2,99 €
She was the daughter of Sonoo, a Hill-man, and Jadeh his wife. One year their maize failed, and two bears spent the night in their only poppy-field just above the Sutlej Valley on the Kotgarth side; so, next season, they turned Christian, and brought their baby to the Mission to be baptized. The Kotgarth Chaplain christened her Elizabeth, and "Lispeth" is the Hill or pahari pronunciation. Later, cholera came into the Kotgarth Valley and carried off Sonoo and Jadeh, and Lispeth became half-servant, half-companion to the wife of the then Chaplain of Kotgarth. This was after the reign of the Moravian missionaries, but before Kotgarth had quite forgotten her title of "Mistress of the Northern Hills." Whether Christianity improved Lispeth, or whether the gods of her own people would have done as much for her under any circumstances, I do not know; but she grew very lovely. When a Hill girl grows lovely, she is worth traveling fifty miles over bad ground to look upon.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Seitenzahl: 330
"When halter and heel ropes are slipped, do not give chase with sticks but with gram." Punjabi Proverb.
After marriage arrives a reaction, sometimes a big, sometimes a little one; but it comes sooner or later, and must be tided over by both parties if they desire the rest of their lives to go with the current.
In the case of the Cusack-Bremmils this reaction did not set in till the third year after the wedding. Bremmil was hard to hold at the best of times; but he was a beautiful husband until the baby died and Mrs. Bremmil wore black, and grew thin, and mourned as if the bottom of the universe had fallen out. Perhaps Bremmil ought to have comforted her. He tried to do so, I think; but the more he comforted the more Mrs. Bremmil grieved, and, consequently, the more uncomfortable Bremmil grew. The fact was that they both needed a tonic. And they got it. Mrs. Bremmil can afford to laugh now, but it was no laughing matter to her at the time.
You see, Mrs. Hauksbee appeared on the horizon; and where she existed was fair chance of trouble. At Simla her bye-name was the "Stormy Petrel." She had won that title five times to my own certain knowledge. She was a little, brown, thin, almost skinny, woman, with big, rolling, violet-blue eyes, and the sweetest manners in the world. You had only to mention her name at afternoon teas for every woman in the room to rise up, and call her—well—NOT blessed. She was clever, witty, brilliant, and sparkling beyond most of her kind; but possessed of many devils of malice and mischievousness. She could be nice, though, even to her own sex. But that is another story.
Bremmil went off at score after the baby's death and the general discomfort that followed, and Mrs. Hauksbee annexed him. She took no pleasure in hiding her captives. She annexed him publicly, and saw that the public saw it. He rode with her, and walked with her, and talked with her, and picnicked with her, and tiffined at Peliti's with her, till people put up their eyebrows and said: "Shocking!" Mrs. Bremmil stayed at home turning over the dead baby's frocks and crying into the empty cradle. She did not care to do anything else. But some eight dear, affectionate lady-friends explained the situation at length to her in case she should miss the cream of it. Mrs. Bremmil listened quietly, and thanked them for their good offices. She was not as clever as Mrs. Hauksbee, but she was no fool. She kept her own counsel, and did not speak to Bremmil of what she had heard. This is worth remembering. Speaking to, or crying over, a husband never did any good yet.
When Bremmil was at home, which was not often, he was more affectionate than usual; and that showed his hand. The affection was forced partly to soothe his own conscience and partly to soothe Mrs. Bremmil. It failed in both regards.
Then "the A.-D.-C. in Waiting was commanded by Their Excellencies, Lord and Lady Lytton, to invite Mr. and Mrs. Cusack-Bremmil to Peterhoff on July 26th at 9.30 P. M."—"Dancing" in the bottom-left-hand corner.
"I can't go," said Mrs. Bremmil, "it is too soon after poor little Florrie... but it need not stop you, Tom."
She meant what she said then, and Bremmil said that he would go just to put in an appearance. Here he spoke the thing which was not; and Mrs. Bremmil knew it. She guessed—a woman's guess is much more accurate than a man's certainty—that he had meant to go from the first, and with Mrs. Hauksbee. She sat down to think, and the outcome of her thoughts was that the memory of a dead child was worth considerably less than the affections of a living husband. She made her plan and staked her all upon it. In that hour she discovered that she knew Tom Bremmil thoroughly, and this knowledge she acted on.
"Tom," said she, "I shall be dining out at the Longmores' on the evening of the 26th. You'd better dine at the club."
This saved Bremmil from making an excuse to get away and dine with Mrs. Hauksbee, so he was grateful, and felt small and mean at the same time—which was wholesome. Bremmil left the house at five for a ride. About half-past five in the evening a large leather-covered basket came in from Phelps' for Mrs. Bremmil. She was a woman who knew how to dress; and she had not spent a week on designing that dress and having it gored, and hemmed, and herring-boned, and tucked and rucked (or whatever the terms are) for nothing. It was a gorgeous dress—slight mourning. I can't describe it, but it was what The Queen calls "a creation"—a thing that hit you straight between the eyes and made you gasp. She had not much heart for what she was going to do; but as she glanced at the long mirror she had the satisfaction of knowing that she had never looked so well in her life. She was a large blonde and, when she chose, carried herself superbly.
After the dinner at the Longmores, she went on to the dance—a little late—and encountered Bremmil with Mrs. Hauksbee on his arm. That made her flush, and as the men crowded round her for dances she looked magnificent. She filled up all her dances except three, and those she left blank. Mrs. Hauksbee caught her eye once; and she knew it was war—real war—between them. She started handicapped in the struggle, for she had ordered Bremmil about just the least little bit in the world too much; and he was beginning to resent it. Moreover, he had never seen his wife look so lovely. He stared at her from doorways, and glared at her from passages as she went about with her partners; and the more he stared, the more taken was he. He could scarcely believe that this was the woman with the red eyes and the black stuff gown who used to weep over the eggs at breakfast.
Mrs. Hauksbee did her best to hold him in play, but, after two dances, he crossed over to his wife and asked for a dance.
"I'm afraid you've come too late, MISTER Bremmil," she said, with her eyes twinkling.
Then he begged her to give him a dance, and, as a great favor, she allowed him the fifth waltz. Luckily 5 stood vacant on his programme. They danced it together, and there was a little flutter round the room. Bremmil had a sort of notion that his wife could dance, but he never knew she danced so divinely. At the end of that waltz he asked for another—as a favor, not as a right; and Mrs. Bremmil said: "Show me your programme, dear!" He showed it as a naughty little schoolboy hands up contraband sweets to a master. There was a fair sprinkling of "H" on it besides "H" at supper. Mrs. Bremmil said nothing, but she smiled contemptuously, ran her pencil through 7 and 9—two "H's"—and returned the card with her own name written above—a pet name that only she and her husband used. Then she shook her finger at him, and said, laughing: "Oh, you silly, SILLY boy!"
Mrs. Hauksbee heard that, and—she owned as much—felt that she had the worst of it. Bremmil accepted 7 and 9 gratefully. They danced 7, and sat out 9 in one of the little tents. What Bremmil said and what Mrs. Bremmil said is no concern of any one's.
When the band struck up "The Roast Beef of Old England," the two went out into the verandah, and Bremmil began looking for his wife's dandy (this was before 'rickshaw days) while she went into the cloak-room. Mrs. Hauksbee came up and said: "You take me in to supper, I think, Mr. Bremmil." Bremmil turned red and looked foolish. "Ah—h'm! I'm going home with my wife, Mrs. Hauksbee. I think there has been a little mistake." Being a man, he spoke as though Mrs. Hauksbee were entirely responsible.
Mrs. Bremmil came out of the cloak-room in a swansdown cloak with a white "cloud" round her head. She looked radiant; and she had a right to.
The couple went off in the darkness together, Bremmil riding very close to the dandy.
Then says Mrs. Hauksbee to me—she looked a trifle faded and jaded in the lamplight: "Take my word for it, the silliest woman can manage a clever man; but it needs a very clever woman to manage a fool."
Then we went in to supper.
"And some are sulky, while some will plunge [So ho! Steady! Stand still, you!] Some you must gentle, and some you must lunge. [There! There! Who wants to kill you?] Some—there are losses in every trade— Will break their hearts ere bitted and made, Will fight like fiends as the rope cuts hard, And die dumb-mad in the breaking-yard." Toolungala Stockyard Chorus.
To rear a boy under what parents call the "sheltered life system" is, if the boy must go into the world and fend for himself, not wise. Unless he be one in a thousand he has certainly to pass through many unnecessary troubles; and may, possibly, come to extreme grief simply from ignorance of the proper proportions of things.
Let a puppy eat the soap in the bath-room or chew a newly-blacked boot. He chews and chuckles until, by and by, he finds out that blacking and Old Brown Windsor make him very sick; so he argues that soap and boots are not wholesome. Any old dog about the house will soon show him the unwisdom of biting big dogs' ears. Being young, he remembers and goes abroad, at six months, a well-mannered little beast with a chastened appetite. If he had been kept away from boots, and soap, and big dogs till he came to the trinity full-grown and with developed teeth, just consider how fearfully sick and thrashed he would be! Apply that motion to the "sheltered life," and see how it works. It does not sound pretty, but it is the better of two evils.
There was a Boy once who had been brought up under the "sheltered life" theory; and the theory killed him dead. He stayed with his people all his days, from the hour he was born till the hour he went into Sandhurst nearly at the top of the list. He was beautifully taught in all that wins marks by a private tutor, and carried the extra weight of "never having given his parents an hour's anxiety in his life." What he learnt at Sandhurst beyond the regular routine is of no great consequence. He looked about him, and he found soap and blacking, so to speak, very good. He ate a little, and came out of Sandhurst not so high as he went in. Then there was an interval and a scene with his people, who expected much from him. Next a year of living "unspotted from the world" in a third-rate depot battalion where all the juniors were children, and all the seniors old women; and lastly he came out to India, where he was cut off from the support of his parents, and had no one to fall back on in time of trouble except himself.
Now India is a place beyond all others where one must not take things too seriously—the midday sun always excepted. Too much work and too much energy kill a man just as effectively as too much assorted vice or too much drink. Flirtation does not matter because every one is being transferred and either you or she leave the Station, and never return. Good work does not matter, because a man is judged by his worst output and another man takes all the credit of his best as a rule. Bad work does not matter, because other men do worse, and incompetents hang on longer in India than anywhere else. Amusements do not matter, because you must repeat them as soon as you have accomplished them once, and most amusements only mean trying to win another person's money. Sickness does not matter, because it's all in the day's work, and if you die another man takes over your place and your office in the eight hours between death and burial. Nothing matters except Home furlough and acting allowances, and these only because they are scarce. This is a slack, kutcha country where all men work with imperfect instruments; and the wisest thing is to take no one and nothing in earnest, but to escape as soon as ever you can to some place where amusement is amusement and a reputation worth the having.
But this Boy—the tale is as old as the Hills—came out, and took all things seriously. He was pretty and was petted. He took the pettings seriously, and fretted over women not worth saddling a pony to call upon. He found his new free life in India very good. It DOES look attractive in the beginning, from a Subaltern's point of view—all ponies, partners, dancing, and so on. He tasted it as the puppy tastes the soap. Only he came late to the eating, with a growing set of teeth. He had no sense of balance—just like the puppy—and could not understand why he was not treated with the consideration he received under his father's roof. This hurt his feelings.
He quarrelled with other boys, and, being sensitive to the marrow, remembered these quarrels, and they excited him. He found whist, and gymkhanas, and things of that kind (meant to amuse one after office) good; but he took them seriously too, just as he took the "head" that followed after drink. He lost his money over whist and gymkhanas because they were new to him.
He took his losses seriously, and wasted as much energy and interest over a two-goldmohur race for maiden ekka-ponies with their manes hogged, as if it had been the Derby. One-half of this came from inexperience—much as the puppy squabbles with the corner of the hearth-rug—and the other half from the dizziness bred by stumbling out of his quiet life into the glare and excitement of a livelier one. No one told him about the soap and the blacking because an average man takes it for granted that an average man is ordinarily careful in regard to them. It was pitiful to watch The Boy knocking himself to pieces, as an over-handled colt falls down and cuts himself when he gets away from the groom.
This unbridled license in amusements not worth the trouble of breaking line for, much less rioting over, endured for six months—all through one cold weather—and then we thought that the heat and the knowledge of having lost his money and health and lamed his horses would sober The Boy down, and he would stand steady. In ninety-nine cases out of a hundred this would have happened. You can see the principle working in any Indian Station. But this particular case fell through because The Boy was sensitive and took things seriously—as I may have said some seven times before. Of course, we couldn't tell how his excesses struck him personally. They were nothing very heart-breaking or above the average. He might be crippled for life financially, and want a little nursing. Still the memory of his performances would wither away in one hot weather, and the shroff would help him to tide over the money troubles. But he must have taken another view altogether and have believed himself ruined beyond redemption. His Colonel talked to him severely when the cold weather ended. That made him more wretched than ever; and it was only an ordinary "Colonel's wigging!"
What follows is a curious instance of the fashion in which we are all linked together and made responsible for one another. THE thing that kicked the beam in The Boy's mind was a remark that a woman made when he was talking to her. There is no use in repeating it, for it was only a cruel little sentence, rapped out before thinking, that made him flush to the roots of his hair. He kept himself to himself for three days, and then put in for two days' leave to go shooting near a Canal Engineer's Rest House about thirty miles out. He got his leave, and that night at Mess was noisier and more offensive than ever. He said that he was "going to shoot big game", and left at half-past ten o'clock in an ekka. Partridge—which was the only thing a man could get near the Rest House—is not big game; so every one laughed.
Next morning one of the Majors came in from short leave, and heard that The Boy had gone out to shoot "big game." The Major had taken an interest in The Boy, and had, more than once, tried to check him in the cold weather. The Major put up his eyebrows when he heard of the expedition and went to The Boy's room, where he rummaged.
Presently he came out and found me leaving cards on the Mess. There was no one else in the ante-room.
He said: "The Boy has gone out shooting. DOES a man shoot tetur with a revolver and a writing-case?"
I said: "Nonsense, Major!" for I saw what was in his mind.
He said: "Nonsense or nonsense, I'm going to the Canal now—at once. I don't feel easy."
Then he thought for a minute, and said: "Can you lie?"
"You know best," I answered. "It's my profession."
"Very well," said the Major; "you must come out with me now—at once—in an ekka to the Canal to shoot black-buck. Go and put on shikar-kit—quick—and drive here with a gun."
The Major was a masterful man; and I knew that he would not give orders for nothing. So I obeyed, and on return found the Major packed up in an ekka—gun-cases and food slung below—all ready for a shooting-trip.
He dismissed the driver and drove himself. We jogged along quietly while in the station; but as soon as we got to the dusty road across the plains, he made that pony fly. A country-bred can do nearly anything at a pinch. We covered the thirty miles in under three hours, but the poor brute was nearly dead.
Once I said: "What's the blazing hurry, Major?"
He said, quietly: "The Boy has been alone, by himself, for—one, two, five—fourteen hours now! I tell you, I don't feel easy."
This uneasiness spread itself to me, and I helped to beat the pony.
When we came to the Canal Engineer's Rest House the Major called for The Boy's servant; but there was no answer. Then we went up to the house, calling for The Boy by name; but there was no answer.
"Oh, he's out shooting," said I.
Just then I saw through one of the windows a little hurricane-lamp burning. This was at four in the afternoon. We both stopped dead in the verandah, holding our breath to catch every sound; and we heard, inside the room, the "brr—brr—brr" of a multitude of flies. The Major said nothing, but he took off his helmet and we entered very softly.
The Boy was dead on the charpoy in the centre of the bare, lime-washed room. He had shot his head nearly to pieces with his revolver. The gun-cases were still strapped, so was the bedding, and on the table lay The Boy's writing-case with photographs. He had gone away to die like a poisoned rat!
The Major said to himself softly: "Poor Boy! Poor, POOR devil!" Then he turned away from the bed and said: "I want your help in this business."
Knowing The Boy was dead by his own hand, I saw exactly what that help would be, so I passed over to the table, took a chair, lit a cheroot, and began to go through the writing-case; the Major looking over my shoulder and repeating to himself: "We came too late!—Like a rat in a hole!—Poor, POOR devil!"
The Boy must have spent half the night in writing to his people, and to his Colonel, and to a girl at Home; and as soon as he had finished, must have shot himself, for he had been dead a long time when we came in.
I read all that he had written, and passed over each sheet to the Major as I finished it.
We saw from his accounts how very seriously he had taken everything. He wrote about "disgrace which he was unable to bear"—"indelible shame"—"criminal folly"—"wasted life," and so on; besides a lot of private things to his Father and Mother too much too sacred to put into print. The letter to the girl at Home was the most pitiful of all; and I choked as I read it. The Major made no attempt to keep dry-eyed. I respected him for that. He read and rocked himself to and fro, and simply cried like a woman without caring to hide it. The letters were so dreary and hopeless and touching. We forgot all about The Boy's follies, and only thought of the poor Thing on the charpoy and the scrawled sheets in our hands. It was utterly impossible to let the letters go Home. They would have broken his Father's heart and killed his Mother after killing her belief in her son.
At last the Major dried his eyes openly, and said: "Nice sort of thing to spring on an English family! What shall we do?"
I said, knowing what the Major had brought me but for: "The Boy died of cholera. We were with him at the time. We can't commit ourselves to half-measures. Come along."
Then began one of the most grimy comic scenes I have ever taken part in—the concoction of a big, written lie, bolstered with evidence, to soothe The Boy's people at Home. I began the rough draft of a letter, the Major throwing in hints here and there while he gathered up all the stuff that The Boy had written and burnt it in the fireplace. It was a hot, still evening when we began, and the lamp burned very badly. In due course I got the draft to my satisfaction, setting forth how The Boy was the pattern of all virtues, beloved by his regiment, with every promise of a great career before him, and so on; how we had helped him through the sickness—it was no time for little lies, you will understand—and how he had died without pain. I choked while I was putting down these things and thinking of the poor people who would read them. Then I laughed at the grotesqueness of the affair, and the laughter mixed itself up with the choke—and the Major said that we both wanted drinks.
I am afraid to say how much whiskey we drank before the letter was finished. It had not the least effect on us. Then we took off The Boy's watch, locket, and rings.
Lastly, the Major said: "We must send a lock of hair too. A woman values that."
But there were reasons why we could not find a lock fit to send. The Boy was black-haired, and so was the Major, luckily. I cut off a piece of the Major's hair above the temple with a knife, and put it into the packet we were making. The laughing-fit and the chokes got hold of me again, and I had to stop. The Major was nearly as bad; and we both knew that the worst part of the work was to come.
We sealed up the packet, photographs, locket, seals, ring, letter, and lock of hair with The Boy's sealing-wax and The Boy's seal.
Then the Major said: "For God's sake let's get outside—away from the room—and think!"
We went outside, and walked on the banks of the Canal for an hour, eating and drinking what we had with us, until the moon rose. I know now exactly how a murderer feels. Finally, we forced ourselves back to the room with the lamp and the Other Thing in it, and began to take up the next piece of work. I am not going to write about this. It was too horrible. We burned the bedstead and dropped the ashes into the Canal; we took up the matting of the room and treated that in the same way. I went off to a village and borrowed two big hoes—I did not want the villagers to help—while the Major arranged—the other matters. It took us four hours' hard work to make the grave. As we worked, we argued out whether it was right to say as much as we remembered of the Burial of the Dead. We compromised things by saying the Lord's Prayer with a private unofficial prayer for the peace of the soul of The Boy. Then we filled in the grave and went into the verandah—not the house—to lie down to sleep. We were dead-tired.
When we woke the Major said, wearily: "We can't go back till to-morrow. We must give him a decent time to die in. He died early THIS morning, remember. That seems more natural." So the Major must have been lying awake all the time, thinking.
I said: "Then why didn't we bring the body back to the cantonments?"
The Major thought for a minute:—"Because the people bolted when they heard of the cholera. And the ekka has gone!"
That was strictly true. We had forgotten all about the ekka-pony, and he had gone home.
So, we were left there alone, all that stifling day, in the Canal Rest House, testing and re-testing our story of The Boy's death to see if it was weak at any point. A native turned up in the afternoon, but we said that a Sahib was dead of cholera, and he ran away. As the dusk gathered, the Major told me all his fears about The Boy, and awful stories of suicide or nearly-carried-out suicide—tales that made one's hair crisp. He said that he himself had once gone into the same Valley of the Shadow as the Boy, when he was young and new to the country; so he understood how things fought together in The Boy's poor jumbled head. He also said that youngsters, in their repentant moments, consider their sins much more serious and ineffaceable than they really are. We talked together all through the evening, and rehearsed the story of the death of The Boy. As soon as the moon was up, and The Boy, theoretically, just buried, we struck across country for the Station. We walked from eight till six o'clock in the morning; but though we were dead-tired, we did not forget to go to The Boy's room and put away his revolver with the proper amount of cartridges in the pouch. Also to set his writing-case on the table. We found the Colonel and reported the death, feeling more like murderers than ever. Then we went to bed and slept the clock round; for there was no more in us.
The tale had credence as long as was necessary, for every one forgot about The Boy before a fortnight was over. Many people, however, found time to say that the Major had behaved scandalously in not bringing in the body for a regimental funeral. The saddest thing of all was a letter from The Boy's mother to the Major and me—with big inky blisters all over the sheet. She wrote the sweetest possible things about our great kindness, and the obligation she would be under to us as long as she lived.
All things considered, she WAS under an obligation; but not exactly as she meant.
When Man and Woman are agreed, what can the Kazi do? Mahomedan Proverb.
Some people say that there is no romance in India. Those people are wrong. Our lives hold quite as much romance as is good for us. Sometimes more.
Strickland was in the Police, and people did not understand him; so they said he was a doubtful sort of man and passed by on the other side. Strickland had himself to thank for this. He held the extraordinary theory that a Policeman in India should try to know as much about the natives as the natives themselves. Now, in the whole of Upper India, there is only ONE man who can pass for Hindu or Mohammedan, chamar or faquir, as he pleases. He is feared and respected by the natives from the Ghor Kathri to the Jamma Musjid; and he is supposed to have the gift of invisibility and executive control over many Devils. But what good has this done him with the Government? None in the world. He has never got Simla for his charge; and his name is almost unknown to Englishmen.
Strickland was foolish enough to take that man for his model; and, following out his absurd theory, dabbled in unsavory places no respectable man would think of exploring—all among the native riff-raff. He educated himself in this peculiar way for seven years, and people could not appreciate it. He was perpetually "going Fantee" among the natives, which, of course, no man with any sense believes in. He was initiated into the Sat Bhai at Allahabad once, when he was on leave; he knew the Lizard-Song of the Sansis, and the Halli-Hukk dance, which is a religious can-can of a startling kind. When a man knows who dances the Halli-Hukk, and how, and when, and where, he knows something to be proud of. He has gone deeper than the skin. But Strickland was not proud, though he had helped once, at Jagadhri, at the Painting of the Death Bull, which no Englishman must even look upon; had mastered the thieves'-patter of the changars; had taken a Eusufzai horse-thief alone near Attock; and had stood under the mimbar-board of a Border mosque and conducted service in the manner of a Sunni Mollah.