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Henrik Ibsen

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Mrs. Helseth. Hadn't I better begin and lay the table for supper, miss? Rebecca. Yes, do. Mr. Rosmer ought to be in directly. Mrs. Helseth. Isn't there a draught where you are sitting, miss? Rebecca. There is a little. Will you shut up, please? (MRS. HELSETH goes to the hall door and shuts it. Then she goes to the window, to shut it, and looks out.) Mrs. Helseth. Isn't that Mr. Rosmer coming there? Rebecca. Where? (Gets up.) Yes, it is he. (Stands behind the window-curtain.) Stand on one side. Don't let him catch sight of us. Mrs. Helseth (stepping back). Look, miss-he is beginning to use the mill path again.

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Rosmersholm

Rosmersholm DRAMATIS PERSONAEACT IACT IIACT IIIACT IVCopyright

Rosmersholm

Henrik Ibsen

DRAMATIS PERSONAE

John Rosmer, of Rosmersholm, an ex-clergyman.

Rebecca West, one of his household, originally engaged ascompanion to the late Mrs. Rosmer.Kroll, headmaster of the local grammar school, Rosmer'sbrother-in-law.Ulrik Brendel.Peter Mortensgaard.Mrs. Helseth, Rosmer's housekeeper.

(The action takes place at Rosmersholm, an old manor-house in the neighbourhood of a small town on a fjord in western Norway.)

ACT I

(SCENE—The sitting-room at Rosmersholm; a spacious room, comfortably furnished in old-fashioned style. In the foreground, against the right-hand wall, is a stove decorated with sprigs of fresh birch and wild flowers. Farther back, a door. In the back wall folding doors leading into the entrance hall. In the left-hand wall a window, in front of which is a stand filled with flowers and plants. Near the stove stand a table, a couch and an easy-chair. The walls are hung round with portraits, dating from various periods, of clergymen, military officers and other officials in uniform. The window is open, and so are the doors into the lobby and the outer door. Through the latter is seen an avenue of old trees leading to a courtyard. It is a summer evening, after sunset. REBECCA WEST is sitting by the window crocheting a large white woollen shawl, which is nearly completed. From time to time she peeps out of window through the flowers. MRS. HELSETH comes in from the right.)

Mrs. Helseth. Hadn't I better begin and lay the table for supper, miss?

Rebecca. Yes, do. Mr. Rosmer ought to be in directly.

Mrs. Helseth. Isn't there a draught where you are sitting, miss?

Rebecca. There is a little. Will you shut up, please? (MRS. HELSETH goes to the hall door and shuts it. Then she goes to the window, to shut it, and looks out.)

Mrs. Helseth. Isn't that Mr. Rosmer coming there?

Rebecca. Where? (Gets up.) Yes, it is he. (Stands behind the window-curtain.) Stand on one side. Don't let him catch sight of us.

Mrs. Helseth (stepping back). Look, miss—he is beginning to use the mill path again.

Rebecca. He came by the mill path the day before yesterday too. (Peeps out between the curtain and the window-frame). Now we shall see whether—

Mrs. Helseth. Is he going over the wooden bridge?

Rebecca. That is just what I want to see. (After a moment.) No. He has turned aside. He is coming the other way round to-day too. (Comes away from the window.) It is a long way round.

Mrs. Helseth. Yes, of course. One can well understand his shrinking from going over that bridge. The spot where such a thing has happened is—

Rebecca (folding up her work). They cling to their dead a long time at Rosmersholm.

Mrs. Helseth. If you ask me, miss, I should say it is the dead that cling to Rosmersholm a long time.

Rebecca (looking at her). The dead?

Mrs. Helseth. Yes, one might almost say that they don't seem to be able to tear themselves away from those they have left behind.

Rebecca. What puts that idea into your head?

Mrs. Helseth. Well, otherwise I know the White Horses would not be seen here.

Rebecca. Tell me, Mrs. Helseth—what is this superstition about the White Horses?

Mrs. Helseth. Oh, it is not worth talking about. I am sure you don't believe in such things, either.

Rebecca. Do you believe in them?

Mrs. Helseth (goes to the window and shuts it). Oh, I am not going to give you a chance of laughing at me, miss. (Looks out.) See—is that not Mr. Rosmer out on the mill path again?

Rebecca (looking out). That man out there? (Goes to the window.) Why, that is Mr. Kroll, of course!

Mrs. Helseth. So it is, to be sure.

Rebecca. That is delightful, because he is certain to be coming here.

Mrs. Helseth. He actually comes straight over the wooden bridge, he does for all that she was his own sister. Well, I will go in and get the supper laid, miss. (Goes out to the right. REBECCA stands still for a moment, then waves her hand out of the window, nodding and smiling. Darkness is beginning to fall.)

Rebecca (going to the door on the right and calling through it). Mrs. Helseth, I am sure you won't mind preparing something extra nice for supper? You know what dishes Mr. Kroll is especially fond of.

Mrs. Helseth. Certainly, miss. I will.

Rebecca (opening the door into the lobby). At last, Mr. Kroll! I am so glad to see you!

Kroll (coming into the lobby and putting down his stick). Thank you. Are you sure I am not disturbing you?

Rebecca. You? How can you say such a thing?

Kroll (coming into the room). You are always so kind. (Looks round the room.) Is John up in his room?

Rebecca. No, he has gone out for a walk. He is later than usual of coming in, but he is sure to be back directly. (Points to the sofa.) Do sit down and wait for him.

Kroll (putting down his hat). Thank you. (Sits down and looks about him.) How charmingly pretty you have made the old room look! Flowers everywhere!

Rebecca. Mr. Rosmer is so fond of having fresh flowers about him.

Kroll. And so are you, I should say.

Rebecca. Yes, I am. I think their scent has such a delicious effect on one—and till lately we had to deny ourselves that pleasure, you know.

Kroll (nodding slowly). Poor Beata could not stand the scent of them.

Rebecca. Nor their colours either. They made her feel dazed.

Kroll. Yes, I remember. (Continues in a more cheerful tone of voice). Well, and how are things going here?

Rebecca. Oh, everything goes on in the same quiet, placid way. One day is exactly like another. And how are things with you? Is your wife—?

Kroll. Oh, my dear Miss West, don't let us talk about my affairs. In a family there is always something or other going awry—especially in such times as we live in now.

Rebecca (after a short pause, sitting down in an easy-chair near the sofa). Why have you never once been near us during the whole of your holidays?

Kroll. Oh, it doesn't do to be importunate, you know.

Rebecca. If you only knew how we have missed you.

Kroll. And, besides, I have been away, you know.

Rebecca. Yes, for a fortnight or so. I suppose you have been going the round of the public meetings?

Kroll (nods). Yes, what do you say to that? Would you ever have thought I would become a political agitator in my old age—eh?

Rebecca (smilingly). You have always been a little bit of an agitator, Mr. Kroll.

Kroll. Oh, yes; just for my own amusement. But for the future it is going to be in real earnest. Do you ever read the Radical newspapers?

Rebecca. Yes, I won't deny that!

Kroll. My dear Miss West, there is no objection to that—not as far as you are concerned.

Rebecca. No, that is just what I think. I must follow the course of events—keep up with what is happening.

Kroll. Well, under any circumstances, I should never expect you, as a woman, to side actively with either party in the civic dispute—indeed one might more properly call it the civil war—that is raging here. I dare say you have read, then, the abuse these "nature's gentlemen" are pleased to shower upon me, and the scandalous coarseness they consider they are entitled to make use of?

Rebecca. Yes, but I think you have held your own pretty forcibly.

Kroll. That I have—though I say it. I have tasted blood now, and I will make them realise that I am not the sort of man to take it lying down—. (Checks himself.) No, no, do not let us get upon that sad and distressing topic this evening.

Rebecca. No, my dear Mr. Kroll, certainly not.

Kroll. Tell me, instead, how you find you get on at Rosmersholm, now that you are alone here—I mean, since our poor Beata—

Rebecca. Oh, thanks—I get on very well here. Her death has made a great gap in the house in many ways, of course—and one misses her and grieves for her, naturally. But in other respects—

Kroll. Do you think you will remain here?—permanently, I mean?

Rebecca. Dear Mr. Kroll, I really never think about it at all. The fact is that I have become so thoroughly domesticated here that I almost feel as if I belonged to the place too.

Kroll. You? I should think you did!

Rebecca. And as long as Mr. Rosmer finds I can be any comfort or any use to him, I will gladly remain here, undoubtedly.

Kroll (looking at her, with some emotion). You know, there is something splendid about a woman's sacrificing the whole of her youth for others.

Rebecca. What else have I had to live for?

Kroll. At first when you came here there was your perpetual worry with that unreasonable cripple of a foster-father of yours—

Rebecca. You mustn't think that Dr. West was as unreasonable as that when we lived in Finmark. It was the trying journeys by sea that broke him up. But it is quite true that after we had moved here there were one or two hard years before his sufferings were over.

Kroll. Were not the years that followed even harder for you?

Rebecca. No; how can you say such a thing! I, who was so genuinely fond of Beata—! And she, poor soul was so sadly in need of care and sympathetic companionship.

Kroll. You deserve to be thanked and rewarded for the forbearance with which you speak of her.

Rebecca (moving a little nearer to him). Dear Mr. Kroll, you say that so kindly and so sincerely that I feel sure you really bear me no ill-will.

Kroll. Ill-will? What do you mean?

Rebecca. Well, it would not be so very surprising if it were rather painful for you to see me, a stranger, doing just as I like here at Rosmersholm.

Kroll. How in the world could you think—!

Rebecca. Then it is not so? (Holds out her hand to, him.) Thank you, Mr. Kroll; thank you for that.

Kroll. But what on earth could make you take such an idea into your head?

Rebecca. I began to be afraid it might be so, as you have so seldom been out here to see us lately.

Kroll. I can assure you, you have been on the wrong scent entirely, Miss West. And, in any case, the situation of affairs is unchanged in any essential point; because during the last sad years of poor Beata's life it was you and you alone, even then, that looked after everything here.

Rebecca. But it was more like a kind of regency in the wife's name.

Kroll. Whatever it was, I—. I will tell you what, Miss West; as far as I am concerned I should have nothing whatever to say against it if you. But it doesn't do to say such things.

Rebecca. What things?

Kroll. Well, if it so happened that you were to step into the empty place—

Rebecca. I have the place I want, already, Mr. Kroll.

Kroll. Yes, as far as material benefits go; but not—

Rebecca (interrupting him, in a serious voice). For shame, Mr. Kroll! How can you sit there and jest about such things!

Kroll. Oh, well, I dare say our good John Rosmer thinks he has had more than enough of married life. But, all the same—

Rebecca. Really, you almost make me feel inclined to laugh at you.

Kroll. All the same—Tell me, Miss West, if I may be allowed the question, how old are you?

Rebecca. I am ashamed to say I was twenty-nine on my last birthday, Mr. Kroll. I am nearly thirty.

Kroll. Quite so. And Rosmer—how old is he? Let me see. He is five years younger than me, so he must be just about forty-three. It seems to me it would be very suitable.

Rebecca. No doubt, no doubt. It would be remarkably suitable—Will you stop and have supper with us?

Kroll. Thank you. I had meant to pay you a good long visit, because there is a matter I want to talk over with our excellent friend—Well, then, Miss West, to prevent your taking foolish ideas into your head again, I will come out here again from time to time, as in the old days.

Rebecca. Yes, please do. (Holds out her hand to, him.) Thank you, thank you! You are really uncommonly good-natured.

Kroll (with a little grumble). Am I? I can tell you that is more than they say at home. (ROSMER comes in by the door on the right.)

Rebecca. Mr. Rosmer, do you see who is sitting here?

Rosmer. Mrs. Helseth told me. (KROLL gets up.) I am so glad to see you here again, my dear fellow. (Puts his hands on KROLL'S shoulders and looks him in the face.) Dear old friend! I knew that one day we should be on our old footing again.

Kroll. My dear fellow, have you that insane idea in your head too, that any thing could come between us?

Rebecca (to ROSMER). Isn't it delightful to think it was all our imagination!

Rosmer. Is that really true, Kroll? But why have you kept so obstinately away from us?

Kroll (seriously, and in, a subdued voice). Because I did not want to come here like a living reminder of the unhappy time that is past—and of her who met her death in the mill-race.

Rosmer. It was a very kind thought on your part. You are always so considerate. But it was altogether unnecessary to keep away from us on that account. Come along, let us sit down on the sofa. (They sit down.) I can assure you it is not in the least painful for me to think about Beata. We talk about her every day. She seems to us to have a part in the house still.

Kroll. Does she really?

Rebecca (lighting the lamp). Yes, it is really quite true.

Rosmer. She really does. We both think so affectionately of her. And both Rebecca—both Miss West and I know in our hearts that we did all that lay in our power for the poor afflicted creature. We have nothing to reproach ourselves with. That is why I feel there is something sweet and peaceful in the way we can think of Beata now.

Kroll. You dear good people! In future I am coming out to see you every day.

Rebecca (sitting down in an arm-chair). Yes, let us see that you keep your word.

Rosmer (with a slight hesitation). I assure you, my dear fellow, my dearest wish would be that our intimacy should never suffer in any way. You know, you have seemed to be my natural adviser as long as we have known one another, even from my student days.

Kroll. I know, and I am very proud of the privilege. Is there by any chance anything in particular just now—?

Rosmer. There are a great many things that I want very much to talk over with you frankly—things that lie very near my heart.

Rebecca. I feel that is so, too, Mr. Rosmer. It seems to me it would be such a good thing if you two old friends—

Kroll. Well, I can assure you I have even more to talk over with you—because I have become an active politician, as I dare say you know.

Rosmer. Yes, I know you have. How did that come about?

Kroll. I had to, you see, whether I liked it or not. It became impossible for me to remain an idle spectator any longer. Now that the Radicals have become so distressingly powerful, it was high time. And that is also why I have induced our little circle of friends in the town to bind themselves more definitely together. It was high time, I can tell you!

Rebecca (with a slight smile). As a matter of fact, isn't it really rather late now?

Kroll. There is no denying it would have been more fortunate if we had succeeded in checking the stream at an earlier point. But who could really foresee what was coming? I am sure I could not. (Gets up and walks up and down.) Anyway, my eyes are completely opened now; for the spirit of revolt has spread even into my school.

Rosmer. Into the school? Surely not into your school?

Kroll. Indeed it has. Into my own school. What do you think of this? I have got wind of the fact that the boys in the top class—or rather, a part of the boys in it—have formed themselves into a secret society and have been taking in Mortensgaard's paper!

Rebecca. Ah, the "Searchlight".