Religion. a Dialogue.
A Few Words on Pantheism.
On Books and Reading.
Physiognomy.
Psychological Observations.
The Christian System.
Prefatory Note
Schopenhauer
is one of the few philosophers who can be generally understood
without a commentary. All his theories claim to be drawn direct from
the facts, to be suggested by observation, and to interpret the world
as it is; and whatever view he takes, he is constant in his appeal to
the experience of common life. This characteristic endows his style
with a freshness and vigor which would be difficult to match in the
philosophical writing of any country, and impossible in that of
Germany. If it were asked whether there were any circumstances apart
from heredity, to which he owed his mental habit, the answer might be
found in the abnormal character of his early education, his
acquaintance with the world rather than with books, the extensive
travels of his boyhood, his ardent pursuit of knowledge for its own
sake and without regard to the emoluments and endowments of learning.
He was trained in realities even more than in ideas; and hence he is
original, forcible, clear, an enemy of all philosophic indefiniteness
and obscurity; so that it may well be said of him, in the words of a
writer in the Revue
Contemporaine, ce n’est pas un philosophe comme les autres, c’est
un philosophe qui a vu le monde.It
is not my purpose, nor would it be possible within the limits of a
prefatory note, to attempt an account of Schopenhauer’s philosophy,
to indicate its sources, or to suggest or rebut the objections which
may be taken to it. M. Ribot, in his excellent little book,
[Footnote: La
Philosophie de Schopenhauer,
par Th. Ribot.] has done all that is necessary in this direction. But
the essays here presented need a word of explanation. It should be
observed, and Schopenhauer himself is at pains to point out, that his
system is like a citadel with a hundred gates: at whatever point you
take it up, wherever you make your entrance, you are on the road to
the center. In this respect his writings resemble a series of essays
composed in support of a single thesis; a circumstance which led him
to insist, more emphatically even than most philosophers, that for a
proper understanding of his system it was necessary to read every
line he had written. Perhaps it would be more correct to describe
Die Welt als Wille und Vorstellung
as his main thesis, and his other treatises as merely corollary to
it. The essays in this volume form part of the corollary; they are
taken from a collection published towards the close of Schopenhauer’s
life, and by him entitled
Parerga und Paralipomena,
as being in the nature of surplusage and illustrative of his main
position. They are by far the most popular of his works, and since
their first publication in 1851, they have done much to build up his
fame. Written so as to be intelligible enough in themselves, the
tendency of many of them is towards the fundamental idea on which his
system is based. It may therefore be convenient to summarize that
idea in a couple of sentences; more especially as Schopenhauer
sometimes writes as if his advice had been followed and his readers
were acquainted with the whole of his work.All
philosophy is in some sense the endeavor to find a unifying
principle, to discover the most general conception underlying the
whole field of nature and of knowledge. By one of those bold
generalizations which occasionally mark a real advance in Science,
Schopenhauer conceived this unifying principle, this underlying
unity, to consist in something analogous to that
will which
self-consciousness reveals to us.
Will is, according
to him, the fundamental reality of the world, the thing-in-itself;
and its objectivation is what is presented in phenomena. The struggle
of the will to realize itself evolves the organism, which in its turn
evolves intelligence as the servant of the will. And in practical
life the antagonism between the will and the intellect arises from
the fact that the former is the metaphysical substance, the latter
something accidental and secondary. And further, will is
desire, that is to
say, need of something; hence need and pain are what is positive in
the world, and the only possible happiness is a negation, a
renunciation of the
will to live.It
is instructive to note, as M. Ribot points out, that in finding the
origin of all things, not in intelligence, as some of his
predecessors in philosophy had done, but in will, or the force of
nature, from which all phenomena have developed, Schopenhauer was
anticipating something of the scientific spirit of the nineteenth
century. To this it may be added that in combating the method of
Fichte and Hegel, who spun a system out of abstract ideas, and in
discarding it for one based on observation and experience,
Schopenhauer can be said to have brought down philosophy from heaven
to earth.In
Schopenhauer’s view the various forms of Religion are no less a
product of human ingenuity than Art or Science. He holds, in effect,
that all religions take their rise in the desire to explain the
world; and that, in regard to truth and error, they differ, in the
main, not by preaching monotheism polytheism or pantheism, but in so
far as they recognize pessimism or optimism as the true description
of life. Hence any religion which looked upon the world as being
radically evil appealed to him as containing an indestructible
element of truth. I have endeavored to present his view of two of the
great religions of the world in the extract which concludes this
volume, and to which I have given the title of
The Christian System.
The tenor of it is to show that, however little he may have been in
sympathy with the supernatural element, he owed much to the moral
doctrines of Christianity and of Buddhism, between which he traced
great resemblance. In the following
Dialogue he applies
himself to a discussion of the practical efficacy of religious forms;
and though he was an enemy of clericalism, his choice of a method
which allows both the affirmation and the denial of that efficacy to
be presented with equal force may perhaps have been directed by the
consciousness that he could not side with either view to the
exclusion of the other. In any case his practical philosophy was
touched with the spirit of Christianity. It was more than artistic
enthusiasm which led him in profound admiration to the Madonna di San
Sisto:Sie
trägt zur Welt ihn, und er schaut entsetztIn
ihrer Gräu’l chaotische Verwirrung,In
ihres Tobens wilde Raserei,In
ihres Treibens nie geheilte Thorheit,In
ihrer Quaalen nie gestillten Schmerz;Entsetzt:
doch strahlet Rub’ and ZuversichtUnd
Siegesglanz sein Aug’, verkündigendSchon
der Erlösung ewige gewissheit.Pessimism
is commonly and erroneously supposed to be the distinguishing feature
of Schopenhauer’s system. It is right to remember that the same
fundamental view of the world is presented by Christianity, to say
nothing of Oriental religions.That
Schopenhauer conceives life as an evil is a deduction, and possibly a
mistaken deduction, from his metaphysical theory. Whether his scheme
of things is correct or not — and it shares the common fate of all
metaphysical systems in being unverifiable, and to that extent
unprofitable — he will in the last resort have made good his claim
to be read by his insight into the varied needs of human life. It may
be that a future age will consign his metaphysics to the
philosophical lumber-room; but he is a literary artist as well as a
philosopher, and he can make a bid for fame in either capacity. What
is remarked with much truth of many another writer, that he suggests
more than he achieves, is in the highest degree applicable to
Schopenhauer; and his
obiter dicta, his
sayings by the way, will always find an audience.