The Collected Works of Christopher Marlowe E-Book

Christopher Marlowe

• Herausgeber: PergamonMedia
• Kategorie: Gesellschafts- und Liebesromane
• Serie: Highlights of World Literature
• Sprache: Englisch
• Veröffentlichungsjahr: 2015

Seitenzahl: 1188

Beschreibung

This comprehensive eBook presents the complete works or all the significant works - the Œuvre - of this famous and brilliant writer in one ebook - easy-to-read and easy-to-navigate: • The Tragical History of Doctor Faustus • Tamburlaine the Great • The Jew of Malta • Edward the Second • Hero and Leander • Massacre at Paris • The Works of • The Tragedy of Dido Queene of Carthage • The Works of, Vol. (of ) • HERO AND LEANDER • OVID'S ELEGIES • EPIGRAMS BY J. D. • THE FIRST BOOK OF LUCAN • THE PASSIONATE SHEPHERD TO HIS LOVE • FRAGMENT • DIALOGUE IN VERSE • APPENDICES • INDEX TO THE NOTES • THE JEW OF MALTA • EDWARD THE SECOND • THE MASSACRE AT PARIS • THE TRAGEDY OF DIDO, QUEEN OF CARTHAGE -. etc.

Leseprobe

Table of Contents

THE WORKS OF CHRISTOPHER MARLOWE

HERO AND LEANDER.

TO THE RIGHT-WORSHIPFUL SIR THOMAS WALSINGHAM, KNIGHT.

HERO AND LEANDER.

THE FIRST SESTIAD.

FOOTNOTES:

THE SECOND SESTIAD.

FOOTNOTES:

THE EPISTLE[44] DEDICATORY

TO MY

BEST ESTEEMED AND WORTHILY HONOURED LADY THE

LADY WALSINGHAM,

ONE OF THE LADIES OF HER MAJESTY'S BED-CHAMBER.

FOOTNOTES:

THE THIRD SESTIAD.

FOOTNOTES:

THE FOURTH SESTIAD.

FOOTNOTES:

THE FIFTH SESTIAD.

FOOTNOTES:

THE SIXTH SESTIAD.

FOOTNOTES:

OVID'S ELEGIES.

OVID'S ELEGIES.

P. OVIDII NASONIS AMORUM.

LIBER PRIMUS.

Elegia I.

FOOTNOTES:

Elegia II.

FOOTNOTES:

Elegia III.

FOOTNOTES:

Elegia IV.[144]

FOOTNOTES:

Elegia V.

FOOTNOTES:

Elegia VI.[154]

FOOTNOTES:

Elegia VII.[162]

FOOTNOTES:

Elegia VIII.[169]

FOOTNOTES:

Elegia IX.[181]

FOOTNOTES:

Elegia X.[187]

FOOTNOTES:

Elegia XI.[197]

FOOTNOTES:

Elegia XII.[201]

FOOTNOTES:

Elegia XIII.

FOOTNOTES:

Elegia XIV.[210]

FOOTNOTES:

Elegia XV.

FOOTNOTES:

P. OVIDII NASONIS AMORUM.

LIBER SECUNDUS.

Elegia I.[233]

FOOTNOTES:

Elegia II.[240]

FOOTNOTES:

Elegia III.[248]

FOOTNOTES:

Elegia IV.

FOOTNOTES:

Elegia V.[259]

FOOTNOTES:

Elegia VI.[264]

FOOTNOTES:

Elegia VII.[276]

FOOTNOTES:

Elegia VIII.[277]

FOOTNOTES:

Elegia IX.[283]

FOOTNOTES:

Elegia X.

FOOTNOTES:

Elegia XI.[294]

FOOTNOTES:

Elegia XII.[300]

FOOTNOTES:

Elegia XIII.[303]

FOOTNOTES:

Elegia XIV.[307]

FOOTNOTES:

Elegia XV.[316]

FOOTNOTES:

Elegia XVI.[318]

FOOTNOTES:

Elegia XVII.[324]

FOOTNOTES:

Elegia XVIII.[327]

FOOTNOTES:

Elegia XIX.[329]

FOOTNOTES:

P. OVIDII MASONIS AMORUM.

Liber Tertius.

Elegia I.[341]

FOOTNOTES:

Elegia II.[350]

FOOTNOTES:

Elegia III.[361]

FOOTNOTES:

Elegia IV.[364]

FOOTNOTES:

Elegia VI.[368]

FOOTNOTES:

Elegia VII.

FOOTNOTES:

Elegia VIII.[400]

FOOTNOTES:

Elegia IX.[408]

FOOTNOTES:

Elegia X.[415]

FOOTNOTES:

Elegia XI.[419]

FOOTNOTES:

Elegia XII.[423]

FOOTNOTES:

Elegia XIII.[429]

FOOTNOTES:

Elegia XIV.

FOOTNOTES:

Elegia XV.[448]

FOOTNOTES:

EPIGRAMS BY J[ohn] D[avies].

EPIGRAMS BY J[ohn] D[avies].[455]

AD MUSAM. I.

FOOTNOTES:

OF A GULL. II.

FOOTNOTES:

IN REFUM. III.

FOOTNOTES:

IN QUINTUM. IV.

IN PLURIMOS. V.[465]

FOOTNOTES:

IN TITUM. VI.

FOOTNOTES:

IN FAUSTUM. VII.

FOOTNOTES:

IN KATAM.[471] VIII.

FOOTNOTES:

IN LIBRUM. IX.

FOOTNOTES:

IN MEDONTEM. X.

IN GELAM. XI.

IN QUINTUM.[473] XII.

FOOTNOTES:

IN SEVERUM. XIII.

IN LEUCAM. XIV.[475]

FOOTNOTES:

IN MACRUM. XV.

IN FAUSTUM. XVI.

FOOTNOTES:

IN COSMUM. XVII.

IN FLACCUM. XVIII.

IN CINEAM. XIX.

FOOTNOTES:

IN GERONTEM.[481] XX.

FOOTNOTES:

IN MARCUM. XXI.

FOOTNOTES:

IN CYPRIUM. XXII.

FOOTNOTES:

IN CINEAM. XXIII.

FOOTNOTES:

IN GALLUM. XXIV.

FOOTNOTES:

IN DECIUM.[511] XXV.

FOOTNOTES:

IN GELLAM. XXVI.

FOOTNOTES:

IN SYLLAM. XXVII.

FOOTNOTES:

IN SYLLAM. XXVIII.

FOOTNOTES:

IN HEYWODUM. XXIX.

FOOTNOTES:

IN DACUM.[518] XXX.

FOOTNOTES:

IN PRISCUM. XXXI.

IN BRUNUM. XXXII.

FOOTNOTES:

IN FRANCUM. XXXIII.

FOOTNOTES:

IN CASTOREM. XXXIV.

IN SEPTIMIUM. XXXV.

FOOTNOTES:

OF TOBACCO. XXXVI.

FOOTNOTES:

IN CRASSUM. XXXVII.

FOOTNOTES:

IN PHILONEM. XXXVIII.

FOOTNOTES:

IN FUSCUM. XXXIX.

FOOTNOTES:

IN AFRUM. XL.

FOOTNOTES:

IN PAULUM. XLI.

FOOTNOTES:

IN LYCUM. XLII.

FOOTNOTES:

IN PUBLIUM. XLIII.

FOOTNOTES:

IN SYLLAM. XLIV.

FOOTNOTES:

IN DACUM. XLV.

FOOTNOTES:

IN MARCUM. XLVI.

FOOTNOTES:

MEDITATIONS OF A GULL. XLVII.

FOOTNOTES:

AD MUSAM. XLVIII.

FOOTNOTES:

IGNOTO.

FOOTNOTES:

THE FIRST BOOK OF LUCAN.

TO HIS KIND AND TRUE FRIEND, EDWARD BLUNT.[576]

FOOTNOTES:

THE FIRST BOOK OF LUCAN.

FOOTNOTES:

THE PASSIONATE SHEPHERD TO HIS LOVE.

THE PASSIONATE SHEPHERD TO HIS LOVE.[653]

FOOTNOTES:

THE NYMPH'S REPLY TO THE SHEPHERD.

FOOTNOTES:

ANOTHER OF THE SAME NATURE MADE SINCE.

THE BAIT.

TO PHILLIS TO LOVE AND LIVE WITH HIM.

FRAGMENT.[668]

FOOTNOTES:

DIALOGUE IN VERSE.[670]

JACK.

FRIEND.

[JACK.]

DICK.[671]

[JACK.]

DICK.[672]

[NAN.]

PIERCE.

GENTLEMAN.[673]

[FRIEND.]

GENTLEMAN.

[NAN.]

FRIEND.

FOOL.

NAN.[674]

GENTLEMAN.

NAN.[675]

GENTLEMAN.

FOOTNOTES:

APPENDICES.

APPENDICES.

No. I.

THE ATHEIST'S TRAGEDIE.[677]

FOOTNOTES:

No. II.

No. III.

A NOTE[680]

FOOTNOTES:

No. IV.

THE DEATH OF MARLOWE.

SCENE I.

SCENE II.

SCENE III.

Dark Curtain.

FOOTNOTES:

INDEX TO THE NOTES.

TAMBURLAINE THE GREAT,

IN TWO PARTS.

This is Part I.

By Christopher Marlowe

Edited By The Rev. Alexander Dyce.

TO THE GENTLEMEN-READERS 1 AND OTHERS THAT TAKE PLEASURE

THE FIRST PART OF TAMBURLAINE THE GREAT.

ACT I.

SCENE I.

SCENE II.

ACT II.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

ACT III.

SCENE I.

SCENE II.

SCENE III.

ACT IV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

ACT V.

SCENE I.

FOOTNOTES:

TAMBURLAINE THE GREAT—THE SECOND PART

Edited By The Rev. Alexander Dyce

This is Part II.

THE PROLOGUE.

DRAMATIS PERSONAE.

THE SECOND PART OF TAMBURLAINE THE GREAT.

ACT I.

SCENE I.

SCENE II.

SCENE III.

ACT II.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

ACT III.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

ACT IV.

SCENE I.

SCENE II.

SCENE III.

ACT V.

SCENE I.

SCENE II.

SCENE III.

NOTES:

[a] [From THE FIRST PART OF TAMBURLAINE THE GREAT]

FOOTNOTES:

THE JEW OF MALTA.

Edited By The Rev. Alexander Dyce

Contents

THE PROLOGUE SPOKEN AT COURT.

EPILOGUE SPOKEN AT COURT.

THE PROLOGUE TO THE STAGE, AT THE COCK-PIT.

EPILOGUE TO THE STAGE, AT THE COCK-PIT.

DRAMATIS PERSONAE.

THE JEW OF MALTA.

ACT I. 16

ACT II.

ACT III.

ACT IV.

ACT V.

Footnotes:

The Tragedy of Dido Queen of Carthage

THE TUDOR FACSIMILE TEXTS

MCMXIV

JOHN S. FARMER.

AT LONDON,

FINIS.

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS

From The Quarto of 1604

Edited by The Rev. Alexander Dyce

DRAMATIS PERSONAE.

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS

FOOTNOTES:

HERO AND LEANDER

AND OTHER POEMS

BY CHRISTOPHER MARLOWE

CONTENTS

HERO AND LEANDER

TO THE RIGHT WORSHIPFUL SIR THOMAS WALSINGHAM, KNIGHT.

THE FIRST SESTIAD

THE ARGUMENT OF THE FIRST SESTIAD

THE SECOND SESTIAD

THE ARGUMENT OF THE SECOND SESTIAD

THE THIRD SESTIAD

THE ARGUMENT OF THE THIRD SESTIAD

THE FOURTH SESTIAD

THE ARGUMENT OF THE FOURTH SESTIAD

THE FIFTH SESTIAD

THE ARGUMENT OF THE FIFTH SESTIAD

THE SIXTH SESTIAD

THE ARGUMENT OF THE SIXTH SESTIAD

MINOR POEMS BY CHRISTOPHER MARLOWE

THE PASSIONATE SHEPHERD TO HIS LOVE

FRAGMENT

IN OBITUM HONORATISSIMI VIRI, ROGERI MANWOOD, MILITIS, QUÆSTORII REGI- NALIS CAPITALIS BARONIS

DIALOGUE IN VERSE

MASSACRE AT PARIS

Table of Contents with inital stage directions:

DRAMATIS PERSONAE

THE MASSACRE AT PARIS.

With the Death of the Duke of Guise.

[Scene i]

[Scene ii]

[Scene iii]

[Scene iv]

[Scene v]

[Scene vi]

[Scene vii]

[Scene viii]

[Scene ix]

[Scene x]

[Scene xi]

[Scene xii]

[Scene xiii]

[Scene xiv]

[Scene xv]

[Scene xvi]

[Scene xvii]

[Scene xviii]

[Scene xix]

[Scene xx]

[Scene xxi]

[Scene xxii]

EDWARD THE SECOND

DRAMATIS PERSONAE

THE WORKS OF CHRISTOPHER MARLOWE

EDITED BY A. H. BULLEN, B.A.

IN THREE VOLUMES VOLUME THE THIRD

One hundred and twenty copies of this Edition on Laid paper, medium 8vo, have been printed, and are numbered consecutively as issued.

HERO AND LEANDER.

Two editions ofHero and Leanderappeared in 1598. The first edition, containing only Marlowe's portion of the poem, is entitledHero and Leander. By Christopher Marloe. London, Printed by Adam Islip, for Edward Blunt.1598. 4to. The title-page of the second edition, which contains the complete poem, isHero and Leander: Begun by Christopher Marloe; and finished by George Chapman. Ut Nectar, Ingenium. At London, Printed by Felix Kingston, for Paule Linley, and are to be solde in Paules Churche-yard, at the signe of the Blacke-beare.1598. 4to.

Two copies of the second edition were discovered a few years ago at Lamport Hall (the seat of Sir Charles Isham, Bart.) by Mr. Charles Edmonds. The existence of this edition was previously unknown. Later editions are:—

Hero and Leander: Begunne by Christopher Marloe: Whereunto is added the first booke of Lucan translated line for line by the same Author. Ut Nectar, Ingenium. At London Printed for John Flasket, and are to be solde in Paules Church-yard, at the signe of the Blacke-beare. 1600. 4to.

Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for John Flasket, and are to be sold in Paules Church-yard, at the signe of the blacke Beare. 1606. 4to.

Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the blacke Beare. 1609. 4to.

Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London. Printed by W. Stansby for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the Blacke Beare. 1613. 4to.

Hero and Leander: Begun by Christoper Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London, Printed by A. M. for Richard Hawkins: and are to bee sold at his Shop in Chancerie-Lane, neere Serieants Inne. 1629. 4to.[Pg 3]

Hero and Leander: Begun by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London: Printed by N. Okes for William Leake, and are to be sold at his shop in Chancery-lane neere the Roules. 1637. 4to.

I have not had an opportunity of seeing the 4tos. of 1598 or the 4to. of 1600. For the text of the Isham copy, I am indebted to theWorks of George Chapman: Poems and Minor Translations, 1875. I have examined the texts of eds. 1606, 1613, 1629, 1637; and my friend Mr. C. H. Firth has examined for me the Bodleian copy of ed. 1600, in the margin of which Malone has noted the readings of the first edition.[Pg 4]

TO THE RIGHT-WORSHIPFUL SIR THOMAS WALSINGHAM, KNIGHT.

Sir, we think not ourselves discharged of the duty we owe to our friend when we have brought the breathless body to the earth; for albeit the eye there taketh his ever-farewell of that beloved object, yet the impression of the man that hath been dear unto us, living an after-life in our memory, there putteth us in mind of farther obsequies due unto the deceased; and namely of the performance of whatsoever we may judge shall make to his living credit and to the effecting of his determinations prevented by the stroke of death. By these meditations (as by an intellectual will) I suppose myself executor to the unhappily deceased author of this poem; upon whom knowing that in his lifetime you bestowed many kind favours, entertaining parts of reckoning and worth which you found in him with good countenance and liberal affection, I cannot but see so far into the will of him dead, that whatsoever issue of his brain should chance to come abroad, that the first breath it should take might be the gentle air of your liking; for, since his self had been accustomed thereunto, it would prove more agreeable and thriving to his right children than any other foster countenance whatsoever. At this time seeing that this unfinished tragedy happens under my hands to be imprinted; of a double duty, the one to yourself, the other to the deceased, I present the same to your most favourable allowance, offering my utmost self now and ever to be ready at your worship's disposing: