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An easy-to-follow Nikon D5600 photography class—in a book!
Your Nikon D5600 is a powerful tool equipped to take top-notch photos. But unless you know how to use it to its full potential, your professional-grade camera will produce underwhelming amateur-grade photos. And that's where Nikon D5600 For Dummies comes in! Packed with all the expert tips and tricks you need to get your Nikon to live up to its name, this guide shows you how to use it to get truly striking shots—in a flash.
Written by an expert on all things Nikon—and brimming with inspiring full-color photos—the step-by-step instruction offered inside arms shutterbugs of all skill levels with the know-how to turn any scene into a beautiful work of art. Whether you're looking to capture a cozy low-light shot or forever memorialize an awesome action scene, Nikon D5600 For Dummies will take your photography skills to picturesque new heights.
Even Leonardo da Vinci had to learn to work with paints and brushes before he could create the Mona Lisa. Before you let your frustration get the best of you, take heed in the friendly guidance in Nikon D5600 For Dummies.
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Nikon® D5600™ For Dummies®
Published by: John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030-5774, www.wiley.com
Copyright © 2017 by John Wiley & Sons, Inc., Hoboken, New Jersey
Published simultaneously in Canada
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Trademarks: Wiley, For Dummies, the Dummies Man logo, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and may not be used without written permission. Nikon and D5600 are trademarks or registered trademarks of Nikon Corporation. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in this book.
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Library of Congress Control Number: 2017936223
ISBN 978-1-119-38633-9 (pbk); ISBN 978-1-119-38634-6 (ebk); ISBN 978-1-119-38636-0
Table of Contents
Cover
Introduction
About This Book
How This Book Is Organized
Icons and Other Stuff to Note
Where to Go from Here
Part 1: Fast Track to Super Snaps
Chapter 1: First Steps, First Shots
Preparing the Camera for Initial Use
Checking Out External Controls
Enabling and Using the Touchscreen
Navigating Menus
Viewing Critical Picture Settings
Adjusting Settings via the Control Strip
Familiarizing Yourself with the Lens
Working with Memory Cards
Taking a Few Final Setup Steps
Shooting Pictures in Auto Mode
Chapter 2: Reviewing Five Essential Picture-Taking Options
Choosing an Exposure Mode
Setting the Release Mode
Checking Image Size and Image Quality
Adding Flash
Part 2: Taking Creative Control
Chapter 3: Taking Charge of Exposure
Introducing the Exposure Trio: Aperture, Shutter Speed, and ISO
Stepping Up to Advanced Exposure Modes (P, S, A, and M)
Checking the Exposure Meter
Choosing an Exposure Metering Mode
Setting Aperture, Shutter Speed, and ISO
Solving Exposure Problems
Bracketing Exposures
Chapter 4: Controlling Focus and Depth of Field
Choosing Automatic or Manual Focusing
Exploring Standard Focusing Options (Viewfinder Photography)
Focusing in Live View Mode
Manipulating Depth of Field
Chapter 5: Mastering Color Controls
Adjusting the White Balance Setting
Taking a Quick Look at Picture Controls
Chapter 6: Putting It All Together
Recapping Basic Picture Settings
Shooting Still Portraits
Capturing Action
Capturing Scenic Vistas
Capturing Dynamic Close-Ups
Coping with Special Situations
Chapter 7: Shooting, Viewing, and Trimming Movies
Shooting Movies Using Default Settings
Adjusting Video Settings
Controlling Audio
Exploring Other Recording Options
Manipulating Movie Exposure
Screening Your Movies
Trimming Movies
Saving a Movie Frame As a Still Image
Part 3: After the Shot
Chapter 8: Playback Mode: Viewing Your Photos
Picture Playback 101
Choosing Which Images to View
Adjusting Playback Timing
Enabling Automatic Picture Rotation
Shifting to Thumbnails Display
Displaying Photos in Calendar View
Viewing Picture Data
Viewing Your Photos on a Television
Chapter 9: Working with Picture and Movie Files
Rating Photos and Movies
Protecting Files
Deleting Files
Taking a Look at Nikon's Photo Software
Downloading Pictures to the Computer
Processing Raw (NEF) Files
Preparing Pictures for Online Sharing
Part 4: The Part of Tens
Chapter 10: Ten More Ways to Customize Your Camera
Adding Comments and Copyright Notices
Creating a Custom Storage Folder
Customizing Filenames
Changing the Information Display Style
Keeping the Information Display Hidden
Creating Your Own Menu
Adjusting Automatic Shutdown Timing
Customizing a Few Buttons
Assigning a Touch Function Role
Reversing the Command Dial Orientation
Chapter 11: Ten Fun (And Practical) Features to Explore on a Rainy Day
Applying the Retouch Menu Filters
Removing Red-Eye
Fixing Tilting and Distorted Images
Manipulating Exposure and Color
Cropping Your Photo
Adding Special Effects to Existing Photos
Shooting in Effects Mode
Creating a Dust Reference File
Printing Directly from the Camera
Presenting a Slide Show
Appendix: Intro to Nikon SnapBridge
What Can I Do with SnapBridge?
Setting Up the Camera for SnapBridge
Connecting to Your Smart Device
Taking a Look at SnapBridge Functions
About the Author
Advertisement Page
Connect with Dummies
End User License Agreement
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Nikon. The name has been associated with top-flight photography equipment for generations, and the D5600 only enriches that reputation, offering terrific features for capturing both still photos and high-definition digital movies. But the fun doesn’t stop after the shoot: On top of everything else, the D5600 enables you to transfer photos wirelessly to certain smartphones and tablets so that you can instantly share images online. You can even use your smart device as a wireless remote control.
In fact, the D5600 offers so many features that sorting them all out can be more than a little confusing. And therein lies the point of Nikon D5600 For Dummies: With the help of this book, you can take full advantage of everything the camera has to offer, even if you’re brand new to photography.
Unlike many photography books, this one doesn’t require any previous knowledge of photography or digital imaging to make sense of things. In classic For Dummies style, everything is explained in easy-to-understand language, with lots of illustrations to help clear up any confusion.
However, even if you have some photography experience — or quite a bit of experience, for that matter — this book has plenty to offer. I provide detailed information about all the camera’s advanced exposure, focus, and color controls, explaining not just what each feature does but why and how to put it to best use.
In short, what you have in your hands is the paperback version of an in-depth photography workshop tailored specifically to your Nikon picture-taking powerhouse.
This book is organized into four parts, each devoted to a different aspect of using your camera. Although chapters flow in a sequence that’s designed to take you from absolute beginner to experienced user, I’ve also made each chapter as self-standing as possible so that you can explore the topics that interest you in any order you please.
Here's a brief preview of what you can find in each part of the book:
Part 1: Fast Track to Super Snaps:
Part 1
contains two chapters to help you get up and running.
Chapter 1
guides you through initial camera setup, shows you how to view and adjust camera settings, and walks you through the steps of taking your first pictures using the Auto exposure mode.
Chapter 2
introduces you to other exposure modes and explains basic picture options such as Release mode, Image Size (resolution), and Image Quality (JPEG or Raw). The end of
Chapter 2
provides information on using flash.
Part 2: Taking Creative Control:
Chapters in this part help you unleash the full power of your camera by detailing the advanced shooting modes (P, S, A, and M).
Chapter 3
covers the critical topic of exposure;
Chapter 4
explains how to manipulate focus; and
Chapter 5
discusses color controls.
Chapter 6
summarizes techniques explained in earlier chapters, providing a quick-reference guide to the camera settings and shooting strategies that produce the best results for portraits, action shots, landscape scenes, and close-ups.
Chapter 7
shifts gears, moving from still photography to HD movie recording.
Part 3: After the Shot:
Chapter 8
explains picture playback features and how to connect your camera to a TV for large-screen playback.
Chapter 9
topics include rating, deleting, and protecting photos, downloading images to your computer, processing Raw files, and resizing pictures for online sharing.
Part 4: The Part of Tens:
In famous
For Dummies
tradition, this book concludes with two top-ten lists containing additional bits of information and advice.
Chapter 10
details options for customizing your camera.
Chapter 11
covers the tools found on the camera's Retouch menu, shows you how to use the Effects exposure mode, and explains a few other features that may come in handy on occasion, such as creating a slide show featuring your best work.
Appendix: Intro to Nikon SnapBridge:
Nikon SnapBridge is an app you can install on certain Android and Apple iOS smartphones and tablets. It’s this app that enables you to use the camera’s wireless functions to connect your D5600 to your smart device. After making the connection, you can transfer photos to the device for viewing or easy uploading to social media sites or online photo-storage sites. You also can use the smart device as a wireless remote control. Check out the appendix for an overview of these features.
Cheat sheet:
When you have a minute or two, visit
www.dummies.com
and enter the name of this book in the search box. You’ll find a link to a cheat sheet, which provides a handy reference to your camera’s buttons, controls, and exposure modes.
If this isn’t your first For Dummies book, you may be familiar with the large, round icons that decorate its margins. If not, here’s your very own icon-decoder ring:
The Tip icon flags information that will save you time, effort, money, or some other valuable resource, including your sanity. Tips also point out techniques that help you get the best results from specific camera features.
When you see this icon, look alive. It indicates a potential danger zone that can result in much wailing and teeth-gnashing if ignored. In other words, this is stuff that you really don’t want to learn the hard way.
Lots of information in this book is of a technical nature — digital photography is a technical animal, after all. But when I present a detail that is useful mainly for impressing your tech-geek friends, I mark it with this icon.
I apply this icon either to introduce information that is especially worth storing in your brain’s long-term memory or to remind you of a fact that may have been displaced from that memory by another pressing fact.
Additionally, replicas of some of your camera’s buttons and onscreen graphics appear in the margins and in some tables. I include these images to provide quick reminders of the appearance of the button or option being discussed.
To wrap up this preamble, I want to stress that if you initially think that digital photography is too confusing or too technical for you, you’re in very good company. Everyone finds this stuff mind-boggling at first. So take it slowly, experimenting with just one or two new camera settings or techniques at first. Then every time you go on a photo outing, make it a point to add one or two more shooting skills to your repertoire.
I know it’s hard to believe when you’re just starting out, but it really won’t be long before everything starts to come together. With some time, patience, and practice, you’ll soon wield your camera like a pro, dialing in the necessary settings to capture your creative vision almost instinctively.
So without further ado, I invite you to grab your camera, a cup of whatever it is you prefer to sip while you read, and start exploring the rest of this book. Your D5600 is the perfect partner for your photographic journey, and I’m grateful for the opportunity to act as your tour guide.
Part 1
IN THIS PART …
Familiarize yourself with the basics of using your camera, from attaching lenses to navigating menus.
Get step-by-step help with shooting your first pictures in Auto mode.
Find out how to select the exposure mode, Release mode, Image Size (resolution), and Image Quality (JPEG or Raw file type).
Discover options available for flash photography.
Chapter 1
IN THIS CHAPTER
Preparing the camera for its first outing
Getting acquainted with the touchscreen and other camera features
Viewing and adjusting camera settings
Setting a few basic preferences
Taking a picture in Auto mode
Shooting for the first time with a camera as sophisticated as the Nikon D5600 can produce a blend of excitement and anxiety. On one hand, you can't wait to start using your new equipment, but on the other, you're a little intimidated by all its buttons, dials, and menu options.
Well, fear not: This chapter provides the information you need to start getting comfortable with your D5600. The first section walks you through initial camera setup; following that, you can discover how to view and adjust picture settings and get my take on additional setup options. At the end of the chapter, I explain how to take pictures using Auto mode, which offers point-and-shoot simplicity until you're ready for more advanced options.
After unpacking your camera, you have to assemble a few parts. In addition to the camera body and the supplied battery (be sure to charge it before the first use), you need a lens and a memory card. Later sections in this chapter provide details about working with lenses and memory cards, but here's what you need to know up front:
Lens: You can mount a wide range of lenses on your D5600, but some aren’t compatible with all camera features. For example, to enjoy autofocusing, you need an AF-P or AF-S lens. (The 18–55mm lens featured in this book and sold in a kit with the D5600 body is an AF-P lens.) The camera’s instruction manual offers details about lens compatibility. (The full manual is available online at the Nikon Download Center.)
The AF in AF-S and AF-P stands for autofocus. The S in AF-S stands for a silent wave focusing motor; the P refers to an autofocusing technology known as a “stepping motor.” Both are designed to deliver faster and quieter autofocusing. How you implement autofocusing differs between the two types, however. Read more about this issue later in this chapter, in the section “Familiarizing Yourself with the Lens.”
SD (Secure Digital) memory card:
Your camera accepts only this type of card. Most SD cards carry the designation SDHC (for
High Capacity
) or SDXC (for
eXtended Capacity
), depending on how many gigabytes (GB) of data they hold. SDHC cards hold from 4GB to 32GB of data; the SDXC moniker is assigned to cards with capacities greater than 32GB.
With camera, lens, battery, and card within reach, take these steps:
Turn the camera off.
Install the battery into the compartment on the bottom of the camera.
Attach a lens.
First, remove the caps that cover the front of the camera and the back of the lens. Then align the mounting index (white dot) on the lens with the one on the camera body, as shown in Figure 1-1. After placing the lens on the camera mount, rotate the lens toward the shutter-button side of the camera. You should feel a solid click as the lens locks into place.
Insert a memory card.
Open the card-slot cover on the right side of the camera and orient the card as shown in Figure 1-2 (the label faces the back of the camera). Push the card gently into the slot and close the cover. The memory-card access light, labeled in the figure, illuminates briefly to let you know that the camera recognizes the card.
Rotate the monitor to the desired viewing position.
When you first take the camera out of its box, the monitor is positioned with the screen facing inward, protecting it from scratches and smudges. Gently lift the right side of the monitor up and away from the camera back. You can then rotate the monitor to move it into the traditional position on the camera back, as shown on the left in Figure 1-3, or swing the monitor out to get a different viewing angle, as shown on the right.
Turn on the camera.
Set the language, time zone, and date.
When you power up the camera for the first time, you can't do anything until you take this step.
The easiest way to adjust the settings is to use the touchscreen, which is enabled by default. To select an option or display a menu of settings, just tap it on the screen, just as you do with any touchscreen device. If you see an OK symbol in the lower-right corner of the screen, tap it to finalize your selection and return to the previous screen. To exit a screen without making changes, tap the exit arrow shown in the upper-right corner of the screen.
If you prefer, you also can use the Multi Selector and OK button, labeled in Figure 1-3, to navigate menus. You can find more details about using the touchscreen and other ways to adjust settings later in this chapter.
Adjust the viewfinder to your eyesight.
This step is critical; if you don't set the viewfinder to your eyesight, subjects that appear out of focus in the viewfinder might actually be in focus, and vice versa. If you wear glasses while shooting, adjust the viewfinder with your glasses on.
You set viewfinder focus by rotating the adjustment dial labeled in Figure 1-4. After taking off the lens cap and making sure that the camera is turned on, look through the viewfinder and press the shutter button halfway. In dim lighting, the flash may pop up. Ignore it for now and concentrate on the row of data that appears at the bottom of the viewfinder screen. Rotate the dial until that data appears sharpest. The markings in the center of the viewfinder, which relate to autofocusing, also become more or less sharp. Ignore the scene you see through the lens; that won't change because you're not actually focusing the camera. When you finish, press down on the flash unit to close it if necessary.
If using a retractable lens, unlock and extend the lens.
The lens barrels of AF-P kit lenses, as well as some AF-S lenses, extend and retract. When you’re not shooting, you can retract the lens so that it takes up less space in your camera bag. But before you can take a picture or even access most camera menu items, you must unlock and extend the lens. A message appears on the monitor to remind you of this step.
To extend the lens, press the lens lock button, highlighted in Figure 1-5, while rotating the lens barrel toward the shutter-button side of the camera. To retract the lens, press the button while rotating the lens in the other direction.
FIGURE 1-1: Align the white dot on the lens with the one on the camera body.
FIGURE 1-2: Insert the memory card with the label facing the back of the camera.
FIGURE 1-3: Here are just two possible monitor positions.
FIGURE 1-4: Rotate this dial to set the viewfinder focus for your eyesight.
FIGURE 1-5: If using a retractable lens, press the lens lock button while rotating the lens barrel to extend and retract the lens.
That's all there is to it — your camera is now ready to go. From here, my recommendation is that you keep reading this chapter to familiarize yourself with the main camera features and basic operation. But if you're anxious to take a picture right away, skip to the last section of the chapter, which guides you through the basic process. Just promise that at some point, you'll read the pages in between, because they do contain important information.
Scattered across your camera's exterior are numerous features that you use to change picture-taking settings, review your photos, and perform various other operations. In later chapters, I discuss all your camera's functions in detail and provide the exact steps to follow to access them. This section provides just a basic “what's this thing do?” guide to each control. (Don't worry about memorizing the button names; throughout the book, I show pictures of buttons in the page margins to help you know exactly which one to press.)
Keep in mind, too, that you can adjust many settings by simply tapping the touchscreen, which is sometimes faster than fiddling with the camera buttons. I explain how to use the touchscreen later in this chapter.
Your virtual tour begins with the bird's-eye view shown in Figure 1-6. There are a number of features of note here:
Shutter button/power switch:
Okay, I'm pretty sure you already figured out this combo button. But you may not be aware that you need to press the shutter button in two stages: Press and hold the button halfway and wait for the camera to initiate exposure metering and, if you're using autofocusing, to set the focusing distance. Then press the button the rest of the way to take the picture.
Mode dial:
With this dial, you choose the exposure mode, which determines which picture-taking settings you can control. You get a number of automatic, beginner modes as well as four advanced modes (P, S, A, and M). Effects mode enables you to apply special effects as an image or movie is captured; the Scene setting accesses automatic modes designed for specific types of shots (portraits, landscapes, and so on).
Chapter 2
introduces you to each exposure mode.
Command dial:
After you activate certain camera features, you rotate this dial, labeled in the figure, to select a setting. For example, to choose a shutter speed when shooting in shutter-priority (S) mode, you rotate the Command dial.
Exposure Compensation button:
The main use of this button is to apply Exposure Compensation, which enables you to tweak autoexposure results when using some exposure modes. Hold the button down while rotating the Command dial to adjust the setting.
Chapter 3
explains Exposure Compensation.
Live View switch:
Rotate this switch to turn
Live View
on and off. In Live View mode, the scene in front of the lens appears on the monitor, and you can't see anything through the viewfinder. You then can compose a photo using the monitor. For movie recording, you must use Live View; you can’t shoot a movie using the viewfinder. The last section of this chapter introduces you to Live View photography; see
Chapter 7
for help with movie making.
Record button:
After shifting to Live View mode, press this button to start recording a movie. Press it again to stop recording.
AF-assist light:
In dim lighting, this light turns on briefly to help the camera locate your focusing target. The light also comes on when you use red-eye reduction flash and the Self-Timer shutter-release mode, both covered in
Chapter 2
.
Flash hot shoe:
Hot shoe
is photography-speak for a terminal that enables you to connect an external flash. On the D5600, the hot shoe also serves as a mount for the optional Nikon ME-1 and ME-W1 stereo microphones.
Microphone:
If you don't attach an external microphone, movie audio is recorded using the camera's built-in microphone.
Speaker:
When you play a movie, sound comes out of these holes.
Focal plane indicator: If you need to know the exact distance between your subject and the camera, as you might if you need to photograph objects for scientific or legal documentation, the focal plane indicator is key. The mark indicates the plane at which light coming through the lens is focused onto the camera's image sensor. Basing your measurement on this mark produces a more accurate camera-to-subject distance than using the end of the lens or another external point on the camera body as your reference point.
FIGURE 1-6: Rotate the Live View switch to shift from viewfinder to Live View photography.
On the back of the camera, shown in Figure 1-7, you find the following features:
Menu button:
Press this button to access menus of camera options. See “
Navigating Menus
,” later in this chapter, for details.
Viewfinder adjustment dial:
Rotate this dial to adjust the viewfinder focus to your eyesight; see the first section of this chapter for details.
Eye sensor:
This window senses when you put your eye to the viewfinder and, in response, turns off the monitor to save battery power. Not working? Open the Setup menu and check the status of the item named Info Display Auto Off. The option should be set to On, as it is by default. If that’s not the issue, you may simply need to press your eye closer to the viewfinder. Also, when you wear glasses, sometimes the sensor can’t detect your eye. You do have the option of pressing the Info button, labeled in the figure, to turn the monitor on and off.
Info button: When using the viewfinder to compose photos, press this button to display the Information screen, which shows key camera settings and various bits of information, such as the battery status. To turn off the screen, press Info again.
You also can display the screen by pressing the shutter button halfway and releasing it.
In Live View mode, pressing the Info button changes the type and amount of data that appears on the preview.
AE-L/AF-L button: During shooting, pressing this button initiates autoexposure lock (AE-L) and autofocus lock (AF-L). Chapter 3 explains autoexposure lock; Chapter 4 talks about autofocus lock.
In playback mode, pressing the button locks the picture file — hence the little key symbol that appears near the button — so that it isn't erased if you use the picture-delete functions. See Chapter 9 for details. (The picture is erased if you format the memory card, however.)
Playback button:
Press this button to switch the camera to picture-review mode.
Chapter 8
details playback features.
i
button:
During shooting, pressing this button activates a control strip that enables quick access to certain picture settings. I provide details in the later section “
Adjusting Settings via the Control Strip
.” Press
i
again to exit the control strip. In Playback mode, pressing the button brings up a small menu that enables you to rate photos, edit them using the Retouch menu features, and tag them for later wireless transmission to a smartphone or tablet. I refer to the Playback menu as the
i
-button menu.
Multi Selector/OK button: This dual-natured control plays a role in many camera functions. You press the outer edges of the Multi Selector left, right, up, or down to navigate camera menus and access certain other options. At the center of the control is the OK button, which you press to finalize a menu selection or another camera adjustment.
In this book, the instruction “Press the Multi Selector left” means to press the left edge of the control. “Press the Multi Selector right” means to press the right edge, and so on.
Delete button:
Sporting a trash can icon, the universal symbol for delete, this button enables you to erase pictures from your memory card.
Chapter 9
explains the steps.
Zoom In and Zoom Out buttons: These buttons have several purposes, depending on what camera function you’re using:
Picture playback:
In still-photo playback mode, pressing the Zoom In button magnifies the image; pressing Zoom Out reduces the magnification. After you display a photo at its normal magnification, you can press Zoom Out repeatedly to shift to thumbnails view, which displays multiple image previews at a time, and then to Calendar view, which simplifies the job of tracking down all pictures taken on a certain date. Pressing Zoom In cycles the display in the other direction.
Movie playback:
Press Zoom In to increase audio volume; press Zoom Out to lower it.
Live View mode:
Pressing the Zoom In button magnifies the live preview so you can check focus more closely. Pressing Zoom Out reduces the magnification amount. (
Chapter 4
details this feature.)
Additionally, if you see a question mark symbol on a menu screen or other display, pressing the Zoom Out button displays a Help screen that contains information about the feature you’re using. (Note the question mark symbol beneath the button.)
Both buttons also come into play when you use certain other camera features, such as applying changes from the Retouch menu.
FIGURE 1-7: For quick access to primary picture settings, press the i button.
The front-left side of the camera, shown in Figure 1-8, sports these features:
FIGURE 1-8: Press the Flash button to use the built-in flash in P, S, A, or M mode.
Flash button: In some exposure modes, pressing this button raises the built-in flash. In other modes, the camera controls whether flash is enabled.
By holding the Flash button down and rotating the Command dial, you can adjust the Flash mode (Fill Flash, Red-Eye Reduction, and so on). In some exposure modes, you also can adjust the flash power by pressing the button while simultaneously pressing the Exposure Compensation button and rotating the Command dial. The little +/– symbol that appears below the Flash button — the same symbol that’s on the Exposure Compensation button — is a reminder of the button’s role in flash-power adjustment.
Check out Chapter 2 for details on flash options.
Function (Fn) button:
By default, this button gives you quick access to the ISO setting, which controls the camera's sensitivity to light. (
Chapter 3
explains.) If you don't adjust that setting often, you can use the button to perform a variety of other operations.
Chapter 10
shows you how to change the button's purpose. (
Note:
All instructions in this book assume that you haven't changed the function of this or any other button.)
Lens-release button:
Press this button to disengage the lens from the camera's lens mount so you can remove the lens. (If you're using a retractable lens, collapse the lens first.)
Release Mode button:
Press this button to display a screen where you can select the shutter-release mode. By default, the option is set to Single Frame, which results in one picture each time you press the shutter button. You can explore other options in
Chapter 2
.
Open the covers on the left and right sides of the camera, to access the following connection ports, labeled in Figure 1-9:
Accessory terminal:
This terminal accepts the following accessories: Nikon MC-DC2 remote shutter-release cable; WR-1 and WR-R10 wireless remote controllers; and GP-1/GP-1A GPS units. I don't cover these accessories, but the manual that comes with each device can get you up and running.
Microphone jack:
If you're not happy with the audio quality provided by the internal microphone, you can plug in an external microphone, such as the Nikon ME-1 mic. The jack accepts a 3.5mm plug.
USB port:
Through this port, you can connect your camera to your computer via USB connection for picture downloading. However, Nikon doesn’t supply the necessary USB cable (Nikon UC-E20). You can buy one for about $12, but before you go to that expense, check out
Chapter 9
for details about downloading through a memory-card reader. For information about wireless file transfer to a smartphone, tablet, or other compatible device, head for this book’s appendix.
HDMI port:
You use this port, found on the right side of the camera, to connect your camera to a high-definition TV, but you need to buy an HDMI cable to do so. Look for a cable that has a Type C connector on one end (this end goes into the camera) and a regular, Type A connector on the other end.
Chapter 8
offers details on television playback.
FIGURE 1-9: Open the covers on the sides of the camera to reveal these connections.
Just below the HMDI port is a door that leads to the memory-card slot. (See the first section of this chapter for help installing a memory card.) If you turn the camera over, you find a tripod socket, which enables you to mount the camera on a tripod that uses a ¼-inch screw, plus the battery chamber.
In case you’re wondering, the two symbols above the left port door are there simply to remind you of two of the camera’s wireless connection technologies: Bluetooth and Wi-Fi. On the right side of the camera, the N symbol (shown in the outset on the right side of Figure 1-9) reminds you that the D5600 also offers Near Field Communication (NFC), a feature that enables you to link two NFC devices by placing them next to each other.
When manufacturers first started putting touchscreens on dSLRs, I thought, “Meh, just a gimmick.” But after discovering how much easier it is to adjust camera settings by using the touchscreen instead of pressing buttons and rotating dials — well, let's just say that I was wrong in my initial assessment. Yes, I said it: “I was wrong.”
If you've used a smartphone, tablet, or other touchscreen device, working with the camera's touchscreen will feel familiar. Just as with those devices, you communicate with the camera via these gestures, which are specific ways to touch the screen:
Tap:
Tap a finger lightly on the screen.
Drag (or swipe):
Drag your finger up, down, right, or left across the screen.
Flick:
Drag a finger quickly across the screen.
Pinch in/pinch out:
Pinching
enables you to quickly adjust the magnification of an image during picture playback. To magnify the image, pinch out. That is, place your thumb and your pointer finger in the center of the screen and then drag both fingers outward to the edges of the screen. To zoom out, pinch in, dragging your thumb and finger from the outer edge of the screen toward the center.
By default, the touchscreen is enabled for both shooting and playback. But you can disable it entirely or use it just for playback if you wish. The following steps walk you through the process of adjusting this option and give you some practice in using the touchscreen:
Press the Menu button to display the camera menus.
Sadly, there's no touchscreen control that takes you to the menus.
Tap the Setup menu icon (wrench symbol) to select that menu, as shown on the left in
Figure 1-10
.
Tap the Touch Controls option, highlighted in the figure.
You see the screen shown on the right in Figure 1-10.
To turn the touchscreen off for shooting functions but leave it enabled for playback, tap Playback Only. To disable the touchscreen altogether, tap Disable.
On many screens, an exit arrow appears in the top-right corner of the screen (refer to Figure 1-10). Tap this arrow to exit the screen. On some screens, you must tap an OK symbol or take some other action to lock in your changes before exiting the screen. (Instructions throughout the book let you know when that’s necessary.)
FIGURE 1-10: Enable or disable the touchscreen via this Setup menu option.
If you choose Playback Only or Disable, you can't use the touchscreen to revert to the original, Enable, setting. Instead, you must use the Multi Selector and OK button to do the job. (See the next section for help navigating menus using these controls.)
A couple final tips about the touchscreen:
On the Information and Live View displays, a white border around a symbol indicates that you can tap that symbol to access the setting.
For example, the border around the
i
symbol in the lower-right corner of
Figure 1-11
tells you that you can tap that area to perform the same action as pressing the
i
button.
For viewfinder photography, you can tap your thumb anywhere on the right half of the screen to perform a specific function. Nikon refers to this feature as the Touch Function. When the Touch Function feature is enabled, you see the FN symbol at the top of the Information display, labeled in Figure 1-11.
By default, the Touch Function is set to display an alignment grid in the viewfinder. Try it: With your eye to the viewfinder, tap your right thumb on the right half of the screen. The grid should appear in the viewfinder. Tap again to hide the grid.
If you swing the monitor out to the left side of the camera, you can tap anywhere on the monitor to take advantage of the Touch Function. You still must have your eye to the viewfinder to make this feature work, however; it doesn’t work for Live View photography or movie shooting.
Don't need a viewfinder grid? Use the Assign Touch Fn option on the Custom Setting menu to make the camera perform a different task when you tap. (Chapter 10 has details.) If you set the option to None, the Touch Function symbol disappears from the Information display.
During Live View shooting, you can tap the screen to set focus and take a picture.
The last section of this chapter tells you more about this feature, known as the Touch Shutter. You also can tell the camera to set focus only when you tap.
Don't apply a screen protector. Applying a screen protector can actually damage the monitor and make it less responsive to your touch.
FIGURE 1-11: This symbol tells you that the Touch Function feature is enabled.
One final bit of touchscreen advice: If you’re wearing the camera on a neck strap and the touchscreen is enabled, it’s possible to inadvertently “tap” a touchscreen symbol with your chest and not notice it. By default, the touchscreen emits a sound when you tap a symbol, but in a noisy environment, it’s easy to miss that audio warning. The only solutions are to turn the camera off between shots, disable the touchscreen, or rotate the monitor to the closed (face in) position.
Although you can change some settings by using the camera's external buttons or by tapping touchscreen symbols, other options are accessible only via the menus.
To access the menus, press the Menu button. You see a screen similar to the one shown in Figure 1-12. The icons along the left side of the screen represent the available menus. To the right of the icon strip are options associated with the current menu. Table 1-1 offers a quick guide to the menus.
FIGURE 1-12: The scroll bar indicates that the menu is a multi-page affair.
TABLE 1-1 D5600 Menus
Symbol
Open This Menu …
To Access These Functions
Playback
Viewing, deleting, and protecting pictures
Shooting
Basic photography settings
Custom Setting
Advanced photography options and some basic camera operations
Setup
Additional basic camera operations
Retouch
Photo and movie editing options
My Menu/Recent Settings
Your custom menu or a menu listing the 20 most recently used menu options
Here's what you need to know to work your way though menu screens:
To select a different menu:
Tap the menu's icon or press the Multi Selector left to activate the icon strip, press up or down to select the menu you want to view, and then press right to access the menu’s options.
To select and adjust a menu option: Again, you can take advantage of the touchscreen or use the Multi Selector:
Touchscreen:
If you see a scroll bar on the right side of the window, as in
Figure 1-12
, swipe up or down to scroll to the next page of menu options. Tap the option you want to adjust. Settings available for the selected item then appear. Tap the setting you want to use. Or to exit without making any changes, tap the exit arrow in the upper-right corner of the screen.
Multi Selector/OK button:
Press the Multi Selector up or down to scroll the menu until the option you want to change is highlighted. Press OK to display the available settings. Repeat the old up-and-down scroll routine until the choice you prefer is highlighted. Then press OK.
In some cases, a right-pointing triangle appears next to a menu item. That's your cue to tap that item or to press the Multi Selector right to display a submenu. You may also see an Adjust symbol at the bottom of some screens; again, tap the symbol or press the Multi Selector right to access additional options.
During shooting, items that are dimmed in a menu aren't available in the current exposure mode. When you open the Retouch menu, the camera dims options that can’t be used with the currently selected photo. Additionally, some menu options are unavailable when you use certain Image Quality settings, which I explain in Chapter 2.
To select items from the Custom Setting menu: Displaying the Custom Setting menu, represented by the Pencil icon, takes you to a screen that contains six submenus that carry the labels A through F, as shown in Figure 1-13. Each submenu holds clusters of options related to a specific aspect of the camera's operation. To get to those options, tap the submenu name or highlight it with the Multi Selector and press OK.
In the Nikon manual, instructions reference the Custom Setting menu items by a menu letter and number. For example, “Custom Setting a1” refers to the first option on the a (Autofocus) submenu. I try to be more specific, so I use the actual setting names. (Really, we all have enough numbers to remember, don't you think?)
After you jump to the first submenu, you can simply scroll up and down the list to view options from other submenus. You don't have to keep going back to the initial menu screen and selecting a submenu.
Create a custom menu or view your 20 most recently adjusted menu items: The sixth menu is actually two menus that share an apartment: Recent Settings and My Menu, both shown in Figure 1-14. Each menu contains a Choose Tab option as the last item on the menu; select this option to shift between the two menus.
Here's what the two menus offer:
Recent Settings: This screen lists the 20 menu items you ordered most recently. To adjust those settings, you don't have to wade through all the other menus to look for them — head to the Recent Settings menu instead.
To remove an item from the Recent Settings menu, use the Multi Selector to highlight the item and press the Delete button. Press Delete again to confirm your decision. (If you tap the item in the menu, you pull up that item's options screen.)
My Menu:
From this screen, you can create a custom menu that contains your favorite options.
Chapter 10
details the steps.
FIGURE 1-13: The Custom Setting menu contains six submenus of advanced options.
FIGURE 1-14: The Recent Settings menu offers quick access to the last 20 menu options you selected; the My Menu menu enables you to design a custom menu.
Your D5600 gives you the following ways to monitor important picture-taking settings:
Information display: The left screen in Figure 1-15 gives you a look at this display, which appears during viewfinder shooting. You can turn it on and off by pressing the Info button.
If your Information screen appears different from the ones shown in this book, don't freak out. The camera offers a variety of Information screen display styles; the screen in Figure 1-15 is the default design used when the Mode dial is set to one of the fully automatic exposure modes (Auto, Effects, Scene, and Flash Off). In the P, S, A, and M exposure modes, a darker background is used. You can alter the look of the Information screens via the Info Display Format option on the Setup menu; Chapter 10 has details.
Live View display: In Live View mode, the Information display is disabled, and the camera instead displays shooting data atop the live preview, as shown on the right in Figure 1-15. To switch to Live View mode, rotate the LV switch (top of the camera, next to the Mode dial).
You can vary the type of data displayed on the Live View screen by pressing the Info button. See the last section of this chapter for more about this feature.
Viewfinder: You also can view some settings at the bottom of the viewfinder, as shown in Figure 1-16. The information that appears depends on the exposure mode; the figure shows the data you see when using Auto mode.
You can display gridlines in the viewfinder, as shown on the right in the figure. The gridlines help you ensure the alignment of objects in your photo — for example, to make sure that the horizon is level in a landscape. When your eye is up to the viewfinder and the touchscreen is enabled, tap the right half of the monitor to toggle the grid on and off. (If the monitor is swung to the side of the camera, you can tap anywhere on the screen.) This trick works only if you stick with the default Touch Function setting on the Setup menu, however. You also can hide and display the grid via the Viewfinder Grid Display option, found on the Shooting/Display section of the Custom Setting menu.
FIGURE 1-15: Press the Info button to view picture-taking settings on the monitor.
FIGURE 1-16: Picture settings also appear at the bottom of the viewfinder (left); enable the grid for help with aligning objects in the frame (right).
If what you see in Figures 1-15 and 1-16 looks like a confusing mess, don't worry. Many settings relate to options that won't mean anything to you until you explore the advanced exposure modes (P, S, A, and M). But make note of the following bits of data that are helpful in any exposure mode:
Battery status indicator: A full-battery icon (refer to Figure 1-15) shows that the battery is fully charged; if the icon appears empty, look for your battery charger.
Just for good measure, the camera also displays a low-battery symbol in the viewfinder (refer to Figure 1-16). If the symbol blinks, the camera won't take more pictures until you charge the battery.
Shots remaining:
Labeled in
Figures 1-15
and
1-16
, this value indicates how many more pictures you can store on the memory card. If the number exceeds 999, the initial
K
appears, to indicate that the value is in the thousands. For example, 1.0K means that you can store 1,000 more pictures. (
K
is a universally accepted symbol indicating 1,000 units.) The number is rounded down to the nearest hundred. So if the card has room for, say, 1,230 more pictures, the value reads 1.2K.
Memory card warning:
If the memory-card slot is empty, you see the no-card symbol in the viewfinder, as shown in
Figure 1-16
. The Information screen and Live View display offer a text reminder to insert a card.
Vibration Reduction symbol:
The shaky hand symbol that you see in both displays in
Figure 1-15
tells you that Vibration Reduction is enabled. This feature is designed to help you get sharper pictures when you handhold the camera. Camera movement during the exposure can cause image blurring, and Vibration Reduction attempts to compensate for a small amount of camera shake. Not all lenses offer this feature, and you implement it differently depending on the type of lens. Look for the full story in
Chapter 4
. (Spoiler alert: The 18–55mm AF-P lens featured in this book does offer the feature, and it's turned on by default.) Turn the feature off and on via the Optical VR setting on the Shooting menu.
The viewfinder display, Live View screen, and Information screen automatically shut off after a specific period of inactivity to preserve battery power. To wake up the displays and return to shooting mode, press the shutter button halfway and release it or press the Info button. To turn the monitor back on so you can view your pictures, press the Playback button. See Chapter 10 for details about altering the auto-shutdown times for the monitor and viewfinder displays.
The Information display isn't just for checking current picture-taking settings; it also gives you quick access to some of the most critical of those settings. Specifically, you can adjust the options that appear on the two rows of data near the bottom of the screen — what I refer to as the control strip.
Here's how it works for viewfinder photography:
Display the Information screen by pressing the Info button or pressing the shutter button halfway and releasing it.
Press the i button or tap the i symbol on the screen, labeled on the left in Figure 1-17.
The top part of the display dims, and the control strip becomes accessible, as shown on the right in Figure 1-17. The currently selected setting appears highlighted, and its name is displayed above the control strip. For example, in Figure 1-17, the Image Quality option is selected.
Select the option that you want to change.
Either tap the option or use the Multi Selector to highlight it and then press OK. Either way, the next screen displays available settings.
Adjust the setting as desired.
Again, you can tap the setting or use the Multi Selector to highlight it and then press OK. The camera returns you to the initial control strip screen. You can then adjust another setting, if needed.
To exit the control strip, press the i button or tap the strip’s exit symbol, labeled on the right in Figure 1-17.
You also can just give the shutter button a quick half-press and release it to exit the control strip.
FIGURE 1-17: Press the i button or tap the i icon (left) to activate the control strip (right).
During Live View shooting, things work the same way, but the touchscreen’s i symbol appears halfway down the right side of the screen. (Refer to Figure 1-15.) If you don’t see the symbol, you may need to press the Info button to change the type of data displayed on the Live View display. Of course, you must also enable the Touch Controls option on the Setup menu to use the touchscreen for viewfinder or Live View photography.
Because I don't know which lens you're using, I can't give you full instructions on its operation. But the following basics apply to most Nikon AF-P and AF-S lenses as well as to certain other lenses that support autofocusing — you should explore the lens manual for specifics, of course:
Extending/retracting the lens: If you have a retractable lens like the AF-P kit lens, press the lens lock button while rotating the lens barrel to extend and retract the lens (see Figure 1-18). The camera won't take a picture with the lens in the retracted position.
Zooming: A zoom lens has a movable zoom barrel. The location of the zoom barrel on the kit lens is shown in Figure 1-18. To zoom in or out, rotate the barrel. Some lenses instead use a push/pull setup, where you push and pull the lens away from you or toward you to zoom.
You can determine the current focal length of the lens by looking at the number that’s aligned with the dot labeled focal-length indicator in Figure 1-18. (If you’re new to the term focal length, the sidebar “Focal length and the crop factor,” later in this chapter, explains the subject.)
Setting the focus method (automatic or manual focusing): You can find out which focus method is in force by looking at the Focus Mode symbol that appears in the Information and Live View displays. I labeled the setting in Figure 1-19. The letters MF represent manual focusing; anything else represents one of the camera’s autofocusing options.
Which autofocus options are available depends on your exposure mode and whether Live View is enabled. Figure 1-19 shows the default autofocus settings, which are AF-A for viewfinder photography and AF-S for Live View photography and movie recording.
I offer complete focusing details in Chapter 4; for now, I just want to offer a quick primer on how you switch between automatic and manual focusing. The steps differ depending on whether you’re using an AF-P or AF-S lens. Here’s the scoop:
AF-P lens:
Press the
i
button or tap the onscreen
i
symbol to access the control strip and then choose the Focus Mode option to access the available settings.
Figure 1-20
illustrates the process for viewfinder photography;
Figure 1-21
shows you how things look when Live View is enabled.
AF-S lens: