Tarzan and the Lion Man E-Book

Edgar Rice Burroughs

• Herausgeber: Phoemixx Classics Ebooks
• Kategorie: Lebensstil
• Sprache: Englisch
• Veröffentlichungsjahr: 2021

Seitenzahl: 361

Beschreibung

Tarzan and the Lion Man Edgar Rice Burroughs - Tarzan and the Lion Man is a novel by American writer Edgar Rice Burroughs, the seventeenth in his series of twenty-four books about the title character Tarzan. The novel was originally serialized in the magazine Liberty from November 1933 through January 1934.It satirizes Hollywood's treatment of the Tarzan character and even spoofs Burroughs' own work. It was written at a time when Johnny Weissmuller was becoming a movie star by playing Tarzan as an illiterate character, to Burroughs' open displeasure.Tarzan and his lion companion Jad-bal-ja discover a mad scientist with a city of talking gorillas. To create additional havoc, a Hollywood film crew sets out to shoot a Tarzan movie in Africa and brings along an actor who is an exact double of the apeman but is his opposite in courage and determination.Later, as John Clayton, Tarzan visits Hollywood to find himself in a screen test for a role in a Tarzan movie. He is deemed unsuitable for the lead role because he is "not the type."A great safari had come to Africa to make a movie. It had struggled across the veldt and through the jungle in great ten-ton trucks, equipped with all the advantages of civilization. But now it was halted, almost destroyed by the poisoned arrows of the savage Basuto tribe. There was no way to return. And ahead lay the strange valley of diamonds, where hairy gorillas lived in their town of London on the Thames, ruled by King Henry the Eighth. Behind them came Tarzan of the Apes with the Golden Lion, seeking the man who might have been his twin brother in looks -- though hardly in courage!

Leseprobe

Edgar Rice Burroughs

Tarzan and the Lion Man

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Chapter

1

In Conference

Mr. Milton Smith, Executive Vice President in Charge of Production, was in conference. A half dozen men lounged comfortably in deep, soft chairs and divans about his large, well-appointed office in the B.O. studio. Mr. Smith had a chair behind a big desk, but he seldom occupied it. He was an imaginative, dramatic, dynamic person. He required freedom and space in which to express himself. His large chair was too small; so he paced about the office more often than he occupied his chair, and his hands interpreted his thoughts quite as fluently as did his tongue.

"It's bound to be a knock-out," he assured his listeners; "no synthetic jungle, no faked sound effects, no toothless old lions that every picture fan in the U.S. knows by their first names. No, sir! This will be the real thing."

A secretary entered the room and closed the door behind her. "Mr. Orman is here," she said.

"Good! Ask him to come in, please." Mr. Smith rubbed his palms together and turned to the others. "Thinking of Orman was nothing less than an inspiration," he exclaimed. "He's just the man to make this picture."

"Just another one of your inspirations, Chief," remarked one of the men. "They've got to hand it to you."

Another, sitting next to the speaker, leaned closer to him. "I thought you suggested Orman the other day," he whispered.

"I did," said the first man out of the corner of his mouth.

Again the door opened, and the secretary ushered in a stocky, bronzed man who was greeted familiarly by all in the room. Smith advanced and shook hands with him.

"Glad to see you, Tom," he said. "Haven't seen you since you got back from Borneo. Great stuff you got down there. But I've got something bigger still on the fire for you. You know the clean-up Superlative Pictures made with their last jungle picture?"

"How could I help it; it's all I've heard since I got back.

Now I suppose everybody's goin' to make jungle pictures."

"Well, there are jungle pictures and jungle pictures. We're going to make a real one. Every scene in that Superlative picture was shot inside a radius of twenty-five miles from Hollywood except a few African stock shots, and the sound effects—lousy!" Smith grimaced his contempt.

"And where are we goin' to shoot?" inquired Orman; "fifty miles from Hollywood?"

"No, sir! We're goin' to send a company right to the heart of Africa, right to the—ah—er—what's the name of that forest, Joe?"

"The Ituri Forest."

"Yes, right to the Ituri Forest with sound equipment and everything. Think of it, Tom! You get the real stuff, the real natives, the jungle, the animals, the sounds. You 'shoot' a giraffe, and at the same time you record the actual sound of his voice."

"You won't need much sound equipment for that, Milt."

"Why?"

"Giraffes don't make any sounds; they're supposed not to have any vocal organs."

"Well, what of it? That was just an illustration. But take the other animals for instance; lions, elephants, tigers—Joe's written in a great tiger sequence. It's goin' to yank 'em right out of their seats."

"There ain't any tigers in Africa, Milt," explained the director.

"Who says there ain't?"

"I do," replied Orman, grinning.

"How about it, Joe?" Smith turned toward the scenarist.

"Well, Chief, you said you wanted a tiger sequence."

"Oh, what's the difference? We'll make it a crocodile sequence."

"And you want me to direct the picture?" asked Orman.

"Yes, and it will make you famous."

"I don't know about that, but I'm game—I ain't ever been to Africa. Is it feasible to get sound trucks into Central Africa?"

"We're just having a conference to discuss the whole matter," replied Smith. "We've asked Major White to sit in. I guess you men haven't met—Mr. Orman, Major White," and as the two men shook hands Smith continued, "the major's a famous big game hunter, knows Africa like a book. He's to be technical advisor and go along with you."

"What do you think, Major, about our being able to get sound trucks into the Ituri Forest?" asked Orman.

"What'll they weigh? I doubt that you can get anything across Africa that weighs over a ton and a half."

"Ouch!" exclaimed Clarence Noice, the sound director. "Our sound trucks weigh seven tons, and we're planning on taking two of them."

"It just can't be done," said the major.

"And how about the generator truck?" demanded Noice. "It weighs nine tons."

The major threw up his hands. "Really, gentlemen, it's preposterous."

"Can you do it, Tom?" demanded Smith, and without waiting for a reply, "you've got to do it."

"Sure I'll do it—if you want to foot the bills."

"Good!" exclaimed Smith. "Now that's settled let me tell you something about the story. Joe's written a great story— it's goin' to be a knock-out. You see, this fellow's born in the Jungle and brought up by a lioness. He pals around with the lions all his life—doesn't know any other friends. The lion is king of beasts; when the boy grows up he's king of the lions; so he bosses the whole menagerie. See? Big shot of the jungle."

"Sounds familiar," commented Orman.

"And then the girl comes in, and here's a great shot! She doesn't know any one's around, and she's bathing in a jungle pool. Along comes the Lion Man. He ain't ever seen a woman before. Can't you see the possibilities, Tom? It's goin' to knock 'em cold." Smith was walking around the room, acting out the scene. He was the girl bathing in the pool in one corner of the room, and then he went to the opposite corner and was the Lion Man. "Great, isn't it?" he demanded. "You've got to hand it to Joe."

"Joe always was an original guy," said Orman. "Say, who you got to play this Lion Man that's goin' to pal around with the lions? I hope he's got the guts."

"Best ever, a regular find. He's got a physique that's goin' to have all the girls goofy."

"Yes, them and their grandmothers," offered another conferee.

"Who is he?"

"He's the world's champion marathoner."

"Marathon dancer?"

"No, marathon runner."

"If I was playin' that part I'd rather be a sprinter than a distance runner. What's his name?"

"Stanley Obroski."

"Stanley Obroski? Never heard of him."

"Well, he's famous nevertheless; and wait till you see him! He's sure got 'It,' and I don't mean maybe."

"Can he act?" asked Orman.

"He don't have to act, but he looks great stripped—I'll run his tests for you."

"Who else is in the cast?"

"The Madison's cast for lead opposite Obroski, and "

"M-m-m, Naomi's plenty hot at 34 north; she'll probably melt at the Equator."

"And Gordon Z. Marcus goes along as her father; he's a white trader."

"Think Marcus can stand it? He's getting along in years."

"Oh, he's rarin' to go. Major White, here, is taking the part of a white hunter."

"I'm afraid," remarked the major, "that as an actor I'll prove to be an excellent hunter."

"Oh, all you got to do is act natural. Don't worry."

"No, let the director worry," said the scenarist; "that's what he's paid for."

"And rewritin' bum continuity," retorted Orman. "But say, Milt, gettin' back to Naomi. She's great in cabaret scenes and flaming youth pictures, but when it comes to steppin' out with lions and elephants—I don't know."

"We're sendin' Rhonda Terry along to double for her."

"Good! Rhonda'd go up and bite a lion on the wrist if a director told her to; and she does look a lot like the Madison, come to think of it."

"Which is flatterin' the Madison, if any one asks me," commented the scenarist.

"Which no one did," retorted Smith.

"And again, if any one asks me," continued Joe, "Rhonda can act circles all around Madison. How some of these punks get where they are beats me."

"And you hangin' around studios for the last ten years!" scoffed Orman. "You must be dumb."

"He wouldn't be an author if he wasn't," gibed another conferee.

"Well," asked Orman, "who else am I takin'? Who's my chief cameraman?"

"Bill West."

"Fine."

"What with your staff, the cast, and drivers you'll have between thirty-five and forty whites. Besides the generator truck and the two sound trucks, you'll have twenty five-ton trucks and five passenger cars. We're picking technicians and mechanics who can drive trucks so as to cut down the size of the company as much as possible. I'm sorry you weren't in town to pick your own company, but we had to rush things. Every one's signed up but the assistant director. You can take any one along you please."

"When do we leave?"

"In about ten days."

"It's a great life," sighed Orman. "Six months in Borneo, ten days in Hollywood, and then another six months in Africa! You guys give a fellow just about time to get a shave between trips."

"Between drinks, did you say?" inquired Joe.

"Between drinks!" offered another. "There isn't any between drinks in Tom's young life."

Chapter

2

Mud

Sheykh ab EL-GHRENNEM and his swarthy followers sat in silence on their ponies and watched the mad Nasara sweating and cursing as they urged on two hundred blacks in an effort to drag a nine-ton generator truck through the muddy bottom of a small stream.

Nearby, Jerrold Baine leaned against the door of a muddy touring car in conversation with the two girls who occupied the back seat.

"How you feeling, Naomi?" he inquired.

"Rotten."

"Touch of fever again?"

"Nothing but since we left Jinja. I wish I was back in Hollywood; but I won't ever see Hollywood again. I'm going to die here."

"Aw, shucks! You're just blue. You'll be all right."

"She had a dream last night," said the other girl. "Naomi believes in dreams."

"Shut up," snapped Miss Madison.

"You seem to keep pretty fit, Rhonda," remarked Baine.

Rhonda Terry nodded. "I guess I'm just lucky."

"You'd better touch wood," advised the Madison; then she added, "Rhonda's physical, purely physical. No one knows what we artistes suffer, with our high-strung, complex, nervous organizations."

"Better be a happy cow than a miserable artiste," laughed Rhonda.

"Beside that, Rhonda gets all the breaks," complained Naomi. "Yesterday they shoot the first scene in which I appear, and where was I? Flat on my back with an attack of fever, and Rhonda has to double for me—even in the close-ups."

"It's a good thing you look so much alike," said Baine. "Why, knowing you both as well as I do, I can scarcely tell you apart."

"That's the trouble," grumbled Naomi. "People'll see her and think it's me."

"Well, what of it?" demanded Rhonda. "You'll get the credit."

"Credit!" exclaimed Naomi. "Why, my dear, it will ruin my reputation. You are a sweet girl and all that, Rhonda; but remember, I am Naomi Madison. My public expects superb acting. They will be disappointed, and they will blame me."

Rhonda laughed good-naturedly. "I'll do my best not to entirely ruin your reputation, Naomi," she promised.

"Oh, it isn't your fault," exclaimed the other. "I don't blame you. One is born with the divine afflatus, or one is not. That is all there is to it. It is no more your fault that you can't act than it is the fault of that sheik over there that he was not born a white man."

"What a disillusionment that sheik was!" exclaimed Rhonda.

"How so?" asked Baine.

"When I was a little girl I saw Rudolph Valentino on the screen; and, ah, brothers, sheiks was sheiks in them days!"

"This bird sure doesn't look much like Valentino," agreed Baine.

"Imagine being carried off into the desert by that bunch of whiskers and dirt! And here I've just been waiting all these years to be carried off."

"I'll speak to Bill about it," said Baine.

The girl sniffed. "Bill West's a good cameraman, but he's no sheik. He's just about as romantic as his camera."

"He's a swell guy," insisted Baine.

"Of course he is; I'm crazy about him. He'd make a great brother."

"How much longer we got to sit here?" demanded Naomi, peevishly.

"Until they get the generator truck and twenty-two other trucks through that mud hole."

"I don't see why we can't go on. I don't see why we have to sit here and fight flies and bugs."

"We might as well fight 'em here as somewhere else," said Rhonda.

"Orman's afraid to separate the safari," explained Baine. "This is a bad piece of country. He was warned against bringing the company here. The natives never have been completely subdued, and they've been acting up lately."

They were silent for a while, brushing away insects and watching the heavy truck being dragged slowly up the muddy bank. The ponies of the Arabs stood switching their tails and biting at the stinging pests that constantly annoyed them.

Sheykh Ab el-Ghrennem spoke to one at his side, a swarthy man with evil eyes. "Which of the benat, Atewy, is she who holds the secret of the valley of diamonds?"

"Billah!" exclaimed Atewy, spitting. "They are as alike as two pieces of jella. I cannot be sure which is which."

"But one of them hath the paper? You are sure?"

"Yes. The old Nasrany, who is the father of one of them, had it; but she took it from him. The young man leaning against that invention of Sheytan, talking to them now, plotted to take the life of the old man that he might steal the paper; but the girl, his daughter, learned of the plot and took the paper herself. The old man and the young man both believe that the paper is lost."

"But the bint talks to the young man who would have killed her father," said the sheykh. "She seems friendly with him. I do not understand these Christian dogs."

"Nor I," admitted Atewy. "They are all mad. They quarrel and fight, and then immediately they sit down together, laughing and talking. They do things in great secrecy while every one is looking on. I saw the bint take the paper while the young man was looking on, and yet he seems to know nothing of it. He went soon after to her father and asked to see it. It was then the old man searched for it and could not find it. He said that it was lost, and he was heartbroken."

"It is all very strange," murmured Sheykh Ah el-Ghrennem. "Are you sure that you understand their accursed tongue and know that which they say, Atewy?"

"Did I not work for more than a year with a mad old Nasrany who dug in the sands at Kheybar? If he found only a piece of a broken pot he would be happy all the rest of the day. From him I learned the language of el-Engleys."

"Wellah!" sighed the sheykh. "It must be a great treasure indeed, greater than those of Howwara and Geryeh combined; or they would not have brought so many carriages to transport it." He gazed with brooding eyes at the many trucks parked upon the opposite bank of the stream waiting to cross.

"When shall I take the bint who hath the paper?" demanded Atewy after a moment's silence.

"Let us bide our time," replied the sheykh. "There be no hurry, since they be leading us always nearer to the treasure and feeding us well into the bargain. The Nasrany are fools. They thought to fool the Bedauwy with their picture taking as they fooled el-Engleys, but we are brighter than they. We know the picture making is only a blind to hide the real purpose of their safari."

Sweating, mud-covered, Mr. Thomas Orman stood near the line of natives straining on the ropes attached to a heavy truck. In one hand he carried a long whip. At his elbow stood a bearer, but in lieu of a rifle he carried a bottle of Scotch.

By nature Orman was neither a harsh nor cruel taskmaster. Ordinarily, both his inclinations and his judgment would have warned him against using the lash. The sullen silence of the natives which should have counseled him to forbearance only irritated him still further.

He was three months out of Hollywood and already almost two months behind schedule, with the probability staring him in the face that it would be another month before they could reach the location where the major part of the picture could be shot. His leading woman had a touch of fever that might easily develop into something that would keep her out of the picture entirely. He had already been down twice with fevers and that had had its effects upon his disposition. It seemed to him that everything had gone wrong, that everything had conspired against him. And now these damn savages, as he thought of them, were lying down on the job.

"Lay into it, you lazy bums!" he yelled, and the long lash reached out and wrapped around the shoulders of a native.

A young man in khaki shirt and shorts turned away in disgust and walked toward the car where Baine was talking to the two girls. He paused in the shade of a tree, and, removing his sun helmet, wiped the perspiration from his forehead and the inside of the hat band; then he moved on again and joined them.

Baine moved over to make room for him by the rear door of the car. "You look sore, Bill," he remarked.

West swore softly. "Orman's gone nuts. If he doesn't throw that whip away and leave the booze alone we're headed for a lot of grief."

"It's in the air," said Rhonda. "The men don't laugh and sing the way they used to."

"I saw Kwamudi looking at him a few minutes ago," continued West. "There was hate in his eyes all right, and there was something worse."

"Oh, well," said Baine, "you got to treat those workmen rough; and as for Kwamudi, Tom can tie a can to him and appoint some one else headman."

"Those slave driving days are over, Baine; and the natives know it. Orman'll get in plenty of trouble for this if the men report it, and don't fool yourself about Kwamudi. He's no ordinary headman; he's a big chief in his own country, and most of our gang are from his own tribe. If he says quit, they'll quit; and don't you forget it. We'd be in a pretty mess if those fellows quit on us."

"Well, what are we goin' to do about it? Tom ain't asking our advice that I've ever noticed."

"You could do something, Naomi," said West, turning to the girl.

"Who, me? What could I do?"

"Well, Tom likes you a lot. He'd listen to you."

"Oh, nerts! It's his own funeral. I got troubles of my own."

"It may be your funeral, too," said West.

"Blah!" said the girl. "All I want to do is get out of here. How much longer I got to sit here and fight flies? Say, where's Stanley? I haven't seen him all day."

"The Lion Man is probably asleep in the back of his car," suggested Baine. "Say, have you heard what Old Man Marcus calls him?"

"What does he call him?" demanded Naomi.

"Sleeping Sickness."

"Aw, you're all sore at him," snapped Naomi, "because he steps right into a starring part while you poor dubs have been working all your lives and are still doin' bits. Mr. Obroski is a real artiste."

"Say, we're going to start!" cried Rhonda. "There's the signal."

At last the long motorcade was under way. In the leading cars was a portion of the armed guards, the askaris; and another detachment brought up the rear. To the running boards of a number of the trucks clung some of the workgang, but most of them followed the last truck afoot. Pat O'Grady, the assistant director, was in charge of these.

O'Grady carried no long whip. He whistled a great deal, always the same tune; and he joshed his charges unmercifully, wholly ignoring the fact that they understood nothing that he said. But they reacted to his manner and his smile, and slowly their tenseness relaxed. Their sullen silence broke a little, and they talked among themselves. But still they did not sing, and there was no laughter.

"It would be better," remarked Major White, walking at O'Grady's side, "if you were in full charge of these men at all times. Mr. Orman is temperamentally unsuited to handle them."

O'Grady shrugged. "Well, what is there to do about it?"

"He won't listen to me," said the major. "He resents every suggestion that I make. I might as well have remained in Hollywood."

"I don't know what's got into Tom. He's a mighty good sort. I never saw him like this before." O'Grady shook his head.

"Well, for one thing there's too much Scotch got into him," observed White.

"I think it's the fever and the worry." The assistant director was loyal to his chief.

"Whatever it is we're in for a bad mess if there isn't a change," the Englishman prophesied. His manner was serious, and it was evident that he was worried.

"Perhaps you're—" O'Grady started to reply, but Ms words were interrupted by a sudden rattle of rifle fire coming, apparently, from the direction of the head of the column.

"My lord! What now?" exclaimed White, as, leaving O'Grady, he hurried toward the sound of the firing.

Chapter

3

Poisoned Arrows

The ears of man are dull. Even on the open veldt they do not record the sound of a shot at any great distance. But the ears of hunting beasts are not as the ears of man; so hunting beasts at great distances paused when they heard the rifle fire that had startled O'Grady and White. Most of them slunk farther away from the dread sound.

Not so two lying in the shade of a tree. One was a great black-maned golden lion; the other was a man. He lay upon his back, and the lion lay beside him with one huge paw upon his chest.

"Tarmangani!" murmured the man.

A low growl rumbled in the cavernous chest of the carnivore.

"I shall have to look into this matter," said the man, "perhaps tonight, perhaps tomorrow." He closed his eyes and fell asleep again, the sleep from which the shots had aroused him.

The lion blinked his yellow-green eyes and yawned; then he lowered his great head, and he too slept.

Near them lay the partially devoured carcass of a zebra, the kill that they had made at dawn. Neither Ungo, the jackal, nor Dango, the hyena, had as yet scented the feast; so quiet prevailed, broken only by the buzzing of insects and the occasional call of a bird.

Before Major White reached the head of the column the firing had ceased, and when he arrived he found the askaris and the white men crouching behind trees gazing into the dark forest before them, their rifles ready. Two black soldiers lay upon the ground, their bodies pierced by arrows. Already their forms were convulsed by the last throes of death. Naomi Madison crouched upon the floor of her car. Rhonda Terry stood with one foot on the running board, a pistol in her hand.

White ran to Orman who stood with rifle in hand peering into the forest. "What happened, Mr. Orman?" he asked. "An ambush," replied Orman. "The devils just fired a volley of arrows at us and then beat it. We scarcely caught a glimpse of them."

"The Bansutos," said White.

Orman nodded. "I suppose so. They think they can frighten me with a few arrows, but I'll show the dirty rats."

"This was just a warning, Orman. They don't want us in their country."

"I don't care what they want; I'm going in. They can't bluff me."

"Don't forget, Mr. Orman, that you have a lot of people here for whose lives you are responsible, including two white women, and that you were warned not to come through the Bansuto country."

"I'll get my people through all right; the responsibility is mine, not yours." Orman's tone was sullen, his manner that of a man who knows that he is wrong but is constrained by stubbornness from admitting it.

"I cannot but feel a certain responsibility myself," replied White. "You know I was sent with you in an advisory capacity."

"I'll ask for your advice when I want it."

"You need it now. You know nothing about these people or what to expect from them."

"The fact that we were ready and sent a volley into them the moment that they attacked has taught 'em a good lesson," blustered Orman. "You can be sure they won't bother us again."

"I wish that I could be sure of that, but I can't. We haven't seen the last of those beggars. What you have seen is just a sample of their regular strategy of warfare. They'll never attack in force or in the open—just pick us off two or three at a time; and perhaps we'll never see one of them."

"Well, if you're afraid, go back," snapped Orman. "I'll give you porters and a guard."

White smiled. "I'll remain with the company, of course." Then he turned back to where Rhonda Terry still stood, a trifle pale, her pistol ready in her hand.

"You'd best remain in the car, Miss Terry," he said. "It will afford you some protection from arrows. You shouldn't expose yourself as you have."

"I couldn't help but overhear what you said to Mr. Orman." said the girl. "Do you really think they will keep on picking us off like this?"

"I am afraid so; it is the way they fight. I don't wish to frighten you unnecessarily, but you must be careful."

She glanced at the two bodies that lay quiet now in the grotesque and horrible postures of death. "I had no idea that arrows could kill so quickly." A little shudder accompanied her words.

"They were poisoned," explained the major.

"Poisoned!" There was a world of horror in the single word.

White glanced into the tonneau of the car. "I think Miss Madison has fainted," he said.

"She would!" exclaimed Rhonda, turning toward the unconscious girl.

Together they lifted her to the seat, and Rhonda applied restoratives; and, as they worked, Orman was organizing a stronger advance guard and giving orders to the white men clustered about him.

"Keep your rifles ready beside you all the time. I'll try to put an extra armed man on every truck. Keep your eyes open, and at the first sight of anything suspicious, shoot.

"Bill, you and Baine ride with the girls; I'll put an askari on each running board of their car. Clarence, you go to the rear of the column and tell Pat what has happened. Tell him to strengthen the rear guard, and you stay back there and help him.

"And Major White!" The Englishman came forward. "I wish you'd see old el-Ghrennem and ask him to send half his force to the rear and the other half up with us. We can use 'em to send messages up and down the column, if necessary.

"Mr. Marcus," he turned to the old character man, "you and Obroski ride near the middle of the column." He looked about him suddenly. "Where is Obroski?"

No one had seen him since the attack. "He was in the car when I left it," said Marcus. "Perchance he has fallen asleep again." There was a sly twinkle in the old eyes.

"Here he comes now," said Clarence Noice.

A tall, handsome youth with a shock of black hair was approaching from down the line of cars. He wore a six-shooter strapped about his hips and carried a rifle. When he saw them looking toward him he commenced to run in their direction.

"Where are they?" he called. "Where did they go?"

"Where you been?" demanded Orman.

"I been looking for them. I thought they were back there."

Bill West turned toward Gordon Z. Marcus and winked a slow wink.

Presently the column moved forward again. Orman was with the advance guard, the most dangerous post; and White remained with him.

Like a great snake the safari wound its way into the forest, the creaking of springs, the sound of the tires, the muffled exhausts its only accompaniment. There was no conversation—only tense, fearful expectancy.

There were many stops while a crew of natives with knives and axes hewed a passage for the great trucks. Then on again into the shadows of the primitive wilderness. Their progress was slow, monotonous, heartbreaking.

At last they came to a river. "We'll camp here," said Orman.

White nodded. To him had been delegated the duty of making and breaking camp. In a quiet voice he directed the parking of the cars and trucks as they moved slowly into the little clearing along the river bank.

As he was thus engaged, those who had been passengers climbed to the ground and stretched their legs. Orman sat on the running board of a car and took a drink of Scotch. Naomi Madison sat down beside him and lighted a cigarette. She darted fearful glances into the forest around them and across the river into the still more mysterious wood beyond.

"I wish we were out of here, Tom," she said. "Let's go back before we're all killed."

"That ain't what I was sent out here for. I was sent to make a picture, and I'm goin' to make it in spite of hell and high water."

She moved closer and leaned her lithe body against him. "Aw, Tom, if you loved me you'd take me out of here. I'm scared. I know I'm going to die. If it isn't fever it'll be those poisoned arrows."

"Go tell your troubles to your Lion Man," growled Orman, taking another drink.

"Don't be an old meany, Tom. You know I don't care anything about him. There isn't any one but you."

"Yes, I know it—except when you think I'm not looking. You don't think I'm blind, do you?"

"You may not be blind, but you're all wet," she snapped angrily.

A shot from the rear of the column halted her in mid-speech. Then came another and another in quick succession, followed by a fusillade.

Orman leaped to his feet. Men started to run toward the rear. He called them back. "Stay here!" he cried. "They may attack here, too—if that's who it is back again. Major White! Tell the sheik to send a horseman back there pronto to see what's happened."

Naomi Madison fainted. No one paid any attention to her. They left her lying where she had fallen. The black askaris and the white men of the company stood with rifles in tense fingers, straining their eyes into the woods about them.

The firing at the rear ceased as suddenly as it had begun. The ensuing silence seemed a thing of substance. It was broken by a weird, blood-curdling scream from the dark wood on the opposite bank of the river.

"Gad!" exclaimed Baine. "What was that?"

"I think the bounders are just trying to frighten us," said White.

"Insofar as I am concerned they have succeeded admirably," admitted Marcus. "If one could be scared out of seven years growth retroactively, I would soon be a child again."

Bill West threw a protective arm about Rhonda Terry. "Lie down and roll under the car," he said. "You'll be safe from arrows there."

"And get grease in my eyes? No, thanks."

"Here comes the sheik's man now," said Baine. "There's somebody behind him on the horse—a white man."

"It's Clarence," said West.

As the Arab reined his pony in near Orman, Noice slipped to the ground.

"Well, what was it?" demanded the director.

"Same thing that happened up in front back there," replied Noice. "There was a volley of arrows without any warning, two men killed; then we turned and fired; but we didn't see any one, not a soul. It's uncanny. Say, those porters of ours are all shot. Can't see anything but the whites of their eyes, and they're shaking so their teeth rattle."

"Is Pat hurryin' the rest of the safari into camp?" asked Orman.

Noice grinned. "They don't need any hurryin'. They're comin' so fast that they'll probably go right through without seein' it."

A scream burst in their midst, so close to them that even the stolid Major White jumped. All wheeled about with rifles ready.

Naomi Madison had raised herself to a sitting position. Her hair was disheveled, her eyes wild. She screamed a second time and then fainted again.

"Shut up!" yelled Orman, frantically, his nerves on edge; but she did not hear him.

"If you'll have our tent set up, I'll get her to bed," suggested Rhonda.

Cars, horsemen, black men afoot were crowding into the clearing. No one wished to be left back there in the forest. All was confusion.

Major White, with the assistance of Bill West, tried to restore order from chaos; and when Pat O'Grady came in, he helped.

At last camp was made. Blacks, whites, and horses were crowded close together, the blacks on one side, the whites on the other.

"If the wind changes," remarked Rhonda Terry, "we're sunk."

"What a mess," groaned Baine, "and I thought this was going to be a lovely outing. I was so afraid I wasn't going to get the part that I was almost sick."

"Now you're sick because you did get it."

"I'll tell the world I am."

"You're goin' to be a whole lot sicker before we get out of this Bansuto country," remarked Bill West.

"You're telling me!"

"How's the Madison, Rhonda?" inquired West.

The girl shrugged. "If she wasn't so darned scared she wouldn't be in such a bad way. That last touch of fever's about passed, but she just lies there and shakes—scared stiff."

"You're a wonder, Rhonda. You don't seem to be afraid of anything."

"Well, I'll be seein' yuh," remarked Baine as he walked toward his own tent.

"Afraid!" exclaimed the girl. "Bill, I never knew what it was to be afraid before. Why, I've got goose-pimples inside."

West shook his head. "You're sure a game kid. No one would ever know you were afraid—you don't show it."

"Perhaps I've just enough brains to know that it wouldn't get me anything. It doesn't even get her sympathy." She nodded her head toward the tent.

West grimaced. "She's a—" he hesitated, searching for adequate invective.

The girl placed her fingers against his lips and shook her head. "Don't say it," she admonished. "She can't help it I'm really sorry for her."

"You're a wonder! And she treats you like scum. Gee, kid, but you've got a great disposition. I don't see how you can be decent to her. It's that dog-gone patronizing air of hers toward you that gets my nanny. The great artiste! Why, you can act circles all around her, kid; and as for looks! You got her backed off the boards."

Rhonda laughed. "That's why she's a famous star and I'm a double. Quit your kidding."

"I'm not kidding. The company's all talking about it. You stole the scenes we shot while she was laid up. Even Orman knows it, and he's got a crush on her."

"You're prejudiced—you don't like her."

"She's nothing in my young life, one way or another. But I do like you, Rhonda. I like you a lot. I—oh, pshaw— you know what I mean."

"What are you doing, Bill—making love to me?"

"I'm trying to."

"Well, as a lover you're a great cameraman—and you'd better stick to your camera. This is not exactly the ideal setting for a love scene. I am surprised that a great cameraman like you should have failed to appreciate that. You'd never shoot a love scene against this background."

"I'm shootin' one now, Rhonda. I love you."

"Cut!" laughed the girl.

Chapter

4

Dissension

Kwamudi, the black headman, stood before Orman. "My people go back," he said; "not stay in Bansuto country and be killed."

"You can't go back," growled Orman. "You signed up for the whole trip. You tell 'em they got to stay; or, by George, I'll "

"We not sign up to go Bansuto country; we not sign up be killed. You go back, we come along. You stay, we go back, We go daylight." He turned and walked away.

Orman started up angrily from his camp chair, seizing his ever ready whip. "I'll teach you, you black!" he yelled.

White, who had been standing beside him, seized him by the shoulder. "Stop!" His voice was low but his tone peremptory. "You can't do that! I haven't interfered before, but now you've got to listen to me. The lives of all of us are at stake."

"Don't you interfere, you meddlin' old fool," snapped Orman. "This is my show, and I'll run it my way."

"You'd better go soak your head, Tom," said O'Grady; "you're full of hootch. The major's right. We're in a tight hole, and we won't ever get out of it on Scotch." He turned to the Englishman. "You handle things, Major. Don't pay any attention to Tom; he's drunk. Tomorrow he'll be sorry—if he sobers up. We're all back of you. Get us out of the mess if you can. How long would it take to get out of this Bansuto country if we kept on in the direction we want to go?"

Orman appeared stunned by this sudden defection of his assistant. It left him speechless.

White considered O'Grady's question. "If we were not too greatly delayed by the trucks, we could make it in two days," he decided finally.

"And how long would it take us to reach the location we're headed for if we have to go back and go around the Bansuto country?" continued O'Grady.

"We couldn't do it under two weeks," replied the major. "We'd be lucky if we made it in that time. We'd have to go way to the south through a beastly rough country."

"The studio's put a lot of money into this already," said O'Grady, "and we haven't got much of anything to show for it. We'd like to get onto location as quick as possible. Don't you suppose you could persuade Kwamudi to go on? If we turn back, we'll have those beggars on our neck for a day at least. If we go ahead, it will only mean one extra day of them. Offer Kwamudi's bunch extra pay if they'll stick— it'll be a whole lot cheaper for us than wastin' another two weeks."

"Will Mr. Orman authorize the bonus?" asked White.

"He'll do whatever I tell him, or I'll punch his fool head," O'Grady assured him.

Orman had sunk back Into his camp chair and was staring at the ground. He made no comment.

"Very well," said White. "I'll see what I can do. I'll talk to Kwamudi over at my tent, if you'll send one of the boys after him."

White walked over to his tent, and O'Grady sent a black boy to summon the headman; then he turned to Orman. "Go to bed, Tom," he ordered, "and lay off that hootch."

Without a word, Orman got up and went into his tent.

"You put the kibosh on him all right, Pat," remarked Noice, with a grin. "How do you get away with it?"

O'Grady did not reply. His eyes were wandering over the camp, and there was a troubled expression on his usually smiling face. He noted the air of constraint, the tenseness, as though all were waiting for something to happen, they knew not what.

He saw his messenger overhaul Kwamudi and the headman turn back toward White's tent. He saw the natives silently making their little cooking fires. They did not sing or laugh, and when they spoke they spoke in whispers.

The Arabs were squatting in the muk'aad of the sheykh's beyt. They were a dour lot at best; and their appearance was little different tonight than ordinarily, yet he sensed a difference.

Even the whites spoke in lower tones than usual and there was less chaffing. And from all the groups constant glances were cast toward the surrounding forest.

Presently he saw Kwamudi leave White and return to his fellows; then O'Grady walked over to where the Englishman was sitting in a camp chair, puffing on a squat briar. "What luck?" he asked.

"The bonus got him," replied White. "They will go on, but on one other condition."

"What is that?"

"His men are not to be whipped."

"That's fair enough," said O'Grady.

"But how are you going to prevent it?"

"For one thing, I'll throw the whip away; for another, I'll tell Orman we'll all quit him if he doesn't lay off. I can't understand him; he never was like this before. I've worked with him a lot during the last five years."

"Too much liquor," said White; "it's finally got him."

"He'll be all right when we get on location and get to work.

He's been worrying too much. Once we get through this Bansuto country everything'll be jake."

"We're not through it yet, Pat. They'll get some more of us tomorrow and some more the next day. I don't know how the natives will stand it. It's a bad business. We really ought to turn around and go back. It would be better to lose two weeks time than to lose everything, as we may easily do if the natives quit us. You know we couldn't move through this country without them."

"We'll pull through somehow," O'Grady assured him. "We always do. Well, I'm goin' to turn in. Good-night, Major."

The brief equatorial twilight had ushered in the night. The moon had not risen. The forest was blotted out by a pall of darkness. The universe had shrunk to a few tiny earth fires surrounded by the huddled forms of men and, far above, a few stars.

Obroski paused in front of the girls' tent and scratched on the flap. "Who is it?" demanded Naomi Madison from within.

"It's me, Stanley."

She bade him enter; and he came in to find her lying on her cot beneath a mosquito bar, a lantern burning on a box beside her.

"Well," she said peevishly, "it's a wonder any one came. I might lie here and die for all any one cares."

"I'd have come sooner, but I thought of course Orman was here."

"He's probably in his tent soused."

"Yes, he is. When I found that out I came right over."