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Edition of 1855. According to Wikipedia: "Robert Burns (25 January 1759 - 21 July 1796) (also known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet, the Bard of Ayrshire and in Scotland as simply The Bard) was a poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best-known of the poets who have written in the Scots language, although much of his writing is also in English and a 'light' Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these pieces, his political or civil commentary is often at its most blunt. He is regarded as a pioneer of the Romantic movement..."
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Seitenzahl: 1759
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BOSTON:
PHILLIPS, SAMPSON, AND COMPANY.
NEW YORK: J.C. DERBY.
1855
TABLE OF CONTENTS.
Dedication
Preface
THE LIFE OF ROBERT BURNS
Preface to the Kilmarnock Edition of 1786
POEMS.
Winter. A Dirge
The Death and dying Words of poor Mailie
Poor Mailie's Elegy
First Epistle to Davie, a brother Poet
Second
Address to the Deil
The auld Farmer's New-year Morning Salutation to his auld Mare Maggie
To a Haggis
A Prayer under the pressure of violent Anguish
A Prayer in the prospect of Death
Stanzas on the same occasion
A Winter Night
Remorse. A Fragment
The Jolly Beggars. A Cantata
Death and Dr. Hornbook. A True Story
The Twa Herds; or, the Holy Tulzie
Holy Willie's Prayer
Epitaph to Holy Willie
The Inventory; in answer to a mandate by the surveyor of taxes
The Holy Fair
The Ordination
The Calf
To James Smith
The Vision
Halloween
Man was made to Mourn. A Dirge
To Ruin
To John Goudie of Kilmarnock, on the publication of his Essays
To J. Lapraik, an old Scottish Bard. First Epistle
To J. Lapraik. Second Epistle
To J. Lapraik. Third Epistle
To William Simpson, Ochiltree
Address to an illegitimate Child
Nature's Law. A Poem humbly inscribed to G.H., Esq.
To the Rev. John M'Math
To a Mouse
Scotch Drink
The Author's earnest Cry and Prayer to the Scotch Representatives of
the House of Commons
Address to the unco Guid, or the rigidly Righteous
Tam Samson's Elegy
Lament, occasioned by the unfortunate issue of a Friend's Amour
Despondency. An Ode
The Cotter's Saturday Night
The first Psalm
The first six Verses of the ninetieth Psalm
To a Mountain Daisy
Epistle to a young Friend
To a Louse, on seeing one on a Lady's Bonnet at Church
Epistle to J. Rankine, enclosing some Poems
On a Scotch Bard, gone to the West Indies
The Farewell
Written on the blank leaf of my Poems, presented to an old Sweetheart
then married
A Dedication to Gavin Hamilton, Esq.
Elegy on the Death of Robert Ruisseaux
Letter to James Tennant of Glenconner
On the Birth of a posthumous Child
To Miss Cruikshank
Willie Chalmers
Verses left in the room where he slept
To Gavin Hamilton, Esq., recommending a boy
To Mr. M'Adam, of Craigen-gillan
Answer to a Poetical Epistle sent to the Author by a Tailor
To J. Rankine. "I am a keeper of the law."
Lines written on a Bank-note
A Dream
A Bard's Epitaph
The Twa Dogs. A Tale
Lines on meeting with Lord Daer
Address to Edinburgh
Epistle to Major Logan
The Brigs of Ayr
On the Death of Robert Dundas, Esq., of Arniston, late Lord President
of the Court of Session
On reading in a Newspaper the Death of John M'Leod, Esq.
To Miss Logan, with Beattie's Poems
The American War, A fragment
The Dean of Faculty. A new Ballad
To a Lady, with a Present of a Pair of Drinking-glasses
To Clarinda
Verses written under the Portrait of the Poet Fergusson
Prologue spoken by Mr. Woods, on his Benefit-night, Monday, April 16,
1787
Sketch. A Character
To Mr. Scott, of Wauchope
Epistle to William Creech
The humble Petition of Bruar-Water, to the noble Duke of Athole
On scaring some Water-fowl in Loch Turit
Written with a pencil, over the chimney-piece, in the parlour of the
Inn at Kenmore, Taymouth
Written with a pencil, standing by the Fall of Fyers, near Loch Ness
To Mr. William Tytler, with the present of the Bard's picture
Written in Friars-Carse Hermitage, on the banks of Nith, June, 1780.
First Copy
The same. December, 1788. Second Copy
To Captain Riddel, of Glenriddel. Extempore lines on returning a
Newspaper
A Mother's Lament for the Death of her Son
First Epistle to Robert Graham, Esq., of Fintray
On the Death of Sir James Hunter Blair
Epistle to Hugh Parker
Lines, intended to be written under a Noble Earl's Picture
Elegy on the year 1788. A Sketch
Address to the Toothache
Ode. Sacred to the memory of Mrs. Oswald, of Auchencruive
Fragment inscribed to the Right Hon. C.J. Fox
On seeing a wounded Hare limp by me, which a Fellow had just shot
To Dr. Blacklock. In answer to a Letter
Delia. An Ode
To John M'Murdo, Esq.
Prologue, spoken at the Theatre, Dumfries, 1st January, 1790
Scots Prologue, for Mr. Sutherland's Benefit-night, Dumfries
Sketch. New-year's Day. To Mrs. Dunlop
To a Gentleman who had sent him a Newspaper, and offered to continue
it free of expense
The Kirk's Alarm. A Satire. First Version
The Kirk's Alarm. A Ballad. Second Version
Peg Nicholson
On Captain Matthew Henderson, a gentleman who held the patent for his
honours immediately from Almighty God
The Five Carlins. A Scots Ballad
The Laddies by the Banks o' Nith
Epistle to Robert Graham, Esq., of Fintray, on the close of the
disputed Election between Sir James Johnstone, and Captain Miller, for
the Dumfries district of Boroughs
On Captain Grose's Peregrination through Scotland, collecting the
Antiquities of that kingdom
Written in a wrapper, enclosing a letter to Captain Grose
Tam O' Shanter. A Tale
Address of Beelzebub to the President of the Highland Society
To John Taylor
Lament of Mary Queen of Scots, on the approach of Spring
The Whistle
Elegy on Miss Burnet of Monboddo
Lament for James, Earl of Glencairn
Lines sent to Sir John Whitefoord, Bart., of Whitefoord, with the
foregoing Poem
Address to the Shade of Thomson, on crowning his Bust at Ednam with
bays
To Robert Graham, Esq., of Fintray
To Robert Graham, Esq., of Fintray, on receiving a favour
A Vision
To John Maxwell, of Terraughty, on his birthday
The Rights of Women, an occasional Address spoken by Miss Fontenelle,
on her benefit-night, Nov. 26, 1792
Monody on a Lady famed for her caprice
Epistle from Esopus to Maria
Poem on Pastoral Poetry
Sonnet, written on the 25th January, 1793, the birthday of the Author,
on hearing a thrush sing in a morning walk
Sonnet on the death of Robert Riddel, Esq., of Glenriddel, April, 1794
Impromptu on Mrs. Riddel's birthday
Liberty. A Fragment
Verses to a young Lady
The Vowels. A Tale
Verses to John Rankine
On Sensibility. To my dear and much-honoured friend, Mrs. Dunlop, of
Dunlop
Lines sent to a Gentleman whom he had offended Address spoken by Miss
Fontenelle on her Benefit-night
On seeing Miss Fontenelle in a favourite character
To Chloris
Poetical Inscription for an Altar to Independence
The Heron Ballads. Balled First
The Heron Ballads. Ballad Second
The Heron Ballads. Ballad Third
Poem addressed to Mr. Mitchell, Collector of Excise, Dumfries, 1796
To Miss Jessy Lewars, Dumfries, with Johnson's
Musical Museum
Poem on Life, addressed to Colonel de Peyster, Dumfries, 1796
EPITAPHS, EPIGRAMS, FRAGMENTS, &c.
On the Author's Father
On R.A., Esq.
On a Friend
For Gavin Hamilton
On wee Johnny
On John Dove, Innkeeper, Mauchline
On a Wag in Mauchline
On a celebrated ruling Elder
On a noisy Polemic
On Miss Jean Scott
On a henpecked Country Squire
On the same
On the same
The Highland Welcome
On William Smellie
Written on a window of the Inn at Carron
The Book-worms
Lines on Stirling
The Reproof
The Reply
Lines written under the Picture of the celebrated Miss Burns
Extempore in the Court of Session
The henpecked Husband
Written at Inverary
On Elphinston's Translation of Martial's Epigrams
Inscription on the Head-stone of Fergusson
On a Schoolmaster
A Grace before Dinner
A Grace before Meat
On Wat
On Captain Francis Grose
Impromptu to Miss Ainslie
The Kirk of Lamington
The League and Covenant
Written on a pane of glass in the Inn at Moffat
Spoken on being appointed to the Excise
Lines on Mrs. Kemble
To Mr. Syme
To Mr. Syme, with a present of a dozen of porter
A Grace
Inscription on a goblet
The Invitation
The Creed of Poverty
Written in a Lady's pocket-book
The Parson's Looks
The Toad-eater
On Robert Riddel
The Toast
On a Person nicknamed the Marquis
Lines written on a window
Lines written on a window of the Globe Tavern, Dumfries
The Selkirk Grace
To Dr. Maxwell, on Jessie Staig's Recovery
Epitaph
Epitaph on William Nicol
On the Death of a Lapdog, named Echo
On a noted Coxcomb
On seeing the beautiful Seat of Lord Galloway
On the same
On the same
To the same, on the Author being threatened with his resentment
On a Country Laird
On John Bushby
The true loyal Natives
On a Suicide
Extempore, pinned on a Lady's coach
Lines to John Rankine
Jessy Lewars
The Toast
On Miss Jessy Lewars
On the recovery of Jessy Lewars
Tam the Chapman
"Here's a bottle and an honest friend"
"Tho' fickle fortune has deceived me"
To John Kennedy
To the same
"There's naethin' like the honest nappy"
On the blank leaf of a work by Hannah More, presented by Mrs. C
To the Men and Brethren of the Masonic Lodge at Tarbolton
Impromptu
Prayer for Adam Armour
SONGS AND BALLADS.
Handsome Nell
Luckless Fortune
"I dream'd I lay where flowers were springing"
Tibbie, I hae seen the day
"My father was a farmer upon the Carrick border"
John Barleycorn. A Ballad
The Rigs o' Barley
Montgomery's Peggy
The Mauchline Lady
The Highland Lassie
Peggy
The rantin' Dog the Daddie o't
"My heart was ance as blithe and free"
My Nannie O
A Fragment. "One night as I did wander"
Bonnie Peggy Alison
Green grow the Rashes, O
My Jean
Robin
"Her flowing locks, the raven's wing"
"O leave novels, ye Mauchline belles"
Young Peggy
The Cure for all Care
Eliza
The Sons of Old Killie
And maun I still on Menie doat
The Farewell to the Brethren of St. James's Lodge, Tarbolton
On Cessnock Banks
Mary
The Lass of Ballochmyle
"The gloomy night is gathering fast"
"O whar did ye get that hauver meal bannock?"
The Joyful Widower
"O Whistle, and I'll come to you, my lad"
"I am my mammy's ae bairn"
The Birks of Aberfeldy
Macpherson's Farewell
Braw, braw Lads of Galla Water
"Stay, my charmer, can you leave me?"
Strathallan's Lament
My Hoggie
Her Daddie forbad, her Minnie forbad
Up in the Morning early
The young Highland Rover
Hey the dusty Miller
Duncan Davison
Theniel Menzies' bonnie Mary
The Banks of the Devon
Weary fa' you, Duncan Gray
The Ploughman
Landlady, count the Lawin
"Raving winds around her blowing"
"How long and dreary is the night"
Musing on the roaring Ocean
Blithe, blithe and merry was she
The blude red rose at Yule may blaw
O'er the Water to Charlie
A Rose-bud by my early walk
Rattlin', roarin' Willie
Where braving angry Winter's Storms
Tibbie Dunbar
Bonnie Castle Gordon
My Harry was a gallant gay
The Tailor fell through the bed, thimbles an' a'
Ay Waukin O!
Beware o' Bonnie Ann
The Gardener wi' his paidle
Blooming Nelly
The day returns, my bosom burns
My Love she's but a lassie yet
Jamie, come try me
Go fetch to me a Pint O' Wine
The Lazy Mist
O mount and go
Of a' the airts the wind can blaw
Whistle o'er the lave o't
O were I on Parnassus' Hill
"There's a youth in this city"
My heart's in the Highlands
John Anderson, my Jo
Awa, Whigs, awa
Ca' the Ewes to the Knowes
Merry hae I been teethin' a heckle
The Braes of Ballochmyle
To Mary in Heaven
Eppie Adair
The Battle of Sherriff-muir
Young Jockey was the blithest lad
O Willie brewed a peck o' maut
The braes o' Killiecrankie, O
I gaed a waefu' gate yestreen
The Banks of Nith
Tam Glen
Frae the friends and land I love
Craigie-burn Wood
Cock up your Beaver
O meikle thinks my luve o' my beauty
Gudewife, count the Lawin
There'll never be peace till Jamie comes hame
The bonnie lad that's far awa
I do confess thou art sae fair
Yon wild mossy mountains sae lofty and wide
It is na, Jean, thy bonnie face
When I think on the happy days
Whan I sleep I dream
"I murder hate by field or flood"
O gude ale comes and gude ale goes
Robin shure in hairst
Bonnie Peg
Gudeen to you, Kimmer
Ah, Chloris, since it may na be
Eppie M'Nab
Wha is that at my bower-door
What can a young lassie do wi' an auld man
Bonnie wee thing, cannie wee thing
The tither morn when I forlorn
Ae fond kiss, and then we sever
Lovely Davies
The weary Pond o' Tow
Naebody
An O for ane and twenty, Tam
O Kenmure's on and awa, Willie
The Collier Laddie
Nithsdale's Welcome Hame
As I was a-wand'ring ae Midsummer e'enin
Bessy and her Spinning-wheel
The Posie
The Country Lass
Turn again, thou fair Eliza
Ye Jacobites by name
Ye flowery banks o'bonnie Doon
Ye banks and braes o' bonnie Doon
Willie Wastle
O Lady Mary Ann
Such a parcel of rogues in a nation
The Carle of Kellyburn braes
Jockey's ta'en the parting kiss
Lady Onlie
The Chevalier's Lament
Song of Death
Flow gently, sweet Afton
Bonnie Bell
Hey ca' thro', ca' thro'
The Gallant weaver
The deuks dang o'er my Daddie
She's fair and fause
The Deil cam' fiddling thro' the town
The lovely Lass of Inverness
O my luve's like a red, red rose
Louis, what reck I by thee
Had I the wyte she bade me
Coming through the rye
Young Jamie, pride of a' the plain
Out over the Forth I look to the north
The Lass of Ecclefechan
The Cooper o' Cuddie
For the sake of somebody
I coft a stane o' haslock woo
The lass that made the bed for me
Sae far awa
I'll ay ca' in by yon town
O wat ye wha's in yon town
O May, thy morn
Lovely Polly Stewart
Bonnie laddie, Highland laddie
Anna, thy charms my bosom fire
Cassilis' Banks
To thee, lov'd Nith
Bannocks o' Barley
Hee Balou! my sweet wee Donald
Wae is my heart, and the tear's in my e'e
Here's his health in water
My Peggy's face, my Peggy's form
Gloomy December
My lady's gown, there's gairs upon 't
Amang the trees, where humming bees
The gowden locks of Anna
My ain kind dearie, O
Will ye go to the Indies, my Mary
She is a winsome wee thing
Bonny Leslie
Highland Mary
Auld Rob Morris
Duncan Gray
O poortith cauld, and restless love
Galla Water
Lord Gregory
Mary Morison
Wandering Willie. First Version
Wandering Willie. Last Version
Oh, open the door to me, oh!
Jessie
The poor and honest sodger
Meg o' the Mill
Blithe hae I been on yon hill
Logan Water
"O were my love yon lilac fair"
Bonnie Jean
Phillis the fair
Had I a cave on some wild distant shore
By Allan stream
O Whistle, and I'll come to you, my lad
Adown winding Nith I did wander
Come, let me take thee to my breast
Daintie Davie
Scots wha hae wi' Wallace bled. First Version
Scots wha hae wi' Wallace bled. Second Version
Behold the hour, the boat arrives
Thou hast left me ever, Jamie
Auld lang syne
"Where are the joys I have met in the morning"
"Deluded swain, the pleasure"
Nancy
Husband, husband, cease your strife
Wilt thou be my dearie?
But lately seen in gladsome green
"Could aught of song declare my pains"
Here's to thy health, my bonnie lass
It was a' for our rightfu' king
O steer her up and haud her gaun
O ay my wife she dang me
O wert thou in the cauld blast
The Banks of Cree
On the seas and far away
Ca' the Yowes to the Knowes
Sae flaxen were her ringlets
O saw ye my dear, my Phely?
How lang and dreary is the night
Let not woman e'er complain
The Lover's Morning Salute to his Mistress
My Chloris, mark how green the groves
Youthful Chloe, charming Chloe
Lassie wi' the lint-white locks
Farewell, thou stream, that winding flows
O Philly, happy be the day
Contented wi' little and cantie wi' mair
Canst thou leave me thus, my Katy
My Nannie's awa
O wha is she that lo'es me
Caledonia
O lay thy loof in mine, lass
The Fete Champetre
Here's a health to them that's awa
For a' that, and a' that
Craigieburn Wood
O lassie, art thou sleeping yet
O tell na me o' wind and rain
The Dumfries Volunteers
Address to the Wood-lark
On Chloris being ill
Their groves o' sweet myrtle let foreign lands reckon
'Twas na her bonnie blue een was my ruin
How cruel are the parents
Mark yonder pomp of costly fashion
O this is no my ain lassie
Now Spring has clad the grove in green
O bonnie was yon rosy brier
Forlorn my love, no comfort near
Last May a braw wooer cam down the lang glen
Chloris
The Highland Widow's Lament
To General Dumourier
Peg-a-Ramsey
There was a bonnie lass
O Mally's meek, Mally's sweet
Hey for a lass wi' a tocher
Jessy. "Here's a health to ane I lo'e dear"
Fairest Maid on Devon banks
GENERAL CORRESPONDENCE.
1781.
No. I. To William Burness. His health a little better, but tired of
life. The Revelations
1783.
II. To Mr. John Murdoch. His present studies and temper of mind
III. To Mr. James Burness. His father's illness, and sad state of the
country
IV. To Miss E. Love
V. To Miss E. Love
VI. To Miss E. Love
VII. To Miss E. On her refusal of his hand
VIII. To Robert Riddel, Esq. Observations on poetry and human life
1784.
IX. To Mr. James Burness. On the death of his father
X. To Mr. James Burness. Account of the Buchanites
XI. To Miss ----. With a book
1786.
XII. To Mr. John Richmond. His progress in poetic composition
XIII. To Mr. John Kennedy. The Cotter's Saturday Night
XIV. To Mr. Robert Muir. Enclosing his "Scotch Drink"
XV. To Mr. Aiken. Enclosing a stanza on the blank leaf of a book by
Hannah More
XVI. To Mr. M'Whinnie, Subscriptions
XVII. To Mr. John Kennedy. Enclosing "The Gowan"
XVIII. To Mon. James Smith. His voyage to the West Indies
XIX. To Mr. John Kennedy. His poems in the press. Subscriptions
XX. To Mr. David Brice. Jean Armour's return,--printing his poems
XXI. To Mr. Robert Aiken. Distress of mind
XXII. To Mr. John Richmond. Jean Armour
XXIII. To John Ballantyne, Esq. Aiken's coldness. His marriage-lines
destroyed
XXIV. To Mr. David Brice. Jean Armour. West Indies
XXV. To Mr. John Richmond. West Indies The Armours
XXVI. To Mr. Robert Muir. Enclosing "The Calf"
XXVII. To Mrs. Dunlop. Thanks for her notice. Sir William Wallace
XXVIII. To Mr. John Kennedy. Jamaica
XXIX. To Mr. James Burness. His departure uncertain
XXX. To Miss Alexander. "The Lass of Ballochmyle"
XXXI. To Mrs. Stewart, of Stair and Afton. Enclosing some songs. Miss
Alexander
XXXII. Proclamation in the name of the Muses
XXXIII. To Mr. Robert Muir. Enclosing "Tam Samson." His Edinburgh
expedition
XXXIV. To Dr. Mackenzie. Enclosing the verses on dining with Lord Daer
XXXV. To Gavin Hamilton, Esq. Rising fame. Patronage
XXXVI. To John Ballantyne, Esq. His patrons and patronesses. The
Lounger
XXXVII. To Mr. Robert Muir. A note of thanks. Talks of sketching the
history of his life
XXXVIII. To Mr. William Chalmers. A humorous sally
1787.
XXXIX. To the Earl of Eglinton. Thanks for his patronage
XL. To Gavin Hamilton, Esq. Love
XLI. To John Ballantyne, Esq. Mr. Miller's offer of a farm
XLII. To John Ballantyne, Esq. Enclosing "The Banks o' Doon." First
Copy
XLIII. To Mrs. Dunlop. Dr. Moore and Lord Eglinton. His situation in
Edinburgh
XLIV. To Dr. Moore. Acknowledgments for his notice
XLV. To the Rev. G. Lowrie. Reflections on his situation in life. Dr.
Blacklock, Mackenzie
XLVI. To Dr. Moore. Miss Williams
XLVII. To John Ballantyne, Esq. His portrait engraving
XLVIII. To the Earl of Glencairn. Enclosing "Lines intended to be
written under a noble Earl's picture"
XLIX. To the Earl of Buchan. In reply to a letter of advice
L. To Mr. James Candlish. Still "the old man with his deeds"
LI. To ----. On Fergusson's headstone
LII. To Mrs. Dunlop. His prospects on leaving Edinburgh 341
LIII. To Mrs. Dunlop. A letter of acknowledgment for the payment of
the subscription
LIV. To Mr. Sibbald. Thanks for his notice in the magazine
LV. To Dr. Moore. Acknowledging the present of his View of Society
LVI. To Mr. Dunlop. Reply to criticisms
LVII. To the Rev. Dr. Hugh Blair. On leaving Edinburgh. Thanks for his
kindness
LVIII. To the Earl of Glencairn. On leaving Edinburgh
LIX. To Mr. William Dunbar. Thanking him for the present of Spenser's
poems
LX. To Mr. James Johnson. Sending a song to the Scots Musical Museum
LXI. To Mr. William Creech. His tour on the Border. Epistle in verse
to Creech
LXII. To Mr. Patison. Business
LXIII. To Mr. W. Nicol. A ride described in broad Scotch
LXIV. To Mr. James Smith. Unsettled in life. Jamaica
LXV. To Mr. W. Nicol. Mr. Miller, Mr. Burnside. Bought a pocket Milton
LXVI. To Mr. James Candlish. Seeking a copy of Lowe's poem of
"Pompey's Ghost"
LXVII. To Robert Ainslie, Esq. His tour
LXVIII. To Mr. W. Nicol. Auchtertyre
LXIX. To Mr. Wm. Cruikshank. Auchtertyre
LXX. To Mr. James Smith. An adventure
LXXI. To Mr. John Richmond. His rambles
LXXII. To Mr. Robert Ainslie. Sets high value on his friendship
LXXIII. To the same. Nithsdale and Edinburgh
LXXIV. To Dr. Moore. Account of his own life
LXXV. To Mr. Robert Ainslie. A humorous letter
LXXVI. To Mr. Robert Muir. Stirling, Bannockburn
LXXVII. To Gavin Hamilton, Esq. Of Mr. Hamilton's own family
LXXVIII. To Mr. Walker. Bruar Water. The Athole family
LXXIX. To Mr. Gilbert Burns. Account of his Highland tour
LXXX. To Miss Margaret Chalmers. Charlotte Hamilton. Skinner.
Nithsdale
LXXXI. To the same. Charlotte Hamilton, and "The Banks of the Devon"
LXXXII. To James Hoy, Esq. Mr. Nicol. Johnson's Musical Museum
LXXXIII. To Rev. John Skinner. Thanking him for his poetic compliment
LXXXIV. To James Hoy, Esq. Song by the Duke of Gordon
LXXXV. To Mr. Robert Ainslie. His friendship for him
LXXXVI. To the Earl of Glencairn. Requesting his aid in obtaining an
excise appointment
LXXXVII. To James Dalrymple, Esq. Rhyme. Lord Glencairn
LXXXVIII. To Charles Hay, Esq. Enclosing his poem on the death of the
Lord President Dundas
LXXXIX. To Miss M----n. Compliments
XC. To Miss Chalmers. Charlotte Hamilton
XCI. To the same. His bruised limb. The Bible. The Ochel Hills
XCII. To the same. His motto--"I dare." His own worst enemy
XCIII. To Sir John Whitefoord. Thanks for his friendship. Of poets
XCIV. To Miss Williams. Comments on her poem of the Slave Trade
XCV. To Mr. Richard Brown. Recollections of early life. Clarinda
XCVI. To Gavin Hamilton, Esq. Prayer for his health
XCVII. To Miss Chalmers. Complimentary poems. Creech
1788.
XCVIII. To Mrs. Dunlop. Lowness of spirits. Leaving Edinburgh
XCIX. To the same. Religion
C. To the Rev. John Skinner. Tullochgorum. Skinner's Latin
CI. To Mr. Richard Brown. His arrival in Glasgow
CII. To Mrs. Rose of Kilravock. Recollections of Kilravock
CIII. To Mr. Richard Brown. Friendship. The pleasures of the present
CIV. To Mr. William Cruikshank. Ellisland. Plans in life
CV. To Mr. Robert Ainslie. Ellisland. Edinburgh. Clarinda
CVI. To Mr. Richard Brown. Idleness. Farming
CVII. To Mr. Robert Muir. His offer for Ellisland. The close of life
CVIII. To Miss Chalmers. Taken Ellisland. Miss Kennedy
CIX. To Mrs. Dunlop. Coila's robe
CX. To Mr. Richard Brown. Apologies. On his way to Dumfries from
Glasgow
CXI. To Mr. Robert Cleghorn. Poet and fame. The air of Captain O'Kean
CXII. To Mr. William Dunbar. Foregoing poetry and wit for farming and
business
CXIII. To Miss Chalmers. Miss Kennedy. Jean Armour
CXIV. To the same. Creech's rumoured bankruptcy
CXV. To the same. His entering the Excise
CXVI. To Mrs. Dunlop. Fanning and the Excise. Thanks for the loan of
Dryden and Tasso
CXVII. To Mr. James Smith. Jocularity. Jean Armour
CXVIII. To Professor Dugald Stewart. Enclosing some poetic trifles
CXIX. To Mrs. Dunlop. Dryden's Virgil. His preference of Dryden to
Pope
CXX. To Mr. Robert Ainslie. His marriage.
CXXI. To Mrs. Dunlop. On the treatment of servants
CXXII. To the same. The merits of Mrs. Burns
CXXIII. To Mr. Robert Ainslie. The warfare of life. Books. Religion
CXXIV. To the same. Miers' profiles
CXXV. To the same. Of the folly of talking of one's private affairs
CXXVI. To Mr. George Lockhart. The Miss Baillies. Bruar Water
CXXVII. To Mr. Peter Hill. With the present of a cheese
CXXVIII. To Robert Graham Esq., of Fintray. The Excise
CXXIX. To Mr. William Cruikshank. Creech. Lines written in Friar's
Carse Hermitage
CXXX. To Mrs. Dunlop. Lines written at Friar's Carse. Graham of
Fintray
CXXXI. To the same. Mrs. Burns. Of accomplished young ladies
CXXXII. To the same. Mrs. Miller, of Dalswinton. "The Life and Age of
Man."
CXXXIII. To Mr. Beugo. Ross and "The Fortunate Shepherdess."
CXXXIV. To Miss Chalmers. Recollections. Mrs. Burns. Poetry
CXXXV. To Mr. Morison. Urging expedition with his clock and other
furniture for Ellisland
CXXXVI. To Mrs. Dunlop. Mr. Graham. Her criticisms
CXXXVII. To Mr. Peter Hill. Criticism on an "Address to Loch Lomond."
CXXXVIII. To the Editor of the Star. Pleading for the line of the
Stuarts
CXXXIX. To Mrs. Dunlop. The present of a heifer from the Dunlops
CXL. To Mr. James Johnson. Scots Musical Museum
CXLI. To Dr. Blacklock. Poetical progress. His marriage
CXLII. To Mrs. Dunlop. Enclosing "Auld Lang Syne"
CXLIII. To Miss Davies. Enclosing the song of "Charming, lovely
Davies"
CXLIV. To Mr. John Tennant. Praise of his whiskey
1789.
CXLV. To Mrs. Dunlop. Reflections suggested by the day
CXLVI. To Dr. Moore. His situation and prospects
CXLVII. To Mr. Robert Ainslie. His favourite quotations. Musical
Museum
CXLVIII. To Professor Dugald Stewart. Enclosing some poems for his
comments upon
CXLIX. To Bishop Geddes. His situation and prospects
CL. To Mr. James Burness. His wife and farm. Profit from his poems.
Fanny Burns
CLI. To Mrs. Dunlop. Reflections. His success in song encouraged a
shoal of bardlings
CLII. To the Rev. Peter Carfrae. Mr. Mylne's poem
CLIII. To Dr. Moore. Introduction. His ode to Mrs. Oswald
CLIV. To Mr. William Burns. Remembrance
CLV. To Mr. Peter Hill. Economy and frugality. Purchase of books
CLVI. To Mrs. Dunlop. Sketch inscribed to the Right Hon. C.J. Fox
CLVII. To Mr. William Burns. Asking him to make his house his home
CLVIII. To Mrs. M'Murdo. With the song of "Bonnie Jean"
CLIX. To Mr. Cunningham. With the poem of "The Wounded Hare"
CLX. To Mr. Samuel Brown. His farm. Ailsa fowling
CLXI. To Mr. Richard Brown. Kind wishes
CLXII. To Mr. James Hamilton. Sympathy
CLXIII. To William Creech, Esq. Toothache. Good wishes
CLXIV. To Mr. M'Auley. His own welfare
CLXV. To Mr. Robert Ainslie. Overwhelmed with incessant toil
CLXVI. To Mr. M'Murdo. Enclosing his newest song
CLXVII. To Mrs. Dunlop. Reflections on religion
CLXVIII. To Mr. ----. Fergusson the poet
CLXIX. To Miss Williams. Enclosing criticisms on her poems
CLXX. To Mr. John Logan. With "The Kirk's Alarm"
CLXXI. To Mrs. Dunlop. Religion. Dr. Moore's "Zeluco"
CLXXII. To Captain Riddel. "The Whistle"
CLXXIII. To the same. With some of his MS. poems
CLXXIV. To Mr. Robert Ainslie. His Excise employment
CLXXV. To Mr. Richard Brown. His Excise duties
CLXXVI. To Robert Graham, Esq., of Fintray. The Excise. Captain Grose.
Dr. M'Gill
CLXXVII. To Mrs. Dunlop. Reflections on immortality
CLXXVIII. To Lady M.W. Constable. Jacobitism
CLXXIX. To Provost Maxwell. At a loss for a subject
1790.
CLXXX. To Sir John Sinclair. Account of a book-society in Nithsdale
CLXXXI. To Charles Sharpe, Esq. A letter with a fictitious signature
CLXXXII. To Mr. Gilburt Burns. His farm a ruinous affair. Players
CLXXXIII. To Mr. Sutherland. Enclosing a Prologue
CLXXXIV. To Mr. William Dunbar. Excise. His children. Another world
CLXXXV. To Mrs. Dunlop. Falconer the poet. Old Scottish songs
CLXXXVI. To Mr. Peter Hill. Mademoiselle Burns. Hurdis. Smollett and
Cowper
CLXXXVII. To Mr. W. Nicol. The death of Nicol's mare Peg Nicholson
CLXXXVIII. To Mr. W. Cunningham. What strange beings we are
CLXXXIX. To Mr. Peter Hill. Orders for books. Mankind
CXC. To Mrs. Dunlop. Mackenzie and the Mirror and Lounger
CXCI. To Collector Mitchell. A county meeting
CXCII. To Dr. Moore. "Zeluco." Charlotte Smith
CXCIII. To Mr. Murdoch. William Burns
CXCIV. To Mr. M'Murdo. With the Elegy on Matthew Henderson
CXCV. To Mrs. Dunlop. His pride wounded
CXCVI. To Mr. Cunningham. Independence
CXCVII. To Dr. Anderson. "The Bee."
CXCVIII. To William Tytler, Esq. With some West-country ballads
CXCIX. To Crauford Tait, Esq. Introducing Mr. William Duncan
CC. To Crauford Tait, Esq. "The Kirk's Alarm"
CCI. To Mrs. Dunlop. On the birth of her grandchild. Tam O' Shanter
1791.
CCII. To Lady M.W. Constable. Thanks for the present of a gold
snuff-box
CCIII. To Mr. William Dunbar. Not gone to Elysium. Sending a poem
CCIV. To Mr. Peter Mill. Apostrophe to Poverty
CCV. To Mr. Cunningham. Tam O' Shanter. Elegy on Miss Burnet
CCVI. To A.F. Tytler, Esq. Tam O' Shanter
CCVII. To Mrs. Dunlop. Miss Burnet. Elegy writing
CCVIII. To Rev. Arch. Alison. Thanking him for his "Essay on Taste"
CCIX. To Dr. Moore. Tam O' Shanter. Elegy on Henderson. Zeluco. Lord
Glencairn
CCX. To Mr. Cunningham. Songs
CCXI. To Mr. Alex. Dalzel. The death of the Earl of Glencairn
CCXII. To Mrs. Graham, of Fintray. With "Queen Mary's Lament"
CCXIII. To the same. With his printed Poems
CCXIV. To the Rev. G. Baird. Michael Bruce
CCXV. To Mrs. Dunlop. Birth of a son
CCXVI. To the same. Apology for delay
CCXVII. To the same. Quaint invective on a pedantic critic
CCXVIII. To Mr. Cunningham. The case of Mr. Clarke of Moffat,
Schoolmaster
CCXIX. To the Earl of Buchan. With the Address to the shade of Thomson
CCXX. To Mr. Thomas Sloan. Apologies. His crop sold well
CCXXI. To Lady E. Cunningham. With the Lament for the Earl of
Glencairn
CCXXII. To Mr. Robert Ainslie. State of mind. His income
CCXXIII. To Col. Fullarton. With some Poems. His anxiety for
Fullarton's friendship
CCXXIV. To Miss Davis. Lethargy, Indolence, and Remorse. Our wishes
and our powers
CCXXV. To Mrs. Dunlop. Mrs. Henri. The Song of Death
1792.
CCXXVI. To Mrs. Dunlop. The animadversions of the Board of Excise
CCXXVII. To Mr. William Smellie. Introducing Mrs. Riddel
CCXXVIII. To Mr. W. Nicol. Ironical reply to a letter of counsel and
reproof
CCXXIX. To Francis Grose, Esq. Dugald Stewart
CCXXX. To the same. Witch stories
CCXXXI. To Mr. S. Clarke. Humorous invitation to teach music to the
M'Murdo family
CCXXXII. To Mrs. Dunlop. Love and Lesley Baillie
CCXXXIII. To Mr. Cunningham. Lesley Baillie
CCXXXIV. To Mr. Thomson. Promising his assistance to his collection of
songs and airs
CCXXXV. To Mrs. Dunlop. Situation of Mrs. Henri
CCXXXVI. To the same. On the death of Mrs. Henri
CCXXXVII. To Mr. Thomson. Thomson's fastidiousness. "My Nannie O," &c.
CCXXXVIII. To the same. With "My wife's a winsome wee thing," and
"Lesley Baillie"
CCXXXIX. To the same. With Highland Mary. The air of Katherine Ogie
CCXL. To the same. Thomson's alterations and observations
CCXLI. To the same. With "Auld Rob Morris," and "Duncan Gray"
CCXLII. To Mrs. Dunlop. Birth of a daughter. The poet Thomson's dramas
CCXLIII. To Robert Graham, Esq., of Fintray. The Excise inquiry into
his political conduct
CCXLIV. To Mrs. Dunlop. Hurry of business. Excise inquiry
1793.
CCXLV. To Mr. Thomson. With "Poortith cauld" and "Galla Water"
CCXLVI. To the same. William Tytler, Peter Pindar
CCXLVII. To Mr. Cunningham. The poet's seal. David Allan
CCXLVIII. To Thomson. With "Mary Morison"
CCCXLIX. To the same. With "Wandering Willie"
CCL. To Miss Benson. Pleasure he had in meeting her
CCLI. To Patrick Miller, Esq. With the present of his printed poems
CCLII. To Mr. Thomson. Review of Scottish song. Crawfurd and Ramsay
CCLIII. To the same. Criticism. Allan Ramsay
CCLIV. To the same. "The last time I came o'er the moor"
CCLV. To John Francis Erskine, Esq. Self-justification. The Excise
inquiry
CCLVI. To Mr. Robert Ainslie. Answering letters. Scholar-craft
CCLVII. To Miss Kennedy. A letter of compliment
CCLVIII. To Mr. Thomson. Frazer. "Blithe had I been on yon hill"
CCLIX. To Mr. Thomson. "Logan Water." "O gin my love were yon red
rose"
CCLX. To the same. With the song of "Bonnie Jean"
CCLXI. To the same. Hurt at the idea of pecuniary recompense. Remarks
on song
CCLXII. To the same. Note written in the name of Stephen Clarke
CCLXIII. To the same. With "Phillis the fair"
CCLXIV. To the same. With "Had I a cave on some wild distant shore"
CCLXV. To the same. With "Allan Water"
CCLXVI. To the same. With "O whistle, and I'll come to you, my lad,"
&c.
CCLXVII. To the same. With "Come, let me take thee to my breast"
CCLXVIII. To the same. With "Dainty Davie"
CCLXIX. To Miss Craik. Wretchedness of poets
CCLXX. To Lady Glencairn. Gratitude. Excise. Dramatic composition
CCLXXI. To Mr. Thomson. With "Scots wha hae wi' Wallace bled"
CCLXXII. To the same. With "Behold the hour, the boat arrive"
CCLXXIII. To the same. Crawfurd and Scottish song
CCLXXIV. To the same. Alterations in "Scots wha hae wi' Wallace bled"
CCLXXV. To the same. Further suggested alterations in "Scots wha hae"
rejected.
CCLXXVI. To the same. With "Deluded swain, the pleasure," and "Raving
winds around her blowing"
CCLXXVII. To the same. Erskine and Gavin Turnbull
CCLXXVIII. To John M'Murdo, Esq. Payment of a debt. "The Merry Muses"
CCLXXIX. To the same. With his printed poems
CCLXXX. To Captain ----. Anxiety for his acquaintance. "Scots wha hae
wi' Wallace bled"
CCLXXXI. To Mrs. Riddel. The Dumfries Theatre
1794.
CCLXXXII. To a Lady. In favour of a player's benefit
CCLXXXIII. To the Earl of Buchan. With a copy of "Scots wha hae"
CCLXXXIV. To Captain Miller. With a copy of "Scots wha hae"
CCLXXXV. To Mrs. Riddel. Lobster-coated puppies
CCLXXXVI. To the same. The gin-horse class of the human genus
CCLXXXVII. To the same. With "Werter." Her reception of him
CCLXXXVIII. To Mrs. Riddel. Her caprice
CCLXXXIX. To the same. Her neglect and unkindness
CCXC. To John Syme, Esq. Mrs. Oswald, and "O wat ye wha's in yon town"
CCXCI. To Miss ----. Obscure allusions to a friend's death. His
personal and poetic fame
CCXCII. To Mr. Cunningham. Hypochondria. Requests consolation
CCXCIII. To the Earl of Glencairn. With his printed poems
CCXCIV. To Mr. Thomson. David Allan. "The banks of Cree"
CCXCV. To David M'Culloch, Esq. Arrangements for a trip in Galloway
CCXCVI. To Mrs. Dunlop. Threatened with flying gout. Ode on
Washington's birthday
CCXCVII. To Mr. James Johnson. Low spirits. The Museum. Balmerino's
dirk
CCXCVIII. To Mr. Thomson. Lines written in "Thomson's Collection of
songs"
CCXCIX. To the same. With "How can my poor heart be glad"
CCC. To the same. With "Ca' the yowes to the knowes"
CCCI. To the same. With "Sae flaxen were her ringlets." Epigram to Dr.
Maxwell.
CCCII. To the same. The charms of Miss Lorimer. "O saw ye my dear, my
Phely," &c.
CCCIII. To the same. Ritson's Scottish Songs. Love and song
CCCIV. To the same. English songs. The air of "Ye banks and braes o'
bonnie Doon"
CCCV. To the same. With "O Philly, happy be the day," and "Contented
wi' little"
CCCVI. To the same. With "Canst thou leave me thus, my Katy"
CCCVII. To Peter Miller, jun., Esq. Excise. Perry's offer to write for
the Morning Chronicle
CCCVIII. To Mr. Samuel Clarke, jun. A political and personal quarrel.
Regret
CCCIX. To Mr. Thomson. With "Now in her green mantle blithe nature
arrays"
1795.
CCCX. To Mr. Thomson. With "For a' that and a' that"
CCCXI. To the same. Abuse of Ecclefechan
CCCXII. To the same. With "O stay, sweet warbling woodlark, stay," and
"The groves of sweet myrtle"
CCCXIII. To the same. With "How cruel are the parents" and "Mark
yonder pomp of costly fashion"
CCCXIV. To the same. Praise of David Allan's "Cotter's Saturday Night"
CCCXV. To the same. With "This is no my ain Lassie." Mrs. Riddel
CCCXVI. To Mr. Thomson. With "Forlorn, my love, no comfort near"
CCCXVII. To the same. With "Last May a braw wooer," and "Why tell thy
lover"
CCCXVIII. To Mrs. Riddel. A letter from the grave
CCCXIX. To the same. A letter of compliment. "Anacharsis' Travels"
CCCXX. To Miss Louisa Fontenelle. With a Prologue for her
benefit-night
CCCXXI. To Mrs. Dunlop. His family. Miss Fontenelle. Cowper's "Task"
CCCXXII. To Mr. Alexander Findlater. Excise schemes
CCCXXIII. To the Editor of the Morning Chronicle. Written for a
friend. A complaint
CCCXXIV. To Mr. Heron, of Heron. With two political ballads
CCCXXV. To Mrs. Dunlop. Thomson's Collection. Acting as Supervisor of
Excise
CCCXXVI. To the Right Hon. William Pitt. Address of the Scottish
Distillers
CCCXXVII. To the Provost, Bailies, and Town Council of Dumfries.
Request to be made a freeman of the town
1796.
CCCXXVIII. To Mrs. Riddel. "Anarcharsis' Travels." The muses
CCCXXIX. To Mrs. Dunlop. His ill-health.
CCCXXX. To Mr. Thomson. Acknowledging his present to Mrs. Burns of a
worsted shawl
CCCXXXI. To the same. Ill-health. Mrs. Hyslop. Allan's etchings.
Cleghorn
CCCXXXII. To the same. "Here's a health to ane I loe dear"
CCCXXXIII. To the same. His anxiety to review his songs, asking for
copies
CCCXXXIV. To Mrs. Riddel. His increasing ill-health
CCCXXXV. To Mr. Clarke, acknowledging money and requesting the loan of
a further sum
CCCXXXVI. To Mr. James Johnson. The Scots Musical Museum. Request for
a copy of the collection
CCCXXXVII. To Mr. Cunningham. Illness and poverty, anticipation of
death
CCCXXXVIII. To Mr. Gilbert Burns. His ill-health and debts
CCCXXXIX. To Mr. James Armour. Entreating Mrs. Armour to come to her
daughter's confinement
CCCXL. To Mrs. Burns. Sea-bathing affords little relief
CCCXLI. To Mrs. Dunlop. Her friendship. A farewell
CCCXLII. To Mr. Thomson. Solicits the sum of five pounds. "Fairest
Maid on Devon Banks"
CCCXLIII. To Mr. James Burness. Soliciting the sum of ten pounds
CCCXLIV. To James Gracie, Esq. His rheumatism, &c. &c.--his loss of
appetite
Remarks on Scottish Songs and Ballads
The Border Tour
The Highland Tour
Burns's Assignment of his Works
Glossary
__________
TO
ARCHIBALD HASTIE, ESQ., MEMBER OF PARLIAMENT FOR PAISLEY, THIS EDITION OF THE WORKS AND MEMOIRS OF A GREAT POET, IN WHOSE SENTIMENTS OF FREEDOM HE SHARES, AND WHOSE PICTURES OF SOCIAL AND DOMESTIC LIFE HE LOVES, IS RESPECTFULLY AND GRATEFULLY INSCRIBED BY ALLAN CUNNINGHAM.
DEDICATION. TO THE NOBLEMEN AND GENTLEMEN OF THE CALEDONIAN HUNT.
[On the title-page of the second or Edinburgh edition, were these words: "Poems, chiefly in the Scottish Dialect, by Robert Burns, printed for the Author, and sold by William Creech, 1787." The motto of the Kilmarnock edition was omitted; a very numerous list of
subscribers followed: the volume was printed by the celebrated Smellie.]
MY LORDS AND GENTLEMEN:
A Scottish Bard, proud of the name, and whose highest ambition is to sing in his country's service, where shall he so properly look for patronage as to the illustrious names of his native land: those who bear the honours and inherit the virtues of their ancestors? The poetic genius of my country found me, as the prophetic bard Elijah did
Elisha--at the PLOUGH, and threw her inspiring mantle over me. She bade me sing the loves, the joys, the rural scenes and rural pleasures of my native soil, in my native tongue; I tuned my wild, artless notes as she inspired. She whispered me to come to this
ancient metropolis of Caledonia, and lay my songs under your honoured protection: I now obey her dictates.
Though much indebted to your goodness, I do not approach you, my Lords and Gentlemen, in the usual style of dedication, to thank you for past favours: that path is so hackneyed by prostituted learning that honest rusticity is ashamed of it. Nor do I present this address with the venal soul of a servile author, looking for a continuation of those favours: I was bred to the plough, and am independent. I come to claim the common Scottish name with you, my illustrious countrymen; and to tell the world that I glory in the title. I come to congratulate my country that the blood of her ancient heroes still runs
uncontaminated, and that from your courage, knowledge, and public spirit, she may expect protection, wealth, and liberty. In the last place, I come to proffer my warmest wishes to the great fountain of honour, the Monarch of the universe, for your welfare and happiness.
When you go forth to waken the echoes, in the ancient and favourite amusement of your forefathers, may Pleasure ever be of your party: and may social joy await your return! When harassed in courts or camps with the jostlings of bad men and bad measures, may the honest consciousness of injured worth attend your return to your native seats; and may domestic happiness, with a smiling welcome, meet you at your gates! May corruption shrink at your kindling indignant glance; and may tyranny in the ruler, and licentiousness in the people, equally find you an inexorable foe!
I have the honour to be,
With the sincerest gratitude and highest respect,
My Lords and Gentlemen,
Your most devoted humble servant,
ROBERT BURNS.
EDINBURGH, _April 4, 1787._
PREFACE.
I cannot give to my country this edition of one of its favourite poets, without stating that I have deliberately omitted several pieces of verse ascribed to Burns by other editors, who too hastily, and I think on insufficient testimony, admitted them among his works. If I am unable to share in the hesitation expressed by one of them on the authorship of the stanzas on "Pastoral Poetry," I can as little share in the feelings with which they have intruded into the charmed circle of his poetry such compositions as "Lines on the Ruins of Lincluden College," "Verses on the Destruction of the Woods of Drumlanrig," "Verses written on a Marble Slab in the Woods of Aberfeldy," and those entitled "The Tree of Liberty." These productions, with the exception of the last, were never seen by any one even in the handwriting of Burns, and are one and all wanting in that original vigour of language and manliness of sentiment which distinguish his poetry. With respect to "The Tree of Liberty" in particular, a subject dear to the heart of the Bard, can any one conversant with his genius imagine that he welcomed its growth or celebrated its fruit with such "capon craws" as these?
"Upo' this tree there grows sic fruit,
Its virtues a' can tell, man;
It raises man aboon the brute,
It mak's him ken himsel', man.
Gif ance the peasant taste a bit,
He's greater than a lord, man,
An' wi' a beggar shares a mite
O' a' he can afford, man."
There are eleven stanzas, of which the best, compared with the "A man's a man for a' that" of Burns, sounds like a cracked pipkin against the "heroic clang" of a Damascus blade. That it is extant in the handwriting of the poet cannot be taken as a proof that it is his own composition, against the internal testimony of utter want of all the marks by which we know him--the Burns-stamp, so to speak, which is visible on all that ever came from his pen. Misled by his handwriting, I inserted in my former edition of his works an epitaph, beginning
"Here lies a rose, a budding rose,"
the composition of Shenstone, and which is to be found in the church-yard of Hales-Owen: as it is not included in every edition of that poet's acknowledged works, Burns, who was an admirer of his genius, had, it seems, copied it with his own hand, and hence my error. If I hesitated about the exclusion of "The Tree of Liberty," and its three false brethren, I could have no scruples regarding the fine song of "Evan Banks," claimed and justly for Miss Williams by Sir Walter Scott, or the humorous song called "Shelah O'Neal," composed by the late Sir Alexander Boswell. When I have stated that I have arranged the Poems, the Songs, and the Letters of Burns, as nearly as possible in the order in which they were written; that I have omitted no piece of either verse or prose which bore the impress of his hand, nor included any by which his high reputation would likely be impaired, I have said all that seems necessary to be said, save that the following letter came too late for insertion in its proper place: it is characteristic and worth a place anywhere.
ALLAN CUNNINGHAM.
* * * * *
TO DR. ARCHIBALD LAURIE.
_Mossgiel, 13th Nov. 1786._
DEAR SIR,
I have along with this sent the two volumes of Ossian, with the remaining volume of the Songs. Ossian I am not in such a hurry about; but I wish the Songs, with the volume of the Scotch Poets, returned as soon as they can conveniently be dispatched. If they are left at Mr. Wilson, the bookseller's shop, Kilmarnock, they will easily reach me.
My most respectful compliments to Mr. and Mrs. Laurie; and a Poet's warmest wishes for their happiness to the young ladies; particularly the fair musician, whom I think much better qualified than ever David was, or could be, to charm an evil spirit out of a Saul.
Indeed, it needs not the Feelings of a poet to be interested in the welfare of one of the sweetest scenes of domestic peace and kindred love that ever I saw; as I think the peaceful unity of St. Margaret's Hill can only be excelled by the harmonious concord of the Apocalyptic Zion.
I am, dear Sir, yours sincerely,
ROBERT BURNS.
______________
LIFE OF ROBERT BURNS.
Robert Burns, the chief of the peasant poets of Scotland, was born in a little mud-walled cottage on the banks of Doon, near "Alloway's auld haunted kirk," in the shire of Ayr, on the 25th day of January, 1759. As a natural mark of the event, a sudden storm at the same moment swept the land: the gabel-wall of the frail dwelling gave way, and the babe-bard was hurried through a tempest of wind and sleet to the shelter of a securer hovel. He was the eldest born of three sons and three daughters; his father, William, who in his native Kincardineshire wrote his name Burness, was bred a gardener, and sought for work in the West; but coming from the lands of the noble family of the Keiths, a suspicion accompanied him that he had been out--as rebellion was softly called--in the forty-five: a suspicion fatal to his hopes of rest and bread, in so loyal a district; and it was only when the clergyman of his native parish certified his loyalty that he was permitted to toil. This suspicion of Jacobitism, revived by Burns himself, when he rose into fame, seems not to have influenced either the feelings, or the tastes of Agnes Brown, a young woman on the Doon, whom he wooed and married in December, 1757, when he was thirty-six years old. To support her, he leased a small piece of ground, which he converted into a nursery and garden, and to shelter her, he raised with his own hands that humble abode where she gave birth to her eldest son.
The elder Burns was a well-informed, silent, austere man, who endured no idle gaiety, nor indecorous language: while he relaxed somewhat the hard, stern creed of the Covenanting times, he enforced all the work-day, as well as sabbath-day observances, which the Calvinistic kirk requires, and scrupled at promiscuous dancing, as the staid of our own day scruple at the waltz. His wife was of a milder mood: she was blest with a singular fortitude of temper; was as devout of heart, as she was calm of mind; and loved, while busied in her household concerns, to sweeten the bitterer moments of life, by chanting the songs and ballads of her country, of which her store was great. The garden and nursery prospered so much, that he was induced to widen his views, and by the help of his kind landlord, the laird of Doonholm, and the more questionable aid of borrowed money, he entered upon a neighbouring farm, named Mount Oliphant, extending to an hundred acres. This was in 1765; but the land was hungry and sterile; the seasons proved rainy and rough; the toil was certain, the reward unsure; when to his sorrow, the laird of Doonholm--a generous Ferguson,--died: the strict terms of the lease, as well as the rent, were exacted by a harsh factor, and with his wife and children, he was obliged, after a losing struggle of six years, to relinquish the farm, and seek shelter on the grounds of Lochlea, some ten miles off, in the parish of Tarbolton. When, in after-days, men's characters were in the hands of his eldest son, the scoundrel factor sat for that lasting portrait of insolence and wrong, in the "Twa Dogs."
In this new farm William Burns seemed to strike root, and thrive. He was strong of body and ardent of mind: every day brought increase of vigour to his three sons, who, though very young, already put their hands to the plough, the reap-hook, and the flail. But it seemed that nothing which he undertook was decreed in the end to prosper: after four seasons of prosperity a change ensued: the farm was far from cheap; the gains under any lease were then so little, that the loss of a few pounds was ruinous to a farmer: bad seed and wet seasons had their usual influence: "The gloom of hermits and the moil of galley-slaves," as the poet, alluding to those days, said, were endured to no purpose; when, to crown all, a difference arose between the landlord and the tenant, as to the terms of the lease; and the early days of the poet, and the declining years of his father, were harassed by disputes, in which sensitive minds are sure to suffer.
Amid these labours and disputes, the poet's father remembered the worth of religious and moral instruction: he took part of this upon himself. A week-day in Lochlea wore the sober looks of a Sunday: he read the Bible and explained, as intelligent peasants are accustomed to do, the sense, when dark or difficult; he loved to discuss the spiritual meanings, and gaze on the mystical splendours of the Revelations. He was aided in these labours, first, by the schoolmaster of Alloway-mill, near the Doon; secondly, by John Murdoch, student of divinity, who undertook to teach arithmetic, grammar, French, and Latin, to the boys of Lochlea, and the sons of five neighboring farmers. Murdoch, who was an enthusiast in learning, much of a pedant, and such a judge of genius that he thought wit should always be laughing, and poetry wear an eternal smile, performed his task well: he found Robert to be quick in apprehension, and not afraid to study when knowledge was the reward. He taught him to turn verse into its natural prose order; to supply all the ellipses, and not to desist till the sense was clear and plain: he also, in their walks, told him the names of different objects both in Latin and French; and though his knowledge of these languages never amounted to much, he approached the grammar of the English tongue, through the former, which was of material use to him, in his poetic compositions. Burns was, even in those early days, a sort of enthusiast in all that concerned the glory of Scotland; he used to fancy himself a soldier of the days of the Wallace and the Bruce: loved to strut after the bag-pipe and the drum, and read of the bloody struggles of his country for freedom and existence, till "a Scottish prejudice," he says, "was poured into my veins, which will boil there till the flood-gates of life are shut in eternal rest."
In this mood of mind Burns was unconsciously approaching the land of poesie. In addition to the histories of the Wallace and the Bruce, he found, on the shelves of his neighbours, not only whole bodies of divinity, and sermons without limit, but the works of some of the best English, as well as Scottish poets, together with songs and ballads innumerable. On these he loved to pore whenever a moment of leisure came; nor was verse his sole favourite; he desired to drink knowledge at any fountain, and Guthrie's Grammar, Dickson on Agriculture, Addison's Spectator, Locke on the Human Understanding, and Taylor's Scripture Doctrine of Original Sin, were as welcome to his heart as Shakspeare, Milton, Pope, Thomson, and Young. There is a mystery in the workings of genius: with these poets in his head and hand, we see not that he has advanced one step in the way in which he was soon to walk, "Highland Mary" and "Tam O' Shanter" sprang from other inspirations.
Burns lifts up the veil himself, from the studies which made him a poet. "In my boyish days," he says to Moore, "I owed much to an old woman (Jenny Wilson) who resided in the family, remarkable for her credulity and superstition. She had, I suppose, the largest collection in the country of tales and songs, concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kelpies, elf-candles, dead-lights, wraiths, apparitions, cantraips, giants, enchanted towers, dragons, and other trumpery. This cultivated the latent seeds of poesie; but had so strong an effect upon my imagination that to this hour, in my nocturnal rambles, I sometimes keep a look-out on suspicious places." Here we have the young poet taking lessons in the classic lore of his native land: in the school of Janet Wilson he profited largely; her tales gave a hue, all their own, to many noble effusions. But her teaching was at the hearth-stone: when he was in the fields, either driving a cart or walking to labour, he had ever in his hand a collection of songs, such as any stall in the land could supply him with; and over these he pored, ballad by ballad, and verse by verse, noting the true, tender, and the natural sublime from affectation and fustian. "To this," he said, "I am convinced that I owe much of my critic craft, such as it is." His mother, too, unconsciously led him in the ways of the muse: she loved to recite or sing to him a strange, but clever ballad, called "the Life and Age of Man:" this strain of piety and imagination was in his mind when he wrote "Man was made to Mourn."
He found other teachers--of a tenderer nature and softer influence. "You know," he says to Moore, "our country custom of coupling a man and woman together as partners in the labours of harvest. In my fifteenth autumn my partner was a bewitching creature, a year younger than myself: she was in truth a bonnie, sweet, sonsie lass, and unwittingly to herself, initiated me in that delicious passion, which, in spite of acid disappointment, gin-horse prudence, and bookworm philosophy, I hold to be the first of human joys. How she caught the contagion I cannot tell; I never expressly said I loved her: indeed I did not know myself why I liked so much to loiter behind with her, when returning in the evenings from our labours; why the tones of her voice made my heart strings thrill like an AEolian harp, and particularly why my pulse beat such a furious ratan, when I looked and fingered over her little hand, to pick out the cruel nettle-stings and thistles. Among other love-inspiring qualities, she sang sweetly, and it was her favourite reel to which I attempted to give an embodied vehicle in rhyme; thus with me began love and verse." This intercourse with the fair part of the creation, was to his slumbering emotions, a voice from heaven to call them into life and poetry.
From the school of traditionary lore and love, Burns now went to a rougher academy. Lochlea, though not producing fine crops of corn, was considered excellent for flax; and while the cultivation of this commodity was committed to his father and his brother Gilbert, he was sent to Irvine at Midsummer, 1781, to learn the trade of a flax-dresser, under one Peacock, kinsman to his mother. Some time before, he had spent a portion of a summer at a school in Kirkoswald, learning mensuration and land-surveying, where he had mingled in scenes of sociality with smugglers, and enjoyed the pleasure of a silent walk, under the moon, with the young and the beautiful. At Irvine he laboured by day to acquire a knowledge of his business, and at night he associated with the gay and the thoughtless, with whom he learnt to empty his glass, and indulge in free discourse on topics forbidden at Lochlea. He had one small room for a lodging, for which he gave a shilling a week: meat he seldom tasted, and his food consisted chiefly of oatmeal and potatoes sent from his father's house. In a letter to his father, written with great purity and simplicity of style, he thus gives a picture of himself, mental and bodily: "Honoured Sir, I have purposely delayed writing, in the hope that I should have the pleasure of seeing you on new years' day, but work comes so hard upon us that I do not choose to be absent on that account. My health is nearly the same as when you were here, only my sleep is a little sounder, and on the whole, I am rather better than otherwise, though I mend by very slow degrees: the weakness of my nerves had so debilitated my mind that I dare neither review past wants nor look forward into futurity, for the least anxiety or perturbation in my breast produces most unhappy effects on my whole frame. Sometimes indeed, when for an hour or two my spirits are a little lightened, I _glimmer_ a little into futurity; but my principal and indeed my only pleasurable employment is looking backwards and forwards in a moral and religious way. I am quite transported at the thought that ere long, perhaps very soon, I shall bid an eternal adieu to all the pains and uneasinesses, and disquietudes of this weary life. As for the world, I despair of ever making a figure in it: I am not formed for the bustle of the busy, nor the flutter of the gay. I foresee that poverty and obscurity probably await me, and I am in some measure prepared and daily preparing to meet them. I have but just time and paper to return you my grateful thanks for the lessons of virtue and piety you have given me, which were but too much neglected at the time of giving them, but which, I hope, have been remembered ere it is yet too late." This remarkable letter was written in the twenty-second year of his age; it alludes to the illness which seems to have been the companion of his youth, a nervous headache, brought on by constant toil and anxiety; and it speaks of the melancholy which is the common attendant of genius, and its sensibilities, aggravated by despair of distinction. The catastrophe which happened ere this letter was well in his father's hand, accords ill with quotations from the Bible, and hopes fixed in heaven:--"As we gave," he says, "a welcome carousal to the new year, the shop took fire, and burnt to ashes, and I was left, like a true poet, not worth a sixpence."
This disaster was followed by one more grievous: his father was well in years when he was married, and age and a constitution injured by toil and disappointment, began to press him down, ere his sons had grown up to man's estate. On all sides the clouds began to darken: the farm was unprosperous: the speculations in flax failed; and the landlord of Lochlea, raising a question upon the meaning of the lease, concerning rotation of crop, pushed the matter to a lawsuit, alike ruinous to a poor man either in its success or its failure. "After three years tossing and whirling," says Burns, "in the vortex of litigation, my father was just saved from the horrors of a jail by a consumption, which, after two years' promises, kindly slept in and carried him away to where the 'wicked cease from troubling and the weary are at rest.' His all went among the hell-hounds that prowl in the kennel of justice. The finishing evil which brought up the rear of this infernal file, was my constitutional melancholy being increased to such a degree, that for three months I was in a state of mind scarcely to be envied by the hopeless wretches who have got their mittimus, 'Depart from me, ye cursed.'"