More Than Just a House - F. Scott Fitzgerald - E-Book

More Than Just a House E-Book

F.Scott Fitzgerald

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Beschreibung

Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair. Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".

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I

This was the sort of thing Lew was used to--and he'd been around a good deal already. You came into an entrance hall, sometimes narrow New England Colonial, sometimes cautiously spacious. Once in the hall, the host said: "Clare"--or Virginia, or Darling--"this is Mr. Lowrie." The woman said, "How do you do, Mr. Lowrie," and Lew answered, "How do you do, Mrs. Woman." Then the man suggested, "How about a little cocktail?" And Lew lifted his brows apart and said, "Fine," in a tone that implied: "What hospitality--consideration--attention!" Those delicious canapés. "M'm'm! Madame, what are they--broiled feathers? Enough to spoil a stronger appetite than mine."

But Lew was on his way up, with six new suits of clothes, and he was getting into the swing of the thing. His name was up for a downtown club and he had his eye on a very modern bachelor apartment full of wrought-iron swinging gates--as if he were a baby inclined to topple downstairs--when he saved the life of the Gunther girl and his tastes underwent revision.

This was back in 1925, before the Spanish-American--No, before whatever it is that has happened since then. The Gunther girls had got off the train on the wrong side and were walking along arm in arm, with Amanda in the path of an approaching donkey engine. Amanda was rather tall, golden and proud, and the donkey engine was very squat and dark and determined. Lew had no time to speculate upon their respective chances in the approaching encounter; he lunged at Jean, who was nearest him, and as the two sisters clung together, startled, he pulled Amanda out of the iron pathway by such a hair's breadth that a piston cylinder touched her coat.

And so Lew's taste was changed in regard to architecture and interior decoration. At the Gunther house they served tea, hot or iced, sugar buns, gingerbread and hot rolls at half-past four. When he first went there he was embarrassed by his heroic status--for about five minutes. Then he learned that during the Civil War the grandmother had been saved by her own grandmother from a burning house in Montgomery County, that father had once saved ten men at sea and been recommended for the Carnegie medal, that when Jean was little a man had saved her from the surf at Cape May--that, in fact, all the Gunthers had gone on saving and being saved for the last fifty years and that their real debt to Lew was that now there would be no gap left in the tradition.

This was on the very wide, vine-curtained veranda ["The first thing I'd do would be tear off that monstrosity," said a visiting architect] which almost completely bounded the big square box of the house, circa 1880. The sisters, three of them, appeared now and then during the time Lew drank tea and talked to the older people. He was only twenty-six himself and he wished Amanda would stay uncovered long enough for him to look at her, but only Bess, the sixteen-year-old sister, was really in sight; in front of the two others interposed a white-flannel screen of young men.

"It was the quickness," said Mr. Gunther, pacing the long straw rug, "that second of coordination. Suppose you'd tried to warn them--never. Your subconscious mind saw that they were joined together--saw that if you pulled one, you pulled them both. One second, one thought, one motion. I remember in 1904--"

"Won't Mr. Lowrie have another piece of gingerbread?" asked the grandmother.

"Father, why don't you show Mr. Lowrie the apostles' spoons?" Bess proposed.

"What?" Her father stopped pacing. "Is Mr. Lowrie interested in old spoons?"

Lew was thinking at the moment of Amanda twisting somewhere between the glare of the tennis courts and the shadow of the veranda, through all the warmth and graciousness of the afternoon.

"Spoons? Oh, I've got a spoon, thank you."

"Apostles' spoons," Bess explained. "Father has one of the best collections in America. When he likes anybody enough he shows them the spoons. I thought, since you saved Amanda's life--"

He saw little of Amanda that afternoon--talked to her for a moment by the steps while a young man standing near tossed up a tennis racket and caught it by the handle with an impatient bend of his knees at each catch. The sun shopped among the yellow strands of her hair, poured around the rosy tan of her cheeks and spun along the arms that she regarded abstractedly as she talked to him.

"It's hard to thank a person for saving your life, Mr. Lowrie," she said. "Maybe you shouldn't have. Maybe it wasn't worth saving."

"Oh, yes, it was," said Lew, in a spasm of embarrassment.

"Well, I'd like to think so." She turned to the young man. "Was it, Allen?"

"It's a good enough life," Allen admitted, "if you go in for wooly blondes."