Louise de la Valliere (Annotated) E-Book

Dumas Alexandre

• Herausgeber: Muhammad Humza
• Kategorie: Abenteuer, Thriller, Horror
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Beschreibung

• All content is redone in a new style, with the author's name and the title of the novel at the top.
• For a better glance, a small graphic is added at the beginning of each chapter.
• With a picture of Alexandre Dumas
, a detailed biography of him is added.

The final volume of the D'Artagnan Romances is traditionally divided into four parts: The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask.
 

Leseprobe

Alexandre Dumas Biography

Born: July 24, 1802

Soissons, France

Died: December 5, 1870

Puys, France

French creator, writer, and author

Alexandre Dumas, the French creator of many plays, famous sentiments, and verifiable books, composed The Three Musketeers and The Count of Monte Cristo.

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Early life

Alexandre Dumas was brought into the world on July 24, 1802, close to Soissons, France, the child of a Creole general of the French Revolutionary armed forces. His granddad was from an honorable family, and his grandma had been a Dominican slave. Dumas' dad kicked the bucket when he was four years of age, leaving the family with very little cash. Dumas was not an awesome understudy, but rather his penmanship was discernibly wonderful, and he examined to fill in as a public accountant (a public official who observes the marking of significant reports and makes them official). He likewise started composing melodic comedies and afterward authentic plays in cooperation (cooperating with others) with a writer companion named Adolphe de Leuven. Verifiable subjects, as well as his capacity to team up, were to be long-lasting components of Dumas' work during his profession.

Dumas then looking for employment as a secretary to the Duke of Orléans (later King Louis Philippe, 1773-1850) in Paris, France. He read and went to the theater however much he could during his downtime. He was enormously affected by crafted by William Shakespeare (1564-1616) and composed his most memorable plays in 1825 and 1826. Others followed, with Henri III et sa cour (1829) bringing him extraordinary achievement and ubiquity. The upset of 1830 dialed back Dumas' composition, and he turned into a solid ally of the Marquis de Lafayette. His political exercises were seen horribly by the new lord, his previous chief, and he had to leave France for a period. A progression of entertaining travel guides came about because of this time of exile.

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His Fiction

At the point when Dumas got back to Paris, he started composing another series of authentic plays. By 1851 he had composed alone, or in a joint effort with others, in excess of twenty plays. He likewise started composing fiction right now, first brief tales and afterward books. In a joint effort with Auguste Maquet he composed Les Trois Mousquetaires (1844; The Three Musketeers ), Vingt Ans après (1845; Twenty Years After ), and Le Vicomte de Bragelonne (1850). Le Comte de Monte-Cristo (1846; The Count of Monte Cristo ) was likewise a result of this period.

Dumas worked with numerous teammates who assisted him with the diagrams of his sentiments. The size of his "fiction processing plant" has frequently been misrepresented. Despite the fact that essentially 1,000 works were distributed under his own name, most were because of his own diligent effort and astonishing creative mind. Dumas' works were gotten with energy by his reliable perusers, and he brought in a ton of cash. He would never make to the point of staying aware of his ways of managing money, notwithstanding. Among his concerns was his bequest of Monte-Cristo in Saint-Germain-en-Laye, France, which pulled in numerous holders on and female admirers who Dumas wound up supporting.

Later life

Dumas, who had never changed his political conclusions, was satisfied by the Revolution of 1848 and even ran as a contender for the Assembly. In 1850 the Theâtre-Historique, which he had established to introduce his plays, fizzled. After Napoleon III (1808-1873) took power in 1852, Dumas went to Brussels, Belgium, where his secretary figured out how to fix his issues to a certain extent. Here he kept on composing continually.

In 1853 Dumas got back to Paris and started the day to day paper Le Mousquetaire, which was given to workmanship and writing. The paper made due until 1857, and Dumas then distributed the week by week paper Monte-Cristo. This thusly collapsed following three years. In 1860 he was named guardian of exhibition halls in Naples, Italy. Subsequent to staying there for a long time, he got back to Paris, where he got himself somewhere down owing debtors and consistently pursued by obligation gatherers. He additionally had numerous ladies companions who expected — and got — costly gifts from him.

Endeavoring to pay his obligations, Dumas delivered various works of lower quality, among them Madame de Chamblay (1863) and Les Mohicans de Paris (1864), which were not exceptionally fruitful. His miserable last years were relaxed by the presence of his child, Alexandre, and his girl, Madame Petel. (The senior Alexandre Dumas is for the most part called Dumas père to recognize him from his child, known as Dumas fils, who was additionally a writer and author.) Dumas père passed on in neediness on December 5, 1870.

Table of Contents

Title

About

Introduction

Chapter 1 - Malaga.

Chapter 2 - A Letter from M. Baisemeaux.

Chapter 3 - In Which the Reader will be Delighted to Find that Porthos Has Lost Nothing of His Muscularity.

Chapter 4 - The Rat and the Cheese.

Chapter 5 - Planchet's Country-House.

Chapter 6 - Showing What Could Be Seen from Planchet's House.

Chapter 7 - How Porthos, Truchen, and Planchet Parted with Each Other on Friendly Terms, Thanks to D'Artagnan.

Chapter 8 - The Presentation of Porthos at Court.

Chapter 9 - Explanations.

Chapter 10 - Madame and De Guiche.

Chapter 11 - Montalais and Malicorne.

Chapter 12 - How De Wardes Was Received at Court.

Chapter 13 - The Combat.

Chapter 14 - The King's Supper.

Chapter 15 - After Supper.

Chapter 16 - Showing in What Way D'Artagnan Discharged the Mission with Which the King Had Intrusted Him.

Chapter 17 - The Encounter.

Chapter 18 - The Physician.

Chapter 19 - Wherein D'Artagnan Perceives that It Was He Who Was Mistaken, and Manicamp Who Was Right.

Chapter 20 - Showing the Advantage of Having Two Strings to One's Bow.

Chapter 21 - M. Malicorne the Keeper of the Records of France.

Chapter 22 - The Journey.

Chapter 23 - Triumfeminate.

Chapter 24 - The First Quarrel.

Chapter 25 - Despair.

Chapter 26 - The Flight.

Chapter 27 - Showing How Louis, on His Part, Had Passed the Time from Ten to Half-Past Twelve at Night.

Chapter 28 - The Ambassadors.

Chapter 29 - Chaillot.

Chapter 30 - Madame.

Chapter 31 - Mademoiselle de la Valliere's Pocket-Handkerchief.

Chapter 32 - Which Treats of Gardeners, of Ladders, and Maids of Honor.

Chapter 33 - Which Treats of Carpentry Operations, and Furnishes Details upon the Mode of Constructing Staircases.

Chapter 34 - The Promenade by Torchlight.

Chapter 35 - The Apparition.

Chapter 36 - The Portrait.

Chapter 37 - Hampton Court.

Chapter 38 - The Courier from Madame.

Chapter 39 - Saint-Aignan Follows Malicorne's Advice.

Chapter 40 - Two Old Friends.

Chapter 41 - Wherein May Be Seen that a Bargain Which Cannot Be Made with One Person, Can Be Carried Out with Another.

Chapter 42 - The Skin of the Bear.

Chapter 43 - An Interview with the Queen-Mother.

Chapter 44 - Two Friends.

Chapter 45 - How Jean de La Fontaine Came to Write His First Tale.

Chapter 46 - La Fontaine in the Character of a Negotiator.

Chapter 47 - Madame de Belliere's Plate and Diamonds.

Chapter 48 - M. de Mazarin's Receipt.

Chapter 49 - Monsieur Colbert's Rough Draft.

Chapter 50 - In Which the Author Thinks It Is High Time to Return to the Vicomte de Bragelonne.

Chapter 51 - Bragelonne Continues His Inquiries.

Chapter 52 - Two Jealousies.

Chapter 53 - A Domiciliary Visit.

Chapter 54 - Porthos's Plan of Action.

Chapter 55 - The Change of Residence, the Trap-Door, and the Portrait.

Chapter 56 - Rivals in Politics.

Chapter 57 - Rivals in Love.

Chapter 58 - King and Noble.

Chapter 59 - After the Storm.

Chapter 60 - Heu! Miser!

Chapter 61 - Wounds within Wounds.

Chapter 62 - What Raoul Had Guessed.

Chapter 63 - Three Guests Astonished to Find Themselves at Supper Together.

Chapter 64 - What Took Place at the Louvre During the Supper at the Bastile.

Chapter 65 - Political Rivals.

Chapter 66 - In Which Porthos Is Convinced without Having Understood Anything.

Chapter 67 - M. de Baisemeaux's "Society."

Footnotes

Introduction

In the months of March-July in 1844, in the magazine Le Siecle, the first portion of a story appeared, penned by the celebrated playwright Alexandre Dumas. It was based, he claimed, on some manuscripts he had found a year earlier in the Bibliotheque Nationale while researching a history he planned to write on Louis XIV. They chronicled the adventures of a young man named D'Artagnan who, upon entering Paris, became almost immediately embroiled in court intrigues, international politics, and ill-fated affairs between royal lovers. Over the next six years, readers would enjoy the adventures of this youth and his three famous friends, Porthos, Athos, and Aramis, as their exploits unraveled behind the scenes of some of the most momentous events in French and even English history.

Eventually these serialized adventures were published in novel form, and became the three D'Artagnan Romances known today. Here is a brief summary of the first two novels:

The Three Musketeers (serialized March—July, 1844): The year is 1625. The young D'Artagnan arrives in Paris at the tender age of 18, and almost immediately offends three musketeers, Porthos, Aramis, and Athos. Instead of dueling, the four are attacked by five of the Cardinal's guards, and the courage of the youth is made apparent during the battle. The four become fast friends, and, when asked by D'Artagnan's landlord to find his missing wife, embark upon an adventure that takes them across both France and England in order to thwart the plans of the Cardinal Richelieu. Along the way, they encounter a beautiful young spy, named simply Milady, who will stop at nothing to disgrace Queen Anne of Austria before her husband, Louis XIII, and take her revenge upon the four friends.

Twenty Years After (serialized January—August, 1845): The year is now 1648, twenty years since the close of the last story. Louis XIII has died, as has Cardinal Richelieu, and while the crown of France may sit upon the head of Anne of Austria as Regent for the young Louis XIV, the real power resides with the Cardinal Mazarin, her secret husband. D'Artagnan is now a lieutenant of musketeers, and his three friends have retired to private life. Athos turned out to be a nobleman, the Comte de la Fere, and has retired to his home with his son, Raoul de Bragelonne. Aramis, whose real name is D'Herblay, has followed his intention of shedding the musketeer's cassock for the priest's robes, and Porthos has married a wealthy woman, who left him her fortune upon her death. But trouble is stirring in both France and England. Cromwell menaces the institution of royalty itself while marching against Charles I, and at home the Fronde is threatening to tear France apart. D'Artagnan brings his friends out of retirement to save the threatened English monarch, but Mordaunt, the son of Milady, who seeks to avenge his mother's death at the musketeers' hands, thwarts their valiant efforts. Undaunted, our heroes return to France just in time to help save the young Louis XIV, quiet the Fronde, and tweak the nose of Cardinal Mazarin.

The third novel, The Vicomte de Bragelonne (serialized October, 1847—January, 1850), has enjoyed a strange history in its English translation. It has been split into three, four, or five volumes at various points in its history. The five-volume edition generally does not give titles to the smaller portions, but the others do. In the three-volume edition, the novels are entitled The Vicomte de Bragelonne, Louise de la Valliere, and The Man in the Iron Mask. For the purposes of this etext, I have chosen to split the novel as the four-volume edition does, with these titles: The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask. In the first two etexts:

The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D'Artagnan, after thirty-five years of loyal service, has become disgusted with serving King Louis XIV while the real power resides with the Cardinal Mazarin, and has tendered his resignation. He embarks on his own project, that of restoring Charles II to the throne of England, and, with the help of Athos, succeeds, earning himself quite a fortune in the process. D'Artagnan returns to Paris to live the life of a rich citizen, and Athos, after negotiating the marriage of Philip, the king's brother, to Princess Henrietta of England, likewise retires to his own estate, La Fere. Meanwhile, Mazarin has finally died, and left Louis to assume the reigns of power, with the assistance of M. Colbert, formerly Mazarin's trusted clerk. Colbert has an intense hatred for M. Fouquet, the king's superintendent of finances, and has resolved to use any means necessary to bring about his fall. With the new rank of intendant bestowed on him by Louis, Colbert succeeds in having two of Fouquet's loyal friends tried and executed. He then brings to the king's attention that Fouquet is fortifying the island of Belle-Ile-en-Mer, and could possibly be planning to use it as a base for some military operation against the king. Louis calls D'Artagnan out of retirement and sends him to investigate the island, promising him a tremendous salary and his long-promised promotion to captain of the musketeers upon his return. At Belle-Isle, D'Artagnan discovers that the engineer of the fortifications is, in fact, Porthos, now the Baron du Vallon, and that's not all. The blueprints for the island, although in Porthos's handwriting, show evidence of another script that has been erased, that of Aramis. D'Artagnan later discovers that Aramis has become the bishop of Vannes, which is, coincidentally, a parish belonging to M. Fouquet. Suspecting that D'Artagnan has arrived on the king's behalf to investigate, Aramis tricks D'Artagnan into wandering around Vannes in search of Porthos, and sends Porthos on an heroic ride back to Paris to warn Fouquet of the danger. Fouquet rushes to the king, and gives him Belle-Isle as a present, thus allaying any suspicion, and at the same time humiliating Colbert, just minutes before the usher announces someone else seeking an audience with the king.

Ten Years Later (Etext 2681): As 1661 approaches, Princess Henrietta of England arrives for her marriage, and throws the court of France into complete disorder. The jealousy of the Duke of Buckingham, who is in love with her, nearly occasions a war on the streets of Le Havre, thankfully prevented by Raoul's timely and tactful intervention. After the marriage, though, Monsieur Philip becomes horribly jealous of Buckingham, and has him exiled. Before leaving, however, the duke fights a duel with M. de Wardes at Calais. De Wardes is a malicious and spiteful man, the sworn enemy of D'Artagnan, and, by the same token, that of Athos, Aramis, Porthos, and Raoul as well. Both men are seriously wounded, and the duke is taken back to England to recover. Raoul's friend, the Comte de Guiche, is the next to succumb to Henrietta's charms, and Monsieur obtains his exile as well, though De Guiche soon effects a reconciliation. But then the king's eye falls on Madame Henrietta during the comte's absence, and this time Monsieur's jealousy has no recourse. Anne of Austria intervenes, and the king and his sister-in-law decide to pick a young lady with whom the king can pretend to be in love, the better to mask their own affair. They unfortunately select Louise de la Valliere, Raoul's fiancee. While the court is in residence at Fontainebleau, the king unwitting overhears Louise confessing her love for him while chatting with her friends beneath the royal oak, and the king promptly forgets his affection for Madame. That same night, Henrietta overhears, at the same oak, De Guiche confessing his love for her to Raoul. The two embark on their own affair. A few days later, during a rainstorm, Louis and Louise are trapped alone together, and the whole court begins to talk of the scandal while their love affair blossoms. Aware of Louise's attachment, the king arranges for Raoul to be sent to England for an indefinite period.

Meanwhile, the struggle for power continues between Fouquet and Colbert. Although the Belle-Isle plot backfired, Colbert prompts the king to ask Fouquet for more and more money, and without his two friends to raise it for him, Fouquet is sorely pressed. The situation gets so bad that his new mistress, Madame de Belliere, must resort to selling all her jewels and her gold and silver plate. Aramis, while this is going on, has grown friendly with the governor of the Bastile, M. de Baisemeaux, a fact that Baisemeaux unwittingly reveals to D'Artagnan while inquiring of him as to Aramis's whereabouts. This further arouses the suspicions of the musketeer, who was made to look ridiculous by Aramis. He had ridden overnight at an insane pace, but arrived a few minutes after Fouquet had already presented Belle-Isle to the king. Aramis learns from the governor the location of a mysterious prisoner, who bears a remarkable resemblance to Louis XIV—in fact, the two are identical. He uses the existence of this secret to persuade a dying Franciscan monk, the general of the society of the Jesuits, to name him, Aramis, the new general of the order. On Aramis's advice, hoping to use Louise's influence with the king to counteract Colbert's influence, Fouquet also writes a love letter to La Valliere, unfortunately undated. It never reaches its destination, however, as the servant ordered to deliver it turns out to be an agent of Colbert's.

Porthos, in the meantime, has been recovering from his midnight ride from Belle-Isle at Fouquet's residence at Saint-Mande. Athos has retired, once again to La Fere. D'Artagnan, little amused by the court's activities at Fontainebleau, and finding himself with nothing to do, has returned to Paris, and we find him again in Planchet's grocery shop.

And so, the story continues in this, the third etext of The Vicomte de Bragelonne. Enjoy!

John Bursey

Chapter

1

Malaga.

DURING ALL THESE LONG and noisy debates between the opposite ambitions of politics and love, one of our characters, perhaps the one least deserving of neglect, was, however, very much neglected, very much forgotten, and exceedingly unhappy. In fact, D'Artagnan—D'Artagnan, we say, for we must call him by his name, to remind our readers of his existence—D'Artagnan, we repeat, had absolutely nothing whatever to do, amidst these brilliant butterflies of fashion. After following the king during two whole days at Fontainebleau, and critically observing the various pastoral fancies and heroi-comic transformations of his sovereign, the musketeer felt that he needed something more than this to satisfy the cravings of his nature. At every moment assailed by people asking him, "How do you think this costume suits me, Monsieur d'Artagnan?" he would reply to them in quiet, sarcastic tones, "Why, I think you are quite as well-dressed as the best-dressed monkey to be found in the fair at Saint-Laurent." It was just such a compliment D'Artagnan would choose where he did not feel disposed to pay any other: and, whether agreeable or not, the inquirer was obliged to be satisfied with it. Whenever any one asked him, "How do you intend to dress yourself this evening?" he replied, "I shall undress myself;" at which the ladies all laughed, and a few of them blushed. But after a couple of days passed in this manner, the musketeer, perceiving that nothing serious was likely to arise which would concern him, and that the king had completely, or, at least, appeared to have completely forgotten Paris, Saint-Mande, and Belle-Isle—that M. Colbert's mind was occupied with illuminations and fireworks—that for the next month, at least, the ladies had plenty of glances to bestow, and also to receive in exchange—D'Artagnan asked the king for leave of absence for a matter of private business. At the moment D'Artagnan made his request, his majesty was on the point of going to bed, quite exhausted from dancing.

"You wish to leave me, Monsieur d'Artagnan?" inquired the king, with an air of astonishment; for Louis XIV. could never understand why any one who had the distinguished honor of being near him could wish to leave him.

"Sire," said D'Artagnan, "I leave you simply because I am not of the slightest service to you in anything. Ah! if I could only hold the balancing-pole while you were dancing, it would be a very different affair."

"But, my dear Monsieur d'Artagnan," said the king, gravely, "people dance without balancing-poles."

"Ah! indeed," said the musketeer, continuing his imperceptible tone of irony, "I had no idea such a thing was possible."

"You have not seen me dance, then?" inquired the king.

"Yes; but I always thought dancers went from easy to difficult acrobatic feats. I was mistaken; all the more greater reason, therefore, that I should leave for a time. Sire, I repeat, you have no present occasion for my services; besides, if your majesty should have any need of me, you would know where to find me."

"Very well," said the king, and he granted him leave of absence.

We shall not look for D'Artagnan, therefore, at Fontainebleau, for to do so would be useless; but, with the permission of our readers, follow him to the Rue des Lombards, where he was located at the sign of the Pilon d'Or, in the house of our old friend Planchet. It was about eight o'clock in the evening, and the weather was exceedingly warm; there was only one window open, and that one belonging to a room on the entresol. A perfume of spices, mingled with another perfume less exotic, but more penetrating, namely, that which arose from the street, ascended to salute the nostrils of the musketeer. D'Artagnan, reclining in an immense straight-backed chair, with his legs not stretched out, but simply placed upon a stool, formed an angle of the most obtuse form that could possibly be seen. Both his arms were crossed over his head, his head reclining upon his left shoulder, like Alexander the Great. His eyes, usually so quick and intelligent in their expression, were now half-closed, and seemed fastened, as it were, upon a small corner of blue sky that was visible behind the opening of the chimneys; there was just enough blue, and no more, to fill one of the sacks of lentils, or haricots, which formed the principal furniture of the shop on the ground floor. Thus extended at his ease, and sheltered in his place of observation behind the window, D'Artagnan seemed as if he had ceased to be a soldier, as if he were no longer an officer belonging to the palace, but was, on the contrary, a quiet, easy-going citizen in a state of stagnation between his dinner and supper, or between his supper and his bed; one of those strong, ossified brains, which have no more room for a single idea, so fiercely does animal matter keep watch at the doors of intelligence, narrowly inspecting the contraband trade which might result from the introduction into the brain of a symptom of thought. We have already said night was closing in, the shops were being lighted, while the windows of the upper apartments were being closed, and the rhythmic steps of a patrol of soldiers forming the night watch could be heard retreating. D'Artagnan continued, however, to think of nothing, except the blue corner of the sky. A few paces from him, completely in the shade, lying on his stomach, upon a sack of Indian corn, was Planchet, with both his arms under his chin, and his eyes fixed on D'Artagnan, who was either thinking, dreaming, or sleeping, with his eyes open. Planchet had been watching him for a tolerably long time, and, by way of interruption, he began by exclaiming, "Hum! hum!" But D'Artagnan did not stir. Planchet then saw that it was necessary to have recourse to more effectual means still: after a prolonged reflection on the subject, the most ingenious means that suggested itself to him under the present circumstances, was to let himself roll off the sack on to the floor, murmuring, at the same time, against himself, the word "stupid." But, notwithstanding the noise produced by Planchet's fall, D'Artagnan, who had in the course of his existence heard many other, and very different falls, did not appear to pay the least attention to the present one. Besides, an enormous cart, laden with stones, passing from the Rue Saint-Mederic, absorbed, in the noise of its wheels, the noise of Planchet's tumble. And yet Planchet fancied that, in token of tacit approval, he saw him imperceptibly smile at the word "stupid." This emboldened him to say, "Are you asleep, Monsieur d'Artagnan?"

"No, Planchet, I am not even asleep," replied the musketeer.

"I am in despair," said Planchet, "to hear such a word as even."

"Well, and why not; is it not a grammatical word, Monsieur Planchet?"

"Of course, Monsieur d'Artagnan."

"Well!"

"Well, then, the word distresses me beyond measure."

"Tell me why you are distressed, Planchet," said D'Artagnan.

"If you say that you are not even asleep, it is as much as to say that you have not even the consolation of being able to sleep; or, better still, it is precisely the same as telling me that you are getting bored to death."

"Planchet, you know that I am never bored."

"Except to-day, and the day before yesterday."

"Bah!"

"Monsieur d'Artagnan, it is a week since you returned here from Fontainebleau; in other words, you have no longer your orders to issue, or your men to review and maneuver. You need the sound of guns, drums, and all that din and confusion; I, who have myself carried a musket, can easily believe that."

"Planchet," replied D'Artagnan, "I assure you I am not bored in the least in the world."

"In that case, what are you doing, lying there, as if you were dead?"

"My dear Planchet, there was, once upon a time, at the siege of La Rochelle, when I was there, when you were there, when we both were there, a certain Arab, who was celebrated for the manner in which he adjusted culverins. He was a clever fellow, although of a very odd complexion, which was the same color as your olives. Well, this Arab, whenever he had done eating or working, used to sit down to rest himself, as I am resting myself now, and smoked I cannot tell you what sort of magical leaves, in a large amber-mouthed tube; and if any officers, happening to pass, reproached him for being always asleep, he used quietly to reply: 'Better to sit down than to stand up, to lie down than to sit down, to be dead than to lie down.' He was an acutely melancholy Arab, and I remember him perfectly well, form the color of his skin, and the style of his conversation. He used to cut off the heads of Protestants with the most singular gusto!"

"Precisely; and then used to embalm them, when they were worth the trouble; and when he was thus engaged with his herbs and plants about him, he looked like a basket-maker making baskets."

"You are quite right, Planchet, he did."

"Oh! I can remember things very well, at times!"

"I have no doubt of it; but what do you think of his mode of reasoning?"

"I think it good in one sense, but very stupid in another."

"Expound your meaning, M. Planchet."

"Well, monsieur, in point of fact, then, 'better to sit down than to stand up,' is plain enough, especially when one may be fatigued," and Planchet smiled in a roguish way; "as for 'better to be lying down,' let that pass, but as for the last proposition, that it is 'better to be dead than alive,' it is, in my opinion, very absurd, my own undoubted preference being for my bed; and if you are not of my opinion, it is simply, as I have already had the honor of telling you, because you are boring yourself to death."

"Planchet, do you know M. La Fontaine?"

"The chemist at the corner of the Rue Saint-Mederic?"

"No, the writer of fables."

"Oh! Maitre Corbeau!"

"Exactly; well, then, I am like his hare."

"He has got a hare also, then?"

"He has all sorts of animals."

"Well, what does his hare do, then?"

"M. La Fontaine's hare thinks."

"Ah, ah!"

"Planchet, I am like that hare—I am thinking."

"You are thinking, you say?" said Planchet, uneasily.

"Yes; your house is dull enough to drive people to think; you will admit that, I hope."

"And yet, monsieur, you have a look-out upon the street."

"Yes; and wonderfully interesting that is, of course."

"But it is no less true, monsieur, that, if you were living at the back of the house, you would bore yourself—I mean, you would think—more than ever."

"Upon my word, Planchet, I hardly know that."

"Still," said the grocer, "if your reflections are at all like those which led you to restore King Charles II.—" and Planchet finished by a little laugh which was not without its meaning.

"Ah! Planchet, my friend," returned D'Artagnan, "you are getting ambitious."

"Is there no other king to be restored, M. d'Artagnan—no second Monk to be packed up, like a salted hog, in a deal box?"

"No, my dear Planchet; all the kings are seated on their respective thrones; less comfortably so, perhaps, than I am upon this chair; but, at all events, there they are." And D'Artagnan sighed deeply.

"Monsieur d'Artagnan," said Planchet, "you are making me very uneasy."

"You are very good, Planchet."

"I begin to suspect something."

"What is it?"

"Monsieur d'Artagnan, you are getting thin."

"Oh!" said D'Artagnan, striking his chest which sounded like an empty cuirass, "it is impossible, Planchet."

"Ah!" said Planchet, slightly overcome; "if you were to get thin in my house—"

"Well?"

"I should do something rash."

"What would you do? Tell me."

"I should look out for the man who was the cause of all your anxieties."

"Ah! according to your account, I am anxious now."

"Yes, you are anxious; and you are getting thin, visibly getting thin. Malaga! if you go on getting thin, in this way, I will take my sword in my hand, and go straight to M. d'Herblay, and have it out with him."

"What!" said M. d'Artagnan, starting in his chair; "what's that you say? And what has M. d'Herblay's name to do with your groceries?"

"Just as you please. Get angry if you like, or call me names, if you prefer it; but, the deuce is in it. I know what I know."

D'Artagnan had, during this second outburst of Planchet's, so placed himself as not to lose a single look of his face; that is, he sat with both his hands resting on both his knees, and his head stretched out towards the grocer. "Come, explain yourself," he said, "and tell me how you could possibly utter such a blasphemy. M. d'Herblay, your old master, my friend, an ecclesiastic, a musketeer turned bishop—do you mean to say you would raise your sword against him, Planchet?"

"I could raise my sword against my own father, when I see you in such a state as you are now."

"M. d'Herblay, a gentleman!"

"It's all the same to me whether he's a gentleman or not. He gives you the blue devils, that is all I know. And the blue devils make people get thin. Malaga! I have no notion of M. d'Artagnan leaving my house thinner than when he entered it."

"How does he give me the blue devils, as you call it? Come, explain, explain."

"You have had the nightmare during the last three nights."

"I?"

"Yes, you; and in your nightmare you called out, several times, 'Aramis, deceitful Aramis!'"

"Ah! I said that, did I?" murmured D'Artagnan, uneasily.

"Yes, those very words, upon my honor."

"Well, what else? You know the saying, Planchet, 'dreams go by contraries.'"

"Not so; for every time, during the last three days, when you went out, you have not once failed to ask me, on your return, 'Have you seen M. d'Herblay?' or else 'Have you received any letters for me from M. d'Herblay?'"

"Well, it is very natural I should take an interest in my old friend," said D'Artagnan.

"Of course; but not to such an extent as to get thin on that account."

"Planchet, I'll get fatter; I give you my word of honor I will."

"Very well, monsieur, I accept it; for I know that when you give your word of honor, it is sacred."

"I will not dream of Aramis any more; and I will never ask you again if there are any letters from M. d'Herblay; but on condition that you explain one thing to me."

"Tell me what it is, monsieur?"

"I am a great observer; and just now you made use of a very singular oath, which is unusual for you."

"You mean Malaga! I suppose?"

"Precisely."

"It is the oath I have used ever since I have been a grocer."

"Very proper, too; it is the name of a dried grape, or raisin, I believe?"

"It is my most ferocious oath; when I have once said Malaga! I am a man no longer."

"Still, I never knew you use that oath before."

"Very likely not, monsieur. I had a present made me of it," said Planchet; and, as he pronounced these words, he winked his eye with a cunning expression, which thoroughly awakened D'Artagnan's attention.

"Come, come, M. Planchet."

"Why, I am not like you, monsieur," said Planchet. "I don't pass my life in thinking."

"You do wrong, then."

"I mean in boring myself to death. We have but a very short time to live—why not make the best of it?"

"You are an Epicurean philosopher, I begin to think, Planchet."

"Why not? My hand is still as steady as ever; I can write, and can weigh out my sugar and spices; my foot is firm; I can dance and walk about; my stomach has its teeth still, for I eat and digest very well; my heart is not quite hardened. Well, monsieur?"

"Well, what, Planchet?"

"Why, you see—" said the grocer, rubbing his hands together.

D'Artagnan crossed one leg over the other, and said, "Planchet, my friend, I am unnerved with extreme surprise; for you are revealing yourself to me under a perfectly new light."

Planchet, flattered in the highest degree by this remark, continued to rub his hands very hard together. "Ah, ah," he said, "because I happen to be only slow, you think me, perhaps, a positive fool."

"Very good, Planchet; very well reasoned."

"Follow my idea, monsieur, if you please. I said to myself," continued Planchet, "that, without enjoyment, there is no happiness on this earth."

"Quite true, what you say, Planchet," interrupted D'Artagnan.

"At all events, if we cannot obtain pleasure—for pleasure is not so common a thing, after all—let us, at least, get consolations of some kind or another."

"And so you console yourself?"

"Exactly so."

"Tell me how you console yourself."

"I put on a buckler for the purpose of confronting ennui. I place my time at the direction of patience; and on the very eve of feeling I am going to get bored, I amuse myself."

"And you don't find any difficulty in that?"

"None."

"And you found it out quite by yourself?"

"Quite so."

"It is miraculous."

"What do you say?"

"I say, that your philosophy is not to be matched in the Christian or pagan world, in modern days or in antiquity!"

"You think so?—follow my example, then."

"It is a very tempting one."

"Do as I do."

"I could not wish for anything better; but all minds are not of the same stamp; and it might possibly happen that if I were required to amuse myself in the manner you do, I should bore myself horribly."

"Bah! at least try first."

"Well, tell me what you do."

"Have you observed that I leave home occasionally?"

"Yes."

"In any particular way?"

"Periodically."

"That's the very thing. You have noticed it, then?"

"My dear Planchet, you must understand that when people see each other every day, and one of the two absents himself, the other misses him. Do you not feel the want of my society when I am in the country?"

"Prodigiously; that is to say, I feel like a body without a soul."

"That being understood then, proceed."

"What are the periods when I absent myself?"

"On the fifteenth and thirtieth of every month."

"And I remain away?"

"Sometimes two, sometimes three, and sometimes four days at a time."

"Have you ever given it a thought, why I was absent?"

"To look after your debts, I suppose."

"And when I returned, how did you think I looked, as far as my face was concerned?"

"Exceedingly self-satisfied."

"You admit, you say, that I always look satisfied. And what have you attributed my satisfaction to?"

"That your business was going on very well; that your purchases of rice, prunes, raw sugar, dried apples, pears, and treacle were advantageous. You were always very picturesque in your notions and ideas, Planchet; and I was not in the slightest degree surprised to find you had selected grocery as an occupation, which is of all trades the most varied, and the very pleasantest, as far as the character is concerned; inasmuch as one handles so many natural and perfumed productions."

"Perfectly true, monsieur; but you are very greatly mistaken."

"In what way?"

"In thinking that I heave here every fortnight, to collect my money or to make purchases. Ho, ho! how could you possibly have thought such a thing? Ho, ho, ho!" And Planchet began to laugh in a manner that inspired D'Artagnan with very serious misgivings as to his sanity.

"I confess," said the musketeer, "that I do not precisely catch your meaning."

"Very true, monsieur."

"What do you mean by 'very true'?"

"It must be true, since you say it; but pray, be assured that it in no way lessens my opinion of you."

"Ah, that is lucky."

"No; you are a man of genius; and whenever the question happens to be of war, tactics, surprises, or good honest blows to be dealt with, why, kings are marionettes, compared to you. But for the consolations of the mind, the proper care of the body, the agreeable things of like, if one may say so—ah! monsieur, don't talk to me about men of genius; they are nothing short of executioners."

"Good," said D'Artagnan, really fidgety with curiosity, "upon my word you interest me in the highest degree."

"You feel already less bored than you did just now, do you not?"

"I was not bored; yet since you have been talking to me, I feel more animated."

"Very good, then; that is not a bad beginning. I will cure you, rely upon that."

"There is nothing I should like better."

"Will you let me try, then?"

"Immediately, if you like."

"Very well. Have you any horses here?"

"Yes; ten, twenty, thirty."

"Oh, there is no occasion for so many as that, two will be quite sufficient."

"They are quite at your disposal, Planchet."

"Very good; then I shall carry you off with me."

"When?"

"To-morrow."

"Where?"

"Ah, you are asking too much."

"You will admit, however, that it is important I should know where I am going."

"Do you like the country?"

"Only moderately, Planchet."

"In that case you like town better?"

"That is as may be."

"Very well; I am going to take you to a place, half town and half country."

"Good."

"To a place where I am sure you will amuse yourself."

"Is it possible?"

"Yes; and more wonderful still, to a place from which you have just returned for the purpose only, it would seem, of getting bored here."

"It is to Fontainebleau you are going, then?"

"Exactly; to Fontainebleau."

"And, in Heaven's name, what are you going to do at Fontainebleau?"

Planchet answered D'Artagnan by a wink full of sly humor.

"You have some property there, you rascal."

"Oh, a very paltry affair; a little bit of a house—nothing more."

"I understand you."

"But it is tolerable enough, after all."

"I am going to Planchet's country-seat!" exclaimed D'Artagnan.

"Whenever you like."

"Did we not fix to-morrow?"

"Let us say to-morrow, if you like; and then, besides, to-morrow is the 14th, that is to say, the day before the one when I am afraid of getting bored; so we will look upon it as an understood thing."

"Agreed, by all means."

"You will lend me one of your horses?"

"The best I have."

"No; I prefer the gentlest of all; I never was a very good rider, as you know, and in my grocery business I have got more awkward than ever; besides—"

"Besides what?"

"Why," added Planchet, "I do not wish to fatigue myself."

"Why so?" D'Artagnan ventured to ask.

"Because I should lose half the pleasure I expect to enjoy," replied Planchet. And thereupon he rose from his sack of Indian corn, stretching himself, and making all his bones crack, one after the other, with a sort of harmony.

"Planchet! Planchet!" exclaimed D'Artagnan, "I do declare that there is no sybarite upon the face of the globe who can for a moment be compared to you. Oh, Planchet, it is very clear that we have never yet eaten a ton of salt together."

"Why so, monsieur?"

"Because, even now I can scarcely say I know you," said D'Artagnan, "and because, in point of fact, I return to the opinion which, for a moment, I had formed of you that day at Boulogne, when you strangled, or did so as nearly as possible, M. de Wardes's valet, Lubin; in plain language, Planchet, that you are a man of great resources."

Planchet began to laugh with a laugh full of self-conceit; bade the musketeer good-night, and went down to his back shop, which he used as a bedroom. D'Artagnan resumed his original position upon his chair, and his brow, which had been unruffled for a moment, became more pensive than ever. He had already forgotten the whims and dreams of Planchet. "Yes," said he, taking up again the thread of his thoughts, which had been broken by the whimsical conversation in which we have just permitted our readers to participate. "Yes, yes, those three points include everything: First, to ascertain what Baisemeaux wanted with Aramis; secondly, to learn why Aramis does not let me hear from him; and thirdly, to ascertain where Porthos is. The whole mystery lies in these three points. Since, therefore," continued D'Artagnan, "our friends tell us nothing, we must have recourse to our own poor intelligence. I must do what I can, mordioux, or rather Malaga, as Planchet would say."

Chapter

2

A Letter from M. Baisemeaux.

D'ARTAGNAN, FAITHFUL to his plan, went the very next morning to pay a visit to M. de Baisemeaux. It was cleaning up or tidying day at the Bastile; the cannons were furbished up, the staircases scraped and cleaned; and the jailers seemed to be carefully engaged in polishing the very keys. As for the soldiers belonging to the garrison, they were walking about in different courtyards, under the pretense that they were clean enough. The governor, Baisemeaux, received D'Artagnan with more than ordinary politeness, but he behaved towards him with so marked a reserve of manner, that all D'Artagnan's tact and cleverness could not get a syllable out of him. The more he kept himself within bounds, the more D'Artagnan's suspicion increased. The latter even fancied he remarked that the governor was acting under the influence of a recent recommendation. Baisemeaux had not been at the Palais Royal with D'Artagnan the same cold and impenetrable man which the latter now found in the Baisemeaux of the Bastile. When D'Artagnan wished to make him talk about the urgent money matters which had brought Baisemeaux in search of D'Artagnan, and had rendered him expansive, notwithstanding what had passed on that evening, Baisemeaux pretended that he had some orders to give in the prison, and left D'Artagnan so long alone waiting for him, that our musketeer, feeling sure that he should not get another syllable out of him, left the Bastile without waiting until Baisemeaux returned from his inspection. But D'Artagnan's suspicions were aroused, and when once that was the case, D'Artagnan could not sleep or remain quiet for a moment. He was among men what the cat is among quadrupeds, the emblem of anxiety and impatience, at the same moment. A restless cat can no more remain the same place than a silk thread wafted idly to and fro with every breath of air. A cat on the watch is as motionless as death stationed at is place of observation, and neither hunger nor thirst can draw it from its meditations. D'Artagnan, who was burning with impatience, suddenly threw aside the feeling, like a cloak which he felt too heavy on his shoulders, and said to himself that that which they were concealing from him was the very thing it was important he should know; and, consequently, he reasoned that Baisemeaux would not fail to put Aramis on his guard, if Aramis had given him any particular recommendation, and this was, in fact, the very thing that happened.

Baisemeaux had hardly had time to return from the donjon, than D'Artagnan placed himself in ambuscade close to the Rue de Petit-Musc, so as to see every one who might leave the gates of the Bastile. After he had spent an hour on the look-out from the "Golden Portcullis," under the pent-house of which he could keep himself a little in the shade, D'Artagnan observed a soldier leave the Bastile. This was, indeed, the surest indication he could possibly have wished for, as every jailer or warder has certain days, and even certain hours, for leaving the Bastile, since all are alike prohibited from having either wives or lodgings in the castle, and can accordingly leave without exciting any curiosity; but a soldier once in barracks is kept there for four and twenty hours when on duty,—and no one knew this better than D'Artagnan. The guardsman in question, therefore, was not likely to leave his regimentals, except on an express and urgent order. The soldier, we were saying, left the Bastile at a slow and lounging pace, like a happy mortal, in fact, who, instead of mounting sentry before a wearisome guard-house, or upon a bastion no less wearisome, has the good luck to get a little liberty, in addition to a walk—both pleasures being luckily reckoned as part of his time on duty. He bent his steps towards the Faubourg Saint-Antoine, enjoying the fresh air and the warmth of the sun, and looking at all the pretty faces he passed. D'Artagnan followed him at a distance; he had not yet arranged his ideas as what was to be done. "I must, first of all," he thought, "see the fellow's face. A man seen is a man judged." D'Artagnan increased his pace, and, which was not very difficult, by the by, soon got in advance of the soldier. Not only did he observe that his face showed a tolerable amount of intelligence and resolution, but he noticed also that his nose was a little red. "He has a weakness for brandy, I see," said D'Artagnan to himself. At the same moment that he remarked his red nose, he saw that the soldier had a white paper in his belt.

"Good, he has a letter," added D'Artagnan. The only difficulty was to get hold of the letter. But a common soldier would, of course, be only too delighted at having been selected by M. de Baisemeaux as a special messenger, and would not be likely to sell his message. As D'Artagnan was biting his nails, the soldier continued to advance more and more into the Faubourg Saint-Antoine. "He is certainly going to Saint-Mande," he said to himself, "and I shall not be able to learn what the letter contains." It was enough to drive him wild. "If I were in uniform," said D'Artagnan to himself, "I would have this fellow seized, and his letter with him. I could easily get assistance at the very first guard-house; but the devil take me if I mention my name in an affair of this kind. If I were to treat him to something to drink, his suspicions would be roused; and besides, he might drink me drunk. Mordioux! my wits seem to have left me," said D'Artagnan; "it is all over with me. Yet, supposing I were to attack this poor devil, make him draw his sword and kill him for the sake of his letter? No harm in that, if it were a question of a letter from a queen to a nobleman, or a letter from a cardinal to a queen; but what miserable intrigues are those of Messieurs Aramis and Fouquet with M. Colbert. A man's life for that? No, no, indeed; not even ten crowns." As he philosophized in this manner, biting first his nails, and then his mustaches, he perceived a group of archers and a commissary of the police engaged in carrying away a man of very gentlemanly exterior, who was struggling with all his might against them. The archers had torn his clothes, and were dragging him roughly away. He begged they would lead him along more respectfully, asserting that he was a gentleman and a soldier. And observing our soldier walking in the street, he called out, "Help, comrade."

The soldier walked on with the same step towards the man who had called out to him, followed by the crowd. An idea suddenly occurred to D'Artagnan; it was his first one, and we shall find it was not a bad one either. During the time the gentleman was relating to the soldier that he had just been seized in a house as a thief, when the truth was he was only there as a lover; and while the soldier was pitying him, and offering him consolation and advice with that gravity which a French soldier has always ready whenever his vanity or his esprit de corps is concerned, D'Artagnan glided behind the soldier, who was closely hemmed in by the crowd, and with a rapid sweep, like a sabre slash, snatched the letter from his belt. As at this moment the gentleman with the torn clothes was pulling about the soldier, to show how the commissary of police had pulled him about, D'Artagnan effected his pillage of the letter without the slightest interference. He stationed himself about ten paces distant, behind the pillar of an adjoining house, and read on the address, "To Monsieur du Vallon, at Monsieur Fouquet's, Saint-Mande."

"Good!" he said, and then he unsealed, without tearing the letter, drew out the paper, which was folded in four, from the inside; which contained only these words:

"DEAR MONSIEUR DU VALLON,—Will you be good enough to tell Monsieur d'Herblay that he has been to the Bastile, and has been making inquiries.

"Your devoted

"DE BAISEMEAUX."

"Very good! all right!" exclaimed D'Artagnan; "it is clear enough now. Porthos is engaged in it." Being now satisfied of what he wished to know: "Mordioux!" thought the musketeer, "what is to be done with that poor devil of a soldier? That hot-headed, cunning fellow, De Baisemeaux, will make him pay dearly for my trick,—if he returns without the letter, what will they do to him? Besides, I don't want the letter; when the egg has been sucked, what is the good of the shell?" D'Artagnan perceived that the commissary and the archers had succeeded in convincing the soldier, and went on their way with the prisoner, the latter being still surrounded by the crowd, and continuing his complaints. D'Artagnan advanced into the very middle of the crowd, let the letter fall, without any one having observed him, and then retreated rapidly. The soldier resumed his route towards Saint-Mande, his mind occupied with the gentleman who had implored his protection. Suddenly he thought of his letter, and, looking at his belt, saw that it was no longer there. D'Artagnan derived no little satisfaction from his sudden, terrified cry. The poor soldier in the greatest anguish of mind looked round him on every side, and at last, about twenty paces behind him, he perceived the lucky envelope. He pounced on it like a falcon on its prey. The envelope was certainly a little dirty, and rather crumpled, but at all events the letter itself was found. D'Artagnan observed that the broken seal attracted the soldier's attention a good deal, but he finished apparently by consoling himself, and returned the letter to his belt. "Go on," said D'Artagnan, "I have plenty of time before me, so you may precede me. It appears that Aramis is not in Paris, since Baisemeaux writes to Porthos. Dear Porthos, how delighted I shall be to see him again, and to have some conversation with him!" said the Gascon. And, regulating his pace according to that of the soldier, he promised himself to arrive a quarter of an hour after him at M. Fouquet's.

Chapter

3

In Which the Reader will be Delighted to Find that Porthos Has Lost Nothing of His Muscularity.

D'ARTAGNAN HAD, ACCORDING to his usual style, calculated that every hour is worth sixty minutes, and every minute worth sixty seconds. Thanks to this perfectly exact calculation of minutes and seconds, he reached the superintendent's door at the very moment the soldier was leaving it with his belt empty. D'Artagnan presented himself at the door, which a porter with a profusely embroidered livery held half opened for him. D'Artagnan would very much have liked to enter without giving his name, but this was impossible, and so he gave it. Notwithstanding this concession, which ought to have removed every difficulty in the way, at least D'Artagnan thought so, the concierge hesitated; however, at the second repetition of the title, captain of the king's guards, theconcierge, without quite leaving the passage clear for him, ceased to bar it completely. D'Artagnan understood that orders of the most positive character had been given. He decided, therefore, to tell a falsehood,—a circumstance, moreover, which did not seriously affect his peace of mind, when he saw that beyond the falsehood the safety of the state itself, or even purely and simply his own individual personal interest, might be at stake. He moreover added to the declarations he had already made, that the soldier sent to M. du Vallon was his own messenger, and that the only object that letter had in view was to announce his intended arrival. From that moment, no one opposed D'Artagnan's entrance any further, and he entered accordingly. A valet wished to accompany him, but he answered that it was useless to take that trouble on his account, inasmuch as he knew perfectly well where M. du Vallon was. There was nothing, of course, to say to a man so thoroughly and completely informed on all points, and D'Artagnan was permitted, therefore, to do as he liked. The terraces, the magnificent apartments, the gardens, were all reviewed and narrowly inspected by the musketeer. He walked for a quarter of an hour in this more than royal residence, which included as many wonders as articles of furniture, and as many servants as there were columns and doors. "Decidedly," he said to himself, "this mansion has no other limits than the pillars of the habitable world. Is it probable Porthos has taken it into his head to go back to Pierrefonds without even leaving M. Fouquet's house?" He finally reached a remote part of the chateau inclosed by a stone wall, which was covered with a profusion of thick plants, luxuriant in blossoms as large and solid as fruit. At equal distances on the top of this wall were placed various statues in timid or mysterious attitudes. These were vestals hidden beneath the long Greek peplum, with its thick, sinuous folds; agile nymphs, covered with their marble veils, and guarding the palace with their fugitive glances. A statue of Hermes, with his finger on his lips; one of Iris, with extended wings; another of Night, sprinkled all over with poppies, dominated the gardens and outbuildings, which could be seen through the trees. All these statues threw in white relief their profiles upon the dark ground of the tall cypresses, which darted their somber summits towards the sky. Around these cypresses were entwined climbing roses, whose flowering rings were fastened to every fork of the branches, and spread over the lower boughs and the various statues, showers of flowers of the rarest fragrance. These enchantments seemed to the musketeer the result of the greatest efforts of the human mind. He felt in a dreamy, almost poetical, frame of mind. The idea that Porthos was living in so perfect an Eden gave him a higher idea of Porthos, showing how tremendously true it is, that even the very highest orders of minds are not quite exempt from the influence of surroundings. D'Artagnan found the door, and on, or rather in the door, a kind of spring which he detected; having touched it, the door flew open. D'Artagnan entered, closed the door behind him, and advanced into a pavilion built in a circular form, in which no other sound could be heard but cascades and the songs of birds. At the door of the pavilion he met a lackey.

"It is here, I believe," said D'Artagnan, without hesitation, "that M. le Baron du Vallon is staying?"

"Yes, monsieur," answered the lackey.

"Have the goodness to tell him that M. le Chevalier d'Artagnan, captain of the king's musketeers, is waiting to see him."

D'Artagnan was introduced into the salon, and had not long to remain in expectation: a well-remembered step shook the floor of the adjoining room, a door opened, or rather flew open, and Porthos appeared and threw himself into his friend's arms with a sort of embarrassment which did not ill become him. "You here?" he exclaimed.

"And you?" replied D'Artagnan. "Ah, you sly fellow!"

"Yes," said Porthos, with a somewhat embarrassed smile; "yes, you see I am staying in M. Fouquet's house, at which you are not a little surprised, I suppose?"

"Not at all; why should you not be one of M. Fouquet's friends? M. Fouquet has a very large number, particularly among clever men."

Porthos had the modesty not to take the compliment to himself. "Besides," he added, "you saw me at Belle-Isle."

"A greater reason for my believing you to be one of M. Fouquet's friends."

"The fact is, I am acquainted with him," said Porthos, with a certain embarrassment of manner.

"Ah, friend Porthos," said D'Artagnan, "how treacherously you have behaved towards me."

"In what way?" exclaimed Porthos.

"What! you complete so admirable a work as the fortifications of Belle-Isle, and you did not tell me of it!" Porthos colored. "Nay, more than that," continued D'Artagnan, "you saw me out yonder, you know I am in the king's service, and yet you could not guess that the king, jealously desirous of learning the name of the man whose abilities had wrought a work of which he heard the most wonderful accounts,—you could not guess, I say, that the king sent me to learn who this man was?"

"What! the king sent you to learn—"

"Of course; but don't let us speak of that any more."

"Not speak of it!" said Porthos; "on the contrary, we will speak of it; and so the king knew that we were fortifying Belle-Isle?"