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The tarot has been used to play games since the 15th century. Since that time each card has also accumulated meanings. By the 18th century the tarot was used for divination or for oracular purposes, much like the Delphic oracles of old. Nowadays the trumps, or major arcana, are believed to chronicle, symbolically, the journey of the Fool through life.How to be a Tarot Card (or a Teenager) explores, exploits, and sometimes downright twists the major arcana and the meanings they have accumulated, in the order in which the many hundreds of tarot decks now travelling the world present them. The Star, connoting hope, exists simultaneously as metaphor and feral dog; the rebirth nestled inside the Death card becomes female friendship and escape from patriarchal binds.
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First published in UK 2022 by Arachne Press Limited
100 Grierson Road, London, SE23 1NX
www.arachnepress.com
© Jennifer A. McGowan 2022
ISBNs
Print: 978-1-913665-64-7
eBook: 978-1-913665-65-4
The moral rights of the author have been asserted.
All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher’s prior written consent in any form or binding or cover other than that in which it is published and without similar condition including this condition being imposed on the subsequent purchaser.
Except for short passages for review purposes no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of Arachne Press.
Thanks to Muireann Grealy for her proofreading.
Cover design: Tom Charlesworth 2022.
To the best of aunts, Beth Phillips.
Poems in this collection have been published, sometimes in slightly different versions, in Obsessed with Pipework, The International Times, Acumen, Poetry Wivenhoe, Enchanted Conversation, Wombwell Rainbow, Ink Sweat & Tears, Three Drops from a Cauldron, The Brown Envelope Book, Littoral Magazine Abergavenny Small Press.
Poems from the Year 2020 (ed. M. Williams, Shoestring, 2021) Life in Captivity (Finishing Line Press, 2011)
One Breath came third in the Gloucestershire Poetry Society’s 2020 competition.
Foreword
Prologue: The Real World
Fool on the Mountain
Butterfly Effect
How to be a Tarot Card, or a Teenager
Bateleur Eagle
The Magi
Says the Magus
Difference
Hymn
The Empress
To My Mother, 100 Years from Now
Putting on 15th Century Clothing Blindfolded
Dr Wick
Shrapnel
The Green Man
Circe
Sign
Given
Tristan and Yseult
A Little Space
Curved
The Civilised Princeling
Deaths of the Salem Witches
The Nun Who Knew
Self Portrait as Empty Coke Can
Life in Captivity
There May Have Been Lions
My Own World
Gifted
One, Please
Lamplighter
Wager
Replacing the Fuse Boxes
Icarus after Lockdown
The Stag
Waterbed
Riding Out in October
Who Goes There?
Gringolet
High Achiever
The Miracle of Wings
Why Snakes are Always Female
Skinwalker
Don’t Look
The Girl in the Raven Mask
Meditationary
Hagged
One Breath
Devilskin
Horse-face and Ox-head
Kali Ma
Broken Tower
Bad Hours
The Cave and the Hill
There is Nothing on the North Dakota Plains
Hope
The Lighthouse Keepers’ Daughter
O
Hunting the Moon
Monarch Butterflies at Watch Hill Light
The Boy Who Went Back to Singapore
Another Dark Dawn
Sunflower
The Lights Went Off
Judgment
How to be a Flawed Person
Ritual
Yesterdays
Fire in the Sky
Coyotes
The Wishing Tree
Universe
Notes
These poems are presented in the order of the tarot major arcana which inspired them, starting with the Fool. I chose to use strength as arcanum 8, and justice as arcanum 11, some decks have them the other way around.
I own the decks I used to generate some of these poems, physically, so could sit shuffling through deck after deck, staring and comparing. There is no specific rhyme or reason to my Tarot deck collection. Many were gifts. Where a poem was inspired by a card from a specific deck, you can find specific artwork that inspired me at https://pin.it/4ZxYbzf. Where there is no link, either there was no specific card or deck, or that card was from the ‘standard’ Rider-Waite-Smith deck (such as The Empress).
Most of these poems riff on the ideas behind the major arcana, rather than on the arcana themselves. Some of them, like The Girl with the Raven Mask, however, are ekphrastic as well.
I’d like to thank Wendy Pratt, Gill Lambert, Mark Connors and Sarah L. Dixon, at whose workshops some of these poems took shape. Jo Bell, too, with her November lockdown prompts, aided the creation of a few poems here. Also the Back Room Poets, and both Oxford Stanza groups, who gave and always give me good constructive criticism. Sara Uckelman and Diana Probst were my readers.
Lastly, thanks to Cherry Potts, editor extraordinaire.
Jennifer A. McGowan
Oxford, January 2022
Traffic no matter the season,
metal sins pressing rubber
into the muted earth.
Never a woman, hardly a man,
you are the jester, a butterfly
sans chrysalis, a tiger in motley.
You stride through alphabets
looking for Solomon’s key to make your own,
to be both sign and signified.
Tired of mandarins you climb down,
soul tied up in a kerchief for safekeeping.
Somewhere a dog chooses you. It happens.
Trousers and skirt, you look up, look back
to where you were, and laugh; rise up
on your toes; step out into the loving air;
vanish into the rest of you.
There are no mountains in Rhode Island,
so there are no mandarins, either.
Just mafia. My father treated them.
He was a doctor. They survived, thank Christ.
When I lived near Philly
the fire department displayed
an execution car.
Over a thousand bullet holes.
It didn’t look real. It stayed there
for months until rust killed it.