The Hotel Child E-Book

F.Scott Fitzgerald

• Herausgeber: Books on Demand
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2015

Seitenzahl: 35

Beschreibung

Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair. Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".

Leseprobe

I

It is a place where one's instinct is to give a reason for being there--"Oh, you see, I'm here because--" Failing that, you are faintly suspect, because this corner of Europe does not draw people; rather, it accepts them without too many inconvenient questions--live and let live. Routes cross here--people bound for private cliniques or tuberculosis resorts in the mountains, people who are no longer persona grata in Italy or France. And if that were all--

Yet on a gala night at the Hotel des Trois Mondes a new arrival would scarcely detect the current beneath the surface. Watching the dancing there would be a gallery of Englishwomen of a certain age, with neckbands, dyed hair and faces powdered pinkish gray; a gallery of American women of a certain age, with snowy-white transformations, black dresses and lips of cherry red. And most of them with their eyes swinging right or left from time to time to rest upon the ubiquitous Fifi. The entire hotel had been made aware that Fifi had reached the age of eighteen that night.

Fifi Schwartz. An exquisitely, radiantly beautiful Jewess whose fine, high forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of soft dark red. Her eyes were bright, big, clear, wet and shining; the color of her cheeks and lips was real, breaking close to the surface from the strong young pump of her heart. Her body was so assertively adequate that one cynic had been heard to remark that she always looked as if she had nothing on underneath her dresses; but he was probably wrong, for Fifi had been as thoroughly equipped for beauty by man as by God. Such dresses--cerise for Chanel, mauve for Molyneux, pink for Patou; dozens of them, tight at the hips, swaying, furling, folding just an eighth of an inch off the dancing floor. Tonight she was a woman of thirty in dazzling black, with long white gloves dripping from her forearms. "Such ghastly taste," the whispers said. "The stage, the shop window, the manikins' parade. What can her mother be thinking? But, then, look at her mother."

Her mother sat apart with a friend and thought about Fifi and Fifi's brother, and about her other daughters, now married, whom she considered to have been even prettier than Fifi. Mrs. Schwartz was a plain woman; she had been a Jewess a long time, and it was a matter of effortless indifference to her what was said by the groups around the room. Another large class who did not care were the young men--dozens of them. They followed Fifi about all day in and out of motorboats, night clubs, inland lakes, automobiles, tea rooms and funiculars, and they said, "Hey, look, Fifi!" and showed off for her, or said, "Kiss me, Fifi," or even, "Kiss me again, Fifi," and abused her and tried to be engaged to her.

Most of them, however, were too young, since this little city, through some illogical reasoning, is supposed to have an admirable atmosphere as an educational center.

Fifi was not critical, nor was she aware of being criticized herself. Tonight the gallery in the great, crystal, horseshoe room made observations upon her birthday party, being somewhat querulous about Fifi's entrance. The table had been set in the last of a string of dining rooms, each accessible from the central hall. But Fifi, her black dress shouting and halloing for notice, came in by way of the first dining room, followed by a whole platoon of young men of all possible nationalities and crosses, and at a sort of little run that swayed her lovely hips and tossed her lovely head, led them bumpily through the whole vista, while old men choked on fish bones, old women's facial muscles sagged, and the protest rose to a roar in the procession's wake.

They need not have resented her so much. It was a bad party, because Fifi thought she had to entertain everybody and be a dozen people, so she talked to the entire table and broke up every conversation that started, no matter how far away from her. So no one had a good time, and the people in the hotel needn't have minded so much that she was young and terribly happy.