The Admirable Crichton (Annotated) E-Book

J.m Barrie

• Herausgeber: ePembaBooks
• Kategorie: Poesie und Drama
• Sprache: Englisch
• Veröffentlichungsjahr: 2023

Beschreibung

• This edition includes the following editor's analysis: The traumatic life of J. M. Barrie, source of universal creativity

First published in 1902, “The Admirable Crichton” is a comic stage play written by Scottish novelist and playwright J. M. Barrie, best remembered as the creator of Peter Pan.

“The Admirable Crichton” is a satirical comedy dealing with class and social structure. The play tells the story of an English family and a few of their servants, who get stranded on a deserted island for two years. In England the aristocracy was in charge and the servants loyally followed orders from them; however, on the island things are very different! So...what happens when they are rescued and all go back to England? Will everything go back to " normal"?

"The Admirable Crichton" is an interesting and entertaining play, but thoughtful at the same time.

Leseprobe

J. M. Barrie

The Admirable Crichton

Table of contents

The traumatic life of J. M. Barrie, source of universal creativity

THE ADMIRABLE CRICHTON

Act I - At Loam House, Mayfair

Act II - The Island

Act III - The Happy Home

Act IV - The Other Island

The traumatic life of J. M. Barrie, source of universal creativity

A trauma that marked the life of the creator of Peter Pan. Although he was born into a British Victorian high society family, his childhood was not a joyful one. The creator of Peter Pan, James Matthew Barrie, when he was 6 years old, his brother David, 13, died when he fell with his skates into a frozen lake. He was his mother's favourite (there were 10 siblings in all) and she never recovered from this tragic loss. When the woman was in her room and James or any of the other children came in, she always thought it was David. When she realized this was not true, she treated them very badly. Also, the father had no contact whatsoever with his children.

A child who became an adult too soon. James always wanted to please his mother and take the place left by his brother. She educated him and instilled in him a love of books and study. She always treated him as if he were older than his age (thinking perhaps that she was talking to David). In this way, she did not take into account James' actual age, so the influence of her upbringing would have consequences both psychologically and emotionally. James became a child with adult thinking and behaviour. He was very unhealthy, afraid to grow up, did not relate to other children, was obsessed with the idea that marriage was a disgrace and was very melancholic.

Sad and lonely child. The only joys he had in his childhood were related to the adventure books of Robert L. Stevenson and to spending very brief moments with his siblings, neighbours and friends younger than him. Another of the problems he had to face was that his height did not increase in relation to his growing years, reaching five feet tall in his adulthood.

Youth, London and his marriage. The life of Peter Pan's creator will change dramatically when he travels to the English capital and settles there, where he will open his mind and will be able to develop and write better. Among his friends at the University were Arthur Conan Doyle and Robert L. Stevenson, who in turn worked on the faculty newspaper. He also forged a friendship with Charles Frohman, producer of his works and victim of the Lusitania ship that was sunk in World War I, an event that marked James considerably. As for his personal life, he married British actress Mary Ansell in 1894, but they divorced a few years later. There are several theories regarding the end of their marriage, one of the strongest is that she married him because of his social position and the fame he could offer her. Another hypothesis says that the marriage was never consummated because he was not looking for a sexual partner but for a mother. At the time of the separation Mary was dating another man. The belief of the creator of Peter Pan that love was a misfortune could have caused the end of their marriage. After the divorce, James sought solace in friendship with brothers he met on a walk in Kensington. These children were named George, Jack, Nico, Peter and Michael. When their parents died he adopted them and from there he was inspired to write the most important novel of his career, "The Adventures of Peter Pan", which was published at the beginning of the 20th century. But there is also tragedy in this story, as George died in the war, Michael committed suicide by drowning himself in a lake with his lover (he was homosexual) and Peter threw himself under a subway car some years later.

The literary career of the creator of Peter Pan. Several of his works were set during his years in Kirriemuir, Scotland, and it was common for some of the stories' dialogues to be written in Scottish. He later wrote plays such as "Quality Street" (1901), " The Admirable Crichton " (1902) and "What Every Woman Knows" (1908). The last of this style was called "The Boy David" and was performed in 1936.

He also specialized in novels, which were very successful in his time. Some of them are "Auld Licht Idylls" (1888), "A Window in Thrums" (1889), "The Little Minister" (1891) and "Sentimental Tommy, The Story of His Boyhood " (1896) with "Tommy and Grizel" (1902), related to what later would be the character of Peter Pan. This was undoubtedly his best known work, which was performed for the first time in December 1904 but had the name of "Wendy", inspired by a girl who had died at the age of five in 1894, which he knew. However, Peter Pan as a character had appeared earlier, in a book of stories called "The Little White Bird." In this work, completed in 1904, he deals with his favourite themes: the feminine instinct of motherhood and the preservation of childhood innocence. The eternal adolescent was the protagonist of the story, who left the family home to avoid becoming an adult. In Kensington Gardens, London, you can see the statue of this character. The same place where Barrie met the Llewalyn Davies brothers, on whom he based the story.

Later, like the rest of Europeans, the First World War marked Barrie's life, and also his work. In 1918 he published "Echoes of the War", a delightful collection of stories about the life of several families in London during the war. James Matthew Barrie died in June 1937 of pneumonia and was buried in his Scottish hometown, Kirriemuir, next to his parents and two of his nine siblings. The creator of Peter Pan left his entire estate (except for the proceeds of Peter Pan which went to Great Ormond Street Hospital) to his secretary Cynthia Asquith.

Life and literature. James Matthew Barrie was not the only author with a complicated life and famous work. Edgar Allan Poe, Emile Cioran, Charles Bukowski, even Oscar Wilde himself, persecuted for his homosexuality, have been tormented writers at one or more points in their lives. Some even from the time they were born until they died. In a way, James reflects how to take advantage of a difficult life to capture it in stories that would go down in history, such as "Peter Pan."

Despite being shaken by misfortune, Barrie knew how to channel his creativity through literature and leave his mark over time. Would his work have been the same without having lived through everything he did? Would we be able to enjoy "Peter Pan" today without a life full of sad events? What James Matthew Barrie's story reflects, is that misfortune can be channelled and not only in the form of anger, but in the form of art. An art that can remain immortalized by great stories.

The Editor, P.C. 2022

THE ADMIRABLE CRICHTON

J. M. Barrie

Act I - At Loam House, Mayfair

A moment before the curtain rises, the Hon. Ernest Woolley drives up to the door of Loam House in Mayfair. There is a happy smile on his pleasant, insignificant face, and this presumably means that he is thinking of himself. He is too busy over nothing, this man about town, to be always thinking of himself, but, on the other hand, he almost never thinks of any other person. Probably Ernest's great moment is when he wakes of a morning and realises that he really is Ernest, for we must all wish to be that which is our ideal. We can conceive him springing out of bed light–heartedly and waiting for his man to do the rest. He is dressed in excellent taste, with just the little bit more which shows that he is not without a sense of humour: the dandiacal are often saved by carrying a smile at the whole thing in their spats, let us say. Ernest left Cambridge the other day, a member of The Athenaeum (which he would be sorry to have you confound with a club in London of the same name). He is a bachelor, but not of arts, no mean epigrammatist (as you shall see), and a favourite of the ladies. He is almost a celebrity in restaurants, where he dines frequently, returning to sup; and during this last year he has probably paid as much in them for the privilege of handing his hat to an attendant as the rent of a working–man's flat. He complains brightly that he is hard up, and that if somebody or other at Westminster does not look out the country will go to the dogs. He is no fool. He has the shrewdness to float with the current because it is a labour–saving process, but he has sufficient pluck to fight, if fight he must (a brief contest, for he would soon be toppled over). He has a light nature, which would enable him to bob up cheerily in new conditions and return unaltered to the old ones. His selfishness is his most endearing quality. If he has his way he will spend his life like a cat in pushing his betters out of the soft places, and until he is old he will be fondled in the process.

He gives his hat to one footman and his cane to another, and mounts the great staircase unassisted and undirected. As a nephew of the house he need show no credentials even to Crichton, who is guarding a door above.

It would not be good taste to describe Crichton, who is only a servant; if to the scandal of all good houses he is to stand out as a figure in the play, he must do it on his own, as they say in the pantry and the boudoir.

We are not going to help him. We have had misgivings ever since we found his name in the title, and we shall keep him out of his rights as long as we can. Even though we softened to him he would not be a hero in these clothes of servitude; and he loves his clothes. How to get him out of them? It would require a cataclysm. To be an indoor servant at all is to Crichton a badge of honour; to be a butler at thirty is the realisation of his proudest ambitions. He is devotedly attached to his master, who, in his opinion, has but one fault, he is not sufficiently contemptuous of his inferiors. We are immediately to be introduced to this solitary failing of a great English peer.

This perfect butler, then, opens a door, and ushers Ernest into a certain room. At the same moment the curtain rises on this room, and the play begins.

It is one of several reception–rooms in Loam House, not the most magnificent but quite the softest; and of a warm afternoon all that those who are anybody crave for is the softest. The larger rooms are magnificent and bare, carpetless, so that it is an accomplishment to keep one's feet on them; they are sometimes lent for charitable purposes; they are also all in use on the night of a dinner–party, when you may find yourself alone in one, having taken a wrong turning; or alone, save for two others who are within hailing distance.