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In "In the Fog," Richard Harding Davis crafts a compelling narrative steeped in vivid imagery and sharp psychological insight. Set against the backdrop of an enigmatic and often disorienting fog, the story unfolds as a richly textured exploration of human emotions and relationships, harnessing a blend of realism and romanticism. Davis'Äôs masterful use of language paints a captivating picture of suspense and intrigue, allowing readers to delve into the complexities of uncertainty and the subconscious fears that shroud the characters'Äô lives. Through his refined prose, Davis captures the ethereal qualities of the fog while also foregrounding the deeper themes of isolation and identity. Richard Harding Davis, an acclaimed American author and war correspondent of the late 19th and early 20th centuries, draws on his extensive travels and experiences to imbue his writing with authenticity and depth. His exposure to various cultures and conflicts provided him with a unique perspective on humanity, often reflected in his nuanced characterizations and intricate plots. Davis'Äôs eloquence in depicting the human condition speaks to his skills as both a journalist and a storyteller, making "In the Fog" not just a tale, but an exploration of profound existential themes. This book is highly recommended for readers interested in early American literature and those who appreciate richly layered narratives. Its evocative style and poignant observations resonate with anyone who has grappled with the ambiguities of life. "In the Fog" invites you to step into a captivating world of uncertainty where the fog serves as both a literal and metaphorical barrier, making it a timeless read perfect for contemplation.
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Veröffentlichungsjahr: 2019
The Grill is the club most difficult of access in the world. To be placed on its rolls distinguishes the new member as greatly as though he had received a vacant Garter or had been caricatured in “Vanity Fair.”
Men who belong to the Grill Club never mention that fact. If you were to ask one of them which clubs he frequents, he will name all save that particular one. He is afraid if he told you he belonged to the Grill, that it would sound like boasting.
The Grill Club dates back to the days when Shakespeare’s Theatre stood on the present site of the “Times” office. It has a golden Grill which Charles the Second presented to the Club, and the original manuscript of “Tom and Jerry in London,” which was bequeathed to it by Pierce Egan himself. The members, when they write letters at the Club, still use sand to blot the ink.
The Grill enjoys the distinction of having blackballed, without political prejudice, a Prime Minister of each party. At the same sitting at which one of these fell, it elected, on account of his brogue and his bulls, Quiller, Q. C., who was then a penniless barrister.
When Paul Preval, the French artist who came to London by royal command to paint a portrait of the Prince of Wales, was made an honorary member—only foreigners may be honorary members—he said, as he signed his first wine card, “I would rather see my name on that, than on a picture in the Louvre.”
At which Quiller remarked, “That is a devil of a compliment, because the only men who can read their names in the Louvre to-day have been dead fifty years.”
On the night after the great fog of 1897 there were five members in the Club, four of them busy with supper and one reading in front of the fireplace. There is only one room to the Club, and one long table. At the far end of the room the fire of the grill glows red, and, when the fat falls, blazes into flame, and at the other there is a broad bow window of diamond panes, which looks down upon the street. The four men at the table were strangers to each other, but as they picked at the grilled bones, and sipped their Scotch and soda, they conversed with such charming animation that a visitor to the Club, which does not tolerate visitors, would have counted them as friends of long acquaintance, certainly not as Englishmen who had met for the first time, and without the form of an introduction. But it is the etiquette and tradition of the Grill, that whoever enters it must speak with whomever he finds there. It is to enforce this rule that there is but one long table, and whether there are twenty men at it or two, the waiters, supporting the rule, will place them side by side.
For this reason the four strangers at supper were seated together, with the candles grouped about them, and the long length of the table cutting a white path through the outer gloom.
“I repeat,” said the gentleman with the black pearl stud, “that the days for romantic adventure and deeds of foolish daring have passed, and that the fault lies with ourselves. Voyages to the pole I do not catalogue as adventures. That African explorer, young Chetney, who turned up yesterday after he was supposed to have died in Uganda, did nothing adventurous. He made maps and explored the sources of rivers. He was in constant danger, but the presence of danger does not constitute adventure. Were that so, the chemist who studies high explosives, or who investigates deadly poisons, passes through adventures daily. No, ‘adventures are for the adventurous.’ But one no longer ventures. The spirit of it has died of inertia. We are grown too practical, too just, above all, too sensible. In this room, for instance, members of this Club have, at the sword’s point, disputed the proper scanning of one of Pope’s couplets. Over so weighty a matter as spilled Burgundy on a gentleman’s cuff, ten men fought across this table, each with his rapier in one hand and a candle in the other. All ten were wounded. The question of the spilled Burgundy concerned but two of them. The eight others engaged because they were men of ‘spirit.’ They were, indeed, the first gentlemen of the day. To-night, were you to spill Burgundy on my cuff, were you even to insult me grossly, these gentlemen would not consider it incumbent upon them to kill each other. They would separate us, and to-morrow morning appear as witnesses against us at Bow Street. We have here to-night, in the persons of Sir Andrew and myself, an illustration of how the ways have changed.”
The men around the table turned and glanced toward the gentleman in front of the fireplace. He was an elderly and somewhat portly person, with a kindly, wrinkled countenance, which wore continually a smile of almost childish confidence and good-nature. It was a face which the illustrated prints had made intimately familiar. He held a book from him at arm’s-length, as if to adjust his eyesight, and his brows were knit with interest.
“Now, were this the eighteenth century,” continued the gentleman with the black pearl, “when Sir Andrew left the Club to-night I would have him bound and gagged and thrown into a sedan chair. The watch would not interfere, the passers-by would take to their heels, my hired bullies and ruffians would convey him to some lonely spot where we would guard him until morning. Nothing would come of it, except added reputation to myself as a gentleman of adventurous spirit, and possibly an essay in the ‘Tatler,’ with stars for names, entitled, let us say, ‘The Budget and the Baronet.’”
“But to what end, sir?” inquired the youngest of the members. “And why Sir Andrew, of all persons—why should you select him for this adventure?”
The gentleman with the black pearl shrugged his shoulders.
“It would prevent him speaking in the House to-night. The Navy Increase Bill,” he added gloomily. “It is a Government measure, and Sir Andrew speaks for it. And so great is his influence and so large his following that if he does”—the gentleman laughed ruefully—“if he does, it will go through. Now, had I the spirit of our ancestors,” he exclaimed, “I would bring chloroform from the nearest chemist’s and drug him in that chair. I would tumble his unconscious form into a hansom cab, and hold him prisoner until daylight. If I did, I would save the British taxpayer the cost of five more battleships, many millions of pounds.”
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