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- Herausgeber: Fox Chapel Publishing
- Kategorie: Lebensstil
- Sprache: Englisch
- Veröffentlichungsjahr: 2021
From baby pandas and piglets to bear cubs and lion cubs, this book by best-selling and award-winning scroll saw artists and authors, Judy and Dave Peterson, has over 50 scroll saw projects and patterns for cute wooden toys of young animals found in the zoos, woods, jungles, and oceans of the world. Providing basic information on using a scroll saw to creating wooden puzzle animals, there even a few simplified projects with pieces large enough that are safe for children to play with! Great for decorating a nursery or children's room, or gifting as a handmade toy to someone you love, this is an excellent guide to further your scroll saw practice with fun and playful projects!
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We dedicate this book to our grandchildren: Owen, Liam, and Aaron Peterson.
PHOTO CREDITS
All photos are by the authors except for the following:
David J. Fisk, front cover; Mike Mihalo, pages 1, 4/5, 14, 18 (Step 15), 24, 25, 27, 28, 31, 33, 35, 37, 39, 41, 43, 45, 47, 49, 51, 53, 55, 57, 59, 61, 63, 65, 67, 69, 71, 73, 75, 77, 79, 81, 83, 85, 87, 89, 91, 93, 95, 97, 99, 101, 103, 105, 107, 109, 111, 113, 115, 117, 119, 121, 123, 125, 127, 129, 131, 133, 135, 137, 139, 141.
Additional photos from Shutterstock:
pinyo bonmark, page 7; RomanR, page 11; Sven Ritter, page 8.
© 2019 by Judy and Dave Peterson and Fox Chapel Publishing Company, Inc., 903 Square Street, Mount Joy, PA 17552.
Scroll Saw Baby Animals is an original work, first published in 2019 by Fox Chapel Publishing Company, Inc. The patterns contained herein are copyrighted by the author. Readers may make copies of these patterns for personal use. The patterns themselves, however, are not to be duplicated for resale or distribution under any circumstances. Any such copying is a violation of copyright law.
Print ISBN 978-1-4971-0054-1eISBN: 978-1-6076-5736-1
For a printable PDF of the patterns used in this book, please contact Fox Chapel Publishing at [email protected], stating the ISBN and title of the book in the subject line.
To learn more about the other great books from Fox Chapel Publishing, or to find a retailer near you, call toll-free 800-457-9112 or visit us at www.FoxChapelPublishing.com.
We are always looking for talented authors. To submit an idea, please send a brief inquiry to [email protected].
Table of Contents
INTRODUCTION
CHAPTER 1: Getting Started
CHAPTER 2: Production of the Sloth
Cutting the Puzzle
Sanding the Puzzle
Finishing the Puzzle
CHAPTER 3: Simplifying Puzzles
CHAPTER 4: Designing from a Photograph
CHAPTER 5: Cutting Features
CHAPTER 6: The Puzzle Patterns
TOOL AND SUPPLY SOURCES
ABOUT THE AUTHORS
Introduction
Why interlocking and freestanding puzzles?
I like puzzles. These days, when I’m not making my own puzzles, I’m likely to be making them for someone else. I didn’t, however, plan to go into business designing and making jigsaw puzzles. I bought a scroll saw because I have always liked wood, and I was fascinated by the scroll saw work I saw at an art show once.
When I began designing my own puzzles in 1990, I decided all of them would be interlocking. The puzzles in this book reflect that decision, meaning that, once you have the puzzles in a standing position, you can pick them up by any piece and turn them completely around without having them fall apart. That doesn’t mean that they can’t be deconstructed. Make sure you keep your puzzles vertical and don’t tip them!
The first thing I cut out when I brought home my first scroll saw was a three-piece rabbit. As a woodworker of long standing, I used the lumber I had in my workshop. It was an old piece of 1” x 4” (2.5 x 10cm) pine. One of the things I liked about the puzzle was that it was thick enough to stand. The concept of a “freestanding” puzzle stayed with me as I moved on to using hardwoods.
Why animals?
Like everyone else I know who bought a scroll saw, I started with patterns from books. The first few original designs I did were of dinosaurs, followed by a few dragons, then a few animals, and whatever struck my fancy. Deciding what to design next got easier once I started selling my puzzles; that’s because customers told me what their interests were. (If you’re going to design a new puzzle, you might as well design one that people will want to buy.) My customers ask for animal puzzles a lot, which reinforced my own interest in them. My own interests combined with my customers’ requests made a powerful reason for designing new animal puzzles.
Why hardwoods?
1.They’re naturally beautiful. As a “lover” of hardwoods, I have a natural aversion to painting them. They’re beautiful in their own right. Besides that, hardwoods occur naturally in wide variety of colors. Why cut a jaguar out of piece of pine and then paint it, when you can cut it from wood that comes complete with spots (see here)?
2.The harder the wood, the less chip-out you get. The structure of hardwoods is more uniform. Uniform density makes your cutting more consistent. You’ll spend less time overall and end up with a more pleasing result.
3.The increased density also results in a surface that can be more easily sanded smooth. To repeat something we said in our previous books, “silky means sales” at an art show. This means that customers are more likely to purchase your pieces if the wood is as smooth as silk.
