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In the Penal Colony describes the last use of an elaborate torture and execution device that carves the sentence of the condemned prisoner on his skin in a script before letting him die, all in the course of twelve hours.
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Franz Kafka was one of the major German-language fiction writers of the 20th century. A middle-class Jew based in Prague, his unique body of writing — many incomplete and most published posthumously — has become amongst the most influential in Western literature. Kafka's works – including the stories Das Urteil (1913, "The Judgement"), In der Strafkolonie (1920, "In the Penal Colony"); the novella Die Verwandlung ("The Metamorphosis"); and unfinished novels Der Prozess ("The Trial") and Das Schloß ("The Castle") – have come to embody the blend of absurd, surreal and mundane which gave rise to the adjective "kafkaesque".
“It’s a peculiar apparatus,” said the Officer to the Traveler, gazing with a certain admiration at the device, with which he was, of course, thoroughly familiar. It appeared that the Traveler had responded to the invitation of the Commandant only out of politeness, when he had been invited to attend the execution of a soldier condemned for disobeying and insulting his superior. Of course, interest in the execution was not very high, not even in the penal colony itself. At least, here in the small, deep, sandy valley, closed in on all sides by barren slopes, apart from the Officer and the Traveler there were present only the Condemned, a vacant-looking man with a broad mouth and dilapidated hair and face, and the Soldier, who held the heavy chain to which were connected the small chains which bound the Condemned Man by his feet and wrist bones, as well as by his neck, and which were also linked to each other by connecting chains. The Condemned Man had an expression of such dog-like resignation that it looked as if one could set him free to roam around the slopes and would only have to whistle at the start of the execution for him to return.