Hold the Dark E-Book

William Giraldi

• Herausgeber: No Exit Press
• Kategorie: Abenteuer, Thriller, Horror
• Sprache: Englisch
• Veröffentlichungsjahr: 2014

Seitenzahl: 289

Beschreibung

A terrifying literary thriller set on the Alaskan tundra, about the mystery of evil and mankind's losing battle with nature. NOW ON NETFLIX Wolves have come for the children of Keelut. Three children have been taken from this isolated Alaskan village, including the six-year-old boy of Medora and Vernon Slone. Wolf expert Russell Core arrives in Keelut to investigate the killings and learns of the horrifying darkness at the heart of Medora. When her husband returns from a desert war to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swathe across the frozen landscape. As Core attempts to rescue Medora from her husband's vengeance, he comes face to face with an unspeakable secret about the indestructible bonds of family, and the untamed animal in the soul of every human being. An epic woven of both blood and myth, Hold the Dark recalls the extreme climate and tribalism of Daniel Woodrell's Winter's Bone and the primeval violence of James Dickey's Deliverance.

Leseprobe

HOLD THE DARK

A terrifying literary thriller set on the Alaskan tundra, about the mystery of evil and mankind’s losing battle with nature.

At the start of another pitiless winter, the wolves have come for the children of Keelut. Three children have been taken from this isolated Alaskan village, including the six-year-old boy of Medora and Vernon Slone.

Stunned by grief and seeking consolation, Medora contacts nature writer and wolf expert Russell Core. Sixty years old, ailing in both body and spirit, and estranged from his daughter and wife, Core arrives in Keelut to investigate the killings. Immersing himself in this settlement at the end of the world, he discovers the horrifying darkness at the heart of Medora Slone and learns of an unholy truth harboured by this village.

When Vernon Slone returns from a desert war to discover his son dead and his wife missing, he begins a methodical pursuit across this frozen landscape. Aided by his boyhood companion, the taciturn and deadly Cheeon, and pursued by the stalwart detective Donald Marium, Slone is without mercy, cutting a bloody swathe through the wilderness of his homeland. As Russell Core attempts to rescue Medora from her husband’s vengeance, he comes face to face with an unspeakable secret at the furthermost reaches of American soil—a secret about the unkillable bonds of family, and the untamed animal in the soul of every human being.

An Alaskan Oresteia, an epic woven of both blood and myth,Hold the Darkrecalls the hyperborean climate and tribalism of Daniel Woodrell’sWinter’s Boneand the primeval violence of James Dickey’sDeliverance.

William Giraldi

William Giraldi is the author of the critically acclaimed novel, Busy Monsters (W.W. Norton). He teaches at Boston University, is the Senior Fiction Editor for the journal AGNI, and is a regular contributor to the New York Times Book Review. He has been a finalist for a National Magazine Award in the category of Essays and Criticism, and has received a Pushcart Prize.

Praise for William Giraldi

‘A fierce, extraordinary new novel… spectacularly violent and exquisitely written… If dust jackets were more than paper and ink, this one would bear blood and frost… Giraldi writes with force and precision and grace’ – New York Times

Editor’s Choice: ‘a complex, house of mirrors, suspenseful story line. Certainly much of novel’s power resides in the oddness and otherness to this place. But what elevates this novel is the originality of its language. No clichés of the wild in these pages. There’s an oddness and otherness to this place, and Giraldi speaks its taut, original language’ – Chicago Tribune

‘One of the best new titles this Fall has to offer… Giraldi’s second novel is as much a thriller as it is a poignant examination of masculinity in its rawest form’– Huffington Post (US)

‘Giraldi weaves a sinister story that involves family secrets, ritual, and the wildness of a remote land. Perfect for lovers of the works of Cormac McCarthy and Donald Ray Pollock’– Maria’s Bookshop

‘A richly intense character study set in a dark and desolate land on ‘the edge of the world’, I was left feeling remorse and sadness so intense that it left me speechless’– Jenn’s Bookshelves

‘Snow, ice, wolves, murder, and dark love are encountered in Hold the Dark, William Giraldi’s hard, unflinching, and powerful novel. This story and the telling of it have the clout and rigor of a Norse Saga’ – Daniel Woodrell

‘a powerful meditation on nature, violence and responsibility with the concentration of a fable or fever dream – a book hard to get out of your mind long after you’ve put it down’– Thomas McGuane

‘A novel that certainly stands out as one of the decade’s best books of its kind, and one that deserves, because of its stylish flaunting of some of our darkest fears, a future readership’– Boston Globe

‘this novel casts an atmospheric, noirish spell that’s hard to resist’ – Shelf Awareness

‘Giraldi’s back-country Alaska is a savagely amoral place where the constant struggle for survival brings out the most elemental aspects of humanity. This work travels deep into the most ancient and primitive realms of being, offering an unflinching – and more than a little frightening – exploration of the domains of the unconscious that are more commonly the province of myth and fairy tale’ – Library Journal

‘Giraldi… transplants the Southern violence of Flannery O’Connor and the late William Gay… to the wilds of Alaska, the ‘edge of the interior’, a place which ‘obliterates the imagination’, where no doctrine of the soul will save anyone…’ – Books & Culture

‘Written in a galloping prose embedded with a hard poetry’ – Booklist

‘Giraldi depicts a soulless, surreal world, where evil is overwhelming… The tension that occurs when an unbeliever so effectively uses the language of belief makes Hold the Dark a charged work’ – The Millions

‘A dark, disturbing novel about the roots of evil and the paradoxical truths it can reveal’ – Tom Lavoie

Dedication

For Aiden Xavier, may your dark always be on hold

O unteachably after evil, but uttering truth.

– Gerard Manley Hopkins

We fear the cold and the things we do not understand. But most of all we fear the doings of the heedless ones among ourselves.

– Eskimo shaman to explorer Knud Rasmussen

1

The wolves came down from the hills and took the children of Keelut. First one child was stolen as he tugged his sled at the rim of the village, another the following week as she skirted the cabins near the ice-choked pond. Now, in the rolling snow whorls of the new winter, a third was dragged from their village, this one from his own doorstep. Noiseless – not a scream, not a howl to give witness.

The women were frantic, those who had lost their children inconsolable. Police arrived from town one afternoon. They scratched sentences into notepads. They looked helpful but never returned to the village. Both women and men patrolled the hills and borders with rifles. Even the elderly, armed with pistols, escorted children home from the schoolhouse and church. But no one would send a party past the valleys to hunt the wolves.

The six-year-old son of Medora Slone was the third to be taken. She told her fellow villagers how she had trekked over the hills and across the vale all that evening and night and into the blush of dawn with the rifle across her back and a ten-inch knife strapped to her thigh. The revenge she wanted tasted metallic. The tracks of the wolves became scattered and vague, then vanished in the flakes falling like feathers. Several times she sank in snow to her knees and imagined her tears turning to pellets of ice that clinked on the hoar and the rocks of the crag.

In her letter to Russell Core just three days after her boy was taken, she wrote that she did not expect to find him alive. A jagged trail of the boy’s blood had led from their back porch and through the patchy woods into the hills above. Still, she needed his body, or whatever remained, if only his bones. That’s the reason she was writing Core, she said. She needed him to get her boy’s bones and maybe slaughter the wolf that took him. No one in the village would hunt the wolves.

‘My husband is due back from the war very soon,’ she wrote in her letter to him. ‘I must have something to show him. I can’t do without Bailey’s bones. I can’t have just nothing.’

Core was not a man who easily frightened. He’d begun as a nature writer, and in search of a project went north where the gray wolves found him one fall, watched him for a week as he camped and fished there. They trailed him along the river, wanted something from him, though it was not his death, he knew. He imagined they wanted a story woven of truth, not myth, one not tilted by dread. The following winter he journeyed to Yellowstone. His second book chronicled that year of living among the grays – a narrative written in an alien era of youth, so long ago that Core scarcely believed in its reality.

For the afterword he offered an essay on the only recorded wolf attack on a human in the park. A female gray had crept into a campsite and stolen a toddler while the parents slept off champagne. He explained this killing as the result of food shortages, migrating herds of caribou confused by a late winter, heedless human invasion into the domain of the wolf: roads and campsites and oil-starved engines, all of it an affront to the majesty of what once had been. Even his own presence among them was an indignity. He felt that daily. This girl’s death was no mystery, no myth. Only elemental. Only hunger.

He was asked to help in the stabbing cold of that morning – the nature writer who had been tent-living among the clan of this killer. He could not say no. His daughter was the same age as the taken girl and his love for her then felt already like loss. The guilt of a father whose work takes him from home. He and the others, the rangers and biologists and camouflaged men, tracked the wolf across twenty square miles over the Northern Range, through Lamar Valley. He rode on a borrowed four-wheeler and was in radio contact with the sniping copters he hated. He sent them false information so they would not find her. Then he rode across the line into Montana where, alone and sickened, he found her and shot her from forty yards on a cattle farmer’s ranch. The rifle they’d given him had no kick – it was nothing like the guns he’d fired as a boy, at the range with his father before his father slumped from life.

That morning Core thought his own land-borne bullet more respectful than those from rangers impersonating gods. Through the scope he could see the wolf’s white muzzle still sprayed pink with the child’s innards. Pieces of yellow pajamas were glued to the dried purple blood just over her flews. Her eyes were golden. Not the glow of red or green as in picture-book terror-wolves, but a dullish, perversely dignified human gold.

You don’t see yourself full, Core knew, until you see yourself reflected in the eye of a beast. This task was a test of human dignity, and he had failed.

No one can deceive the eyes of a wolf. They always know. And in this way he came to know her too. He left just after he killed her. This was his book. It began in tribute and ended in slaughter. He’d studied that female gray for a year. He’d named her the name of his daughter.

Examiners found much of the girl mashed inside the digestive tract. ‘A goddamn murderer,’ the dead child’s parents said of the wolf that robbed her. ‘A goddamn demon.’ But Core knew otherwise. The raider, this marauder, thief in the night – she dared to intrude not because it was her wish but because it was her need. Who was the transgressor here? He wanted to scold these parents, insist on a fine for their wanton camping in a restricted dale, for the plastic trash dumped beside their tent, but he could not.

Then he watched over the next decade as the gray wolf was hunted to near-extinction. Those cowards sniping from their copters. He recoiled each time he remembered squeezing the trigger on that adult female with the strands of cloth stuck to the hinge of her mouth. He became a help to Yellowstone reintroduction, penned newspaper editorials about man’s hubris, spoke at college symposiums where khaki-clad alumni nodded in agreement, asked him to sign his book and then quickly forgot.

In her letter Medora Slone wrote of Core’s book: ‘You have sympathy for this animal. Please don’t. Come and kill it to help me. My son’s bones are in the snow.’

He had Medora Slone’s letter folded into the pocket of his denim jacket when he arrived at the nursing home, a sprawling one-level building that used to be an elementary school, classrooms converted into bedrooms but the hallways still school-like. A column of lockers still at one end, the fire alarms plate-sized red bells he remembered from his own youth. His wife of thirty-five years lay sleeping where she’d lain for the past thirteen months, only part lucid in a bed after a stroke had cleaved one half of her head. He stood looking at this woman who needed a power no man or god was able to give.

He went to the sink and drank. In the mirror he saw his white mane spilling to his shoulders from beneath a baseball cap, the ruff of white sprouting from his jawline, a chin that seemed elongated. He could not guess when he had gone so wintry, so wolfish. Thirteen months ago, perhaps. Microwave meals twice a day. The uneven sleep of the sick, all the hours of quiet he counted. The wind in winter an almost dulcet guest for the wail it made. Boredom daily morphed to despair and back. Sixty years old this year and he knew he looked eighty. Unable to summon the will even to see a barber.

How many more paintings could he produce of the wolf he’d slain? The walls of his library were already covered with such creations. Always, it seemed, of the same wolf. Always the yellow strands of cloth pasted into her bloodied mouth. He could not paint her back to the living. He could not will his own living back.

Thousands of titles stood in his library, gathered and read over a lifetime. Each morning he’d stand in that space, bracketed by books. Touching, fanning through volumes, smelling the poems in their pages, but without the urge anymore to read. A random stanza or paragraph was all he could manage. That pine desk, where he’d written his own books, had once belonged to his father. The chestnut leather armchair was a gift from his wife after they were married. In the foyer of their house an undusted crucifix kept watch upon galoshes and gloves, a parka and cowl hooked where she had hooked them a winter ago. A WELCOME mat worn down to COME. His painting studio in the attic, once so organized, was now a havoc of canvases and paint tubes, of brushes and easels and drop cloths. The washing machine broke last winter and he left it that way.

Through the cotton blanket he felt for his wife’s foot and grasped it in some unsure gesture of goodbye. He thought of his estranged daughter, far off in Anchorage, a college history professor, what she would say when she saw him, when he arrived unbidden. He took his duffel bag and went. In the hallway a female attendant in a red sweater wished him a merry Christmas, handed him a candy cane broken at its curve. Core looked at his watch: Christmas was still three weeks away. He’d forgotten about Thanksgiving. In the parking lot of the nursing home, in the day’s gaunt sun, sat idling the same white cab that had delivered him.

Outside the desert city an urgent wind whisked up sand. Dark mustard gusts passed before a buffed sun and looked like blots of insects sent to swarm. Their vehicle made plumes of tawny dust as they sped after a pickup rusted red and packed with men. Perched at the .50-caliber gun, Vernon Slone heard the sand pepper his face mask. This late in the day and the temperature stayed fixed at one hundred.

Back home he knew it was snowing – a winter he would not see. Behind him the city smoldered. If he turned he could behold the smoke and flames of this Gomorrah they’d made. But before him he could see just the windswept sand and the twirling dust of the truck fifty yards ahead. No one was shooting now. No one could see. Every few seconds, between horizontal gusts of sand, Slone spotted the truck’s tailgate.

He watched the truck catch the gulley and overturn four times in near silence, in a storm of sand and dust. He’d seen pickups and snow machines flip in fluffed snow the same way: no sound. The men – what faction were they from? what region? – were tossed from the truck’s bed like bags of leaves. The truck slid, smashed to a halt on top of them. Some limped from the tinfoil wreck and shot at Slone’s vehicle. The lead dinged against the armor.

When the .50-caliber rounds hit them they tore off limbs or else left dark blue holes the size of plums. He fired into those on the fuel-damp sand and those still crammed inside the truck’s flattened cab. Their blood burst in the wind as wisps of orange and red. Curious how orange, how radiant blood looks beneath a desert noon, in the dull even tinge of its light.

The truck ignited but did not explode. They let it burn there for fifteen, twenty minutes and then finally approached with extinguishers.

The boy inside was Bailey’s age. The unburned skin of his face shone of caramel. Shirtless, without shoes, his feet so singed they seemed melted and remolded – feet fashioned from candle wax. Spalls of rock made piercings in his neck and chin, the jugular ripped unevenly by broken glass, below it a gown of blood to his kneecaps. Slone looked into the liquid gray eyes of the man beside him – a man whose simple name, Phil, did not seem to fit the darkness Slone knew he had within.

Who issues orders here? What foul game’s pieces are we? They sat smoking on their vehicle. Slone watched the others search pockets and packs. Some clicked shots of the wreck, showed each other, and laughed. Phil bent to knife out the eyes and tongues of the dead – these would be his keepsake.

Core arrived in Alaska in the faint hold of early dusk. He’d slept on the flight, was winched down deep into the vagueness of dreams where he saw the bleared faces of his wife and daughter, and of someone else in shadows, someone he suspected was his mother. At the airport he asked a man the way to the rental car counter and the man simply pointed to the sign directly in front of them, the company’s name shouting inside a yellow arrow. In a shop he stood before a magazine rack, made-up faces grinning on covers but he could not name a single one. Alaska papers proclaiming weather. He bought a candy bar.

He rented a four-wheel-drive truck to go the one hundred miles inland to the village of Keelut. The truck had a GPS suctioned to the windshield but he’d never used one before, and the attendant told him that where he was going could not be found on GPS. He gave Core a road map, ‘one of the more accurate ones,’ he said, and in red marker traced Core’s path from the airport to Keelut. But Core was lost immediately upon leaving the terminal, on a road that brought him to the hub of this odd city. He saw bungalows hunkered beside towers, Cessna seaplanes parked in driveways, cordwood piled in front of a computer store. Filthy vagrants loping along with backpacks, groomed suits on cell phones.

When he found the right road the city shrank behind him, the December-scape unseen beyond the green glow of the dashboard. He saw old and new snow plowed into half-rounded wharves along the roadside. The red and white pinpricks of light that passed overhead were either airplanes or space vessels. He felt the possibility of a close encounter with discoid airships, with gunmetal trolls from a far-off realm descending to ask him questions he’d not be able to answer. Half an hour of careful driving and the snow came quick in two coned lanes the headlamps carved from darkness. What would he tell Medora Slone about the wolf that had stolen her child? That hunger is no enigma? That the natural order did not warrant revenge?

He’d seen his daughter only once in the last three years, when she came home the morning after her mother’s stroke. Three crawling years. Life was not short, as people insisted on saying. He’d quit cigarettes and whiskey just before she was born. He wanted to be in health for her and knew then that ten years clipped from his life by drink and smoke were ten years too many. Now he knew those were the worthless years anyway, the silver decade of life, a once-wide vista shrunk to a keyhole. Not all silver shines. As of this morning he had plans to return to cigarettes and whiskey both. He regretted not buying them at the airport.

Highways to roads to paths, towns to wilderness, the wider and wider dispersion of man-made light. One lost hour in the opposite direction, in a deepening dark of forest that seemed eager to ingest him. Then a trucker at a fuel station who gave him a better map, who pointed the way, although he wasn’t certain, he said. An eagle was tattooed in black above his eye. ‘I’m just looking for the easiest roads,’ Core told him, and the trucker said, ‘Roads? This place doesn’t have roads.’ He laughed then, only three teeth in a mouth obscured by an unruly beard. Core could not understand what he meant. The snow stopped and he drove on.

Hours later, Core made it to an unpaved pass without a mark to name it. This was the pass to Keelut, a right turn where the hills began to rise close to the road, just past a rotted shanty the trucker had told him to watch for. In four-wheel drive he bumped along this pass until he came to the village. He could count the cabins, arranged in two distinct rows. Most were one-level with only a single room. Some were two-level with sharply slanted roofs and radio antennae stretching into the cold. The hills beyond loomed in protection or else threatened to clamp.

He parked and walked in drifts to his shins. Sled dogs lay leashed beside cabins, huskies huddled together and harnessed, white-gray and cinnamon in sudden moonlight, the snow about them flattened, blotched pink and bestrewn with the bones of their supper. Muscled and wolfish, indifferent to this cold, uncaring of him. He was surprised by a child standing alone in the dark. He stopped to look, unsure if she was real, then asked her for the way to the Slones’ cabin. This child’s cordate face was part Yup’ik, lovely in its unwelcome look. She simply pointed to the cabin before turning, before fleeing into snow-heavy spruce squat in the shadowed dark. He watched her disappear between branches, wondered where she could be going in such chill of night. Why was she not fearful of wolves, of being taken as the others had been taken?

The moon on the snow tricked the eye into seeing the snow itself emanate light. To his left, silhouetted against a sky almost neon blue, stood a totem pole keeping sinister watch at the rim of the village – twenty feet high, it bore the multicolored faces of bears, of wolves, of humanoid creatures he could not name, at the top a monstrous owl with reaching wings and massive beak. He turned to look down the center stretch of the village – not a road but a plowed and shoveled path between two banks of cabins, at the end what seemed a town square with a circular stone structure, half hidden now in hillocks of snow. To his right a wooden water tower with a red-brick base, useless in winter. Behind it a grumbling generator shack giving power to this place. In the orange glow of cabin windows he could spot round faces peering out at him. The air now nearly too cold to breathe.

He walked on to the Slones’ cabin. A set of caribou antlers jabbed out from above the door – in welcome or warning, he could not be sure.

Medora Slone had tea ready when he finally entered. He was surprised by her white-blond youth. He’d expected the dark raiment of mourning and messed black hair. Her face did not fit, seemed not of this place at all. Hers was the pale unmarked face of a plump teenage softball player, not a woman with a dead boy and a husband at war. Her eyes were pale too. In a certain angle of lamplight they looked the sparest sheen of maize, almost gold.

Her cabin at the edge of the village was built better than most. Two rooms, tight at the edges, moss chinking between logs. Half a kitchen squeezed into a corner, a cord of wood stacked by the rear door, fireplace and granite hearth at one end, cast-iron stove at the other. Bucket of kindling near the stove, radio suspended from a nail in a log. He could brush the ceiling with a fingertip. Easier to heat with low ceilings, he knew. Plastic sheeting stapled and duct-taped over windows to keep out cold. A rifle in the umbrella stand, a child’s BB gun in a corner. Compound bow and quiver of arrows hung above the hearth. His book on wolves was partially stuffed between two cushions of the sofa, pages folded over and under, the cover torn. He asked to use her bathroom and ignored himself in the glass.

They sat across from one another – she on a sofa whose cushions were worn to the foam, he sunk low in an armchair – and they sipped tea in the quiet welcomed by their exhaustion. She offered him the food that others from the village had been bringing to her since her son’s disappearance – caribou soup, fry bread, moose stew, wheat berries, pie baked with canned peaches. But he had no appetite now. The tea warmed his limbs, a lone orange coal or glowing hive pulsing from the center of him. He rolled the sleeves of his flannel shirt. On the pine arm of the chair were the ring stains of a coffee mug – an Olympic logo warped and brown.

‘Canis lupus,’ she said.

‘Yes, ma’am.’

‘Apex predator.’ She moved his book to the coffee table between them. ‘Ice age survivor from the Late Pleistocene. What’s that mean?’

‘It means they’ve been around a long time and know how to hunt better than we do.’

‘You sound… happy by that.’

‘I’m sorry about your son, Mrs Slone.’

‘You’ve come to kill it, then? To kill that animal that took him?’

He looked but did not answer.

‘So why’d you come, then? I was a little surprised you replied to the letter I sent.’

The crushing quiet of his house.

‘I came to help if I can,’ he said. ‘To explain this if I can.’

‘The explanation is that we’re cursed here. The only help is to kill it.’

‘You know, ma’am, I’m just a writer.’

‘You’ve hunted and killed one of them before. I read that in your book.’

‘Where’d you find the book?’

‘It found me. I don’t know how. It was just here one day.’

She looked to the room around them, trying to recognize it, trying to remember.

‘You mentioned getting the boy’s bones, but… I don’t know.’

‘Yes,’ she said. ‘I was thinking that his bones would show during breakup.’

‘Breakup?’

‘You know, in spring. After the thaw.’

He did not tell her this was impossible. The boy’s yellow snow boots stood like sentinels on the mat near the door, his pillowed coat on a hook, but there was no framed school photo grinning at Core gap-toothed from the mantel, no plastic trucks or toy guns on a carpet. If not for the boots and coat, this woman before him was just another story among the many he’d been told. Sixty years old, he was half sure he’d heard every tale worth hearing. That morning at the airport, sitting at a window in a boulevard of sunlight, in spring’s cruel tease, he tried to remember his parents’ faces and could not.

‘I would have killed the thing myself,’ she said. ‘If I could have found it. I tried to find it. I tried to do it.’

‘No, their territory could be up to two hundred square kilometers. It’s good you didn’t find it. The pack is probably eight or ten members. No more than twelve, I’d guess. You don’t want to find that.’

‘Can I ask you a personal question, Mr Core?’

He nodded.

‘Do you have a child?’

‘Yes, a daughter, but she’s grown now. In Anchorage, she teaches at the university. I’ll see her when I leave here.’

‘A teacher like her father.’

‘I’m no teacher. I maybe could have been, but… She’s good at it, I hear. She wanted to be an Alaskan.’

‘That city’s not Alaska. Where you are right now, Alaska starts here. We’re on the edge of the interior here.’

He said nothing.

‘Mr Core, do you have any idea what’s out those windows? Just how deep it goes? How black it gets? How that black gets into you. Let me tell you, Mr Core, you’re not on Earth here.’ She looked into the steam of her mug, then paused as if to drink. ‘None of us ever have been.’

He watched her drink. ‘I’ve felt that in certain places over the years.’

‘Certain places. I mean what you feel here won’t be the same as anything you’ve ever felt before.’

He waited for an explanation.

She gave him none.

‘But this is your home,’ he finally said.

‘I’m not from here originally. I was brought here when I was a child, and that makes me not from here.’

‘Brought here from where?’

‘I don’t remember that. I’ve never been told where and I never asked. But I know this place is different.’

He imagined her in the snow standing naked, almost translucent, a vision caught for only a second before blinking her gone. ‘Yes, ma’am,’ he said.

Her eyes flicked about the room in anxiety, in expectation. She lifted his book from the table and fanned through the pages. ‘I don’t understand what they’re doing here,’ she said.

‘Who?’

‘Wolves.’

‘They’ve been here for half a million years, Mrs Slone. They walked over the Bering land bridge. They live here.’

They live here. And Core knew they helped rule this continent until four hundred years ago. Inuit hunters learned to encircle caribou by watching wolves. Hunting-man revered another hunter. Farming-man wanted its existence purged. Some set live wolves ablaze and cheered as they burned. Wolf and man are so alike we’ve mistaken one for the other: Lupus est homo homini. This land has hosted horrors most don’t care to count. Wolfsbane. But we are the hemlock, the bane of the wolf. Core said nothing.

‘I don’t understand what they’re doing here,’ and she gestured feebly in front of her, at the very space on the rug where her son had no doubt pieced together a puzzle of the solar system. Or else scribbled a drawing of the very monster that would one day come for him, stick-figure mother and father looking on, unable to help.

‘Why is this happening to me, Mr Core? What myth has come true in my house?’

‘They’re just hungry wolves, Mrs Slone. It’s no myth. It’s just hunger. No one’s cursed. Wolves will take kids if they need to. This is simple biology here. Simple nature.’

He wanted to say: All myths are true. Every one is the only truth we have.

She laughed then, laughed with her tear-wet face pressed into her hands. He saw her fingernails were gnawed down to nubs. He knew she was laughing at him, at his outsized task here before her.

‘I’m sorry,’ he said, and looked at his boots. ‘I don’t know why this is happening to you, Mrs Slone.’

He could name no comfort for this. His face warmed with the foolishness of his being here.

More quiet. And then: ‘Does your husband know?’

She seemed startled by the word, unready to recall her husband. ‘Men were supposed to call him there, to call the ones who could tell him. But I said I would do it, that I should be the one to do it. I never did, though. I can’t tell him while he’s there. He’ll see for himself.’ She paused and considered her gnawed fingertips. ‘He’ll see what has happened. What we’ve done. What no one here was able to stop.’

‘They’re hungry and desperate,’ he said. ‘They don’t leave for the fringes of their territory unless they’re desperate. They avoid contact with humans if they can. If we’ll let them. The wolves that came to this village must be rabid. Only a rabid or starved wolf does what happened here.’

He looked beyond her, looked for the language but it was not there. ‘The caribou must have left early,’ he said. ‘For some reason.’

He could have told her more. That wolves have a social sophistication to make many an American town look lagging. That the earliest human tribes were identical to wolf packs. That a healthy gray wolf’s yearly requirement of meat can reach two tons, that they’ll cannibalize each other, kill their own if the hunger hones to a tip. He’d seen this in the wild. A six-year-old boy would have shredded like paper in the teeth of any adult male. It killed the boy at his throat and then rent through the clothing to get at the belly, its muzzle up beneath the ribs to eat the organs it wanted.

‘If I can ask,’ he said, ‘why wouldn’t anyone here hunt the wolves after what happened?’

‘They’re afraid. And the ones who don’t have fear have respect. They respect the thing. They probably think we deserve it, we deserve what happened here.’

‘I don’t understand, Mrs Slone.’

‘Stay here long enough and you might. Can I refill your tea?’

He indicated no. His tea was finished now and he felt the first shadows of sleep drop across his shoulders. Somewhere in the village a brace of sled dogs barked up at constellations stretched across a bowl of black. Both he and Medora Slone turned to look at the sheeted window. Where were the sled dogs when the wolves came? He remembered a Russian proverb: Do not call the dogs to help you against the wolves.