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Edith Wharton

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Beschreibung

This early work by Edith Wharton was originally published in 1929 and we are now republishing it with a brand new introductory biography. 'Hudson River Bracketed' is a novel about a brilliant woman, Halo Spear, and an uneducated man, Vance Weston, who form a deep bond through literature. Edith Wharton was born in New York City in 1862. Wharton's first poems were published in Scribner's Magazine. In 1891, the same publication printed the first of her many short stories, titled 'Mrs. Manstey's View'. Over the next four decades, they - along with other well-established American publications such as Atlantic Monthly, Century Magazine, Harper's and Lippincott's - regularly published her work.

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Table of Contents

Cover
The Book
The Author
Title
Copyright
The Gods Arrive
Epigraph
Book I
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Book II
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Book III
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Book IV
Chapter XVI
Chapter XVII
Chapter XVIII
Chapter XIX
Chapter XX
Chapter XXI
Chapter XXII
Chapter XXIII
Book V
Chapter XXIV
Chapter XXV
Chapter XXVI
Chapter XXVII
Chapter XXVIII
Chapter XXIX
Chapter XXX
Chapter XXXI
Book VI
Chapter XXXII
Chapter XXXIII
Chapter XXXIV
Chapter XXXV
Chapter XXXVI
Chapter XXXVII
Chapter XXXVIII
Chapter XXXIX
Chapter XL
Book VII
Chapter XLI
Chapter XLII
Chapter XLIII
Chapter XLIV
Chapter XLV
Chapter XLVI

The Book

This early work by Edith Wharton was originally published in 1929 and we are now republishing it with a brand new introductory biography. 'Hudson River Bracketed' is a novel about a brilliant woman, Halo Spear, and an uneducated man, Vance Weston, who form a deep bond through literature. Edith Wharton was born in New York City in 1862. Wharton's first poems were published in Scribner's Magazine. In 1891, the same publication printed the first of her many short stories, titled 'Mrs. Manstey's View'. Over the next four decades, they - along with other well-established American publications such as Atlantic Monthly, Century Magazine, Harper's and Lippincott's - regularly published her work.

The Author

Edith Wharton (born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt.

Edith Wharton was born Edith Newbold Jones to George Frederic Jones and Lucretia Stevens Rhinelander at their brownstone at 14 West Twenty-third Street in New York City. She had two much older brothers, Frederic Rhinelander, who was sixteen, and Henry Edward, who was eleven. She was baptized April 20, 1862, Easter Sunday, at Grace Church. To her friends and family she was known as "Pussy Jones". The saying "keeping up with the Joneses" is said to refer to her father's family. She was also related to the Rensselaer family, the most prestigious of the old patroon families. She had a lifelong lovely friendship with her Rhinelander niece, landscape architect Beatrix Farrand of Reef Point in Bar Harbor, Maine.

Edith was born during the Civil War; she was three years old when the South surrendered. After the war, the family traveled extensively in Europe. From 1866 to 1872, the Jones family visited France, Italy, Germany, and Spain. During her travels, the young Edith became fluent in French, German, and Italian. At the age of ten, she suffered from typhoid fever while the family was at a spa in the Black Forest. After the family returned to the United States in 1872, they spent their winters in New York and their summers in Newport, Rhode Island. While in Europe, she was educated by tutors and governesses. She rejected the standards of fashion and etiquette that were expected of young girls at the time, intended to enable women to marry well and to be displayed at balls and parties. She thought these requirements were superficial and oppressive. Edith wanted more education than she received, so she read from her father's library and from the libraries of her father's friends. Her mother forbade her to read novels until she was married, and Edith complied with this command.

Edith began writing poetry and fiction as a young girl. She attempted to write a novel at age eleven. Her first publication was a translation of the German poem, "Was die Steine Erzählen" ("What the Stones Tell") by Heinrich Karl Brugsch, which earned her $50. She was 15 at the time. Her family did not wish her name to appear in print because the names of upper class women of the time only appeared in print to announce birth, marriage, and death. Consequently, the poem was published under the name of a friend's father, E. A. Washburn. He was a cousin of Ralph Waldo Emerson and supported women's education. He played a pivotal role in Edith's efforts to educate herself, and he encouraged her ambition to write professionally. In 1877, at the age of 15, she secretly wrote a 30,000 word novella "Fast and Loose". In 1878 her father arranged for a collection of two dozen original poems and five translations, Verses, to be privately published. In 1880 she had five poems published anonymously in the Atlantic Monthly, then a revered literary magazine. Despite these early successes, she was not encouraged by her family nor her social circle, and though she continued to write, she did not publish anything again until her poem, "The Last Giustiniani", was published in Scribner's Magazine in October 1889.

Edith was engaged to Henry Stevens in 1882 after a two-year courtship. The month the two were to marry, the engagement abruptly ended.

In 1885, at age 23, she married Edward (Teddy) Robbins Wharton, who was 12 years her senior. From a well-established Boston family, he was a sportsman and a gentleman of the same social class and shared her love of travel. From the late 1880s until 1902, he suffered acute depression, and the couple ceased their extensive travel. At that time his depression manifested as a more serious disorder, after which they lived almost exclusively at their estate The Mount. In 1908 her husband's mental state was determined to be incurable. In the same year, she began an affair with Morton Fullerton, a journalist for The Times, in whom she found an intellectual partner. She divorced Edward Wharton in 1913 after 28 years of marriage. Around the same time, Edith was beset with harsh criticisms leveled by the naturalist writers.

In addition to novels, Wharton wrote at least 85 short stories. She was also a garden designer, interior designer, and a taste-maker of her time. She wrote several design books, including her first published work, The Decoration of Houses (1897), co-authored by Ogden Codman. Another is the generously illustrated Italian Villas and Their Gardens of 1904.

Wharton made her first journey to Europe at the age of four, when her parents took her to Europe for six years. Her father loved traveling and it is thought that he passed on this wanderlust to his daughter. She would eventually cross the Atlantic sixty times. In Europe, her primary destinations were Italy, France and England. She also went to Morocco in North Africa. She wrote many books about her travels, including Italian Backgrounds and A Motor-Flight through France.

Her husband, Edward Wharton, shared her love of travel and for many years they spent at least four months of each year abroad, mainly in Italy. Their friend, Egerton Winthrop, accompanied them on many journeys in Italy. In 1888, the Whartons and their friend James Van Alen took a cruise through the Aegean islands. Wharton was 26. The trip cost the Whartons $10,000 and lasted four months. She kept a travel journal during this trip that was thought to be lost but was later published as The Cruise of the Vanadis, now considered her earliest known travel writing.

In 1902, Wharton designed The Mount, her estate in Lenox, Massachusetts, which survives today as an example of her design principles. Edith Wharton wrote several of her novels there, including The House of Mirth (1905), the first of many chronicles of life in old New York. At The Mount, she entertained the cream of American literary society, including her close friend, novelist Henry James, who described the estate as "a delicate French chateau mirrored in a Massachusetts pond". Although she spent many months traveling in Europe nearly every year with her friend, Egerton Winthrop (John Winthrop's descendant), The Mount was her primary residence until 1911. When living there and while traveling abroad, Wharton was usually driven to appointments by her longtime chauffeur and friend Charles Cook, a native of nearby South Lee, Massachusetts. When her marriage deteriorated, she decided to move permanently to France, living first at 53 Rue de Varenne, Paris, in an apartment that belonged to George Washington Vanderbilt II.

Wharton was preparing to vacation for the summer when World War I broke out. Though many fled Paris, she moved back to her Paris apartment on the Rue de Varenne and for four years was a tireless and ardent supporter of the French war effort. One of the first causes she undertook in August 1914 was the opening of a workroom for unemployed women; here they were fed and paid one franc a day. What began with thirty women soon doubled to sixty, and their sewing business began to thrive. When the Germans invaded Belgium in the fall of 1914 and Paris was flooded with Belgian refugees, she helped to set up the American Hostels for Refugees, which managed to get them shelter, meals, clothes and eventually an employment agency to help them find work. She collected more than $100,000 on their behalf. In early 1915 she organized the Children of Flanders Rescue Committee, which gave shelter to nearly 900 Belgian refugees who had fled when their homes were bombed by the Germans.

Aided by her influential connections in the French government, she and her long-time friend Walter Berry (then president of the American Chamber of Commerce in Paris), were among the few foreigners in France allowed to travel to the front lines during World War I. She and Berry made five journeys between February and August 1915, which Wharton described in a series of articles that were first published in Scribner's Magazine and later as Fighting France: From Dunkerque to Belfort, which became an American bestseller. Travelling by car, Wharton and Berry drove through the war zone, viewing one decimated French village after another. She visited the trenches, and was within earshot of artillery fire. She wrote, "We woke to a noise of guns closer and more incessant… and when we went out into the streets it seemed as if, overnight, a new army had sprung out of the ground".

Throughout the war she worked tirelessly in charitable efforts for refugees, the injured, the unemployed, and the displaced. She was a "heroic worker on behalf of her adopted country". On 18 April 1916, the President of France appointed her Chevalier of the Legion of Honour, the country's highest award, in recognition of her dedication to the war effort. Her relief work included setting up workrooms for unemployed French women, organizing concerts to provide work for musicians, raising tens of thousands of dollars for the war effort, and opening tuberculosis hospitals. In 1915 Wharton edited The Book of the Homeless, which included essays, art, poetry and musical scores by many major contemporary European and American artists, including Henry James, Joseph Conrad, William Dean Howells, Anna de Noailles, Jean Cocteau and Walter Gay, among others. Wharton proposed the book to her publisher, Scribner's. She handled all of the business arrangements, lined up contributors, and translated the French entries into English. Theodore Roosevelt wrote a two-page Introduction in which he praised Wharton's effort and urged Americans to support the war. She also kept up her own work during the war, continuing to write novels, short stories, and poems, as well as reporting for the New York Times and keeping up her enormous correspondence. Wharton urged Americans to support the war effort and encouraged America to enter the war. She wrote the popular romantic novel Summer in 1916, the war novella, The Marne, in 1918, and A Son at the Front in 1919, (though it was not published until 1923). When the war ended, she watched the Victory Parade from the Champs Elysees' balcony of a friend's apartment. After four years of intense effort, she decided to leave Paris in favor of the peace and quiet of the countryside. Wharton settled ten miles north of Paris in Saint-Brice-sous-Forêt, buying an eighteenth-century house on seven acres of land which she called Pavillon Colombe. She would live there in summer and autumn for the rest of her life. She spent winters and springs on the French Riviera at Sainte Claire du Vieux Chateau in Hyeres.

Wharton was a committed supporter of French imperialism, describing herself as a "rabid imperialist", and the war solidified her political views. After the war she travelled to Morocco as the guest of Resident General Hubert Lyautey and wrote a book, In Morocco, about her experiences. Wharton's writing on her Moroccan travels is full of praise for the French administration and for Lyautey and his wife in particular.

During the post war years she divided her time between Hyères and Provence, where she finished The Age of Innocence in 1920. She returned to the United States only once after the war, to receive an honorary doctorate degree from Yale University in 1923.

The Age of Innocence (1920) won the 1921 Pulitzer Prize for literature, making Wharton the first woman to win the award. The three fiction judges—literary critic Stuart Pratt Sherman, literature professor Robert Morss Lovett, and novelist Hamlin Garland—voted to give the prize to Sinclair Lewis for his satire Main Street, but Columbia University’s advisory board, led by conservative university president Nicholas Murray Butler, overturned their decision and awarded the prize to The Age of Innocence.

Wharton was friend and confidante to many gifted intellectuals of her time: Henry James, Sinclair Lewis, Jean Cocteau and André Gide were all her guests at one time or another. Theodore Roosevelt, Bernard Berenson, and Kenneth Clark were valued friends as well. Particularly notable was her meeting with F. Scott Fitzgerald, described by the editors of her letters as "one of the better known failed encounters in the American literary annals". She spoke fluent French, Italian, and German, and many of her books were published in both French and English.

In 1934 Wharton's autobiography A Backward Glance was published. In the view of Judith E. Funston, writing on Edith Wharton in American National Biography,

What is most notable about A Backward Glance, however, is what it does not tell: her criticism of Lucretia Jones [her mother], her difficulties with Teddy, and her affair with Morton Fullerton, which did not come to light until her papers, deposited in Yale's Beinecke Rare Book Room and Manuscript Library, were opened in 1968.

On June 1, 1937 Wharton was at the French country home of Ogden Codman, where they were at work on a revised edition of The Decoration of Houses, when she suffered a heart attack and collapsed. Edith Wharton later died of a stroke on August 11, 1937 at Le Pavillon Colombe, her 18th-century house on Rue de Montmorency in Saint-Brice-sous-Forêt. She died at 5:30 p.m., but her death was not known in Paris. At her bedside was her friend, Mrs. Royall Tyler. The street is today called rue Edith Wharton. Wharton was buried in the American Protestant section of the Cimetière des Gonards in Versailles, "with all the honors owed a war hero and a chevalier of the Legion of Honor… a group of some one hundred friends sang a verse of the hymn "O Paradise"…" She is buried next to her long-time friend, Walter Berry.

(source wikipedia.org)

Edith Wharton

HUDSON RIVERBRACKETED

Arcadia Ebook 2016

email: [email protected]

HUDSON RIVERBRACKETED

All things make me glad, and sorry too — Charles Auchester

To A. J. H. S.

A. J. Downing, the American landscape architect, in his book on Landscape Gardening (published in 1842) divides the architectural styles into the Grecian, Chinese, Gothic, the Tuscan, or Italian villa, style, and the Hudson River Bracketed.

Book I

Chapter I

By the time he was nineteen Vance Weston had graduated from the College of Euphoria, Illinois, where his parents then lived, had spent a week in Chicago, invented a new religion, and edited for a few months a college magazine called Getting There, to which he had contributed several love poems and a series of iconoclastic essays. He had also been engaged for a whole week to the inspirer of the poems, a girl several years older than himself called Floss Delaney, who was the somewhat blown-upon daughter of an unsuccessful real estate man living in a dejected outskirt of the town.

Having soared to these heights, and plumbed these depths, it now remained to young Weston to fix upon the uses to which his varied aptitudes and experiences could most advantageously be put.

Of all the events so far befalling him, none seemed to Vance Weston as important as having invented a new religion. He had been born into a world in which everything had been, or was being, renovated, and it struck him as an anomaly that all the religions he had heard of had been in existence ever since he could remember; that is, at least sixteen years. This seemed to him the more unaccountable because religion, of one sort or another, seemed to play a considerable, if rather spasmodic or intermittent, part in the lives of most of the people he knew, and because, from the first dawn of consciousness, he had heard everybody adjuring everybody else not to get into a rut, but to go ahead with the times, as behoved all good Americans.

The evolution of his own family was in its main lines that of most of the families he had known. Since the time of Mrs. Weston’s marriage, when Grandma was teaching school at Pruneville, Nebraska, and the whole family depended on her earnings, till now, when she and Grandfather took their ease in an eight-room Colonial cottage in a suburb of Euphoria, and people came from as far as Chicago to consult Mr. Weston about real estate matters, the family curve had been continually upward. Lorin Weston, who had wandered out to Pruneville to try and pick up a job on the local newspaper, had immediately seen the real estate possibilities of that lamentable community, had put his last penny into a bit of swampy land near the future railway station, got out at a big rise when the railway came, and again plumped his all on another lot of land near where his mother-in-law had found out that the new high school was to be built. Then there had come a stagnant period in the development of Pruneville, and Mr. Weston had moved his wife and young family to Hallelujah, Mo., where he had repeated the same experiment with increasing profit. While he was there, a real estate man from Advance came over to take a look round, talked to Weston about Advance, and awakened his curiosity. To Advance the family went, compensated by a bigger and better house for the expense of having to leave Hallelujah. At Advance the Weston son and heir was born, and named after his birthplace, which had deserved well of Mr. Weston, since he was able, when Vance was nine or ten, to leave there for Euphoria, buy up nearly the whole of the Pig Lane side of the town, turn it into the Mapledale suburb, and build himself a house with lawn, garage, sleeping porch and sun parlour, which was photographed for the architectural papers, and made Mrs. Weston the envy of the Alsop Avenue church sewing circle. Even Grandma Scrimser, who had never been much of a hand at making or keeping money, and was what the minister of the Alsop Avenue church called “idealistic,” did not question the importance of material prosperity, or the value of Mr. Weston’s business “brightness,” and somewhere in the big lumber room of her mind had found a point where otherworldliness and “pep” lay down together in amity.

This being so — and such phrases as “back number,” “down and out,” “out of the running,” and the like having never been used in young Vance’s hearing save in a pejorative sense — he wondered how it was that the enlightened millions, with whom it was a sign of “pep” and prosperity to go in for almost annual turnovers in real estate, stocks, automobiles, wives and husbands, were content to put up year after year with the same religion, or religions rather, since nearly everybody he knew had a different one.

Vance Weston, in truth, could not dissociate stability from stagnation, any more in religion than in business. All the people he had heard of who hadn’t got a move on at the right minute, in whatever direction, were down and out. Even the most high-minded among the ministers admitted this, and emphasized religion as the greatest known shortcut to Success. (If you’d come and join their Sunday evening classes for young men, and subscribe to Zion’s Spotlight, you’d find out why.) Yet, in spite of this, nobody had managed, in Vance Weston’s lifetime, to evolve a new religion, and they were all still trying to catch a new generation with the old bait.

Thinking about religion ran in Vance’s family — at least on his mother’s side. Grandma Scrimser had always cared about it more than about anything else. At sixty-five she was still a magnificent-looking woman, rather like pictures of a German prima donna made up as a Walkyrie; with stormy black eyebrows, short yellowish-white hair (years before the young ones began to be bobbed), and a broad uncertain frame which reminded Vance (after he had acquired lights on modern art) of a figure by an artist who had genius but didn’t know how to draw.

As a girl Grandma was said to have been gloriously beautiful; and Vance could well believe it. Indeed, she made no secret of it herself — why should she, when she regarded it only as an inconvenient accident, a troublesome singularity, and (she had been known to admit in confidential moments) an obstacle to Grandpa Scrimser’s advance to Perfection? Perfection was Grandma’s passion — ladies were Grandpa’s. While his wife was young her beauty might have served to circumscribe his yearnings if only she had chosen to make use of it. But the idea of beauty as a gift to be used, trained, exercised, and directed was to her not so much immoral as unintelligible. She regarded herself as afflicted with a Greek nose, masses of wavy amber hair, and a richly glowing dusky complexion, as other women might have borne the cross of a birthmark or a crooked spine. She could not understand “what people saw in it,” or in the joys to which it was the golden gateway. As to these joys she professed a contemptuous incredulity. What she wanted was to reform the world; and beauty and passion were but hindrances to her purpose. She wanted to reform everything — it didn’t particularly matter what: cooking, marriage, religion (of course religion), dentistry, saloons, corsets — even Grandpa. Grandpa used to complain that in cooking she had never got very far on the way to Perfection — only just far enough to give him dyspepsia. But since she would not indulge his conjugal sentiments unduly he was grateful that at least the pursuit of Perfection left her little time to investigate his private affairs; so that, on the whole, the marriage was accounted a happy one, and the four children born of it were taught to revere both parents, though for different reasons. Grandma, of course, was revered for being a mother in Israel; Grandpa for having once made a successful real estate deal, and for being the best Fourth of July orator anywhere in Drake County. They were a magnificent~looking couple, too, and when Old Home Weeks began to be inaugurated throughout the land, Mr. and Mrs. Scrimser were in great demand in tableaux representing The Old Folks at Home, Mrs. Scrimser spinning by the kitchen hearth, and Grandpa (with his new set removed, to bring out his likeness to George Washington) leaning on a silver-headed crutch stick, his nutcracker chin reposing on a spotless stock. But Grandma liked better figuring as the Pioneer Wife in a log cabin, with Grandpa (the new set in place again) garbed in a cowpuncher’s rig, aiming his shotgun through a crack in the shutters, and the children doing Indian war whoops behind the scenes. “I couldn’t ever have sat still long enough to spin the house linen, like the woman in that Lady Washington picture; but I guess I’d have been a real good pioneer’s wife,” she explained, not unboastfully.

“You’ve always kept house as if you was one,” Grandpa would grumble, pushing away his tepid coffee and shrivelled bacon; and Mrs. Scrimser would answer: “I’m sorry your breakfast don’t just suit you today, father; but I guess it won’t set you back much on the path to Eternity. I had to let the hired girl go to that camp meeting last night, and they always come back from their meetings as limp as rags, so I had her cook your bacon before she went.”

“Oh, Christ,” Grandpa ejaculated; and his daughter, Mrs. Lorin Weston, shook her head severely at little Vance, as much as to say that he was not to listen when Grandpa talked like that, or, alternatively, that Grandpa hadn’t really said what little Vance thought he had.

Grandma Scrimser was of course more interested than anyone in the idea of Vance’s new religion. In the first place, she agreed with him that a new one was needed, though she still thought the Rock of Ages was the best foundation any religion could have, and hoped Vance wouldn’t make them give up singing old hymns. It took some time to make her understand that perhaps there wouldn’t be any more hymns, or any sort of formal worship, but just a mystical communion between souls to whom the same revelation had been vouchsafed. “You be careful now, Vance, how you’re mystical,” she chid him; “time and again I’ve known that to end in a baby.” But as Vance developed his theory he had the sense that she could not understand what he was talking about. Her education had not prepared her to follow him beyond the simply phase of pious ejaculation and contrition.

Vance’s parents were totally unaffected by old Mrs. Scrimser’s transcendental yearnings. When Grandpa Scrimser’s digestion gave out, or he needed a change, he always packed his grip and moved in from the suburb where he and Grandma now lived to spend a week with the Westons. His other daughter, who had inherited her mother’s neglected beauty, inherited also her scorn of comfort and her zeal for reform, and in the cause of temperance and high thinking dragged after her from one lecture platform to another a dyspeptic husband who was dying of a continual diet of soda biscuits and canned food. But Mrs. Lorin Weston, a small round-faced woman with a resolute mouth, had always stayed at home, looked after her children, fed her husband well, and, whenever he made a “turnover,” bought a picture or a piano cover to embellish one or the other of their successive dwellings. She took a wholesome interest in dress, had herself manicured once a week after they moved to Euphoria, and by the time they had built their new house on Mapledale Avenue had saved up enough to have a sun parlour with palms and a pink gramophone, which was the envy of the neighbourhood.

As for Lorin Weston, a dry smallish man, no taller than his wife, he was like one of the shrivelled Japanese flowers which suddenly expand into bloom when put in water. Mr. Weston’s natural element was buying and selling real estate; and he could not understand how any normal human being could exist in any other, or talk about anything else. If pressed, he would probably have admitted that an organized society necessitated the existence of policemen, professors, lawyers, judges, dentists, and even ministers of religion (to occupy the women: he had read Ingersoll, and his own views were Voltairean). But though he might have conceded as much theoretically, he could not conceive how, in practice, any sane man could be in anything but real estate. As in the case of all geniuses, the exercise of his gift came to him so naturally that he could no more imagine anyone earning money in other ways than he could imagine living without breathing. He did indeed take a subordinate interest in house building, because people who intended to build houses had first to buy land, and also because if you have the nerve to run up a likely-looking little house on an unpromising lot of land, you may be able to sell the house and lot together for a considerably bigger sum than they cost you, and even to start a real estate boom in soil where nothing of the sort has ever grown. Inspired by such considerations, he developed a pretty taste in suburban architecture, and was often consulted by builders and decorators as to some fancy touch in hall or sleeping porch, while Mrs. Weston’s advice was invaluable in regard to kitchen and linen closet. Between them they served their trade like a religion, Mrs. Weston putting into it her mother’s zeal for souls and Mr. Weston making clients come to the suburbs as his mother-in-law made them come to Jesus.

The Mapledale suburb, which was entirely Mr. Weston’s creation, was Euphoria’s chief source of pride, and always the first thing shown to distinguished visitors after the Alsop Building, the Dental College, and the Cedarcrest cemetery; and as success was the only criterion of beauty known to young Vance he took it for granted that whatever his father said was beautiful must be so. Nevertheless, there were moments when he felt the need to escape from the completeness of the Mapledale house, and go out to Crampton where Grandpa and Grandma Scrimser had settled down in a house lent to them rent-free by their son-in-law in the hope that they might help to “open up” Crampton. So far this hope had not been realized, and Crampton remained a bedraggled village, imperfectly joined up with the expanding Euphoria; but Lorin Weston could afford to wait, and was glad to do his parents-in-law a good turn.

Mrs. Weston did not often go to Crampton; especially did she avoid doing so when her sister Saidie Toler was there. The road to Crampton was so bad that it knocked the Chevrolet all to pieces, and besides Mrs. Weston really could not bear to see a good eight~room house, that people might have been so comfortable in, going all to pieces because Grandma would choose her help for their religious convictions and their plainness (she didn’t trust Grandpa), and because she and Saidie were always rushing about to religious meetings, or to lectures on Sanitation (if she’d only looked at her own drains!), or on Diet (when you’d eaten Grandma’s food!), or whatever the newest religious, moral, or medical fad was. Generally, too, there would be some long-haired fanatic there, holding forth about the last “new” something or other in religion or morals, as eloquently as Mrs. Weston herself discoursed on refrigerators and electric cookers. These prophets got on Mrs. Weston’s nerves, and so did Saidie, with her slovenly blonde beauty, already bedraggled as if she left it out overnight, the way careless people do their cars. Mrs. Weston admired her mother, and felt, in a somewhat resentful way, the domination of her powerful presence; but she hated the confusion that Grandma lived in, and preferred to invite the Scrimsers and Saidie to Sunday dinner in Mapledale Avenue, and feel they were being impressed by her orderly establishment, and the authority of Mr. Weston’s conversation.

Vance Weston did not much fancy his grandmother’s house, or her food either; the whole place, compared with his own home, was retrograde and uncomfortable. Yet he had an unaccountable liking for the rutty lanes of Crampton, its broken-down fences, and the maple-shaded meadow by the river. He liked the way the trees overhung the Scrimser yard, the straggling lilacs, and the neglected white rose over the porch. And he was always stimulated, sometimes amused, and sometimes a little awed and excited, by Grandma Scrimser’s soaring talk and Grandpa’s racy commentaries. The prophets did not impress him, and his aunt Saidie he positively disliked; but he loved the old couple, and did not wonder that Euphoria still called on them to figure at national celebrations. The town had nothing else as grand to show.

Chapter II

Crampton, unfinished, sulky, and indifferent, continued to languish outside the circle of success. The trolley ran out there now, but few settlers had followed it. Yet Lorin Weston, who was by common consent the brightest realtor in Drake County, still believed in Crampton, and kept up the hopes of the investors he had lured there. On the strength of his belief, a row of cheap cottages was springing up along the road to Euphoria, and already the realtor’s eye saw garages and lawn mowers in the offing.

One warm spring day, Vance Weston strode along between the ruts, past squares of Swedish market-gardening and raw pastures waiting for the boom. These were the days when he liked the expectancy of Crampton better than the completeness of Euphoria — days of the sudden prairie spring, when the lilacs in his grandmother’s dooryard were bursting, and the maples by the river fringing themselves with rosy keys, when the earth throbbed with renewal and the heavy white clouds moved across the sky like flocks of teeming ewes. In a clump of trees near the road a bird began over and over its low tentative song, and in the ditches a glossy-leaved weed, nameless to Vance, spangled the mud with golden chalices. He felt a passionate desire to embrace the budding earth and everything that stirred and swelled in it. He was irritated by the fact that he did not know the name of the bird, or of the yellow flowers. “I should like to give everything its right name, and to know why that name WAS the right one,” he thought; the names of things had always seemed to him as closely and mysteriously a part of them as his skin or eyelashes of himself. What was the use of all he had been taught in college if the commonest objects on this familiar earth were so remote and inexplicable? There were botany manuals, and scientific books on the shapes and action of clouds; but what he wanted to get at was something deeper, something which must have belonged to flowers and clouds before ever man was born to dissect them. Besides, he wasn’t in the mood for books, with this spring air caressing him…

A little way down a lane to his right stood the tumbledown house in which Harrison Delaney, Floss’s father, lived. Though Harrison Delaney, like Mr. Weston, was in the real estate business, his career had differed in every respect from his rival’s, and Mr. Weston had been known to say, in moments of irritation, that the fact of Delaney’s living at Crampton was enough to keep the boom back. Harrison Delaney was in fact one of the Awful Warnings which served to flavour the social insipidity of thousands of Euphorias. There wasn’t a bright businessman in the place who couldn’t put his finger on the exact causes of his failure. It had all come, they pointed out, of his never being on the spot, missing real estate transactions, missing business opportunities, deals of every sort and kind — just sort of oversleeping himself whenever there was anything special to get up for.

Almost every family in Vance Weston’s social circle could point to an Awful Warning of this type; but few were as complete, as singularly adapted for the purpose, as Harrison Delaney at fifty. You felt, the minute you set eyes on him, that nothing more would ever happen to him. He had wound his life up, as a man might wind up an unsuccessful business, and was just sitting round with the unexpectant look of a stockbroker on a country vacation, out of reach of the ticker. There — that was the very expression! Harrison Delaney always looked as if he was out of reach of the ticker. Only he wasn’t worried or fretful, as most men are in such a case — he was just indifferent. No matter what happened he was indifferent. He said he guessed his making a fuss wouldn’t alter things — it never had. So, when everybody was talking about Floss’s going with that married drummer from Chicago, who turned up at Euphoria every so often in the year, and hired a car, and went off with her on long expeditions — well, her father just acted as if he didn’t notice; and when the Baptist minister called, and dropped a hint to him, Harrison Delaney said he supposed it was Nature speaking, and he didn’t believe he was the size to interfere with Nature, and anyhow he thought maybe one of these days the drummer would get a divorce and marry Floss — which of course he never did.

It was in going out to see his grandparents that Vance had first met Floss Delaney. That was before the trolley was running. Their bicycles used to flash past each other along the rutty road, and one day he found her down in the mud, with a burst tire and a sprained ankle, and helped her home. At first it was not the girl who interested him, but her father. Vance knew all about Delaney, the byword of Euphoria; but something in the man’s easy indifferent manner, his way of saying: “Oh, come in, Weston, won’t you?” instead of hailing his visitor as “Vance,” his few words of thanks for the help rendered to his daughter, the sound of his voice, his very intonation — all differentiated him from the bright businessman he had so signally failed to be, and made Vance feel that failure also had its graces. Euphoria, he knew, felt this, however obscurely; it had to admit that he had the manners and address of a man born to make his mark. Even when he was finally down and out he was still put on committees to receive distinguished visitors. Somebody would lend him a black coat and somebody else a new hat, because there was a general though unexpressed sentiment that on such occasions he was more at ease than their most successful men, including even the president of the college and the minister of the Alsop Avenue church. But all this could not do away with the fact that he was a failure, and could serve the rising community of Euphoria only as the helots served the youth of Sparta. A fellow ought to be up on Society and Etiquette, and how to behave at a banquet, and what kind of collar to wear, and what secret societies to belong to; but the real business of life was to keep going, to get there — and “There” was where money was, always and exclusively.

These were the axioms that Vance had been brought up on; but when, after Floss’s accident, he dropped in from time to time to ask how she was, he found a strange attraction in listening to Harrison Delaney’s low, slightly drawling speech, and noticing the words he used — always good English words, rich and expressive, with hardly a concession to the local vernacular, or the passing epidemics of slang.

It was only when Floss began to get about again that she exercised her full magic. One day when Vance called he found her alone; and after that, instead of seeking out Harrison Delaney, he avoided him, and the pair met outside of the house… His body and soul still glowed with the memory of it. But there was no use in thinking of that now. She’d been going with another fellow all the time… he KNEW it… and how she’d lied to him! He’d been a fool; and luckily it was all over. But he still averted his eyes from the house down the lane, where, only a few short months ago, he used to hang about after dark till she came out. On summer evenings they would go down to the maples by the river; there was a clump of bushes where you could lie hidden, breast to breast, and watch the moon and the white cloud reflections sail by, and the constellations march across the sky on their invisible bridges…

The Scrimsers’ house had a Colonial porch, an open fireplace in the hall, and a view over the river. The door yard was always rather untidy; Mrs. Scrimser had planting plans, and meant some day to carry them out. But she would first have had to cut down a lot of half-dead bushes, and there never seemed to be anybody to do it, what with Grandpa’s sciatica, and the hired man’s coming so irregularly, and Grandma being engaged in tidying up everybody else’s door yard, materially and morally.

When Vance reached the porch she was sitting there in her rocking chair, her blown hair tossed back from her broad yellowish forehead, and her spectacles benevolently surveying the landscape. A lawn mower straddled the path and she called out to her grandson: “It’s the hired man’s day, but he’s gone to a big camp meeting at Swedenville, and your grandfather began to cut the grass so that we’d have everything looking nice when your father and mother come out on Sunday; but then he remembered he had an appointment at Mandel’s grocery, so I don’t see how it’ll get done.”

“Well, perhaps I’ll do it when I cool off,” said Vance, sitting down.

They all knew about Grandpa’s appointments. As soon as he was asked to put his hand to a domestic job he either felt a twinge of sciatica, or remembered that he’d promised to meet a man at Mandel’s grocery, or at the Elkington Hotel at Euphoria.

Mrs. Scrimser turned her eloquent gray eyes on her grandson. “Don’t a day like this almost make you feel as if you could get to God right through that blue up there?” she said, pointing heavenward with a big knotted hand. She had forgotten already about the abandoned lawn mower, and the need of tidying up. Whenever she saw her grandson all the groping aspirations in her unsatisfied nature woke and trembled into speech. But Vance did not care to hear about her God, who, once you stripped Him of her Biblical verbiage, was merely the Supreme Moralist of a great educational system in which Mrs. Scrimser held an important job.

“No, I don’t feel as if anything would take me near God. And I don’t exactly want to get near Him anyhow; what I want is to get way out beyond Him, out somewhere where He won’t look any bigger than a speck, and the god in ME can sort of walk all round Him.”

Mrs. Scrimser glowed responsively: all the audacities enchanted her. “Oh, I see what you mean, Vanny,” she cried. All her life she had always been persuaded that she saw what people meant; and the conviction had borne her triumphantly from one pinnacle of credulity to another. But her grandson smiled away her enthusiasm. “No, you don’t; you don’t see MY god at all; I mean, the god in me.”

His grandmother flushed up in her disappointment. “Why don’t I, Vanny? I know all about the Immanence of God,” she objected, almost resentfully.

Vance shook his head. It wasn’t much fun arguing with his grandmother about God, but it was better than hearing eternally about new electric cleaners from his mother, or about real estate from Mr. Weston, or the reorganization of school grades from his sister Pearl. Vance respected efficiency, and even admired it; but of late he had come to feel that as a diet for the soul it was deficient in nourishment. He wondered that Mrs. Weston, who was such an authority on diet, had never thought of applying the moral equivalent of the vitamin test to the life they all led at Mapledale. He had an idea they were starving to death there without knowing it. But old Mrs. Scrimser at least knew that she was hungry, and his mind wandered back more indulgently to what she was saying.

“The trouble is,” he began, groping about in his limited vocabulary, “I don’t seem to want anybody else’s God. I just want to give mine full swing.” And at this point he forgot his grandmother’s presence, and his previous experience of her incomprehension, and began to develop his own dream for his own ears. “And I don’t even want to know what HE is — not by reasoning him out, I mean. People didn’t have to wait to learn about oxygen, and the way the lungs work, before they began to breathe, did they? And that’s the way I feel about what I call MY god — the sort of something in me that was there before I’d ever thought about it, and that stretches out and out, and takes in the stars and the ages, and very likely doesn’t itself know why or how. What I want is to find out how to release that god, fly him up like a kite into the Infinite, way beyond creeds and formulas, and try to relate him to all the other… the other currents… that seem to be circling round you, a day like this… so that you get caught up in them yourself… and carried beyond Time and Space, and Good and Bad, to where the whole blamed thing is boiling over… Oh, hell take it, I don’t know!” he groaned, and flung his head back despairingly.

Mrs. Scrimser listened, beaming, benedictory, her arms extended. “Oh Vanny, when you talk like that I do feel your call so clearly! You surely have inherited your grandfather’s gift for speaking. You could fill the Alsop Avenue church clear away under the gallery, right now. ‘The boy preacher’ — they can often reach right down into the soul where the older men can’t get a hearing. Don’t you think, dear, such a gift ought to make you decide to go straight to Jesus?” She lifted her clasped hands with a “Nunc dimittis” gesture full of devotional sublimity. “If I could only hear you in the pulpit once I’d lay me down so peacefully,” she murmured.

Vance’s dream dropped with a crash to the floor of the porch, and lay there between them in rainbow splinters. The Alsop Avenue church! The pulpit! The ministry! This familiar way of talking about “Jesus” as if He were somebody waiting round the corner at Mandel’s grocery for a telephone call — and this woman, who had listened for forty years to her husband’s windy eloquence and sanctimonious perfidies, and who was still full of faith in the power of words and the magic attributes of Biblical phraseology! It almost made Vance hate the Bible to hear her, though its haunting words and cadences were the richest of his mental possessions… But why had he again let himself go, trying to carry her up with him to the dizzy heights of speculation, as if some tiny winged insect should struggle to lift the lawn mower down there in the path? Vance looked sulkily away at the straggling unkempt distances from which she had managed to brush all the magic, so that where he had seen flowers and heard birds he now beheld only a starved horizon imprisoned behind crooked telegraph poles, and partly blotted out by Mandel’s grocery.

“Vance — I haven’t said anything to offend you?” his grandmother questioned, laying her big hand on his.

He shook his head. “No. Only you don’t understand.”

She took off her moist spectacles and wiped them. “Well, I guess God created women so’s to give the men somebody to say that to,” she remarked, with a philosophic smile.

Her grandson smiled also. He never failed to appreciate her humour; but today he was still quivering from his vain effort at expression, and her misunderstanding of it; and he had nothing more to say.

“Well, I guess I’ll go along,” he said, getting up.

Mrs. Scrimser never argued with her own family, and she walked with him in silence down the path and halted at the barricade of the mowing-machine. From there they could look across a few vacant lots and, dodging Mandel’s grocery, bathe their eyes in the liquid gold of the sunset beyond the river.

“I used to think heaven was down THERE— on summer nights!” the boy broke out, pointing toward the budding maples by the river. In his own ears his words sounded sardonic, incredibly old and embittered; but the mention of heaven could evoke no such sensations in his grandmother’s soul.

“I guess heaven is wherever we love Nature and our fellow beings enough,” she said, laying her arm about his shoulder. It occurred to neither of them to remove the mower from the path, and they parted there, casually but fondly, as the habit was in Euphoria households, Vance bestriding the machine while his grandmother, arrested by it, stood gazing after him. “Only remember that, Vanny — that Love is everywhere!” she called after him. Large and full of benediction she stood between the lilac bushes and waved farewell.

Vance walked on in a fog of formless yearnings. His own words had loosened them, as the spring air and the yellow blossoms in the ditch had loosened his words. Twilight fell and the old spell of Crampton fell with it. He passed by the lane that led to Harrison Delaney’s, but when he came to the field path descending to the river he paused, caught back into his early dream. Everything which had bound him to that scene was over and done with — he had served his sentimental apprenticeship and paid the price. But it was hard, at nineteen, and on a spring evening, to know this, and to feel himself forever excluded from the fellowship of the young and the happy. He supposed other fellows had been through it and survived — in books they told you so. But this evening his soul was like a desert.

He’d never looked at a girl since Floss — never meant to. Taken it out in writing poetry instead. Sometimes, for a few moments, doing that almost replaced her caresses, seemed to bring her as close as if words were warm and palpable like flesh. Then that illusion passed, and he was out again in the desert… Once in a while, by way of experiment, he would give himself a kind of mental pinch where the ache had been, just to be sure he felt nothing — literally nothing. But when the trees by the river budded, and the buds were black against a yellow sky, the ache would spring back and catch him in the heart as you see lumbago suddenly catch a man between the shoulders. For a long time he stood gazing across the field and remembering how he used to go and hide down by the river, and spy out through the bushes for Floss. Or, oftener, she’d be there first, and her strong young arms would pull him down to her… There was no danger now in remembering these things. She had left Euphoria; he had heard she had a job in a department store at Dakin, on the other side of Chicago. He suspected his father of having managed that… The scene of their brief passion was deserted, and for him it would always remain so. That was life, he supposed. His bitterness gradually passed; he remembered her kisses and forgave her. Leaning on the fence, he pulled out a cigarette and thought big manly thoughts about her, and about Woman in general.

“Well,” he interrupted himself suddenly, “I don’t suppose you expected to be the only fellow to meet a girl down under those bushes, did you, Vance Weston?” The remark was provoked by the sight of a man sauntering across lots to the edge of the maple grove. Even at that distance he had the air of someone who would as soon not be seen, but is doing all he can not to betray the fact. The sight instantly altered Vance’s mood, and he continued to lean on the fence, puffing ironically at his cigarette and whistling a vaudeville tune. The light was growing faint, the man was almost too far away to be recognized; but as he approached, Vance saw a tall spare figure moving with the jauntiness of an elderly man trying to look young who is jerked back at every step by his stiff joints. The gait was familiar; so, as the figure drew still nearer, was the frock coat flung open from a crumpled waistcoat, and the sombrero brim of the felt hat. Presently he lifted the hat and wiped his forehead; and the last slant of sunset lit up his swarthy face, the dominant nose and weak handsome mouth, and the white-and-black mane tossed back from his forehead. Vance, amused and vaguely curious, stood staring at the apparition of his grandfather.

You never could tell about Grandpa — they all knew it in the family, and put up with the fact as you put up with the weather. Still, to come on him here, slinking along on the edge of the grove, and mopping his forehead as if he had been running to catch the trolley; well, it was funny. Something at once dashing and furtive about his air made Vance remember an occasion when, as a small boy, he had gone Christmas shopping with his mother, and they had run into Grandpa, mopping his forehead in the same way, and hurrying toward them round the corner of a certain street that Vance and his schoolmates were always forbidden to play in. The little boy had instantly guessed that something was wrong when his mother, instead of exclaiming: “Why, there’s Grandpa!” had abruptly remembered that, good gracious, she’d never ordered the yeast from Sproul’s Bakery, and had jerked Vance back there without seeming to notice Mr. Scrimser. Such subterfuges are signposts on the road to enlightenment.

Vance continued to smile sardonically at the remembrance of this episode, and the thought of how far behind him his guileless infancy lay. For a moment he felt inclined to hail his grandfather; then something about the old man’s air and movements made him decide to turn away. “Guess it’s about time to step round to Sproul’s for the yeast,” he chuckled to himself; but as he averted his glance it was arrested by the approach of another figure. The light was failing fast and Vance was a good hundred yards from the river; but in the thickest dusk, and at a greater distance, he would have known the quick movements, the light outline, of the girl slipping through the trees toward Mr. Scrimser… “But she isn’t here… she isn’t here… I know she isn’t!” stormed through the boy in a rush of useless denial. He stood rooted to the earth while everything she had ever been to him, every look and intonation, every scent and breath and touch that had bound him to her, and made them one, flooded over him in fiery remembrance. He had never been able to imagine what excruciating physical pain was like, the kind you felt when you were smashed under a train, or torn by a whirling engine in a factory — but he knew, he found out in the glare of that blinding instant, that when the soul is smitten deeply enough it seems to become one with the body, to share all the body’s capacity for suffering a distinct and different anguish in each nerve and muscle. He saw — or thought he saw — the two figures come together in the dimness, just where, so often, he had caught Floss Delaney to his first embrace; then he stumbled away, unseeing. A trolley swung along, making for the lights of Euphoria. He hailed it and got on board.

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!