Marquise Brinvillier E-Book

Dumas Alexandre

• Herausgeber: Dumas Press
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2018

Beschreibung

Marie-Madeleine-Marguerite d'Aubray, Marquise de Brinvilliers (22 July 1630 – 17 July 1676) was a French aristocrat accused of three murders. She was convicted on the strength of letters written by her dead lover and a confession obtained by torture, so her guilt remains uncertain. Fictional accounts of her life include The Marquise de Brinvilliers by Alexandre Dumas, père.Alexandre Dumas (24 July 1802 – 5 December 1870), also known as Alexandre Dumas, père, was a French writer. His works have been translated into nearly 100 languages, and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century for nearly 200 films. Dumas' last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by a scholar and published in 2005, becoming a bestseller. It was published in English in 2008 as The Last Cavalier.Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totaled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris.The English playwright Watts Phillips, who knew Dumas in his later life, described him as, "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself." 

Leseprobe

MARQUISE BRINVILLIER

..................

Alexandre Dumas

Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.

This book is a work of fiction; its contents are wholly imagined.

All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

Copyright © 2018 www.deaddodopublishing.co.uk

TABLE OF CONTENTS

THE MARQUISE DE BRINVILLIERS

THE MARQUISE DE BRINVILLIERS

..................

TOWARDS THE END OF THE YEAR 1665, on a fine autumn evening, there was a considerable crowd assembled on the Pont-Neuf where it makes a turn down to the rue Dauphine. The object of this crowd and the centre of attraction was a closely shut, carriage. A police official was trying to force open the door, and two out of the four sergeants who were with him were holding the horses back and the other two stopping the driver, who paid no attention to their commands, but only endeavoured to urge his horses to a gallop. The struggle had been going on same time, when suddenly one of the doors violently pushed open, and a young officer in the uniform of a cavalry captain jumped down, shutting the door as he did so though not too quickly for the nearest spectators to perceive a woman sitting at the back of the carriage. She was wrapped in cloak and veil, and judging by the precautions she, had taken to hide her face from every eye, she must have had her reasons for avoiding recognition.

“Sir,” said the young man, addressing the officer with a haughty air, “I presume, till I find myself mistaken, that your business is with me alone; so I will ask you to inform me what powers you may have for thus stopping my coach; also, since I have alighted, I desire you to give your men orders to let the vehicle go on.”

“First of all,” replied the man, by no means intimidated by these lordly airs, but signing to his men that they must not release the coach or the horses, “be so good as to answer my questions.”

“I am attending,” said the young man, controlling his agitation by a visible effort.

“Are you the Chevalier Gaudin de Sainte-Croix?”

“I am he.”

“Captain of the Tracy, regiment?”

“Yes, sir.”

“Then I arrest you in the king’s name.”

“What powers have you?”

“This warrant.”

Sainte-Croix cast a rapid glance at the paper, and instantly recognised the signature of the minister of police: he then apparently confined his attention to the woman who was still in the carriage; then he returned to his first question.

“This is all very well, sir,” he said to the officer, “but this warrant contains no other name than mine, and so you have no right to expose thus to the public gaze the lady with whom I was travelling when you arrested me. I must beg of you to order your assistants to allow this carriage to drive on; then take me where you please, for I am ready to go with you.”

To the officer this request seemed a just one: he signed to his men to let the driver and the horses go on; and, they, who had waited only for this, lost no time in breaking through the crowd, which melted away before them; thus the woman escaped for whose safety the prisoner seemed so much concerned.

Sainte-Croix kept his promise and offered no resistance; for some moments he followed the officer, surrounded by a crowd which seemed to have transferred all its curiosity to his account; then, at the corner of the Quai de d’Horloge, a man called up a carriage that had not been observed before, and Sainte-Croix took his place with the same haughty and disdainful air that he had shown throughout the scene we have just described. The officer sat beside him, two of his men got up behind, and the other two, obeying no doubt their master’s orders, retired with a parting direction to the driver.

“The Bastille!”

Our readers will now permit us to make them more fully acquainted with the man who is to take the first place in the story. The origin of Gaudin de Sainte-Croix was not known: according to one tale, he was the natural son of a great lord; another account declared that he was the offspring of poor people, but that, disgusted with his obscure birth, he preferred a splendid disgrace, and therefore chose to pass for what he was not. The only certainty is that he was born at Montauban, and in actual rank and position he was captain of the Tracy regiment. At the time when this narrative opens, towards the end of 1665, Sainte-Croix was about twenty-eight or thirty, a fine young man of cheerful and lively appearance, a merry comrade at a banquet, and an excellent captain: he took his pleasure with other men, and was so impressionable a character that he enjoyed a virtuous project as well as any plan for a debauch; in love he was most susceptible, and jealous to the point of madness even about a courtesan, had she once taken his fancy; his prodigality was princely, although he had no income; further, he was most sensitive to slights, as all men are who, because they are placed in an equivocal position, fancy that everyone who makes any reference to their origin is offering an intentional insult.

We must now see by what a chain of circumstances he had arrived at his present position. About the year 1660, Sainte-Croix, while in the army, had made the acquaintance of the Marquis de Brinvilliers, maitre-de-camp of the Normandy regiment.

Their age was much the same, and so was their manner of life: their virtues and their vices were similar, and thus it happened that a mere acquaintance grew into a friendship, and on his return from the field the marquis introduced Sainte-Croix to his wife, and he became an intimate of the house. The usual results followed. Madame de Brinvilliers was then scarcely eight-and-twenty: she had married the marquis in 1651-that is, nine years before. He enjoyed an income of 30,000 livres, to which she added her dowry of 200,000 livres, exclusive of her expectations in the future. Her name was Marie-Madeleine; she had a sister and two brothers: her father, M. de Dreux d’Aubray; was civil lieutenant at the Chatelet de Paris. At the age of twenty-eight the marquise was at the height of her beauty: her figure was small but perfectly proportioned; her rounded face was charmingly pretty; her features, so regular that no emotion seemed to alter their beauty, suggested the lines of a statue miraculously endowed with life: it was easy enough to mistake for the repose of a happy conscience the cold, cruel calm which served as a mask to cover remorse.

Sainte-Croix and the marquise loved at first sight, and she was soon his mistress. The marquis, perhaps endowed with the conjugal philosophy which alone pleased the taste of the period, perhaps too much occupied with his own pleasure to see what was going on before his eyes, offered no jealous obstacle to the intimacy, and continued his foolish extravagances long after they had impaired his fortunes: his affairs became so entangled that the marquise, who cared for him no longer, and desired a fuller liberty for the indulgence of her new passion, demanded and obtained a separation. She then left her husband’s house, and henceforth abandoning all discretion, appeared everywhere in public with Sainte-Croix. This behaviour, authorised as it was by the example of the highest nobility, made no impression upon the. Marquis of Brinvilliers, who merrily pursued the road to ruin, without worrying about his wife’s behaviour. Not so M. de Dreux d’Aubray: he had the scrupulosity of a legal dignitary. He was scandalised at his daughter’s conduct, and feared a stain upon his own fair name: he procured a warrant for the arrest of Sainte-Croix wheresoever the bearer might chance to encounter him. We have seen how it was put in execution when Sainte-Croix was driving in the carriage of the marquise, whom our readers will doubtless have recognised as the woman who concealed herself so carefully.

From one’s knowledge of the character of Sainte-Croix, it is easy to imagine that he had to use great self-control to govern the anger he felt at being arrested in the middle of the street; thus, although during the whole drive he uttered not a single word, it was plain to see that a terrible storm was gathering, soon to break. But he preserved the same impossibility both at the opening and shutting of the fatal gates, which, like the gates of hell, had so often bidden those who entered abandon all hope on their threshold, and again when he replied to the formal questions put to him by the governor. His voice was calm, and when they gave him they prison register he signed it with a steady hand. At once a gaoler, taking his orders from the governor, bade him follow: after traversing various corridors, cold and damp, where the daylight might sometimes enter but fresh air never, he opened a door, and Sainte-Croix had no sooner entered than he heard it locked behind him.

At the grating of the lock he turned. The gaoler had left him with no light but the rays of the moon, which, shining through a barred window some eight or ten feet from the ground, shed a gleam upon a miserable truckle-bed and left the rest of the room in deep obscurity. The prisoner stood still for a moment and listened; then, when he had heard the steps die away in the distance and knew himself to be alone at last, he fell upon the bed with a cry more like the roaring of a wild beast than any human sound: he cursed his fellow-man who had snatched him from his joyous life to plunge him into a dungeon; he cursed his God who had let this happen; he cried aloud to whatever powers might be that could grant him revenge and liberty.

Just at that moment, as though summoned by these words from the bowels of the earth, a man slowly stepped into the circle of blue light that fell from the window-a man thin and pale, a man with long hair, in a black doublet, who approached the foot of the bed where Sainte-Croix lay. Brave as he was, this apparition so fully answered to his prayers (and at the period the power of incantation and magic was still believed in) that he felt no doubt that the arch-enemy of the human race, who is continually at hand, had heard him and had now come in answer to his prayers. He sat up on the bed, feeling mechanically at the place where the handle of his sword would have been but two hours since, feeling his hair stand on end, and a cold sweat began to stream down his face as the strange fantastic being step by step approached him. At length the apparition paused, the prisoner and he stood face to face for a moment, their eyes riveted; then the mysterious stranger spoke in gloomy tones.

“Young man,” said he, “you have prayed to the devil for vengeance on the men who have taken you, for help against the God who has abandoned you. I have the means, and I am here to proffer it. Have you the courage to accept?”

“First of all,” asked Sainte-Croix; “who are you?”

“Why seek you to know who I am,” replied the unknown, “at the very moment when I come at your call, and bring what you desire?”

“All the same,” said Sainte-Croix, still attributing what he heard to a supernatural being, “when one makes a compact of this kind, one prefers to know with whom one is treating.”

“Well, since you must know,” said the stranger, “I am the Italian Exili.”