The Bell in the Fog E-Book

Gertrude Atherton

• Herausgeber: Booksell-Verlag
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Beschreibung

Gertrude Atherton's "The Bell in the Fog" weaves a rich tapestry of early 20th-century American life, merging gothic elements with a keen psychological insight into human relationships. Set against the atmospheric backdrop of foggy San Francisco, the novel explores themes of love, betrayal, and societal constraint through its intricate character studies. Atherton's prose is both lyrical and incisive, revealing the nuances of the human condition while reflecting her contemporary literary milieu, which includes the works of naturalists and modernists who sought to challenge traditional narratives. Gertrude Atherton, a prominent figure in the early feminist literary movement, produced this work during a dynamic period as women's rights were gaining traction in America. Her experiences growing up in California and her activist engagement undoubtedly influenced her portrayal of female characters grappling with the constraints of a rapidly changing society. Atherton's rich literary background and her personal trials imbue the narrative with authenticity, making her insights into gender roles and individual autonomy particularly resonant. "The Bell in the Fog" is a compelling exploration of identity and societal pressures that speaks to both historical contexts and contemporary issues. Readers seeking a profound understanding of human nature, layered storytelling, and a glimpse into the evolving role of women in literature will find this novel an essential addition to their literary repertoire.

Leseprobe

Gertrude Atherton

The Bell in the Fog

Published by Good Press, 2020

[email protected]

EAN 4064066419288

Table of Contents

Cover

Titlepage

Text

Chapter I

Table of Contents

The great author had realized one of the dreams of his ambitious youth, the possession of an ancestral hall in England. It was not so much the good American's reverence for ancestors that inspired the longing to consort with the ghosts of an ancient line, as artistic appreciation of the mellowness, the dignity, the aristocratic aloofness of walls that have sheltered, and furniture that has embraced, generations and generations of the dead. To mere wealth, only his astute and incomparably modern brain yielded respect; his ego raised its goose-flesh at the sight of rooms furnished with a single check, conciliatory as the taste might be. The dumping of the old interiors of Europe into the glistening shells of the United States not only roused him almost to passionate protest, but offended his patriotism--which he classified among his unworked ideals. The average American was not an artist, therefore he had no excuse for even the affectation of cosmopolitanism. Heaven knew he was national enough in everything else, from his accent to his lack of repose; let his surroundings be in keeping.

Orth had left the United States soon after his first successes, and, his art being too great to be confounded with locality, he had long since ceased to be spoken of as an American author. All civilized Europe furnished stages for his puppets, and, if never picturesque nor impassioned, his originality was as overwhelming as his style. His subtleties might not always be understood--indeed, as a rule, they were not--but the musical mystery of his language and the penetrating charm of his lofty and cultivated mind induced raptures in the initiated, forever denied to those who failed to appreciate him.

His following was not a large one, but it was very distinguished. The aristocracies of the earth gave to it; and not to understand and admire Ralph Orth was deliberately to relegate one's self to the ranks. But the elect are few, and they frequently subscribe to the circulating libraries; on the Continent, they buy the Tauchnitz edition; and had not Mr. Orth inherited a sufficiency of ancestral dollars to enable him to keep rooms in Jermyn Street, and the wardrobe of an Englishman of leisure, he might have been forced to consider the tastes of the middle-class at a desk in Hampstead. But, as it mercifully was, the fashionable and exclusive sets of London knew and sought him. He was too wary to become a fad, and too sophisticated to grate or bore; consequently, his popularity continued evenly from year to year, and long since he had come to be regarded as one of them. He was not keenly addicted to sport, but he could handle a gun, and all men respected his dignity and breeding. They cared less for his books than women did, perhaps because patience is not a characteristic of their sex. I am alluding however, in this instance, to men-of-the-world. A group of young literary men--and one or two women--put him on a pedestal and kissed the earth before it. Naturally, they imitated him, and as this flattered him, and he had a kindly heart deep among the cere-cloths of his formalities, he sooner or later wrote "appreciations" of them all, which nobody living could understand, but which owing to the subtitle and signature answered every purpose.

With all this, however, he was not utterly content. From the 12th of August until late in the winter--when he did not go to Homburg and the Riviera--he visited the best houses in England, slept in state chambers, and meditated in historic parks; but the country was his one passion, and he longed for his own acres.

He was turning fifty when his great-aunt died and made him her heir: "as a poor reward for his immortal services to literature," read the will of this phenomenally appreciative relative. The estate was a large one. There was a rush for his books; new editions were announced. He smiled with cynicism, not unmixed with sadness; but he was very grateful for the money, and as soon as his fastidious taste would permit he bought him a country-seat.

The place gratified all his ideals and dreams--for he had romanced about his sometime English possession as he had never dreamed of woman. It had once been the property of the Church, and the ruin of cloister and chapel above the ancient wood was sharp against the low pale sky. Even the house itself was Tudor, but wealth from generation to generation had kept it in repair; and the lawns were as velvety, the hedges as rigid, the trees as aged as any in his own works. It was not a castle nor a great property, but it was quite perfect; and for a long while he felt like a bridegroom on a succession of honeymoons. He often laid his hand against the rough ivied walls in a lingering caress.

After a time, he returned the hospitalities of his friends, and his invitations, given with the exclusiveness of his great distinction, were never refused. Americans visiting England eagerly sought for letters to him; and if they were sometimes benumbed by that cold and formal presence, and awed by the silences of Chillingsworth--the few who entered there--they thrilled in anticipation of verbal triumphs, and forthwith bought an entire set of his books. It was characteristic that they dared not ask him for his autograph.