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- Herausgeber: Musaicum Books
- Kategorie: Sachliteratur, Reportagen, Biografien
- Sprache: Englisch
- Veröffentlichungsjahr: 2017
F. Scott Fitzgerald's 'The Jazz Age Collection - The Great Gatsby & Other Tales' is a quintessential representation of the roaring twenties through a series of captivating stories. Fitzgerald's impeccable prose captures the atmosphere of the Jazz Age with themes of wealth, love, and disillusionment. The collection includes the timeless classic 'The Great Gatsby', showcasing the decadence and moral decay of the era, along with other tales that delve into the complexities of human relationships and societal norms. Fitzgerald's writing style is elegant and poignant, inviting readers to explore the darker side of the American Dream. This collection stands as a significant contribution to American literature, illustrating the extravagance and excesses of the Jazz Age with profound insight and extraordinary storytelling. F. Scott Fitzgerald's personal experiences and observations of the period undoubtedly inspired the creation of these masterpieces. His own struggles with fame and fortune are reflected in the characters and themes, adding depth and authenticity to the narratives. 'The Jazz Age Collection' is a must-read for anyone interested in the cultural landscape of 1920s America and the enduring impact of Fitzgerald's literary legacy.
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THE JAZZ AGE COLLECTION - The Great Gatsby & Other Tales
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Table of Contents
Echoes of the Jazz Age
It is too soon to write about the Jazz Age with perspective, and without being suspected of premature arteriosclerosis. Many people still succumb to violent retching when they happen upon any of its characteristic words — words which have since yielded in vividness to the coinages of the underworld. It is as dead as were the Yellow Nineties in 1902. Yet the present writer already looks back to it with nostalgia. It bore him up, flattered him and gave him more money than he had dreamed of, simply for telling people that he felt as they did, that something had to be done with all the nervous energy stored up and unexpended in the War.
The ten-year period that, as if reluctant to die outmoded in its bed, leaped to a spectacular death in October, 1929, began about the time of the May Day riots in 1919. When the police rode down the demobilized country boys gaping at the orators in Madison Square, it was the sort of measure bound to alienate the more intelligent young men from the prevailing order. We didn’t remember anything about the Bill of Rights until Mencken began plugging it, but we did know that such tyranny belonged in the jittery little countries of South Europe. If goose-livered business men had this effect on the government, then maybe we had gone to war for J. P. Morgan’s loans after all. But, because we were tired of Great Causes, there was no more than a short outbreak of moral indignation, typified by Dos Passos’ Three Soldiers. Presently we began to have slices of the national cake and our idealism only flared up when the newspapers made melodrama out of such stories as Harding and the Ohio Gang or Sacco and Vanzetti. The events of 1919 left us cynical rather than revolutionary, in spite of the fact that now we are all rummaging around in our trunks wondering where in hell we left the liberty cap— “I know I had it” — and the moujik blouse. It was characteristic of the Jazz Age that it had no interest in politics at all.
It was an age of miracles, it was an age of art, it was an age of excess, and it was an age of satire. A Stuffed Shirt, squirming to blackmail in a lifelike way, sat upon the throne of the United States; a stylish young man hurried over to represent to us the throne of England. A world of girls yearned for the young Englishman; the old American groaned in his sleep as he waited to be poisoned by his wife, upon the advice of the female Rasputin who then made the ultimate decision in our national affairs. But such matters apart, we had things our way at last. With Americans ordering suits by the gross in London, the Bond Street tailors perforce agreed to moderate their cut to the American long-waisted figure and loose-fitting taste, something subtle passed to America, the style of man. During the Renaissance, Francis the First looked to Florence to trim his leg. Seventeenth-century England aped the court of France, and fifty years ago the German Guards officer bought his civilian clothes in London. Gentlemen’s clothes — symbol of “the power that man must hold and that passes from race to race.”
We were the most powerful nation. Who could tell us any longer what was fashionable and what was fun? Isolated during the European War, we had begun combing the unknown South and West for folkways and pastimes, and there were more ready to hand.
The first social revelation created a sensation out of all proportion to its novelty. As far back as 1915 the unchaperoned young people of the smaller cities had discovered the mobile privacy of that automobile given to young Bill at sixteen to make him “self-reliant.” At first petting was a desperate adventure even under such favorable conditions, but presently confidences were exchanged and the old commandment broke down. As early as 1917 there were references to such sweet and casual dalliance in any number of the Yale Record or the Princeton Tiger.
But petting in its more audacious manifestations was confined to the wealthier classes — among other young people the old standard prevailed until after the War, and a kiss meant that a proposal was expected, as young officers in strange cities sometimes discovered to their dismay. Only in 1920 did the veil finally fall — the Jazz Age was in flower.
Scarcely had the staider citizens of the republic caught their breaths when the wildest of all generations, the generation which had been adolescent during the confusion of the War, brusquely shouldered my contemporaries out of the way and danced into the limelight. This was the generation whose girls dramatized themselves as flappers, the generation that corrupted its elders and eventually overreached itself less through lack of morals than through lack of taste. May one offer in exhibit the year igaz! That was the peak of the younger generation, for though the Jazz Age continued, it became less and less an affair of youth.
The sequel was like a children’s party taken over by the elders, leaving the children puzzled and rather neglected and rather taken aback. By 1923 their elders, tired of watching the carnival with ill-concealed envy, had discovered that young liquor will take the place of young blood, and with a whoop the orgy began. The younger generation was starred no longer.
A whole race going hedonistic, deciding on pleasure. The precocious intimacies of the younger generation would have come about with or without prohibition — they were implicit in the attempt to adapt English customs to American conditions. (Our South, for example, is tropical and early maturing — it has never been part of the wisdom of France and Spain to let young girls go unchaperoned at sixteen and seventeen.) But the general decision to be amused that began with the cocktail parties of 1921 had more complicated origins.
The word jazz in its progress toward respectability has meant first sex, then dancing, then music. It is associated with a state of nervous stimulation, not unlike that of big cities behind the lines of a war. To many English the War still goes on because all the forces that menace them are still active — Wherefore eat, drink and be merry, for tomorrow we die. But different causes had now brought about a corresponding state in America — though there were entire classes (people over fifty, for example) who spent a whole decade denying its existence even when its puckish face peered into the family circle. Never did they dream that they had contributed to it. The honest citizens of every class, who believed in a strict public morality and were powerful enough to enforce the necessary legislation, did not know that they would necessarily be served by criminals and quacks, and do not really believe it to-day. Rich righteousness had always been able to buy honest and intelligent servants to free the slaves or the Cubans, so when this attempt collapsed our elders stood firm with all the stubbornness of people involved in a weak case, preserving their righteousness and losing their children. Silver-haired women and men with fine old faces, people who never did a consciously dishonest thing in their lives, still assure each other in the apartment hotels of New York and Boston and Washington that “there’s a whole generation growing up that will never know the taste of liquor.” Meanwhile their grand daughters pass the well-thumbed copy of Lady Chatterley’s Lover around the boarding-school and, if they get about at all, know the taste of gin or corn at sixteen. But the generation who reached maturity between 1875 and 1895 continue to believe what they want to believe.
Even the intervening generations were incredulous. In 1920 Heywood Broun announced that all this hubbub was nonsense, that young men didn’t kiss but told anyhow. But very shortly people over twenty-five came in for an intensive education. Let me trace some of the revelations vouch¬safed them by reference to a dozen works written for various types of mentality during the decade. We begin with the suggestion that Don Juan leads an interesting life (Jurgen, (1919); then we learn that there’s a lot of sex around if we only knew it (Winesburg, Ohio, 1920) that adolescents lead very amorous lives (This Side of Paradise, 1920), that there are a lot of neglected Anglo-Saxon words (Ulysses, 1921), that older people don’t always resist sudden temptations (Cytherea, 1922), that girls are sometimes seduced without being ruined (Flaming Youth, 1922), that even rape often turns out well (The Sheik, 1922), that glamorous English ladies are often promiscuous (The Green Hat, 1924), that in fact they devote most of their time to it (The Vortex, 1926), that it’s a damn good thing too (Lady Chatterley’s Lover, 1928), and finally that there are abnormal variations (The Well of Loneliness, 1928, and Sodom and Gomorrah, 1929).
In my opinion the erotic clement in these works, even The Sheik written for children in the key of Peter Rabbit, did not one particle of harm. Everything they described, and much more, was familiar in our contemporary life. The majority of the theses were honest and elucidating — their effect was to restore some dignity to the male as opposed to the he-man in American life. (“And what is a ‘He-man’?” demanded Gertrude Stein one day. “Isn’t it a large enough order to fill out to the dimensions of all that ‘a man’ has meant in the past? A ‘He-man’!”) The married woman can now discover whether she is being cheated, or whether sex is just something to be endured, and her compensation should be to establish a tyranny of the spirit, as her mother may have hinted. Perhaps many women found that love was meant to be fun. Anyhow the objectors lost their tawdry little case, which is one reason why our literature is now the most living in the world. Contrary to popular opinion, the movies of the Jazz Age had no effect upon ils morals. The social attitude of the producers was timid, behind the times and banal — for example, no picture mirrored even faintly the younger generation until 1923, when magazines had already been started to celebrate it and it had long ceased to be news. There were a few feeble splutters and then Clara Bow in Flaming Youth; promptly the Hollywood hacks ran the theme into its cinematographic grave. Throughout the Jazz Age the movies got no farther than Mrs. Jiggs, keeping up with its most blatant superficialities. This was no doubt due to the censorship as well as to innate conditions in the industry. In any case, the Jazz Age now raced along under its own power, served by great filling stations full of money.
The people over thirty, the people all the way up to fifty, had joined the dance. We graybeards (to tread down F.P.A.) remember the uproar when in 1912 grandmothers of forty tossed away their crutches and took lessons in the Tango and the Castle-Walk. A dozen years later a woman might pack the Green Hat with her other affairs as she set off for Europe or New York, but Savonarola was too busy flogging dead horses in Augean stables of his own creation to notice. Society, even in small cities, now dined in separate chambers, and the sober table learned about the gay table only from hearsay. There were very few people left at the sober table. One of its former glories, the less sought-after girls who had become resigned to sublimating a probable celibacy, came across Freud and Jung in seeking their intellectual recompense and came tearing back into the fray.
By 1926 the universal preoccupation with sex had become a nuisance. (I remember a perfectly mated, contented young mother asking my wife’s advice about “having an affair right away,” though she had no one especially in mind, “because don’t you think it’s sort of undignified when you get much over thirty?”) For a while bootleg Negro records with their phallic euphemisms made everything suggestive, and simultaneously came a wave of erotic plays — young girls from finishing-schools packed the galleries to hear about the romance of being a Lesbian and George Jean Nathan protested. Then one young producer lost his head entirely, drank a beauty’s alcoholic bathwater and went to the penitentiary. Somehow his pathetic attempt at romance belongs to the Jazz Age, while his contemporary in prison, Ruth Snyder, had to be hoisted into it by the tabloids - she was, as The Daily News hinted deliciously to gourmets, about “to cook, and sizzle, AND FRY!” in the electric chair.
The gay elements of society had divided into two main streams, one flowing towards Palm Beach and Deauville, and the other, much smaller, towards the summer Riviera. One could get away with more on the summer Riviera, and whatever happened seemed to have something to do with art. From 1926 to 1929, the great years of the Cap d’Antibes, this corner of France was dominated by a group quite distinct from that American society which is dominated by Europeans. Pretty much of anything went at Antibes - by 1929, at the most gorgeous paradise for swimmers on the Mediterranean no one swam any more, save for a short hangover dip at noon. There was a picturesque graduation of steep rocks over the sea and somebody’s valet and an occasional English girl used to dive from them, but the Americans were content to discuss each other in the bar. This was indicative of something that was taking place in the homeland — Americans were getting soft. There were signs everywhere: we still won the Olympic games but with champions whose names had few vowels in them - teams composed, like the fighting Irish combination of Notre Dame, of fresh overseas blood. Once the French became really interested, the Davis Cup gravitated automatically to their intensity in competition. The vacant lots of the Middle-Western cities were built up now - except for a short period in school, we were not turning out to be an athletic people like the British, after all. The hare and the tortoise. Of course if we wanted to we could be in a minute; we still had all those reserves of ancestral vitality, but one day in 1926 we looked down and found we had flabby arms and a fat pot and couldn’t say boop-boop-a-doop to a Sicilian. Shades of Van Bibber! - no Utopian ideal, God knows. Even golf, once considered an effeminate game, had seemed very strenuous of late - an emasculated form appeared and proved just right.
By 1927 a widespread neurosis began to be evident, faintly signalled, like a nervous beating of the feet, by the popularity of crossword puzzles. I remember a fellow expatriate opening a letter from a mutual friend of ours, urging him to come home and be revitalized by the hardy, bracing qualities of the native soil. It was a strong letter and it affected us both deeply, until we noticed that it was headed from a nerve sanatorium in Pennsylvania.
By this time contemporaries of mine had begun to disappear into the dark maw of violence. A classmate killed his wife and himself on Long Island, another tumbled ‘accidently’ from a skyscraper in Philadelphia, another purposely from a skyscraper in New York. One was killed in a speakeasy in Chicago; another was beaten to death in a speakeasy in New York and crawled home to the Princeton Club to die; still another had his skull crushed by a maniac’s axe in an insane asylum where he was confined. These are not catastrophes that I went out of my way to look for - these were my friends; moreover, these things happened not during the depression but during the boom.
In the spring of ‘27, something bright and alien flashed across the sky. A young Minnesotan who seemed to have had nothing to do with his generation did a heroic thing, arid for a moment people set down their glasses in country clubs and speakeasies and thought of their old best dreams. Maybe there was a way out by flying, maybe our restless blood could find frontiers in the illimitable air. But by that time we were all pretty well committed; and the Jazz Age continued; we would all have one more.
Nevertheless, Americans were wandering ever more widely - friends seemed eternally bound for Russia, Persia, Abyssinia, and Central Africa. And by 1928 Paris had grown suffocating. With each new shipment of Americans spewed up by the boom the quality fell off, until towards the end there was something sinister about the crazy boatloads. They were no longer the simple pa and ma and son and daughter, infinitely superior in their qualities of kindness and curiosity to the corresponding class in Europe, but fantastic neanderthals who believed something, something vague, that you remembered from a very cheap novel. I remember an Italian on a steamer who promenaded the deck in an American Reserve Officer’s uniform picking quarrels in broken English with Americans who criticized their own institutions in the bar. I remember a fat Jewess, inlaid with diamonds, who sat behind us at the Russian ballet and said as the curtain rose, ‘Thad’s luffly, dey ought to baint a bicture of it.’ This was low comedy, but it was evident that money and power were falling into the hands of people in comparison with whom the leader of a village Soviet would be a gold-mine of judgement and culture. There were citizens travelling in luxury in 1928 and 1929, who, in the distortion of their new condition, had the human value of Pekingese, bivalves, cretins, goats. I remember the Judge from some New York district who had taken his daughter to see the Bayeux Tapestries and made a scene in the papers advocating their segregation because one scene was immoral. But in those days life was like the race in Alice in Wonderland, there was a prize for every one.
The Jazz Age had had a wild youth and a heady middle age. There was the phase of the necking parties, the Leopold-Loeb murder (I remember the time my wife was arrested on Queensborough Bridge on the suspicion of being the ‘Bob-haired Bandit’) and the John Held Clothes. In the second phase such phenomena as sex and murder became more mature, if much more conventional. Middle age must be served and pyjamas came to the beach to save fat thighs and flabby calves from competition with the one-piece bathing-suit. Finally skirts came down and everything was concealed. Everybody was at scratch now. Let’s go -
But it was not to be. Somebody had blundered and the most expensive orgy in history was over.
It ended two years ago , because the utter confidence which was its essential prop received an enormous jolt, and it didn’t take long for the flimsy structure to settle earthward. And after two years the Jazz Age seems as far away as the days before the War. It was borrowed time anyhow — the whole upper tenth of a nation living with the insouciance of grand dukes and the casualness of chorus girls. But moralizing is easy now and it was pleasant to be in one’s twenties in such a certain and unworried time. Even when you were broke you didn’t worry about money, because it was in such profusion around you. Towards the end one had a struggle to pay one’s share; it was almost a favour to accept hospitality that required any travelling. Charm, notoriety, mere good manners weighed more than money as a social asset. This was rather splendid, but things were getting thinner and thinner as the eternal necessary human values tried to spread over all that expansion. Writers were geniuses on the strength of one respectable book or play; just as during the War officers of four months’ experience commanded hundreds of men, so there were now many little fish lording it over great big bowls. In the theatrical world extravagant productions were carried by a few second-rate stars, and so on up the scale into politics, where it was difficult to interest good men in positions of the highest importance and responsibility, importance and responsibility far exceeding that of business executives but which paid only five or six thousand a year.
Now once more the belt is tight and we summon the proper expression of horror as we look back at our wasted youth. Sometimes, though, there is a ghostly rumble among the drums, an asthmatic whisper in the trombones that swings me back into the early twenties when we drank wood alcohol and every day in every way grew better and better, and there was a first abortive shortening of the skirts, and girls all looked alike in sweater dresses, and people you didn’t want to know said ‘Yes, we have no bananas’, and it seemed only a question of a few years before the older people would step aside and let the world be run by those who saw things as they were — and it all seems rosy and romantic to us who were young then, because we will never feel quite so intensely about our surroundings any more.
Tales from the Jazz Age
Introductions
MY LAST FLAPPERS
The Jelly-bean
This is a Southern story, with the scene laid in the small Lily of Tarleton, Georgia. I have a profound affection for Tarleton, but somehow whenever I write a story about it I receive letters from all over the South denouncing me in no uncertain terms. “The Jelly-Bean,” published in “The Metropolitan,” drew its full share of these admonitory notes.
It was written under strange circumstances shortly after my first novel was published, and, moreover, it was the first story in which I had a collaborator. For, finding that I was unable to manage the crap-shooting episode, I turned it over to my wife, who, as a Southern girl, was presumably an expert on the technique and terminology of that great sectional pastime.
The Camel’s Back
I suppose that of all the stories I have ever written this one cost me the least travail and perhaps gave me the most amusement. As to the labor involved, it was written during one day in the city of New Orleans, with the express purpose of buying a platinum and diamond wrist watch which cost six hundred dollars. I began it at seven in the morning and finished it at two o’clock the same night. It was published in the “Saturday Evening Post” in 1920, and later included in the O. Henry Memorial Collection for the same year. I like it least of all the stories in this volume.
My amusement was derived from the fact that the camel part of the story is literally true; in fact, I have a standing engagement with the gentleman involved to attend the next fancy-dress party to which we are mutually invited, attired as the latter part of the camel — this as a sort of atonement for being his historian.
May Day.
This somewhat unpleasant tale, published as a novelette in the “Smart Set” in July, 1920, relates a series of events which took place in the spring of the previous year. Each of the three events made a great impression upon me. In life they were unrelated, except by the general hysteria of that spring which inaugurated the Age of Jazz, but in my story I have tried, unsuccessfully I fear, to weave them into a pattern — a pattern which would give the effect of those months in New York as they appeared to at least one member of what was then the younger generation.
Porcelain and Pink.
“And do you write for any other magazines?” inquired the young lady.
“Oh, yes,” I assured her. “I’ve had some stories and plays in the. ‘Smart Set,’ for instance — —”
The young lady shivered.
“The ‘Smart Set’!” she exclaimed. “How can you? Why, they publish stuff about girls in blue bathtubs, and silly things like that.”
And I had the magnificent joy of telling her that she was referring to. “Porcelain and Pink,” which had appeared there several months before.
FANTASIES
The Diamond As Big As the Ritz.
These next stories are written in what, were I of imposing stature, I should call my “second manner.” “The Diamond as Big as the Ritz,” which appeared last summer in the “Smart Set,” was designed utterly for my own amusement. I was in that familiar mood characterized by a perfect craving for luxury, and the story began as an attempt to feed that craving on imaginary foods.
One well-known critic has been pleased to like this extravaganza better than anything I have written. Personally I prefer “The Offshore Pirate.” But, to tamper slightly with Lincoln: If you like this sort of thing, this, possibly, is the sort of thing you’ll like.
The Curious Case of Benjamin Button.
This story was inspired by a remark of Mark Twain’s to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler’s “Notebooks.”
The story was published in “Collier’s” last summer and provoked this startling letter from an anonymous admirer in Cincinnati:
“Sir —
I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a peice of stationary on you but I will.”
Tarquin of Cheapside.
Written almost six years ago, this story is a product of undergraduate days at Princeton. Considerably revised, it was published in the “Smart Set” in 1921. At the time of its conception I had but one idea — to be a poet — and the fact that I was interested in the ring of every phrase, that I dreaded the obvious in prose if not in plot, shows throughout. Probably the peculiar affection I feel for it depends more upon its age than upon any intrinsic merit.
“O Russet Witch!”
When this was written I had just completed the first draft of my second novel, and a natural reaction made me revel in a story wherein none of the characters need be taken seriously. And I’m afraid that I was somewhat carried away by the feeling that there was no ordered scheme to which I must conform. After due consideration, however, I have decided to let it stand as it is, although the reader may find himself somewhat puzzled at the time element. I had best say that however the years may have dealt with Merlin Grainger, I myself was thinking always in the present. It was published in the “Metropolitan.”
UNCLASSIFIED MASTERPIECES
The Lees Of Happiness.
Of this story I can say that it came to me in an irresistible form, crying to be written. It will be accused perhaps of being a mere piece of sentimentality, but, as I saw it, it was a great deal more. If, therefore, it lacks the ring of sincerity, or even, of tragedy, the fault rests not with the theme but with my handling of it.
It appeared in the “Chicago Tribune,” and later obtained, I believe, the quadruple gold laurel leaf or some such encomium from one of the anthologists who at present swarm among us. The gentleman I refer to runs as a rule to stark melodramas with a volcano or the ghost of John Paul Jones in the role of Nemesis, melodramas carefully disguised by early paragraphs in Jamesian manner which hint dark and subtle complexities to follow. On this order:
“The case of Shaw McPhee, curiously enough, had no hearing on the almost incredible attitude of Martin Sulo. This is parenthetical and, to at least three observers, whose names for the present I must conceal, it seems improbable, etc., etc., etc.,” until the poor rat of fiction is at last forced out into the open and the melodrama begins.
Mr. Icky
This has the distinction of being the only magazine piece ever written in a New York hotel. The business was done in a bedroom in the Knickerbocker, and shortly afterward that memorable hostelry closed its doors forever.
When a fitting period of mourning had elapsed it was published in the. “Smart Set.”
Jemina.
Written, like “Tarquin of Cheapside,” while I was at Princeton, this sketch was published years later in “Vanity Fair.” For its technique I must apologize to Mr. Stephen Leacock.
I have laughed over it a great deal, especially when I first wrote it, but I can laugh over it no longer. Still, as other people tell me it is amusing, I include it here. It seems to me worth preserving a few years — at least until the ennui of changing fashions suppresses me, my books, and it together.
With due apologies for this impossible Table of Contents, I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.
My Last Flappers
The Jelly-bean.
Jim Powell was a Jelly-bean. Much as I desire to make him an appealing character, I feel that it would be unscrupulous to deceive you on that point. He was a bred-in-the-bone, dyed-in-the-wool, ninety-nine three-quarters per cent Jelly-bean and he grew lazily all during Jelly-bean season, which is every season, down in the land of the Jelly-beans well below the Mason-Dixon line.
Now if you call a Memphis man a Jelly-bean he will quite possibly pull a long sinewy rope from his hip pocket and hang you to a convenient telegraph-pole. If you Call a New Orleans man a Jelly-bean he will probably grin and ask you who is taking your girl to the Mardi Gras ball. The particular Jelly-bean patch which produced the protagonist of this history lies somewhere between the two — a little city of forty thousand that has dozed sleepily for forty thousand years in southern Georgia occasionally stirring in its slumbers and muttering something about a war that took place sometime, somewhere, and that everyone else has forgotten long ago.
Jim was a Jelly-bean. I write that again because it has such a pleasant sound — rather like the beginning of a fairy story — as if Jim were nice. It somehow gives me a picture of him with a round, appetizing face and all sort of leaves and vegetables growing out of his cap. But Jim was long and thin and bent at the waist from stooping over pool-tables, and he was what might have been known in the indiscriminating North as a corner loafer. “Jelly-bean” is the name throughout the undissolved Confederacy for one who spends his life conjugating the verb to idle in the first person singular — I am idling, I have idled, I will idle.
Jim was born in a white house on a green corner, It had four weather-beaten pillars in front and a great amount of lattice-work in the rear that made a cheerful crisscross background for a flowery sun-drenched lawn. Originally the dwellers in the white house had owned the ground next door and next door to that and next door to that, but this had been so long ago that even Jim’s father, scarcely remembered it. He had, in fact, thought it a matter of so little moment that when he was dying from a pistol wound got in a brawl he neglected even to tell little Jim, who was five years old and miserably frightened. The white house became a boarding-house run by a tight-lipped lady from Macon, whom Jim called Aunt Mamie and detested with all his soul.
He became fifteen, went to high school, wore his hair in black snarls, and was afraid of girls. He hated his home where four women and one old man prolonged an interminable chatter from summer to summer about what lots the Powell place had originally included and what sorts of flowers would be out next. Sometimes the parents of little girls in town, remembering Jim’s mother and fancying a resemblance in the dark eyes and hair, invited him to parties, but parties made him shy and he much preferred sitting on a disconnected axle in Tilly’s Garage, rolling the bones or exploring his mouth endlessly with a long straw. For pocket money, he picked up odd jobs, and it was due to this that he stopped going to parties. At his third party little Marjorie Haight had whispered indiscreetly and within hearing distance that he was a boy who brought the groceries sometimes. So instead of the two-step and polka, Jim had learned to throw, any number he desired on the dice and had listened to spicy tales of all the shootings that had occurred in the surrounding country during the past fifty years.
He became eighteen. The war broke out and he enlisted as a gob and polished brass in the Charleston Navy-yard for a year. Then, by way of variety, he went North and polished brass in the Brooklyn Navy-yard for a year.
When the war was over he came home, He was twentyone, has trousers were too short and too tight. His buttoned shoes were long and narrow. His tie was an alarming conspiracy of purple and pink marvellously scrolled, and over it were two blue eyes faded like a piece of very good old cloth, long exposed to the sun.
In the twilight of one April evening when a soft gray had drifted down along the cottonfields and over the sultry town, he was a vague figure leaning against a board fence, whistling and gazing at the moon’s rim above the lights of Jackson Street. His mind was working persistently on a problem that had held his attention for an hour. The Jelly-bean had been invited to a party.
Back in the days when all the boys had detested all the girls, Clark Darrow and Jim had sat side by side in school. But, while Jim’s social aspirations had died in the oily air of the garage, Clark had alternately fallen in and out of love, gone to college, taken to drink, given it up, and, in short, become one of the best beaux of the town. Nevertheless Clark and Jim had retained a friendship that, though casual, was perfectly definite. That afternoon Clark’s ancient Ford had slowed up beside Jim, who was on the sidewalk and, out of a clear sky, Clark invited him to a party at the country club. The impulse that made him do this was no stranger than the impulse which made Jim accept. The latter was probably an unconscious ennui, a half-frightened sense of adventure. And now Jim was soberly thinking it over.
He began to sing, drumming his long foot idly on a stone block in the sidewalk till it wobbled up and down in time to the low throaty tune:
”One smile from Home in Jelly-bean town,. Lives Jeanne, the Jelly-bean Queen. She loves her dice and treats ’em nice; No dice would treat her mean.”
He broke off and agitated the sidewalk to a bumpy gallop.
“Daggone!” he muttered, half aloud. They would all be there — the old crowd, the crowd to which, by right of the white house, sold long since, and the portrait of the officer in gray over the mantel, Jim should have belonged. But that crowd had grown up together into a tight little set as gradually as the girls’ dresses had lengthened inch by inch, as definitely as the boys’ trousers had dropped suddenly to their ankles. And to that society of first names and dead puppy loves Jim was an outsider — a running mate of poor whites. Most of the men knew him, condescendingly; he tipped his hat to three or four girls. That was all.
When the dusk had thickened into a blue setting for the moon, he walked through the hot, pleasantly pungent town to Jackson Street. The stores were closing and the last shoppers were drifting homeward, as if borne on the dreamy revolution of a slow merry-go-round. A street-fair farther down a brilliant alley of varicolored booths and contributed a blend of music to the night — an oriental dance on a calliope, a melancholy bugle in front of a freak show, a cheerful rendition of “Back Home in Tennessee” on a hand-organ.
The Jelly-bean stopped in a store and bought a collar. Then he sauntered along toward Soda Sam’s, where he found the usual three or four cars of a summer evening parked in front and the little darkies running back and forth with sundaes and lemonades.
“Hello, Jim.”
It was a voice at his elbow — Joe Ewing sitting in an automobile with. Marylyn Wade. Nancy Lamar and a strange man were in the back seat.
The Jelly-bean tipped his hat quickly.
“Hi Ben—” then, after an almost imperceptible pause— “How y’ all?”
Passing, he ambled on toward the garage where he had a room upstairs. His “How y’all” had been said to Nancy Lamar, to whom he had not spoken in fifteen years.
Nancy had a mouth like a remembered kiss and shadowy eyes and blue-black hair inherited from her mother who had been born in Budapest. Jim passed her often on the street, walking small-boy fashion with her hands in her pockets and he knew that with her inseparable Sally Carrol Hopper she had left a trail of broken hearts from Atlanta to New Orleans.
For a few fleeting moments Jim wished he could dance. Then he laughed and as he reached his door began to sing softly to himself:
”Her Jelly Roll can twist your soul,. Her eyes are big and brown, She’s the Queen of the Queens of the Jelly-beans — My Jeanne of Jelly-bean Town.”
II
At nine-thirty, Jim and Clark met in front of Soda Sam’s and started for the Country Club in Clark’s Ford. “Jim,” asked Clark casually, as they rattled through the jasmine-scented night, “how do you keep alive?”
The Jelly-bean paused, considered.
“Well,” he said finally, “I got a room over Tilly’s garage. I help him some with the cars in the afternoon an’ he gives it to me free. Sometimes I drive one of his taxies and pick up a little thataway. I get fed up doin’ that regular though.”
“That all?”
“Well, when there’s a lot of work I help him by the day — Saturdays usually — and then there’s one main source of revenue I don’t generally mention. Maybe you don’t recollect I’m about the champion crap-shooter of this town. They make me shoot from a cup now because once I get the feel of a pair of dice they just roll for me.”
Clark grinned appreciatively,
“I never could learn to set ’em so’s they’d do what I wanted. Wish you’d shoot with Nancy Lamar some day and take all her money away from her. She will roll ’em with the boys and she loses more than her daddy can afford to give her. I happen to know she sold a good ring last month to pay a debt.”
The Jelly-bean was noncommittal.
“The white house on Elm Street still belong to you?”
Jim shook his head.
“Sold. Got a pretty good price, seein’ it wasn’t in a good part of town no more. Lawyer told me to put it into Liberty bonds. But Aunt Mamie got so she didn’t have no sense, so it takes all the interest to keep her up at Great Farms Sanitarium.
“Hm.”
“I got an old uncle upstate an’ I reckin I kin go up there if ever I get sure enough pore. Nice farm, but not enough niggers around to work it. He’s asked me to come up and help him, but I don’t guess I’d take much to it. Too doggone lonesome—” He broke off suddenly. “Clark, I want to tell you I’m much obliged to you for askin’ me out, but I’d be a lot happier if you’d just stop the car right here an’ let me walk back into town.”
“Shucks!” Clark grunted. “Do you good to step out. You don’t have to dance — just get out there on the floor and shake.”
“Hold on,” exclaimed. Jim uneasily, “Don’t you go leadin’ me up to any girls and leavin’ me there so I’ll have to dance with ‘em.”
Clark laughed.
“‘Cause,” continued Jim desperately, “without you swear you won’t do that I’m agoin’ to get out right here an’ my good legs goin’ carry me back to Jackson street.”
They agreed after some argument that Jim, unmolested by females, was to view the spectacle from a secluded settee in the corner where Clark would join him whenever he wasn’t dancing.
So ten o’clock found the Jelly-bean with his legs crossed and his arms conservatively folded, trying to look casually at home and politely uninterested in the dancers. At heart he was torn between overwhelming selfconsciousness and an intense curiosity as to all that went on around him. He saw the girls emerge one by one from the dressing-room, stretching and pluming themselves like bright birds, smiling over their powdered shoulders at the chaperones, casting a quick glance around to take in the room and, simultaneously, the room’s reaction to their entrance — and then, again like birds, alighting and nestling in the sober arms of their waiting escorts. Sally Carrol Hopper, blonde and lazy-eyed, appeared clad in her favorite pink and blinking like an awakened rose. Marjorie Haight, Marylyn Wade, Harriet Cary, all the girls he had seen loitering down Jackson Street by noon, now, curled and brilliantined and delicately tinted for the overhead lights, were miraculously strange Dresden figures of pink and blue and red and gold, fresh from the shop and not yet fully dried.
He had been there half an hour, totally uncheered by Clark’s jovial visits which were each one accompanied by a “Hello, old boy, how you making out?” and a slap at his knee. A dozen males had spoken to him or stopped for a moment beside him, but he knew that they were each one surprised at finding him there and fancied that one or two were even slightly resentful. But at half past ten his embarrassment suddenly left him and a pull of breathless interest took him completely out of himself — Nancy Lamar had come out of the dressing-room.
She was dressed in yellow organdie, a costume of a hundred cool corners, with three tiers of ruffles and a big bow in back until she shed black and yellow around her in a sort of phosphorescent lustre. The Jelly-bean’s eyes opened wide and a lump arose in his throat. For she stood beside the door until her partner hurried up. Jim recognized him as the stranger who had been with her in Joe Ewing’s car that afternoon. He saw her set her arms akimbo and say something in a low voice, and laugh. The man laughed too and Jim experienced the quick pang of a weird new kind of pain. Some ray had passed between the pair, a shaft of beauty from that sun that had warmed him a moment since. The Jelly-bean felt suddenly like a weed in a shadow.
A minute later Clark approached him, bright-eyed and glowing.
“Hi, old man” he cried with some lack of originality. “How you making out?”
Jim replied that he was making out as well as could be expected.
“You come along with me,” commanded Clark. “I’ve got something that’ll put an edge on the evening.”
Jim followed him awkwardly across the floor and up the stairs to the locker-room where Clark produced a flask of nameless yellow liquid.
“Good old corn.”
Ginger ale arrived on a tray. Such potent nectar as “good old corn” needed some disguise beyond seltzer.
“Say, boy,” exclaimed Clark breathlessly, “doesn’t Nancy Lamar look beautiful?”
Jim nodded.
“Mighty beautiful,” he agreed.
“She’s all dolled up to a fare-you-well tonight,” continued Clark..
“Notice that fellow she’s with?”
“Big fella? White pants?”
“Yeah. Well, that’s Ogden Merritt from Savannah. Old man Merritt makes the Merritt safety razors. This fella’s crazy about her. Been chasing, after her all year.
“She’s a wild baby,” continued Clark, “but I like her. So does everybody. But she sure does do crazy stunts. She usually gets out alive, but she’s got scars all over her reputation from one thing or another she’s done.”
“That so?” Jim passed over his glass. “That’s good corn.”
“Not so bad. Oh, she’s a wild one. Shoot craps, say, boy! And she do like her highballs. Promised I’d give her one later on.”
“She in love with this — Merritt?”
“Damned if I know. Seems like all the best girls around here marry fellas and go off somewhere.”
He poured himself one more drink and carefully corked the bottle.
“Listen, Jim, I got to go dance and I’d be much obliged if you just stick this corn right on your hip as long as you’re not dancing. If a man notices I’ve had a drink he’ll come up and ask me and before I know it it’s all gone and somebody else is having my good time.”
So Nancy Lamar was going to marry. This toast of a town was to become the private property of an individual in white trousers — and all because white trousers’ father had made a better razor than his neighbor. As they descended the stairs Jim found the idea inexplicably depressing. For the first time in his life he felt a vague and romantic yearning. A picture of her began to form in his imagination — Nancy walking boylike and debonnaire along the street, taking an orange as tithe from a worshipful fruit-dealer, charging a dope on a mythical account, at Soda Sam’s, assembling a convoy of beaux and then driving off in triumphal state for an afternoon of splashing and singing.
The Jelly-bean walked out on the porch to a deserted corner, dark between the moon on the lawn and the single lighted door of the ballroom. There he found a chair and, lighting a cigarette, drifted into the thoughtless reverie that was his usual mood. Yet now it was a reverie made sensuous by the night and by the hot smell of damp powder puffs, tucked in the fronts of low dresses and distilling a thousand rich scents, to float out through the open door. The music itself, blurred by a loud trombone, became hot and shadowy, a languorous overtone to the scraping of many shoes and slippers.
Suddenly the square of yellow light that fell through the door was obscured by a dark figure. A girl had come out of the dressing-room and was standing on the porch not more than ten feet away. Jim heard a low-breathed “doggone” and then she turned and saw him. It was Nancy Lamar.
Jim rose to his feet.
“Howdy?”
“Hello—” she paused, hesitated and then approached. “Oh, it’s — Jim. Powell.”
He bowed slightly, tried to think of a casual remark.
“Do you suppose,” she began quickly, “I mean — do you know anything about gum?”
“What?” “I’ve got gum on my shoe. Some utter ass left his or her gum on the floor and of course I stepped in it.”
Jim blushed, inappropriately.
“Do you know how to get it off?” she demanded petulantly. “I’ve tried a knife. I’ve tried every damn thing in the dressing-room. I’ve tried soap and water — and even perfume and I’ve ruined my powder-puff trying to make it stick to that.”
Jim considered the question in some agitation.
“Why — I think maybe gasolene—”
The words had scarcely left his lips when she grasped his hand and pulled him at a run off the low veranda, over a flower bed and at a gallop toward a group of cars parked in the moonlight by the first hole of the golf course.
“Turn on the gasolene,” she commanded breathlessly.
“What?”
“For the gum of course. I’ve got to get it off. I can’t dance with gum on.”
Obediently Jim turned to the cars and began inspecting them with a view to obtaining the desired solvent. Had she demanded a cylinder he would have done his best to wrench one out.
“Here,” he said after a moment’s search. “‘Here’s one that’s easy. Got a handkerchief?”
“It’s upstairs wet. I used it for the soap and water.”
Jim laboriously explored his pockets.
“Don’t believe I got one either.”
“Doggone it! Well, we can turn it on and let it run on the ground.”
He turned the spout; a dripping began.
“More!”
He turned it on fuller. The dripping became a flow and formed an oily pool that glistened brightly, reflecting a dozen tremulous moons on its quivering bosom.
“Ah,” she sighed contentedly, “let it all out. The only thing to do is to wade in it.”
In desperation he turned on the tap full and the pool suddenly widened sending tiny rivers and trickles in all directions.
“That’s fine. That’s something like.”
Raising her skirts she stepped gracefully in.
“I know this’ll take it off,” she murmured.
Jim smiled.
“There’s lots more cars.”
She stepped daintily out of the gasolene and began scraping her slippers, side and bottom, on the running-board of the automobile. The jelly-bean contained himself no longer. He bent double with explosive laughter and after a second she joined in.
“You’re here with Clark Darrow, aren’t you?” she asked as they walked back toward the veranda.
“Yes.”
“You know where he is now?”
“Out dancin’, I reckin.”
“The deuce. He promised me a highball.”
“Well,” said Jim, “I guess that’ll be all right. I got his bottle right here in my pocket.”
She smiled at him radiantly.
“I guess maybe you’ll need ginger ale though,” he added.
“Not me. Just the bottle.”
“Sure enough?”
She laughed scornfully.
“Try me. I can drink anything any man can. Let’s sit down.”
She perched herself on the side of a table and he dropped into one of the wicker chairs beside her. Taking out the cork she held the flask to her lips and took a long drink. He watched her fascinated.
“Like it?”
She shook her head breathlessly.
“No, but I like the way it makes me feel. I think most people are that way.”
Jim agreed.
“My daddy liked it too well. It got him.”
“American men,” said Nancy gravely, “don’t know how to drink.”
“What?” Jim was startled.
“In fact,” she went on carelessly, “they don’t know how to do anything very well. The one thing I regret in my life is that I wasn’t born in England.”
“In England?”
“Yes. It’s the one regret of my life that I wasn’t.”
“Do you like it over there?” “Yes. Immensely. I’ve never been there in person, but I’ve met a lot of Englishmen who were over here in the army, Oxford and Cambridge men — you know, that’s like Sewanee and University of Georgia are here — and of course I’ve read a lot of English novels.”
Jim was interested, amazed.
“D’ you ever hear of Lady Diana Manner?” she asked earnestly.
No, Jim had not.
“Well, she’s what I’d like to be. Dark, you know, like me, and wild as sin. She’s the girl who rode her horse up the steps of some cathedral or church or something and all the novelists made their heroines do it afterwards.”
Jim nodded politely. He was out of his depths.
“Pass the bottle,” suggested Nancy. “I’m going to take another little one. A little drink wouldn’t hurt a baby.
“You see,” she continued, again breathless after a draught. “People over there have style, Nobody has style here. I mean the boys here aren’t really worth dressing up for or doing sensational things for. Don’t you know?”
“I suppose so — I mean I suppose not,” murmured Jim.
“And I’d like to do ’em an’ all. I’m really the only girl in town that has style.”
She stretched, out her arms and yawned pleasantly.
“Pretty evening.”
“Sure is,” agreed Jim.
“Like to have boat” she suggested dreamily. “Like to sail out on a silver lake, say the Thames, for instance. Have champagne and caviare sandwiches along. Have about eight people. And one of the men would jump overboard to amuse the party, and get drowned like a man did with Lady Diana Manners once.”
“Did he do it to please her?”
“Didn’t mean drown himself to please her. He just meant to jump overboard and make everybody laugh.”
“I reckin they just died laughin’ when he drowned.”
“Oh, I suppose they laughed a little,” she admitted. “I imagine she did, anyway. She’s pretty hard, I guess — like I am.”
“You hard?”
“Like nails.” She yawned again and added, “Give me a little more from that bottle.”
Jim hesitated but she held out her hand defiantly, “Don’t treat me like a girl;” she warned him. “I’m not like any girl you ever saw,” She considered. “Still, perhaps you’re right. You got — you got old head on young shoulders.”
She jumped to her feet and moved toward the door. The Jelly-bean rose also.
“Goodbye,” she said politely, “goodbye. Thanks, Jelly-bean.”
Then she stepped inside and left him wide-eyed upon the porch.
III
At twelve o’clock a procession of cloaks issued single file from the women’s dressing-room and, each one pairing with a coated beau like dancers meeting in a cotillion figure, drifted through the door with sleepy happy laughter — through the door into the dark where autos backed and snorted and parties called to one another and gathered around the water-cooler.
Jim, sitting in his corner, rose to look for Clark. They had met at eleven; then Clark had gone in to dance. So, seeking him, Jim wandered into the soft-drink stand that had once been a bar. The room was deserted except for a sleepy negro dozing behind the counter and two boys lazily fingering a pair of dice at one of the tables. Jim was about to leave when he saw Clark coming in. At the same moment Clark looked up.
“Hi, Jim” he commanded. “C’mon over and help us with this bottle. I guess there’s not much left, but there’s one all around.”
Nancy, the man from Savannah, Marylyn Wade, and Joe Ewing were lolling and laughing in the doorway. Nancy caught Jim’s eye and winked at him humorously.
They drifted over to a table and arranging themselves around it waited for the waiter to bring ginger ale. Jim, faintly ill at ease, turned his eyes on Nancy, who had drifted into a nickel crap game with the two boys at the next table.
“Bring them over here,” suggested Clark.
Joe looked around.
“We don’t want to draw a crowd. It’s against club rules.
“Nobody’s around,” insisted Clark, “except Mr. Taylor. He’s walking up and down, like a wild-man trying find out who let all the gasolene out of his car.”
There was a general laugh.
“I bet a million Nancy got something on her shoe again. You can’t park when she’s around.”
“O Nancy, Mr. Taylor’s looking for you!”
Nancy’s cheeks were glowing with excitement over the game. “I haven’t seen his silly little flivver in two weeks.”
Jim felt a sudden silence. He turned and saw an individual of uncertain age standing in the doorway.
Clark’s voice punctuated the embarrassment.
“Won’t you join us Mr. Taylor?”
“Thanks.”
Mr. Taylor spread his unwelcome presence over a chair. “Have to, I guess. I’m waiting till they dig me up some gasolene. Somebody got funny with my car.”
His eyes narrowed and he looked quickly from one to the other. Jim wondered what he had heard from the doorway — tried to remember what had been said.
“I’m right tonight,” Nancy sang out, “and my four bits is in the ring.”
“Faded!” snapped Taylor suddenly.
“Why, Mr. Taylor, I didn’t know you shot craps!” Nancy was overjoyed to find that he had seated himself and instantly covered her bet. They had openly disliked each other since the night she had definitely discouraged a series of rather pointed advances.
“All right, babies, do it for your mamma. Just one little seven.” Nancy was cooing to the dice. She rattled them with a brave underhand flourish, and rolled them out on the table.
“Ah-h! I suspected it. And now again with the dollar up.”
Five passes to her credit found Taylor a bad loser. She was making it personal, and after each success Jim watched triumph flutter across her face. She was doubling with each throw — such luck could scarcely last. “Better go easy,” he cautioned her timidly.
“Ah, but watch this one,” she whispered. It was eight on the dice and she called her number.
“Little Ada, this time we’re going South.”
Ada from Decatur rolled over the table. Nancy was flushed and half-hysterical, but her luck was holding.
She drove the pot up and up, refusing to drag. Taylor was drumming with his fingers on the table but he was in to stay.
Then Nancy tried for a ten and lost the dice. Taylor seized them avidly. He shot in silence, and in the hush of excitement the clatter of one pass after another on the table was the only sound.
Now Nancy had the dice again, but her luck had broken. An hour passed. Back and forth it went. Taylor had been at it again — and again and again. They were even at last — Nancy lost her ultimate five dollars.
“Will you take my check,” she said quickly, “for fifty, and we’ll shoot it all?” Her voice was a little unsteady and her hand shook as she reached to the money.
Clark exchanged an uncertain but alarmed glance with Joe Ewing. Taylor shot again. He had Nancy’s check.
“How ‘bout another?” she said wildly. “Jes’ any bank’ll do — money everywhere as a matter of fact.”
Jim understood — the “good old corn” he had given her — the “good old corn” she had taken since. He wished he dared interfere — a girl of that age and position would hardly have two bank accounts. When the clock struck two he contained himself no longer.
“May I — can’t you let me roll ’em for you?” he suggested, his low, lazy voice a little strained.
Suddenly sleepy and listless, Nancy flung the dice down before him.
“All right — old boy! As Lady Diana Manners says, ‘Shoot ‘em,. Jelly-bean’ — My luck’s gone.”
“Mr. Taylor,” said Jim, carelessly, “we’ll shoot for one of those there checks against the cash.”
Half an hour later Nancy swayed forward and clapped him on the back.
“Stole my luck, you did.” She was nodding her head sagely.
Jim swept up the last check and putting it with the others tore them into confetti and scattered them on the floor. Someone started singing and Nancy kicking her chair backward rose to her feet.
“Ladies and gentlemen,” she announced, “Ladies — that’s you Marylyn. I want to tell the world that Mr. Jim Powell, who is a well-known Jelly-bean of this city, is an exception to the great rule— ‘lucky in dice — unlucky in love.’ He’s lucky in dice, and as matter of fact I — I love him. Ladies and gentlemen, Nancy Lamar, famous dark-haired beauty often featured in the Herald as one the most popular members of younger set as other girls are often featured in this particular case; Wish to announce — wish to announce, anyway, Gentlemen—” She tipped suddenly. Clark caught her and restored her balance.
“My error,” she laughed, “she — stoops to — stoops to — anyways — We’ll drink to Jelly-bean … Mr. Jim Powell, King of the Jelly-beans.”
And a few minutes later as Jim waited hat in hand for Clark in the darkness of that same corner of the porch where she had come searching for gasolene, she appeared suddenly beside him.
“Jelly-bean,” she said, “are you here, Jelly-bean? I think—” and her slight unsteadiness seemed part of an enchanted dream— “I think you deserve one of my sweetest kisses for that, Jelly-bean.”
For an instant her arms were around his neck — her lips were pressed to his.
“I’m a wild part of the world, Jelly-bean, but you did me a good turn.”
Then she was gone, down the porch, over the cricket-loud lawn. Jim saw.
