The Complete Works of Edith Wharton. Illustrated - Edith Wharton - E-Book

The Complete Works of Edith Wharton. Illustrated E-Book

Edith Wharton

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Beschreibung

Edith Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence. Among her other well known works are The House of Mirth and the novella Ethan Frome. Wharton's writings often dealt with themes such as social and individual fulfillment, repressed sexuality, and the manners of old families and the new elite. A key recurring theme in Wharton's writing is the relationship between the house as a physical space and its relationship to its inhabitant's characteristics and emotions. Contents:      The Novels Fast and Loose The Valley of Decision Sanctuary The House of Mirth The Fruit of the Tree Ethan Frome The Reef The Custom of the Country Summer The Age of Innocence The Glimpses of the Moon A Son at the Front The Mother's Recompense Twilight Sleep The Children Hudson River Bracketed The Gods Arrive The Buccaneers      The Novellas The Touchstone Madame de Treymes The Marne Old New York      The Short Story Collections The Greater Inclination Crucial Instances The Descent of Man and Other Stories The Hermit and the Wild Woman and Other Stories Tales of Men and Ghosts Uncollected Early Short Stories Xingu and Other Stories Here and Beyond Certain People Human Nature The World Over Ghosts      The Short Stories List of Stories in Chronological Order List of Stories in Alphabetical Order      The Play The Joy of Living      The Poetry Artemis to Actaeon and Other Verses Uncollected Poetry      The Non-Fiction The Decoration of Houses Italian Villas and Their Gardens Italian Backgrounds A Motor-Flight Through France France, from Dunkerque to Belfort French Ways and Their Meaning In Morocco The Writing of Fiction      The Autobiography A Backward Glance

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Edith Wharton

The Complete Works

Edith Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence.

Among her other well known works are The House of Mirth and the novella Ethan Frome.

Wharton's writings often dealt with themes such as social and individual fulfillment, repressed sexuality, and the manners of old families and the new elite.

A key recurring theme in Wharton's writing is the relationship between the house as a physical space and its relationship to its inhabitant's characteristics and emotions.

 

Contents

     The Novels

Fast and Loose

The Valley of Decision

Sanctuary

The House of Mirth

The Fruit of the Tree

Ethan Frome

The Reef

The Custom of the Country

Summer

The Age of Innocence

The Glimpses of the Moon

A Son at the Front

The Mother’s Recompense

Twilight Sleep

The Children

Hudson River Bracketed

The Gods Arrive

The Buccaneers

     The Novellas

The Touchstone

Madame de Treymes

The Marne

Old New York

     The Short Story Collections

The Greater Inclination

Crucial Instances

The Descent of Man and Other Stories

The Hermit and the Wild Woman and Other Stories

Tales of Men and Ghosts

Uncollected Early Short Stories

Xingu and Other Stories

Here and Beyond

Certain People

Human Nature

The World Over

Ghosts

     The Short Stories

List of Stories in Chronological Order

List of Stories in Alphabetical Order

     The Play

The Joy of Living

     The Poetry

Artemis to Actaeon and Other Verses

Uncollected Poetry

     The Non-Fiction

The Decoration of Houses

Italian Villas and Their Gardens

Italian Backgrounds

A Motor-Flight Through France

France, from Dunkerque to Belfort

French Ways and Their Meaning

In Morocco

The Writing of Fiction

     The Autobiography

A Backward Glance

 

Table of Contents:
The Novels
Fast and Loose [1]
DEDICATION
CHAPTER I. Hearts and Diamonds
CHAPTER II. Enter Lord Breton
CHAPTER III. Jilted
CHAPTER IV. The End of the Idyl
CHAPTER V. Lady Breton of Lowood
CHAPTER VI. At Rome
CHAPTER VII. The Luckiest Man in London
CHAPTER VIII. Jack the Avenger
CHAPTER IX. Madeline Graham
CHAPTER X. At Interlaken
CHAPTER XI. The End of the Season
CHAPTER XII. Poor Teresina
CHAPTER XIII. Villa Doria-Pamfili
CHAPTER XIV. Left Alone
CHAPTER XV. A Summons
CHAPTER XVI. Too Late
CHAPTER XVII. Afterwards
The Valley of Decision [2]
BOOK I. THE OLD ORDER
BOOK II. THE NEW LIGHT
BOOK III. THE CHOICE
BOOK IV. THE REWARD
Sanctuary [3]
PART I
PART II
The House of Mirth [4]
BOOK ONE
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
BOOK TWO
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
The Fruit of the Tree [5]
BOOK I
BOOK II
BOOK III
BOOK IV
Ethan Frome [6]
The Reef [7]
BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
The Custom of the Country [8]
Summer
The Age of Innocence [9]
BOOK I
BOOK II
The Glimpses of the Moon [10]
PART I
PART II
PART III
A Son at the Front [11]
BOOK I
BOOK II
BOOK III
BOOK IV
The Mother’s Recompense
BOOK I
BOOK TWO
BOOK THREE
Twilight Sleep [12]
BOOK I
BOOK II
BOOK III
The Children [13]
BOOK I
BOOK II
BOOK III
BOOK IV
Hudson River Bracketed [14]
BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
BOOK VI
BOOK VII
The Gods Arrive [15]
BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
The Buccaneers [16]
BOOK I
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
BOOK II
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
BOOK III
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
The Novellas [17]
The Touchstone
Madame de Treymes [18]
The Marne [19]
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
Old New York [20]
False Dawn (THE ‘FORTIES)
Part 1
Part 2
The Old Maid (The ‘Fifties.)
Part 1
Part 2
The Spark (The ‘Sixties)
New Year’s Day (The ‘Seventies)
The Short Story Collections [21]
The Greater Inclination [22]
THE MUSE’S TRAGEDY
A JOURNEY
THE PELICAN
SOULS BELATED
A COWARD
THE TWILIGHT OF THE GOD
A CUP OF COLD WATER
THE PORTRAIT
Crucial Instances
THE DUCHESS AT PRAYER
THE ANGEL AT THE GRAVE
THE RECOVERY
COPY A DIALOGUE
THE REMBRANDT
THE MOVING FINGER
THE CONFESSIONAL
The Descent of Man and Other Stories
THE DESCENT OF MAN
THE OTHER TWO
EXPIATION
THE LADY’S MAID’S BELL
THE MISSION OF JANE
THE RECKONING
THE LETTER
THE DILETTANTE
THE QUICKSAND
A VENETIAN NIGHT’S ENTERTAINMENT
The Hermit and the Wild Woman and Other Stories
THE HERMIT AND THE WILD WOMAN
THE LAST ASSET
IN TRUST
THE PRETEXT
THE VERDICT
THE POT-BOILER
THE BEST MAN
Tales of Men and Ghosts
THE BOLTED DOOR
HIS FATHER’S SON
THE DAUNT DIANA
THE DEBT
FULL CIRCLE
THE LEGEND
THE EYES
THE BLOND BEAST
AFTERWARD
THE LETTERS
Uncollected Early Short Stories [23]
MRS. MANSTEY’S VIEW
THE HOUSE OF THE DEAD HAND
THE FULNESS OF LIFE
LINE OF LEAST RESISTANCE
APRIL SHOWERS
THAT GOOD MAY COME
THE LAMP OF PSYCHE
THE VALLEY OF CHILDISH THINGS AND OTHER EMBLEMS
THE ANGEL AT THE GRAVE
THE LADY’S MAID’S BELL
THE INTRODUCERS
PART I
Xingu and Other Stories
XINGU
COMING HOME
AUTRES TEMPS
KERFOL
THE LONG RUN
THE TRIUMPH OF NIGHT
THE CHOICE
BUNNER SISTERS
PART I
PART II
Here and Beyond
MISS MARY PASK
THE YOUNG GENTLEMEN
BEWITCHED
THE SEED OF THE FAITH
THE TEMPERATE ZONE
VELVET EAR-PADS
Certain People
ATROPHY
A BOTTLE OF PERRIER
AFTER HOLBEIN
DIEU D’AMOUR A CASTLE IN CYPRUS
THE REFUGEES
MR. JONES
Human Nature
HER SON
THE DAY OF THE FUNERAL
A GLIMPSE
JOY IN THE HOUSE
DIAGNOSIS
The World Over
CHARM INCORPORATED
POMEGRANATE SEED
CONFESSION
ROMAN FEVER
THE LOOKING-GLASS
DURATION
Ghosts
ALL SOULS’
THE EYES
AFTERWARD
THE LADY’S MAID’S BELL
KERFOL
THE TRIUMPH OF NIGHT
MISS MARY PASK
BEWITCHED
MR. JONES
POMEGRANATE SEED
A BOTTLE OF PERRIER
The Play [24]
The Joy of Living A PLAY IN FIVE ACTS
TRANSLATOR’S NOTE
CHARACTERS
ACT I
ACT II
ACT III
ACT IV
ACT V
The Poetry [25]
Artemis to Actaeon and Other Verses [26]
ARTEMIS TO ACTAEON
LIFE
VESALIUS IN ZANTE
MARGARET OF CORTONA
A TORCHBEARER
THE MORTAL LEASE
EXPERIENCE
GRIEF
CHARTRES
TWO BACKGROUNDS
THE TOMB OF ILARIA GIUNIGI
THE ONE GRIEF
THE EUMENIDES
ORPHEUS
AN AUTUMN SUNSET
MOONRISE OVER TYRINGHAM
ALL SOULS
ALL SAINTS
THE OLD POLE STAR
A GRAVE
NON DOLET!
A HUNTING-SONG
SURVIVAL
USES
A MEETING
Uncollected Poetry [27]
BATTLE SLEEP
BELGIUM
BOTTICELLI’S MADONNA IN THE LOUVRE
THE BREAD OF ANGELS
CHARTRES
THE COMRADE
EURYALUS
EXPERIENCE
A FAILURE
THE GREAT BLUE TENT
HAPPINESS
THE HYMN OF THE LUSITANIA
JADE
THE LAST GIUSTIANINI
MOONRISE OVER TYRINGHAM
MOULD AND VASE
OGRIN THE HERMIT
ON ACTIVE SERVICE
THE ONE GRIEF
THE PARTING DAY
PATIENCE
PHAEDRA
POMEGRANATE SEED
THE SONNET
SUMMER AFTERNOON (BODIAM CASTLE, SUSSEX)
TERMINUS
THE TOMB OF ILARIA GIUNIGI
USES
YOU AND YOU TO THE AMERICAN PRIVATE IN THE GREAT WAR
WANTS
WITH THE TIDE
The Non-Fiction
The Decoration of Houses
BOOKS CONSULTED
ENGLISH
INTRODUCTION
I. THE HISTORICAL TRADITION
II. ROOMS IN GENERAL
III. WALLS
IV. DOORS
V. WINDOWS
VI. FIREPLACES
VII. CEILINGS AND FLOORS
VIII. ENTRANCE AND VESTIBULE
IX. HALL AND STAIRS
X. THE DRAWING-ROOM, BOUDOIR, AND MORNING-ROOM
XI. GALA ROOMS: BALL-ROOM, SALOON, MUSIC-ROOM, GALLERY
XII. THE LIBRARY, SMOKING-ROOM, AND “DEN”
XIII. THE DINING-ROOM
XIV. BEDROOMS
XV. THE SCHOOL-ROOM AND NURSERIES
XVI. BRIC-A-BRAC
CONCLUSION
Italian Villas and Their Gardens
CHAPTER I. INTRODUCTION
CHAPTER II. FLORENTINE VILLAS
CHAPTER III. SIENESE VILLAS
CHAPTER IV. ROMAN VILLAS
CHAPTER V. VILLAS NEAR ROME
CHAPTER VI. GENOESE VILLAS
CHAPTER VII. LOMBARD VILLAS
CHAPTER VIII. VILLAS OF VENETIA
Italian Backgrounds
CHAPTER I. AN ALPINE POSTING-INN
CHAPTER II. A MIDSUMMER WEEK’S DREAM AUGUST IN ITALY
CHAPTER III. THE SANCTUARIES OF THE PENNINE ALPS
CHAPTER IV. WHAT THE HERMITS SAW
CHAPTER V. A TUSCAN SHRINE
CHAPTER VI. SUB UMBRA LILIORUM AN IMPRESSION OF PARMA
CHAPTER VII. MARCH IN ITALY
CHAPTER VIII. PICTURESQUE MILAN
CHAPTER IX. ITALIAN BACKGROUNDS
A Motor-Flight Through France
PART I
I. BOULOGNE TO AMIENS
II. BEAUVAIS AND ROUEN
III. FROM ROUEN TO FONTAINEBLEA
IV. THE LOIRE AND THE INDRE
V. NOHANT TO CLERMONT
VI. IN AUVERGNE
VII. ROYAT TO BOURGES
PART II
I. PARIS TO POITIERS
II. POITIERS TO THE PYRENEES
III. THE PYRENEES TO PROVENCE
IV. THE RHONE TO THE SEINE
PART III
A FLIGHT TO THE NORTH-EAST
France, from Dunkerque to Belfort
THE LOOK OF PARIS
IN ARGONNE
IN LORRAINE AND THE VOSGES
IN THE NORTH
IN ALSACE
THE TONE OF FRANCE
French Ways and Their Meaning
PREFACE
CHAPTER I. FIRST IMPRESSION
CHAPTER II. REVERENCE
CHAPTER III. TASTE
CHAPTER IV. INTELLECTUAL HONESTY
CHAPTER V. CONTINUITY
CHAPTER VI. THE NEW FRENCHWOMAN
CHAPTER VII. IN CONCLUSION
In Morocco
PREFACE
I. RABAT AND SALE
I. LEAVING TANGIER
II. THE TRAIL TO EL-KSAR
III. EL-KSAR TO RABAT
IV. THE KASBAH OF THE OUDAYAS
V. ROBINSON CRUSOE’S “SALLEE”
VI. CHELLA AND THE GREAT MOSQUE
II. VOLUBILIS, MOULAY IDRISS AND MEKNEZ
I. VOLUBILIS
II. MOULAY IDRISS
III. MEKNEZ
III. FEZ
I. THE FIRST VISION
II. FEZ ELDJID
III. FEZ ELBALI
IV. EL ANDALOUS AND THE POTTERS’ FIELD
V. MEDERSAS, BAZAARS AND AN OASIS
VI. THE LAST GLIMPSE
IV. MARRAKECH
I. THE WAY THERE
II. THE BAHIA
III. THE BAZAARS
IV. THE AGDAL
V. ON THE ROOFS
VI. THE SAADIAN TOMBS
V. HAREMS AND CEREMONIES
I. THE CROWD IN THE STREET
II. AID-EL-KEBIR
III. THE IMPERIAL MIRADOR
IV. IN OLD RABAT
V. IN FEZ
VI. IN MARRAKECH
VI. GENERAL LYAUTEY’S WORK IN MOROCCO
VII. A SKETCH OF MOROCCAN HISTORY
VIII. NOTE ON MOROCCAN ARCHITECTURE
IX. BOOKS CONSULTED
The Writing of Fiction [94]
BOOK I. IN GENERAL
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
BOOK II. TELLING A SHORT STORY
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
BOOK III. CONSTRUCTING A NOVEL
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
BOOK IV. CHARACTER AND SITUATION IN THE NOVEL
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
BOOK V. MARCEL PROUST
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
The Autobiography
A Backward Glance
A FIRST WORD
CHAPTER 1. THE BACKGROUND
CHAPTER 2. KNEE-HIGH
CHAPTER 3. LITTLE GIRL
CHAPTER 4. UNRELUCTANT FEET
CHAPTER 5. FRIENDSHIPS AND TRAVELS
CHAPTER 6. LIFE AND LETTERS
CHAPTER 7. NEW YORK AND THE MOUNT
CHAPTER 8. HENRY JAMES
CHAPTER 9. THE SECRET GARDEN. “This wielding of the unreal trowel.”
CHAPTER 10. LONDON, “QU’ACRE” AND “LAMB.”
CHAPTER 11. PARIS
CHAPTER 12. WIDENING WATERS
CHAPTER 13. THE WAR
CHAPTER 14. AND AFTER

The Novels

 

 

 

Wharton’s birthplace, West 23rd Street, New York City

 

 

Wharton’s parents: George Frederic Jones and Lucretia Rhinelander Jones

Fast and Loose[1]

“LET WOMAN BEWARE

How she plays fast loose thus with human despair

And the storm in man’s heart.” Robert Lytton: Lucile.

 

DEDICATION

To Cornelie

“[Donna] beataebella” [illegible] Quinta.

(October 1876)

A Novelette By David Olivieri

 

CHAPTER I. Hearts and Diamonds

“‘TIS BEST TO be off with the old love

Before you are on with the new!”

Song.

A dismal Autumn afternoon in the country. Without, a soft drizzle falling on yellow leaves damp ground; within, two people playing chess by the window of the fire-lighted drawing-room at Holly Lodge. Now, when two people play chess on a rainy afternoon, tete-a-tete in a room with the door shut, they are likely to be either very much bored, or rather dangerously interested; in this case, with all respect to romance, they appeared overcome by the profoundest ennui. The lady — a girl of about 18, plump soft as a partridge, with vivacious brown eyes, a cheek like a sun-warmed peach-occasionally stifled a yawn, as her antagonist, curling a slight blonde moustache (the usual sign of masculine perplexity) sat absently meditating a move on which the game, in his eyes, appeared to depend; at last, pushing aside her chair, she rose stood looking out of the window, as though even the dreary Autumn prospect had more attraction for her than the handsome face on the other side of the chess-board. Her movement seemed to shake her companion out of his reverie, for he rose also, looking over her shoulder, at the soft, misty rain, observed rather languidly, “Cheerful weather!” “Horrid!” said the girl, stamping her foot. “I am dying of stagnation.” “Don’t you mean to finish the game?” “If you choose. I don’t care.” “Nor I–It’s decidedly a bore.” No answer. The bright brown eyes the lazy blue ones stared out of the window for the space of five slow minutes. Then the girl said: “Guy!” “My liege!” “You’re not very amusing this afternoon.” “Neither are you, my own!” “Gallant for a lover!” she cried, pouting turning away from the window. “How can I amuse a stone wall? I might talk all day!” She had a way of tossing her pretty little head, drawing her soft white forehead, that was quite irresistible. Guy, as the most natural thing in the world, put his arm about her, but was met with a sharp, “Don’t! You know I hate to be taken hold of, Sir! Oh, I shall die of ennui if this weather holds.” Guy whistled, went to lean against the fireplace; while his betrothed stood in the middle of the room, the very picture of “I-won’t-be-amused” crossness. “Delightful!” she said, presently. “Really, your conversation today displays your wit genius to a remarkable degree.” “If I talk to you, you scold, Georgie,” said the lover, pathetically. “No, I don’t! I only scold when you twist your arms around me.” “I can’t do one without the other!” Georgie laughed. “You do say nice things, Guy! But you’re a bore this afternoon, nevertheless.” “Isn’t everything a bore?” “I believe so. Oh, I should be another person galloping over the downs on Rochester! ‘What’s his name is himself again!’ Shall we be able to hunt tomorrow?” “Ask the clerk of the weather,” said Guy, rather dismally. “Guy! I do believe you’re going to sleep! Doesn’t it rouse you to think of a tear ‘cross country after the hounds? Oh, Guy, a red coat makes my blood run faster!” “Does it? — Georgie, have you got ‘Je l’ai perdu’ — the thing I sent you from London?” “Yes — somewhere.” “I am going to sing,” said Guy.

“What a treat!” “As you don’t object to my smoking, I thought you mightn’t mind my singing.” “Well,” said Georgie, mischievously, “I don’t suppose it does matter much which sense is offended. What are you going to sing?” Guy, without answering, began to hunt through a pile of music, at last laid a copy of “The ballad to Celia” on the piano-rack. Georgie sat down, while he leaned against the piano, struck a few prelude-chords; then he began to sing in a rich barytone, Ben Jonson’s sweet old lines. At the end of the first stanza, Georgie shut the piano with a bang. “I will not play if you sing so detestably out of time, tune everything. Do make yourself disagreeable in some less noisy way.” “I think I shall make myself agreeable — by saying goodbye.” “Very well, do!” “Georgie — what is the matter?” He took her little hand as he spoke, but she wrenched it away, stamping her foot again. “Dont dont dont! I’m as cross as I can be I won’t make friends!” she cried in a sort of childish passion, running away from him to the other end of the room. He stood for a moment, twirling his moustache; then, taking up his hat, said, “Goodbye.” “Goodbye — Are you very angry?” she said, coming a step or two nearer, looking up through her soft lashes. “No, I suppose not. I believe I have been boring you confoundedly.” “I suppose I have been very cross.” “Not more than I deserved, probably. I am going to London for a few days. Will you give me your hand for goodbye?” She stood still a moment, looking at him thoughtfully; then put out her hand. “Ah, Guy, I am a worthless little thing,” she said, softly, as he took it. It was her left hand a ring set with diamonds twinkled on it. “Worth all the world to me!” he answered; then lifted the hand to his lips turned away. As his receding steps sounded through the hall, Georgie Rivers, taking a screen from the mantel-piece, sat down on the rug before the fire, with a thoughtful face out of which all the sauciness had vanished. As she watched the fire-light play on her ring, she began to think half-aloud as her childish fashion was; but Guy was cantering along the high road to West Adamsborough, if there had been anyone to tell him what she said, he would [have] laughed — [have] doubted it. As there was no one, however, Georgie kept her meditations to herself. “I know he thinks me a coquette,” she whispered, leaning her head against her hand, “ he thinks I like to trifle with him — perhaps he is angry — (he looks very handsome when he is angry) but he doesn’t know — how should he? — that I mean to break it off. I ought to have done it today, I might have ended that beginning of a quarrel by giving him back the ring; but, oh dear, I wish — I wish I didn’t care for him quite so much. He is so cool handsome! And he is the only man I ever knew who neither despises me nor is afraid of me. Oh, Georgie, Georgie, you miserable little fool! I didn’t mean to let him kiss my hand; he surprised me into it, just as he surprised me into accepting him. He always puts me off my guard, somehow! But it must be done. Perhaps I am in love with him, but I hope I haven’t quite lost my common sense. It must be done, I say! I declare, I shall make an utter goose of myself in a minute! Where’s that letter?” She put her hand into her pocket, brought out an envelope, pompously sealed with a large coat of arms motto;, drawing out the folded sheet which it contained, slowly read aloud these words, written in a crabbed, old-fashioned hand:

My dear Miss Rivers: Ever since I was honoured by an introduction to you, my admiration for your charms accomplishments has increased; I have been sufficiently marked by your favour to hope that what I am about to say may not seem an entirely unwarrantable liberty. Although we are separated by many years, I do not perceive why that should be an obstacle to a happy union; I therefore venture to beg that, if the profoundest admiration respect can awaken responsive sentiments in your own bosom, you will honour me with your hand. I shall await with impatience your reply to my proposals, am, my dear Miss Rivers, with deep esteem, Your faithful Servant “Breton.”

Georgie folded the letter again, went on with her reflections in this wise. “I suppose I should have let him know that I was engaged to Guy, but it was so jolly to have an old Lord dangling about one, head over ears in love, figuratively speaking, going down on his noble, gouty knees every time one came into the room. And I really didn’t think it would come to a climax so soon! I marked him by my favour, did I? And the poor old creature has got tipsy, like an old blue-bottle on a little drop of syrup. He is really in love with me! Me, Georgie Rivers, a wicked, fast, flirtatious little pauper — a lazy, luxurious coquette! Oh, Guy, Guy! — I mean, Oh, Lord Breton, Lord — ha? what’s the matter?” For something dropped close by Georgie’s ring, that sparkled as clearly in the fire-light as its own diamonds. “Crying! Crying! I thought I had no heart. I have always been told so. Ah, the horrid thing.” She brushed the bright thing that was not a diamond away, but just then her eyes brimmed over with two more, she was obliged to dry them with her pocket handkerchief, talking on all the while. “This is too ridiculous. Georgie getting sentimental! Georgie booh-hoohing over a lover, when she’s got a real, live Lord, with a deer-park, a house in London ever so much a year, at her feet! What else have I always wished for? But, come, I will think of it calmly. Say I am in love with Guy (if I have no heart, how can I love anybody?) say I am in love with him. He is poor, rather extravagant, lazy just as luxurious as I am. Now, what should we live on? I should have to mend my clothes, do the shopping, I should never ride or dance or do anything worth living for any more; but there would be pinching patching starvation (politely called economy) I should get cross, Guy would get cross, we should fight, fight, fight! Now — take the other side of the picture. First, Lord B. is really in love with me. Second, he is venerable, sleepy fixed in his own ruts, would give me twice as much liberty as a younger man; third, I should have three fine houses, plenty of horses as many dresses as I could wear, (I have a large capacity in that way!) nothing to do but coquet with all the handsome boys whose heads I chose to turn; fourth, I should be Lady Breton of Lowood, the first lady in the county! Hurrah!” As Georgie ended this resume of the advantages of her ancient suitor, she clapped her hands together jumped up from the hearth-rug. “It must be done. I am sure Guy I could never be happy together, I shall write tell him so, the sooner the better. I suppose Mamma will be a little scandalized, but I can settle that. And when shall I ever have such a chance again?” She reopened Lord Breton’s letter, read it for the third time, then went up to the writing table that stood between the two windows. “The sooner the better, the sooner the better,” she repeated, as she sat down took out a sheet of paper stamped with the Rivers crest. She dipped her pen in ink, dated the blank sheet — then paused a moment, with contracting eye-brows. “No. I suppose that I must write to Guy first. What shall I say? It is so hard… I… hush, you little idiot! Are you going to change your mind again?” With this self-addressed rebuke, she re-dipped her pen, began to write hastily —

Dear Guy: I am sure we can never be happy as anything but friends, I send you back the ring which will be far better on someone else’s hand. You will get over your fancy, I shall Always be, Your Affectionate Cousin G.R.

To Guy Hastings Esqr.

It was soon over, she laid the pen down pushed the paper away quickly, covering her eyes with her hand. The clock, striking the hour on the chimney-piece, roused her with a start. “I suppose I had better take this ring off,” she said, slowly, gazing at the hoop of diamonds. “There is no use in hesitating — or the battle is lost. There — what is it, a ring? It will be replaced by another (with bigger diamonds) tomorrow afternoon.” She drew it off hurriedly, as though the operation were painful, then looked at her unadorned hand. “You change owners, poor little hand!” she said softly. Then she kissed the ring laid it away. After that it was easier to go on with her next note, though she wrote two copies before she was satisfied that it was proper to be sent to the great Lord Breton. The note finally ran thus:

My dear Lord Breton: I was much flattered by your offer, which I accept, remaining Yours truly (I shall be at home tomorrow afternoon.)

Georgina Rivers.

“Like answering a dinner-invitation,” commented Georgie; “but I can’t make it longer. I don’t know what to say!”

CHAPTER II. Enter Lord Breton

“AULD ROBIN GRAY cam ‘a courtin’ me.”

Lady Barnard.

Let it be understood by the reader, in justice to Miss Rivers, that, before she despatched the note with which our last chapter closes, she shewed it to her mother. As she had expected, that lady offered some feeble opposition to her daughter’s bold stroke. It was early the next morning Mrs. Rivers — a nervous invalid, of the complainingly resigned sort — was still in her bedroom, though the younger members of the family, Kate, Julia Tom, had breakfasted been called to their lessons, by Miss Blackstone, their governess. Georgie therefore found her mother alone, when she entered with the answer to Lord Breton’s letter in her hand; it was easy, after one glance at the small figure on the couch, with faded hair, pink lids yielding wrinkles about the mouth, to see why, though “Mamma would be a little scandalized” it would be easy to “settle that.” If Mrs. Rivers had ever been a beauty much mourning malady had effaced all traces thereof from her gentle, sallow face framed in a heavy widow’s cap; she was one of those meek, shrinking women who seem always overwhelmed by their clothes, indeed by circumstances in general. She greeted her daughter’s entrance with a faint smile, observed in a thin, timid voice “that it was a beautiful morning.” “Yes,” said Georgie, kissing her, “jolly for hunting. How did you sleep, little Mamma?” “Oh, well enough, my dear — as well as I could have hoped,” said Mrs. Rivers, sighing. “Of course Peters forgot my sleeping-draught when he went into West Adamsborough yesterday, but what else could I expect?” “I am very sorry! The man never had his proper allowance of brains.” “Nay, my dear, I do not complain.” “But I do,” said Georgie, impatiently. “I hate to be resigned!” “My child!” “You know I do, Mamma. But I want to speak to you now. Will Payson be coming in for anything?” “Indeed I can’t tell, my dear.” (Mrs. Rivers was never in her life known to express a positive opinion on any subject.) “Very well, then” said Georgie, “I will make sure.” She locked the door, then came sat down at her mother’s feet. “Now, Mamma, I am going to shock you,” she said. “Oh, my dear, I hope not.” “But I tell you that I am,” persisted Georgie. “Now listen. I have decided that I shouldn’t be happy with Guy, I have written to tell him so.” Mrs. Rivers looked startled. “What has happened, my love?” she asked anxiously. “I hope you have not been quarrelling. Guy is a good boy.” “No, we have not been quarrelling — at least, not exactly. But I have thought it all over. Guy I would never get on. And I am going to accept Lord Breton!” “Good gracious, my dear!” cried Mrs. Rivers, in mingled horror admiration at her daughter’s sudden decision. “But what will Guy say?… Have you reflected?…” “I have set Guy free; therefore I am at liberty to accept Lord Breton.” “But — so soon? I don’t understand,” said poor Mrs. Rivers, in humble perplexity. “Of course the engagement will not be announced at once; but Lord Breton’s letter requires an answer I have written it.” She handed the note to her mother, who looked over it with her usual doubtful frown, but whose only comment was a meek suggestion that it was very short. “I can’t write four pages to say I’ll accept him,” said Georgie, sharply; Mrs. Rivers, reflecting that her unusual crossness was probably due to concealed agitation, only said mildly, “but poor Guy.” “Why do you pity Guy, Mamma? He will be rid of me, if he is really in love with me — why, men get over those things very quickly.” “But I cannot help thinking, my dear…” “Don’t, Mamma!” cried Georgie, passionately, “don’t think. I have made up my mind, if you talk all day you can only make me cry.” The last word was almost a sob, Georgie turned sharply away from her mother. “I am afraid you are unhappy, darling child.” “Why should I be?” burst out Georgie, with sudden fierceness. “Don’t be so foolish Mamma! Why should I be unhappy? It is my own choice, I don’t want to be pitied!” She ran out of the room as she ended, Mrs. Rivers’ anxious ears heard her bedroom door slam a moment later. The note was sent duly, that morning; in the afternoon the various members of the family saw, from their respective windows, Lord Breton of Lowood ride up to the door of Holly Lodge. Georgie, with an unusual colour in her face, which was set off by the drooping ruffle of lace about her soft throat, came in to her mother’s room for a kiss a word or two. Now that Guy’s ring had really been sent back, she seemed to have nerved herself to go through the day resolutely; with a quick, firm step, her head higher than its wont she went downstairs to meet her suitor. Lord Breton was leaning against the mantel-piece where Guy had stood yesterday; it would have been hard to find a greater contrast to that handsome young gentleman than Georgie’s noble lover. Fifty-eight years of what is commonly called hard living had left heavy traces on what in its day was known as a fine figure; in the Lord Breton whom some few could remember as “that gay young buck” the present generation saw nothing but a gray gouty old gentleman, who evidently enjoyed his port wine sherry generously. He came forward as Georgie entered, bending over her hand (it was not the hand that Guy had kissed) said, pompously: “I need not say how deeply I feel the honour you confer on me, Miss Rivers. This is indeed a happy day!” “Thank you,” said Georgie, with a wild desire to draw her hand away; “you are very kind, Lord Breton.” “No, no,” returned his lordship affably; “I only rejoice in being allowed to call mine a young lady so abundantly endowed with every charm as Miss Rivers — as — May I call you Georgina?” Georgie started; no one had ever called her by her name, preferring the boyish abbreviation which seemed to suit her lively, plump prettiness best; but, after all, it was better he should not call her as Guy did. Georgina was more suitable for the future Lady Breton. “You have won the right to do so,” she said, as she sat down, Lord Breton took a chair opposite, at an admiring distance. “A most precious right,” he replied, conjuring up the ghost of what some might recall as a fascinating smile; but which was more like a bland leer to the eye unassisted by memory. “Let me assure you,” he continued, “that I know how little a man of my advanced years deserves to claim the attention of a young lady in the lovely bloom of youth; but — ahem — I hope that the name, the title — above all the respect esteem which I lay at her feet may compensate—” he paused, evidently wondered that Georgie did not reply to this sublime condescension; but as she was silent, he was forced to take up the thread of his speech. “As I said in my letter, you will remember, Miss… Ah… Georgina — as I said in my letter, I do not see why difference of age should be an obstacle to a happy union; as — ahem — since your views so happily coincide with mine, permit me to — to adorn this lovely hand with — a — with—” here Lord Breton, finding that his eloquence had for the moment run dry, supplied the lack of speech by action, producing a brilliant ruby set in large diamonds, slipped it on Georgie’s passive hand. “I hope you will accept this, as a slight token of — of…” “It is very beautiful,” said Georgie, colouring with pleasure, as the dark fire of the ruby set off the whiteness of her hand. “You are most generous. But you will forgive me if I do not wear it, at least in public. I should prefer not to have the engagement announced at once.” Lord Breton looked justly astonished, as he might have done if a crossing-sweeper to whom he had tossed a shilling had flung it back in his face. “May I ask why this — this secrecy must be preserved?” he said, in a tone of profound, but suppressed, indignation; remembering, just in time, that though the wife is a legitimate object of wrath, it is wise to restrain one’s self during courtship. “I am going to shew you what a spoiled child I am, by refusing to tell you,” said Georgie, putting on an air of imperious mischievousness to hide her growing agitation, “ I know you will humour me. I am so used to having my own way, that it might be dangerous to deprive me of it!” If she had not said this with a most enchanting smile, naughty yet appealing, Lord Breton might not have been so easily appeased; but being charmed with this pretty display of wilfulness (as men are apt to be before marriage) concluding that her mother might have something to do with the obstruction she would not name, he only said, with a bow, “The loss is on my side, however! I shall count the days until I can proclaim to the world what a prize I have won.” Georgie laughed; a sweet, little bird-like laugh, which was as resistless as her pout. “You pay me so many compliments that I shall be more spoiled than ever! But you will not have to wait long, I promise you.” “No waiting can be very long while I am privileged to enjoy your companionship,” said Lord Breton, rising to the moment triumphantly. “Oh, for shame! Worse worse!” cried Georgie. “But I think Mamma is in the study. Won’t you come in see her?”

CHAPTER III. Jilted

“THERE CAN BE no reason Why, when quietly munching your dry-toast butter Your nerves should be suddenly thrown in a flutter At the sight of a neat little letter addressed In a woman’s handwriting.”

Robert Lytton: Lucile.

Guy Hastings was finishing an unusually late breakfast at his favourite resort in London, Swift’s Club, St. James St., on the morning after his parting with Georgie, when a note addressed in her well-known hand, with its girlish affectation of masculiness, was handed to him by a Club servant. Although he was surprised that she should have written so soon, (she seldom, during his trips to London, wrote to him at all) he was not excited by any stronger emotion than surprise slight curiosity, for the words that passed between them the day before had appeared to him nothing more than a lover’s quarrel developed by bad weather ennui he was too well accustomed to unaccountable phases in his cousin’s April character to imagine that anything serious could be its consequence. A man, however, who is as deeply in love as Guy was, does not have a letter in the beloved one’s handwriting long unopened; though a pile of other envelopes “To Guy Hastings Esqr.” were pushed aside until fuller leisure after breakfast, he broke Georgie’s seal at once. One glance at the hurriedly written lines sufficed to change the aspect of life completely. At first there came a sense of blank bewilderment, followed, upon reflection, by indignation at this undeserved slight; these emotions combined were enough to make him turn from the breakfast-table, thrusting the package which contained the ring into his breast-pocket, to escape from the clatter movement of the breakfast room. One might have supposed that every member of the club would be off shooting, fishing, hunting or travelling at this unfashionable time, but of course, as Guy went down to take refuge in the reading-room he was fastened upon by a veteran club bore, who talked to him for half an hour by the clock, while all the time Georgie’s note was burning in his pocket. At last the bore discovered that he had an engagement, with deep regret (more for Guy’s sake than his own) was obliged to break off in the midst of an Indian anecdote; but he was replaced almost immediately by Capt. Doublequick of the — th, who always had a new scandal to feast his friends on, now for dearth of listeners, came to tell Guy the fullest details of “that affair with young Wiggins the little French Marquise.” This delectable history, embellished with the Capt.’s usual art, lasted fully another half hour; Guy was in the last stages of slow torture when the unconscious Doublequick espied a solitary man at the other end of the room who had not heard all about “young Wiggins.” Left to himself, Guy, with the masculine instinct of being always as comfortable as possible, settled himself in an armchair, reread Georgie’s note, slowly, carefully repeatedly, as though he fancied it might be an optical delusion after all. But it was one of Georgie’s virtues to write a clear hand. The cruel words were there, remained the same, read them as he would. At last, as he sat half-stupidly staring at the few lines, a purpose formed itself within him to write at once ask the meaning of them. Think as he would, he could not remember having, by word or act, justified Georgie in sending him such a letter; he concluded that the best thing the simplest he could do, was to demand an explanation. He loved her too deeply reverently to believe that she could mean to throw him over thus; he thought he knew the depths shallows of her character, though he was not blind to her faults, he would never have accused her, even in the thought, of such unwarranted heartlessness. Having determined, then, on this first step, he called for pen paper, after tearing up several half-written sheets, folded sealed this letter.

What have I done to deserve the note I got from you this morning? Why do you send the ring back? God knows I love you better than anyone on earth, if I am at fault, it is ignorantly. If you have found out you don’t care for me, tell me so — but for Heaven’s sake don’t throw me over in this way without a word of explanation. G.H. Miss Rivers. Holly Lodge, Morley-near-W. Adamsbro.

Every one of those few words came straight from Guy’s heart; for Georgie Rivers had been his one “grande passion,” his love for her perhaps the noblest, strongest feeling he was capable of. Indeed, I am disposed to think that the life of “a man about town” (the life which Guy had led since his college days five years before) is apt to blunt every kind of feeling into a well-bred monotone of ennui, it is a wonder to me that he had preserved so strong intact the capacity of really “falling in love.” Of course, he had had a dozen little affaires de coeurs here there before his heart was really touched; a man who lives as fast free as Guy Hastings had done, seldom escapes without “the least little touch of the spleen” — but he had outgrown them one after another as people do outgrow those inevitable diseases, until the fatal malady seized him in the shape of his pretty cousin. His love for her had influenced his whole life, blent itself into his one real talent, for painting, so that he sketched her bewitching little head a thousand one times, looked forward in the future, after his marriage, to turning his brush to account, selling his pictures high, in the still dimmer To-be becoming an R.A. How many an idle amateur has dreamed in this fashion! Meanwhile, he had enjoyed himself, made love to her, lived neither better nor worse than a hundred other young men of that large class delightful for acquaintance, but dangerous for matrimony, whom susceptible young ladies call “fascinating” anxious mothers “fast.” Now, though like takes to like, it is seldom that two people of the same social tastes fall in love with each other; Mr. Rapid, who has been in all the escapades going, connected with a good many of the most popular scandals, is attracted by Miss Slow, just out of a religious boarding-school, with downcast eyes monosyllabic conversation; Miss Rapid, who has always been what Punch calls “a leetle fast,” settles down to domesticity with good, meek-minded Mr. Slow. Such is the time-honoured law of contrasts. But Guy Hastings Georgie were one of those rare exceptions said to prove the rule which they defy. If Guy had tasted the good things of life generously, his cousin was certainly not wanting in a spice of fastness. Yet these two sinners fell mutually in love at first sight, remained in that ecstatic condition until Georgie’s unaccountable note seemed to turn the world temporarily upside-down. That unaccountable note! After answering it calling for a servant to post his answer, he thrust it away in his pocket, since “there was no help for it,” resolved to make the best of the matter by forgetting it as quickly as possible. There are few young men who do not turn with an instinct of abhorrence from the contemplation of anything painful; some possess the art of “drowning dull care” completely. Guy, however, could not shake his disagreeable companion off; he must have shewed it in his face, for as he was leaving the club, in the forlorn hope of finding some note or message from Georgie at his rooms, a familiar voice called out “Hullo, Guy Fawkes, my boy! I didn’t know you were in town! Had a row? What makes your mustachios look so horridly dejected?” “Jack Egerton!” exclaimed Guy, turning to face the speaker, a short, wiry-built little man with reddish whiskers honest gray eyes, who laid a hand on his shoulder, gravely scanned him at arm’s length. Guy laughed rather uneasily. No man likes to think that another has guessed his inmost feelings at first sight. “Yes,” said Egerton, slowly, “your Fortunatus purse has run out again, Poole has too much sense to send that blue frock coat home, or you’ve had a row about some pretty little votary of the drama, been O jolly thrashed — or — Araminta, or Chloe or Belinda (we won’t say which) has been shewing you some charming phase in her character usually reserved for post-nuptial display. Come now, Knight of the Dolorous Visage, which is it?” Jack Egerton (commonly called Jack-All, from his wonderful capacity for doing everything, knowing everybody being everywhere) although by some years Guy’s senior, had known him at Cambridge (poor Jack was there through several sets of new men) had struck up a warm friendship with him which nothing since had shaken. Egerton shared Guy’s artistic inclinations, was like him “a man about town,” a general favourite, so that the similarity of their life had thrown them together ever since they forsook the shade of Alma Mater, Jack steering the “young Duke” as he always called Guy, out of many a scrape, Guy replenishing Jack’s purse when his own would allow of such liberality. Guy then, who would not have betrayed himself to any other living man, found it a great relief to unburden his woes to Jack Egerton, knowing that he possessed the rare talent of keeping other people’s secrets as jealously as his own. “Hang it, there is a row,” said the lover, pulling the dejected moustache. “But for Heaven’s sake come out of this place. We shall be seized upon by some proses in a minute. Come along.” He ran his arm through Egerton’s, the two sallied forth into the streets, making for the deserted region of Belgravia. It was not until they were in the most silent part of that dreary Sahara between the iron railings of a Duke who was off in Scotland, the shut windows of an Earl who had gone to Italy, that Jack, who knew his companion “au fond,” broke the silence by, “Well, my boy?” Guy glared suspiciously at a dirty rag-picker who was expressing to himself his ragbag the deepest astonishment “that them two young swells should be ‘ere at this time o’ year”; but even that innocent offender soon passed by, left him secure to make his confession in entire privacy. “Look here” he said, taking Georgie’s note from his pocket handing it to Egerton. (Although the engagement between them, which had been of short duration, was kept private, he was shrewd enough to guess that his friend knew of it.) Jack, leaning against the Duke’s railings, perused the short letter slowly; then folded it up relieved himself by a low whistle. “Well?” groaned Guy, striking his stick sharply against His grace’s area-gate, “What do you think of that? Of course you know that we were engaged, she always said she cared for me, all that — until that thing came this morning.” Jack looked meditatively at his friend. “I beg pardon,” he said, slowly, “but did you have a row when you last saw her?” “No, upon my honour none that I was conscious of! It was yesterday — beastly weather, you remember, we were a little cross, but we made it up all right — at least, I thought so.” “Of course you thought so,” said Jack, calmly; “The question is, who provoked the quarrel?” “God knows — if there was a quarrel — I did not. I would go to the ends of the earth for her, Jack!” “Then excuse me again, old boy — then she tried to pick a quarrel?” Guy paused — it seemed treason to breathe a word against his lady, yet he could not but recall how strange her behaviour had been— “I–I believe I bored her,” he stammered, not caring to meet Jack’s eyes. “Did she tell you so?” “Well — yes; but, you know, she often chaffs, I thought — I thought…” “You thought it was a little love-quarrel to kill time, eh?” said Jack, in his short, penetrating way. “Well, my dear boy, so it might have been, but I don’t think it was.” “What do you think then?” said Guy, anxiously. “Don’t be afraid to tell me, old fellow.” “Look here, then. You are a handsome young gaillard — just the sort that women like, the worse luck for you! — I haven’t a doubt your cousin (she shall not be named) fell in love with you. But — taking a slight liberty with the proverb— “fall in love in haste, repent at leisure” — How much have you got to support a wife on?” “Deucedly little,” said Guy, bitterly. “Exactly. And you like to live like a swell, have plenty of money to pitch in the gutter, when society requires it of you. Now, I dare say your cousin knows this.” “Well?” “Well — she has more good sense just as much heart as most young ladies of our advanced civilization. She has had the wit to see what you, poor fool, sublimely overlooked — that what is comfort for one is pinching for two (or — ahem! three) — the greater wit to tell you so before it is too late.” Jack paused, looked Guy directly in the face. “Do you understand?” “I don’t know… I… for Heaven’s sake, Jack, out with it,” groaned the lover. Jack’s look was of such deep, kindly pity as we cast on a child, whom we are going to tell that its goldfish is dead or its favourite toy broken. “My poor boy,” he said, gently, “don’t you see that you have been — jilted?” —

CHAPTER IV. The End of the Idyl

“THROUGH YOU, WHOM once I loved so well — Through you my life will be accursed.”

Georgie had just come home from a ride to the meet with Lord Breton, on the day after her engagement to that venerable peer, when her mother called to her that there was a letter on her table upstairs in Guy’s handwriting. Georgie changed colour; she had not expected this, had thought to cast off “the old love” more easily. It came now like a ghost that steals between the feaster his wine-cup; a ghost of old wrongs that he thought to have laid long ago but that rises again again to cast a shadow on life’s enjoyments. Georgie, however, determined to take the bull by the horns, went up to her room at once; but she paused a moment before the pier-glass to smile back at the reflection of her trim figure in the dark folds of a faultless habit, crowned by the most captivating little “topper” from under which a few little brown curls would escape, despite the precaution which Georgie of course always took to brush them back into their place. Then, setting her saucy, rosebud mouth firmly, she turned from the glass opened Guy’s letter. If she had not been very angry at his having written at all, she might have been in danger of giving Lord Breton the slip, coming back to her first choice; for she did love Guy, though such a poor, self-despising thing as love could have no legitimate place in the breast of the worldly-wise Miss Rivers! But she was angry with Guy, having read his appeal tore it up, stamped her foot nearly broke her riding-whip in the outburst of her rage. After that, she locked her door, threw herself into what she called her “Crying-chair”; a comfortable, cushioned seat which had been the confidante of many a girlish fit of grief passion. Having cried her eyes into the proper shade of pinkness, all the while complaining bitterly of Guy’s cruelty the hardness of the world, her own unhappy fate, she began to think that his letter must nevertheless be answered, having bathed her injured lids and taken an encouraging look at Lord Breton’s ruby flashing on her left hand, she wrote thus:

My dear Guy: I don’t think I deserved your reproaches, or, if I did, you must see that I am not worth your love. But I will tell you everything plainly. Knowing (as I said before) that we could never be happy together, I have engaged myself to Lord Breton. You will thank me some day for finding our feelings out releasing you before it was too late — though of course I expect you to be angry with me now. Believe me, I wish that we may always be friends; it is for that reason that I speak to you so frankly. My engagement to Lord Breton will not be announced yet. With many wishes for your happiness, Yours “Georgina” Rivers. To Guy Hastings Esqr. Swift’s Club, Regent St. London W.

Georgie was clever politic enough to know that such desperate measures were the only ones which could put an end to this unpleasant matter; but she was really sorry for Guy wanted to make the note as kind gentle as possible. Perhaps Guy felt the sting none the less that it was so adroitly sheathed in protestations of affection unworthiness. He was alone in the motley apartment, half-studio, half smoking-room study, which opened off his bedroom at his London lodgings. He had not had the heart to stay at the Club after he had breakfasted; but pocketed Georgie’s note (which was brought to him there) went home at once. Inevitable business had detained him in town the day before, but he had determined to run down to West Adamsborough that morning, having prepared Georgie by his note. Now his plans, indeed his whole life, seemed utterly changed. There comes a time in the experience of most men when their faith in womankind is shaken pretty nearly to its foundations; that time came to Guy Hastings as he sat by his fire, with a bust of Pallas (adorned by a Greek cap a faded blue breast-knot) presiding over him, read his dismissal. But here I propose to spare my reader. I suppose every lover raves in the same rhetoric, when his mistress plays him false, when to you, Sylvia, or you, Damon, that bitter day comes, you will know pretty accurately how Guy felt what Guy said. Let us, then, pass over an hour, reenter our hero’s domain with Jack Egerton, who, at about 11 o’clock, gave his sharp, short rap at the door of that sanctum. “Who the devil is it?” said Guy, savagely, starting at the sound. “Your Mentor.” “Jack? — Confound you! — Well, come in if you like.” “I do like, most decidedly,” said Egerton briskly, sending a puff of balmy Havana smoke before him as he entered. “What’s the matter now? I’ve been at Swift’s after you, didn’t half expect to find you moping here.” “I don’t care where I am,” said Guy with a groan. “Sit down. What is the use of living?” “Shall I answer you from a scientific, theological or moral point of view?” “Neither. Don’t be a fool.” “Oh,” with a slight shrug, “I thought you might like me to keep you company.” Guy growled. “I don’t know whether you want to be kicked or not,” he said, glaring at poor Jack, “but I feel deucedly like trying it.” “Do, my dear fellow! If it will shake you out of this agreeable fit of the dumps I shall feel that it is not paying too dearly.” Guy was silent for a moment; then he picked up Georgie’s letter held it at arm’s length, before his friend. “Look there,” he said. Jack nodded. “My death warrant.” He stooped down pushed it deep into the smouldering coals — it burst into a clear flame, then died out turned to ashes. “Woman’s love,” observed Jack sententiously. Jack was a boasted misogynist, if he had not pitied Guy from the depths of his honest heart, might have felt some lawful triumph in the stern way in which his favourite maxim, “Woman is false” was brought home to his long unbelieving friend; such a triumph as that classic bore, Mentor, doubtless experienced when Telemachus broke loose from the rosy toils of Calypso. “There,” he continued. “If you have the pluck to take your fancy — your passion — whatever you choose to call it, burn it as you burned that paper, I have some hopes for you.” Guy sat staring absently at the red depths of the falling fire. “Did a woman ever serve you so, Jack?” he asked, suddenly, facing about looking at Egerton sharply; but Jack did not flinch. “No,” he said in a voice of the profoundest scorn; “I never gave one of them a chance to do it. You might as well say, did I ever pick up a rattle-snake, let it twist round my arm say: ‘Bite!’ No, decidedly not!” “Then you believe that all women are the same?” “What else have I always preached to you?” cried Jack, warming with his favourite subject. “What does Pope say? “Every woman is at heart a rake’! And Pope knew ‘em. And I know ‘em. Look here; your cousin is not the only woman you’ve had to do with. How did the others treat you? Ah — I remember the innkeeper’s daughter that vacation in Wales, my boy!” “Don’t,” said Guy reddening angrily. “It was my own fault. I was only a boy, I was a fool to think I cared for the girl — that’s nothing. She is the only woman I ever loved!” “So much the better. The more limited one’s experience, the less harm it will do. Only guard yourself from repeating such a favourite folly.” “There’s no danger of that!” “I hope not,” said Egerton. “But I have got a plan to propose to you. After such a little complaint as you have been suffering from, change of scene climate is considered the best cure. Come to Italy with me, old fellow!” “To Italy!” Guy repeated. “When? How soon?” “The day after tomorrow.” “But-I–I meant — I hoped… to see her again.” Jack rapped the floor impatiently with his stick. “What? Expose yourself to the contempt insult, or still worse, the pity, of a woman who has jilted you? For Heaven’s sake, lad, keep hold of your senses!” “You think I oughtn’t to go, then?” said Guy, anxiously. “Go! — out of the fryingpan into the fire I should call it,” stormed Jack, pacing up down the littered room. “No. He must be a poor-spirited fellow who swims back for salvation to the ship that his pitched him overboard! No. Come abroad with me, as soon as you can get your traps together, let the whole thing go to the deuce as fast as it can.” Jack paused to let his words take effect; Guy sat, with his head leaning on his hand, still studying the ruins of the fire. At last he sprang up caught his shrewd-headed friend by the hand. “By Jove, Jack, you’re right. What have we got to live for but our art? Come along. Let’s go to Italy — tomorrow, if you can, Jack!” And go they did, the next day. As his friends used to say of him, “Jack’s the fellow for an emergency.” His real, anxious affection for Guy, his disinterested kind-heartedness conquered every obstacle to so hasty unexpected a departure; four days after he parted with Georgie in the drawingroom of Holly Lodge, Guy Hastings was on his way to Calais, looking forward, through the distorting spectacles of a disappointed love, to a long, dreary waste of life which was only one degree better than its alternative, the utter chaos of death.

CHAPTER V. Lady Breton of Lowood

“A SORROW’S CROWN of sorrow is remembering happier things.”

Tennyson: Locksley Hall.

It is sometimes wonderful to me how little it takes to make people happy. How short a time is needed to bury a grief, how little is needed to cover it! What Salvandy once said in a political sense, “Nous dansons sur un volcan,” is equally true of life. We trip lightly over new graves gulfs of sorrow separation; we piece patch draw together the torn woof of our happiness; yet sometimes our silent sorrows break through the slight barrier we have built to ward them off, look us sternly in the face —