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Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair. Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".
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Seitenzahl: 31
Basil Duke Lee shut the front door behind him and turned on the dining-room light. His mother's voice drifted sleepily downstairs:
"Basil, is that you?"
"No, mother, it's a burglar."
"It seems to me twelve o'clock is pretty late for a fifteen-year-old boy."
"We went to Smith's and had a soda."
Whenever a new responsibility devolved upon Basil he was "a boy almost sixteen," but when a privilege was in question, he was "a fifteen-year-old boy."
There were footsteps above, and Mrs. Lee, in kimono, descended to the first landing.
"Did you and Riply enjoy the play?"
"Yes, very much."
"What was it about?"
"Oh, it was just about this man. Just an ordinary play."
"Didn't it have a name?"
"'Are You a Mason?'"
"Oh." She hesitated, covetously watching his alert and eager face, holding him there. "Aren't you coming to bed?"
"I'm going to get something to eat."
"Something more?"
For a moment he didn't answer. He stood in front of a glassed-in bookcase in the living room, examining its contents with an equally glazed eye.
"We're going to get up a play," he said suddenly. "I'm going to write it."
"Well--that'll be very nice. Please come to bed soon. You were up late last night, too, and you've got dark circles under your eyes."
From the bookcase Basil presently extracted "Van Bibber and Others," from which he read while he ate a large plate of straw softened with half a pint of cream. Back in the living room he sat for a few minutes at the piano, digesting, and meanwhile staring at the colored cover of a song from "The Midnight Sons." It showed three men in evening clothes and opera hats sauntering jovially along Broadway against the blazing background of Times Square.
Basil would have denied incredulously the suggestion that that was currently his favorite work of art. But it was.
He went upstairs. From a drawer of his desk he took out a composition book and opened it.
BASIL DUKE LEE
ST. REGIS SCHOOL
EASTCHESTER, CONN.
FIFTH FORM FRENCH
and on the next page, under Irregular Verbs:
Present
je connais
tu connais
il connait
nous con
He turned over another page.
MR. WASHINGTON SQUARE
A Musical Comedy by
BASIL DUKE LEE
Music by Victor Herbert
ACT I
[The porch of the Millionaires' Club, near New York. Opening Chorus, LEILIA and DEBUTANTES:
We sing not soft, we sing not loud
For no one ever heard an opening chorus.
We are a very merry crowd
But no one ever heard an opening chorus.
We're just a crowd of debutantes
As merry as can be
And nothing that there is could ever bore us
We're the wittiest ones, the prettiest ones.
In all society
But no one ever heard an opening chorus.
LEILIA (stepping forward): Well, girls, has Mr. Washington Square been around here today?
Basil turned over a page. There was no answer to Leilia's question. Instead in capitals was a brand-new heading:
HIC! HIC! HIC!
A Hilarious Farce in One Act
by
BASIL DUKE LEE
SCENE
[A fashionable apartment near Broadway, New York City. It is almost midnight. As the curtain goes up there is a knocking at the door and a few minutes later it opens to admit a handsome man in a full evening dress and a companion. He has evidently been imbibing, for his words are thick, his nose is red, and he can hardly stand up. He turns up the light and comes down center.
STUYVESANT: Hic! Hic! Hic!
O'HARA (his companion): Begorra, you been sayin' nothing else all this evening.
Basil turned over a page and then another, reading hurriedly, but not without interest.
PROFESSOR PUMPKIN: Now, if you are an educated man, as you claim, perhaps you can tell me the Latin word for "this."
STUYVESANT: Hic! Hic! Hic!
PROFESSOR PUMPKIN: Correct. Very good indeed. I--