a glimpse through the door of the Paradise of painted houris in tights, and the wonderful sunrises and sunsets,—it is really an enviable situation, compared with that of the poor mortals in the purgatory within, who, in return for their money, are cooped up in plush, and must atone for the sins of the Messrs. Taglioni, while feeling as if all their fine senses were being hammered upon at once. A time will come when people will read of these barbarities with a shudder, and envy us because we have nerves to endure them."

"And yet you remained to the end."

"I? Why yes; in the first place I had a very comfortable seat; the box to which my ticket admitted me is like a little parlor, and happened to be almost empty. And then—but I will close the window. The air is beginning to grow cool,—don't you feel it? Besides, your friend Friezica has crept away."

Balder made no reply; but though his eyes were apparently closed, steadily watched Edwin, who, in a fit of absence of mind had thrown himself upon the bed only half undressed, and turned his face toward the wall. A half hour elapsed without any movement from either. Suddenly Edwin turned, and his eyes met his brother's quiet, anxious gaze.

"I see it won't do, child," said he. "For the first time in our lives, we are playing a farce with each other; at least I am, in trying to keep something from you. It is very foolish. What is the use of a man having a brother, especially one to whom he might be called married, except to share everything with him, not only the bread and butter, and whatever else he eats, but also what is gnawing at him. I will confess what has happened, though it is really nothing remarkable; a great many people have already experienced it; but when we feel it for the first time in our own persons, all our 'philosophy, Horatio,' will not permit us to dream what a singularly delightful, uncomfortable, troublesome, melancholy,—in a word, insane condition it is."

He had sprung from his bed and was now crouching on the foot of Balder's, half sitting, half leaning back, so that he was in shadow, and looked past his brother at the opposite wall.

"Prepare yourself to hear something very unexpected," he said, still in a tone which showed that he was making an effort to speak at all. "Or do you already know all I wish to tell you, young clairvoyant? So much the better. Then my confession will weary you, and at least one of us will be able to sleep. In short, my dear fellow, it is very ridiculous to say, but I believe it is only too true: I am in the condition which our physician in ordinary desired, in order to cast out the devil by Beelzebub; that is, I am in love, and as hopelessly, absurdly, and senselessly, as any young moth that ever flew into a candle. Pray, child," he continued, starting to his feet again and beginning to pace up and down the room, "first hear how it came about, that you may realize the full extent of my madness. You know that I am twenty-nine years old, and hitherto have been spared this childish disease. It is not necessary for everybody to catch the scarlet fever. As for the natural and healthy attractions of the 'fair sex,' I was old enough when our dear mother died, to feel that a woman like her would hardly appear on earth a second time. For the daily necessities of living and loving—which every human heart needs to retain its requisite warmth—I was abundantly supplied in our brotherly affection, to say nothing of the miserable, unamiable, and yet love-needing human race. And then, ought a man to have for his profession the science of pure reason, and, like any other thoughtless mortal, make a fool of himself over the first woman's face he sees, without any cause except that the lightning has struck him. Heaven knows why? It seems incredible, but I fear I have accomplished the impossible."

He sat down on the bed again, but this time so that his face was turned toward Balder. "I will allow you to study me thoroughly, without any mercy," he said, smiling. "This is the way a man looks, who suddenly becomes the sport of the elements,—whose reflection, wisdom, pride, and whatever else the trash may be called, are of no avail. I always shuddered when I read the story of the magnetic mountain. When I was a boy, I thought, defiantly, if I had only been on the ship, I would have set so many sails, sent so many men to work the oars, and steered in such a way, that the spell would not have reached me. And so I thought this evening, daring the whole of the first hour. But—

'Tales of magic e'er so strange,

Woman's wiles to truth can change.'

The helm is broken, the oars refuse their service, and the very portion of my nature that was steel and iron, most resistlessly obeys the attraction of the magnet, and really assists in making keel and deck spring asunder."

He leaned back again, and passed his hand over his brow. The hand trembled, and a cold perspiration stood on his forehead.

"There is only one thing I don't understand," said Balder, moving aside to make room for his brother; "why must all this be hopeless?"

"Just listen, my boy, and you will understand all, even the incomprehensible part, over which I am still puzzling my brains. For I am no artist, and can only give you a poor, shadowy outline of a certain face. I entered the box, which was perfectly empty, and I hoped it would remain so. Clad in my fourteen-thaler summer-suit and without gloves, I did not seem to myself exactly fit for society, and the person who opened the box looked at me as if he wanted to say, 'You ought to be up in the gallery, my friend, instead of in this holy of holies, to which I usually admit only people belonging to the great or demi monde.' I also did not like to sit down, simple as the matter might seem to be, on a chair that was better dressed than I. However, the mischief was done; I determined to assume a very elegant deportment, such as I had noticed at private colleges in young diplomatists, and hitherto had always considered mere buffoonery. So I leaned back in my chair like an Englishman, and glanced now at the stage, now at the parquet. As I have already said, there was such a buzzing and fluttering down below, the poor creatures in white gauze glittering with gold and huge wreaths of flowers tossed their arms and legs about so wildly, and the violins quavered so madly, that I already began to think: 'if this goes on long, you will go too.' Suddenly the door of the box was thrown wide open; while I had squeezed through a narrow chink, a young lady rustled in, a diminutive servant in livery and high shirt-collar, which almost sawed off the youngster's huge red ears, removed a blue silk cloak, the doorkeeper casting a contemptuous glance at me, rushed forward, drew up a chair, and officiously put a play-bill on the balustrade. The lady said a few words to the boy in an undertone, then chose the corner seat nearest the stage, raised a tiny opera-glass, and, without taking the slightest notice of me, instantly became absorbed in her enjoyment of art.

"I ought now to describe her to you; but description has its difficulties. Do you remember the pastille picture from the Dresden gallery, painted by a Frenchman,—I have forgotten his name,—stay, I think it was Liotard; we saw a photograph of it in the medical counsellor's book of beauty?—la belle Chocoladièrewas written underneath. Well, the profile before me was something like that, and yet very very different, far more delicate, pure, and childlike, without any of the pretentious, cold-hearted expression of the shop-girl, whose numerous admirers and constant practice in breaking hearts had gradually transformed her face into a mere alabaster mask. But the shape of the nose, the long lashes, the proud little mouth,—enough, your imagination will supply the rest.

"Well, the first quarter of an hour passed very tolerably. From the first moment I saw no one except my neighbor, who showed me only a quarter of her face, charming as the tiny sickle of the moon; but to make amends for that, I studied her dark brown hair, which without any special ornament, was drawn in smooth bands over her white forehead, and simply fastened at the back with two coral pins of Italian form. A few short curls fell on the white neck, and seemed to me to have a very enviable position, though they remained in the shade. As to her dress, I am unable to say whether it was in the latest fashion, and according to French taste, for I have not the necessary technical knowledge; but a certain instinct told me that nothing could be more elegant, more aristocratic in its simplicity; there was not the smallest article of jewelry about her person, she did not even wear ear-rings; her high-necked dress was fastened at the throat with a little velvet bow, without a brooch. The hands which held the opera-glass—tiny little hands—were cased in light grey gloves, so I could not see whether she wore rings.

"I had noticed that there was a universal movement when she entered the box. Hundreds of lorgnettes were instantly directed toward her, and even the première danseuse, who was just making her highest leap, momentarily lost her exclusive dominion over her admirers. But my beauty seemed to be very indifferent to this homage. She did not turn her eyes from the stage, at which she gazed with an earnestness, a devotion, that was both touching and ludicrous. When the first act was over, and a storm of applause burst forth, it was charming to see how she hastily laid aside the opera-glass to clap her hands too, more like a child when it wants another biscuit and says 'please, please,' than an aristocratic patroness of the fine arts, who occasionally condescends to join in the applause of the populace.

"She had dropped her handkerchief, a snowy, lace-trimmed bit of cobweb, which could easily have been put away in a nutshell. I hastily raised and handed it to her, muttering a few not particularly brilliant words. She looked at me without the slightest change of expression, and graciously bowed her thanks like a princess. Not a word was vouchsafed me. Then she again raised her lorgnette, and, during the entire intermission, apparently devoted herself to an eager study of the various toilettes; at least her glass remained a long time turned toward the opposite box, which was full of ladies.

"I would have given much to have heard her voice, in order to discover whether she was a foreigner; but no matter how I racked my brain, I could think of nothing to say. Besides, she looked as if at the first liberty I might take, she would rise with an annihilating glance, and leave me alone.

"I was just working hard to concoct some polite remark about ballets in general and this one in particular, when the intermission ended and she was again entirely absorbed in the spectacle below.

"A thought flashed through my mind, which, as you will acknowledge, did me great credit, but unfortunately met with no success. I left the box, ate the ice-cream already mentioned, and while wiping my beard, strolled up and down the corridor several times as if weary of the performance, and carelessly asked the doorkeeper if he knew the lady who was sitting in the stranger's box. But he replied that this was the first time he had ever seen her; the opera-house had been reopened to-night with the new ballet. So, with my purpose unaccomplished, I retired, and went back to my post.

As she glided past me, I felt an electric shock to the very tips of my toes.

"Meantime my seat had been occupied; a very much over-dressed foreign couple, American or English nabobs blazing with jewels, had planted themselves in the best seats beside the beauty. At first I was inclined to assert my rights, but I really liked to stand in the dark corner and seeing and hearing nothing of the elegant tastelessness around, gaze only at the charming shape of the head, the fair neck with its floating curls, slender shoulders, and a small portion of the sweet face. I heard the gentleman address her in broken French. She replied without embarrassment, in the best Parisian accent. Now I knew what I wanted to learn. She was a natural enemy, in every sense of the word!

"If I tell you, brother, that during the next two hours I stood like a statue, thinking of nothing except how one can live to be twenty-nine years old, before understanding the meaning of the old legend of the serpent in Paradise,—you will fancy me half mad. You wrong me, my dear fellow, I was wholly mad—a frightful example of the perishableness of all manly virtues. I beg Father Wieland's pardon a hundred times, for having reviled him as a pitiful coxcomb, because he allows his Greek sages, with all their strength of mind and stoical dignity, to come to disgrace for the smile of a Lais or Musarion. Here there was not even a smile, no seductive arts were used, and yet a poor private tutor of philosophy lays down his arms and surrenders at discretion, because a saucy little nose, some black eyelashes, and ditto curls, did not take the slightest notice of him.

"But you ought to go to sleep, child; I'll cut my story short. Besides, it must be tiresome enough to a third person. Five minutes before the curtain fell for the last time she rose; some one had knocked softly at the door of the box. As she glided past me, I felt an electric shock to the very tips of my toes. This was a great piece of good luck, or I should hardly have been able to shake off my stupor quickly enough to follow her. Outside stood the gnome with the high shirt-collar and tow-colored head, gazing at her respectfully with wide open eyes. The little blue cloak was on his arm. She hastily threw on the light wrap, almost without his assistance, though he stood on tip-toe, drew the hood over her head, and hurried toward the stairs, the lad and my insignificant self following her. Every one she passed started and looked after her in astonishment.

"At the entrance below stood an elegant carriage. The dwarf opened the door, made an unsuccessful attempt to lift his mistress in, then swung himself up behind, and away dashed the equipage before I had sense enough to jump into a droschky and follow it.

"'Perhaps it is better so,' I thought, when I was once more left alone. Of what use would it be to follow her? And now I endeavored to become a philosopher again in the most audacious sense of the word, namely, a private tutor of logic and metaphysics, an individual most graciously endowed by the government with permission to starve, sub specie acterni,—from whom if he becomes infatuated with princesses, the veina legendi ought to be withdrawn, since it is a proof that he has not understood even the first elements of worldly wisdom.

"There! you have now the whole story. I hoped to have been able to spare you the recital, trusting that the vision would vanish at last, if I could cool my excited blood by rambling about a few hours in the night air. But unfortunately I did not succeed. The Lindens were swarming with lovers, the music still sounded in my ears, shooting stars darted across the sky, and, above all, the sentimental witching light of the moon, altering the aspect of everything which it touched,—yes, my last hope is sleep, which has often heretofore cooled the fever of my nerves. Look, the moon is just sinking behind yonder roof; our night-lamp has gone out; let us try whether we can at last obtain some rest."

He rose slowly from his brother's bed, like a person who finds it difficult to move his limbs, passed his hand caressingly over the cheek of the silent youth, and said: "I can't help it, child; I really ought to have kept it to myself, for I know you always take my troubles to heart far more than I do. It is this confounded habit of sharing everything with you! Well, it is no great misfortune after all. We shall be perfectly sensible—entirely cured of our folly—to-morrow, and if anything should still be out of order, for what purpose has Father Kant written the admirable treatise on 'the power the mind possesses to rule the sickly emotions of the heart by the mere exercise of will'?"

He stooped, pressed his lips lightly upon the pale forehead of the youth, and then threw himself upon his bed. A few notes of the piano still echoed on the air, but these too now died away, and in fifteen minutes Balder perceived by Edwin's calm, regular breathing, that he had really fallen asleep. He himself still lay with his eyes wide open, gazing quietly at the mask of the prisoner on the stove, absorbed in thoughts, which, for the present, may remain his secret.

CHAPTER III.

––––––––

WE HAVE NOW TO RELATE the little that is to be told of the two brothers' former life.

About thirty years before, their father, during a holiday excursion, had made their mother's acquaintance; he was then a young law-student from Silesia, and she the beautiful daughter of the owner of a small estate in Holstein, who had other views for his favorite child than to give her to the first embryo Prussian lawyer, who had enjoyed a few days' hospitality at his house. And yet no objections were made. All, who knew the young girl, declared that it had always been impossible to oppose her quietly expressed wishes; she had possessed so much power over all minds, both by her great beauty and the gentle nobleness of her nature, which in everything she did and said always seemed to hit the right mark, with that almost prophetic insight into the confused affairs of the world, which is said to have been peculiar to German seeresses. What particular attractions she found in the unassuming stranger, that she wanted him and no one else for her husband, was not easy to discover. Yet to her last hour she had no occasion to repent, that, with firm resolution, beneath which perhaps passionate emotions were concealed, she had aided in removing all the obstacles that stood in the way of a speedy marriage. As she herself brought little dowry, except her wealth of golden hair, which when unbound must have reached nearly to her knees, and as the young lawyer had still a long time of probation before him ere he could establish a home of his own, they would have had little happiness if both or either had considered themselves too good for a subordinate position. The post of bookkeeper in one of the largest institutions in Berlin had just become vacant. When the young jurist applied for it, he was forced to hear from all quarters that he was doing far from wisely in resigning his profession and giving up all chance of rising to higher offices and dignities, merely for the sake of an early and certain maintenance. He declared that he knew what he was doing, and, as he had the best testimonials, drove his competitors from the field, and, after a betrothal of a few months, installed his beautiful young wife in the comfortable lodgings assigned to the accountant.

Ambition is only one phase of the universal human longing for happiness. He who has his life's happiness embodied in a beloved form at his side, can easily forget the formless dreams of his aspiring youth, especially if, as was the case here, the joy which appears so trifling to the eyes of the proud world nevertheless excites the envy of those close at hand, and the narrow limits of the household horizon do not bind down the soul. This, however, was chiefly owing to the fair-haired wife. She had what is called a tinge of romance, a dissatisfaction with the dry, bare reality of things around her, a longing to gild the grey light of every-day existence with the treasures of her own heart and a lively imagination, and amid the oppressive uniformity of her household cares, retained a play of fancy, that with all her toil and weariness kept her young and gay. She herself said people ought to follow the example of the birds, who, while building their nests, did not sweat as if working for daily wages, but as they flew to and fro sang, eat a berry, or perhaps soared so high into the air, that one might suppose they would never return to their lowly bush. As this arose from a necessity of her nature, and she never boasted of it, though she never denied it, her poetic taste built a brighter world above this dreary, prosaic one, and was a source of constant rejuvenation to her more practical husband. He never emerged from the state of transfiguration that surrounds the honeymoon, and even after he had been married many years, felt when sitting in his office over his account-books, as much impatience to rejoin his beloved wife, as he had ever experienced as an enthusiastic young lawyer, in the earliest days of his love.

In his circumstances there was no outward improvement; his sons grew up, and no promotion or increase of salary could be thought of. But nevertheless their happiness increased, and their stock of youth, love, and romance seemed to grow greater as the children grew. The mother, who bore the beautiful name of Nanna, would not hear of calling her first-born Fritz or Carl, but gave him the name of Edwin. But the boy himself made no preparations to accommodate himself to the lyrically adorned idyl of his parents. His outward appearance was insignificant and remained so; a tall lad with awkward limbs, which were all the more unmanageable because their master in the upper story was thinking of very different matters than how he ought to move his arms and legs; besides, the boy's mind was fixed upon other things than the fairy tales his mother told him, or any of the elegancies with which she surrounded her child. A thoughtful, analytic mind developed in him at an early age; his mother, for the first time in her life was seriously angry with her dear husband, declaring that the father's horrible calculating of figures had gone to the child's head and entered his blood. She tormented herself a long time in trying to efface this instinctive taste, but was at last forced to relinquish her efforts when the boy went to school and brought home the most brilliant testimonials of his progress; yet a secret vexation still gnawed at her heart, all the more unbanishable as for nine years he remained the only child. At last she gave birth to a second, a boy, who promised to make ample amends for the disappointment caused by the apparently sober, prosaic nature of her oldest son. This child was in every respect the exact image of his mother; beautiful as the day, with rich golden curls; he liked nothing better than to be lulled to sleep with fairy tales, cultivate flowers, and learn little stories by heart. The mother seemed to grow young again in her radiant delight in the possession of this innocent creature, to whom the name of Balder, the God of Spring, appeared to her exactly suited. Any one who had seen her at that time, would scarcely have believed her to be the mother of her older son, the long-legged schoolboy with the grave, prematurely old face; so young and smiling, so untried by life, did she look, that her fair head seemed bathed in perpetual sunlight. But it was only a short spring-time of joy. Balder had not yet commenced to distinguish between poetry and reality, when his mother was suddenly attacked by a violent nervous fever, and after a few days' illness, during which she recognized neither husband nor children, she left them forever.

It was a blow which brought her husband to a state of despair which bordered upon madness. But upon the older boy the event had a strange effect. There was, at first, an outburst of wild, passionate grief, such as, from his steady, quiet temperament, no one would have expected. Now it was evident how passionately he had loved his mother, with a fervor for which he had never found words. Up to the time of the funeral it was impossible to induce him to eat; he pushed away his favorite dishes with loathing, and only a little milk crossed his lips just before he went to bed. When he returned with his father from the churchyard, and, himself like a corpse, saw in his father's face every sign of breaking down under the misery of a happiness so cruelly destroyed, while little Balder gazed in perplexity at him with his dead mother's eyes, a great transformation seemed to take place in the older brother's soul. His convulsed face grew suddenly calm, he pushed from his forehead his thin straight hair, and, going up to his father, said: "We must now see how we can get along without mother. You shall never be dissatisfied with me again." Then he sat down on the floor beside the child, and began to play with him as his mother used to do; a thing to which, hitherto, with all his love for the little one, he had never condescended. Balder stretched out his hands to him, and laughingly prattled on in his merry way. The father seemed to take no notice of anything that was passing around him. Weeks and months elapsed before he even outwardly returned to his old habits.

But even then there was not much gained. The portion of him which had been a calculating-machine faultlessly continued its work, but the human affections were totally destroyed. Had not Edwin, with a prudence wonderful in one so young, managed the affairs of the little household when the old maid servant could not get along alone, everything would have been in confusion. When, during the year after his mother's death, the child had a fall which injured his knee so severely that he remained delicate ever after, the last hope which Edwin had of seeing the father take a firm hold of life vanished. He now showed that he had only existed in the reflected lustre left behind by his beautiful wife in the bright-eyed boy. When those eyes grew dim, he could no longer bear the light of day. Without any special illness, he took to his bed and never rose from it again.

The orphaned children were received by one of their father's relatives, a well-to-do official in Breslau, who had a number of children of his own, and could therefore only give his foster sons a moderate share of care and support. They were sent to board in a teacher's family, and fared no worse than hundreds of other parentless boys. Balder felt the disaster least. He had a charm that everywhere won hearts, and his delicate helplessness did the rest. People did not find it so easy to get along with Edwin. A taciturnity and cool reserve, together with the early superiority of his judgment, made him uncomfortable, and, as it always gave him the appearance of not desiring love, people did not see why they should force it upon him. Besides, among all to whom he owed gratitude, there was not a single person to whom he desired to be bound by any closer ties. Thus his little brother remained the sole object of his affectionate anxiety, and it was touching to see how closely, during his play hours, he kept him by his side, spending his scanty stock of pocket-money solely for his pleasure, and shortening his hours of sleep that he might devote his entire afternoon to the sickly child.

Years elapsed. When Edwin went to the university, for despite his poverty and the burning desire for independence, he could not make up his mind to begin any practical business, Balder was about eight years old. He had been unable to go to school on account of his feeble health, as his knee required constant care, and he could not have borne to sit on the school-room benches. But notwithstanding this, he was far in advance of most boys of his age, for he had had Edwin for a teacher, who, by a far more rapid method than that of the schools, had always pointed out the essential part of every lesson, and encouraged him above all to develope his own powers. He succeeded in doing so most wonderfully, without brushing from the boy's soul the bloom of the enthusiasm inherited from their mother. His nature was utterly unlike his brother's; instead of the keen dialectics with which Edwin broke a path into the world of ideas, as a colonist uproots the primeval forest with his axe, Balder's spirit rose aloft as if on wings, and soaring above all intervening tree-tops, he found himself unwearied on the very spot his brother had pointed out in the distance. It was the same in everything connected with school wisdom, as in the mysteries life gave him to solve in regard to men and circumstances. The sure, instantaneous perception, the prophetic power we have described in his mother, seemed born anew in him, and gave the beautiful face, framed in his thick fair hair, and showing few traces of pain, a peculiar and irresistibly winning expression. Besides, he was so kind-hearted, so self-sacrificing, traits doubly rare in chronic invalids, in whom anxiety about themselves becomes at last the sole interest, and almost a sort of sacred duty. He was never heard to complain, and it really did not seem to be a victory of resignation or heroism which he obtained over himself, but rather a natural faculty of his soul to look upon his sufferings and deprivations as a possession from which the greatest gain must be derived, the only innocent speculation, and one for which he had cultivated a masterly aptitude.

At the time we have made the brothers' acquaintance, they had lived together in the shoemaker's back building, the so-called "tun," about five years. Edwin had first gone to Berlin alone, in order to devote himself exclusively to the study of philosophy and physical science, for which he had little opportunity in Breslau. He had been unable to resolve to enter into any money-making business, and his study of law was a mere pretence. So when he found himself acting in direct opposition to his benefactor's wishes, he thought it dishonorable to continue to eat the bread of one with whose opinions he could not coincide. Balder meantime remained in his old home, but as soon as Edwin could support both, was to follow him to Berlin.

This was not accomplished as speedily as the latter had at first hoped. Months elapsed before he could fit himself for a tutor, as the private lessons he had undertaken robbed him of both time and patience. Then followed anxieties about his first lectures, which, with great difficulty, he obtained an opportunity to deliver, and which brought in nothing. During all this time, his only intercourse with his brother was by means of frequent letters, until at last he could bear the separation no longer, and one Whitsuntide went to Breslau, to ask the beloved youth if he felt strong enough to share his poverty. Balder flushed to the roots of his hair with joyful agitation at this question, which fulfilled the most secret wish of his heart. He had only been withheld from making the proposal long before, by the fear of becoming a burden to his brother. Now he confessed that he had quietly made arrangements not to be entirely dependent on Edwin, though he would have submitted to be supported by him more willingly than by any one else. He had found an opportunity to learn turning, from a neighbor, and in the space of a year the young apprentice had made so much progress, that any master workman would gladly have engaged him for a journeyman. With shamefaced consciousness, he showed Edwin a number of pretty household utensils which he had made for his foster-mother and the family of the teacher with whom he boarded. "I see," said Edwin, smiling, "that I probably pursue the least lucrative of all professions, and shall be doing a very good thing in forming a partnership with my skillful brother. But wait, my lad, I won't fail to add my contribution to the capital with which we begin. The next fee I receive—I am coaching the weak-minded son of a count for his examination—we will devote to the purchase of the best turning-lathe that is to be found in all Berlin."

CHAPTER IV.

––––––––

DAY HAD LONG SINCE dawned over the great city, and the little house in the Dorotheen-strasse prided itself upon remaining no whit behind its more aristocratic neighbors in this respect. The occupants of the "tun" were usually no late sleepers, and Balder in particular never failed to hear the general alarm-clock of the house, the old pump-handle, which sang a well-meant but monotonous morning song, when at six o'clock in summer and seven in winter, Reginchen set it in motion to get her father his glass of water for breakfast. At the same time the windows in the workshop were opened, and the grumbling of the head journeyman, who took advantage of the half hour before the master appeared, to make the apprentices feel his importance, became audible. But as soon as the master of the house, in his loose jacket and slippers, crossed the courtyard, everything below was perfectly still. Indeed, though the brothers had been unable to procure a watch, they had no occasion to be at a loss to know the time, even during the day. Exactly one hour after the first music of the pump, Reginchen appeared in the "tun" with the well-beaten clothes and the breakfast. Punctually at nine o'clock a window was opened in the second story, a yellow old face in a night-cap, the once famous actress, stretched out a wrinkled little nose to find out which way the wind was blowing, as her husband, the tenor, though he no longer had occasion to spare his high C, could not give up the habit of staying in the house when there was an East wind. Precisely one hour after, the little man himself appeared at another window which opened upon the courtyard, not lighted by the sun, to shave with great deliberation and apply before the little mirror the necessary cosmetics, which an old celebrity of the stage considers an indispensable, nay, an incontestable proof of the dignity of his calling. When eleven o'clock struck, the piano in the room below, occupied by Fräulein Christiane, with whom we formed a passing acquaintance in the first chapter, was opened, and a practised hand struck a few notes by way of prelude to a singing-lesson, which, from consideration for Edwin had been deferred to this time, when he usually went to his lecture. Various pupils came to take lessons; of late, twice a week a merry soubrette, belonging to one of the theatres in the suburbs, appeared, who desired to practise her little parts in new operettas, and drove her grave teacher to despair by a number of blunders, musical and otherwise. As a loud conversation could be heard through the open windows, almost word for word, Balder often became an ear-witness to the most singular scenes, which afforded him a glimpse of an utterly unknown world. Punctually at twelve o'clock the dinner-bell rang, and was usually hailed by the pupil with a merrily whistled street song, as the grateful feeling of release could be expressed in no better way.