LETTER I. [1a]
LETTER II.
LETTER III.
LETTER IV.
LETTER V.
LETTER VI.
LETTER VII.
LETTER VIII.
LETTER IX.
LETTER X.
LETTER XI.
LETTER XII.
LETTER XIII.
LETTER XIV.
LETTER XV.
LETTER XVI.
LETTER XVII.
LETTER XVIII.
LETTER XIX.
LETTER XX.
LETTER XXI.
LETTER XXII.
LETTER XXIII.
LETTER XXIV.
LETTER XXV.
LETTER XXVI.
LETTER XXVII.
LETTER XXVIII.
LETTER XXIX.
LETTER XXX.
LETTER XXXI.
LETTER XXXII.
LETTER XXXIII.
LETTER XXXIV.
LETTER XXXV.
LETTER XXXVI.
LETTER XXXVII.
LETTER XXXVIII.
LETTER XXXIX.
LETTER XL.
LETTER XLI. [399b]
LETTER XLII. [408e]
LETTER XLIII. [418a]
LETTER XLIV. [429d]
LETTER XLV. [436a]
LETTER XLVI. [437a]
LETTER XLVII. [439c]
LETTER XLVIII. [442c]
LETTER XLIX. [445c]
LETTER L. [449a]
LETTER LI. [452a]
LETTER LII. [454c]
LETTER LIII. [458]
LETTER LIV. [463a]
LETTER LV. [466d]
LETTER LVI. [472a]
LETTER LVII. [476c]
LETTER LVIII. [487a]
LETTER LIX. [498a]
LETTER LX. [508a]
LETTER LXI. [516a]
LETTER LXII. [527a]
LETTER LXIII. [537b]
LETTER LXIV. [547b]
LETTER LXV. [549b]
FOOTNOTES.
INTRODUCTION
When
Swift began to write the letters known as the
Journal to Stella,
he was forty-two years of age, and Esther Johnson twenty-nine.
Perhaps the most useful introduction to the correspondence will be a
brief setting forth of what is known of their friendship from
Stella’s childhood, the more specially as the question has been
obscured by many assertions and theories resting on a very slender
basis of fact.Jonathan
Swift, born in 1667 after his father’s death, was educated by his
uncle Godwin, and after a not very successful career at Trinity
College, Dublin, went to stay with his mother, Abigail Erick, at
Leicester. Mrs. Swift feared that her son would fall in love
with a girl named Betty Jones, but, as Swift told a friend, he had
had experience enough “not to think of marriage till I settle my
fortune in the world, which I am sure will not be in some years; and
even then, I am so hard to please that I suppose I shall put it off
to the other world.” Soon afterwards an opening for Swift
presented itself. Sir William Temple, now living in retirement
at Moor Park, near Farnham, had been, like his father, Master of the
Irish Rolls, and had thus become acquainted with Swift’s uncle
Godwin. Moreover, Lady Temple was related to Mrs. Swift, as
Lord Orrery tells us. Thanks to these facts, the application to
Sir William Temple was successful, and Swift went to live at Moor
Park before the end of 1689. There he read to Temple, wrote for
him, and kept his accounts, and growing into confidence with his
employer, “was often trusted with matters of great importance.”
The story—afterwards improved upon by Lord Macaulay—that Swift
received only £20 and his board, and was not allowed to sit at table
with his master, is wholly untrustworthy. Within three years of
their first intercourse, Temple had introduced his secretary to
William the Third, and sent him to London to urge the King to consent
to a bill for triennial Parliaments.When
Swift took up his residence at Moor Park he found there a little girl
of eight, daughter of a merchant named Edward Johnson, who had died
young. Swift says that Esther Johnson was born on March 18,
1681; in the parish register of Richmond,
[0a] which
shows that she was baptized on March 20, 1680–81, her name is given
as Hester; but she signed her will “Esther,” the name by which
she was always known. Swift says, “Her father was a younger
brother of a good family in Nottinghamshire, her mother of a lower
degree; and indeed she had little to boast in her birth.”
Mrs. Johnson had two children, Esther and Ann, and lived at Moor Park
as companion to Lady Giffard, Temple’s widowed sister.
Another member of the household, afterwards to be Esther’s constant
companion, was Rebecca Dingley, a relative of the Temple family.
[0b]
She was a year or two older than Swift.The
lonely young man of twenty-two was both playfellow and teacher of the
delicate child of eight. How he taught her to write has been
charmingly brought before us in the painting exhibited by Miss
Dicksee at the Royal Academy a few years ago; he advised her what
books to read, and instructed her, as he says, “in the principles
of honour and virtue, from which she never swerved in any one action
or moment of her life.”By
1694 Swift had grown tired of his position, and finding that Temple,
who valued his services, was slow in finding him preferment, he left
Moor Park in order to carry out his resolve to go into the Church.
He was ordained, and obtained the prebend of Kilroot, near Belfast,
where he carried on a flirtation with a Miss Waring, whom he called
Varina. But in May 1696 Temple made proposals which induced
Swift to return to Moor Park, where he was employed in preparing
Temple’s memoirs and correspondence for publication, and in
supporting the side taken by Temple in the Letters of Phalaris
controversy by writing
The Battle of the Books,
which was, however, not published until 1704. On his return to
Temple’s house, Swift found his old playmate grown from a sickly
child into a girl of fifteen, in perfect health. She came, he
says, to be “looked upon as one of the most beautiful, graceful,
and agreeable young women in London, only a little too fat. Her
hair was blacker than a raven, and every feature of her face in
perfection.”On
his death in January 1699, Temple left a will,
[0c] dated
1694, directing the payment of £20 each, with half a year’s wages,
to Bridget Johnson “and all my other servants”; and leaving a
lease of some land in Monistown, County Wicklow, to Esther Johnson,
“servant to my sister Giffard.” By a codicil of February
1698, Temple left £100 to “Mr. Jonathan Swift, now living with
me.” It may be added that by her will of 1722, proved in the
following year, Lady Giffard gave £20 to Mrs. Moss—Mrs. Bridget
Johnson, who had married Richard Mose or Moss, Lady Giffard’s
steward. The will proceeds: “To Mrs. Hester (sic)
Johnson I give £10, with the £100 I put into the Exchequer for her
life and my own, and declare the £100 to be hers which I am told is
there in my name upon the survivorship, and for which she has
constantly sent over her certificate and received the interest.
I give her besides my two little silver candlesticks.”Temple
left in Swift’s hands the task of publishing his posthumous works,
a duty which afterwards led to a quarrel with Lady Giffard and other
members of the family. Many years later Swift told Lord
Palmerston that he stopped at Moor Park solely for the benefit of
Temple’s conversation and advice, and the opportunity of pursuing
his studies. At Temple’s death he was “as far to seek as
ever.” In the summer of 1699, however, he was offered and
accepted the post of secretary and chaplain to the Earl of Berkeley,
one of the Lords Justices, but when he reached Ireland he found that
the secretaryship had been given to another. He soon, however,
obtained the living of Laracor, Agher, and Rathbeggan, and the
prebend of Dunlavin in St. Patrick’s Cathedral, Dublin. The
total value of these preferments was about £230 a year, an income
which Miss Waring seems to have thought enough to justify him in
marrying. Swift’s reply to the lady whom he had “singled
out at first from the rest of women” could only have been written
with the intention of breaking off the connection, and accordingly we
hear no more of poor Varina.At
Laracor, a mile or two from Trim, and twenty miles from Dublin, Swift
ministered to a congregation of about fifteen persons, and had
abundant leisure for cultivating his garden, making a canal (after
the Dutch fashion of Moor Park), planting willows, and rebuilding the
vicarage. As chaplain to Lord Berkeley, he spent much of his
time in Dublin. He was on intimate terms with Lady Berkeley and
her daughters, one of whom is best known by her married name of Lady
Betty Germaine; and through them he had access to the fashionable
society of Dublin. When Lord Berkeley returned to England in
April 1701, Swift, after taking his Doctor’s degree at Dublin, went
with him, and soon afterwards published, anonymously, a political
pamphlet, A
Discourse on the Contests and Dissentions in Athens and Rome.
When he returned to Ireland in September he was accompanied by
Stella—to give Esther Johnson the name by which she is best
known—and her friend Mrs. Dingley. Stella’s fortune was
about £1500, and the property Temple had left her was in County
Wicklow. Swift, very much for his “own satisfaction, who had
few friends or acquaintance in Ireland,” persuaded Stella—now
twenty years old—that living was cheaper there than in England, and
that a better return was obtainable on money. The ladies took
his advice, and made Ireland their home. At first they felt
themselves strangers in Dublin; “the adventure looked so like a
frolic,” Swift says, “the censure held for some time as if there
were a secret history in such a removal: which however soon blew off
by her excellent conduct.” Swift took every step that was
possible to avoid scandal. When he was away, the ladies
occupied his rooms; when he returned, they went into their own
lodgings. When he was absent, they often stopped at the
vicarage at Laracor, but if he were there, they moved to Trim, where
they visited the vicar, Dr. Raymond, or lived in lodgings in the town
or neighbourhood. Swift was never with Stella except in the
presence of a third person, and in 1726 he said that he had not seen
her in a morning “these dozen years, except once or twice in a
journey.”During
a visit to England in the winter of 1703–4 we find Swift in
correspondence with the Rev. William Tisdall, a Dublin incumbent whom
he had formerly known at Belfast. Tisdall was on friendly terms
with Stella and Mrs. Dingley, and Swift sent messages to them through
him. “Pray put them upon reading,” he wrote, “and be
always teaching something to Mrs. Johnson, because she is good at
comprehending, remembering and retaining.” But the
correspondence soon took a different turn. Tisdall paid his
addresses to Stella, and charged Swift with opposing his suit.
Tisdall’s letters are missing, but Swift’s reply of April 20,
1704, puts things sufficiently clearly. “My conjecture is,”
he says, “that you think I obstructed your inclinations to please
my own, and that my intentions were the same with yours. In
answer to all which I will, upon my conscience and honour, tell you
the naked truth. First, I think I have said to you before that,
if my fortunes and humour served me to think of that state, I should
certainly, among all persons upon earth, make your choice; because I
never saw that person whose conversation I entirely valued but hers;
this was the utmost I ever gave way to. And secondly, I must
assure you sincerely that this regard of mine never once entered into
my head to be an impediment to you.” He had thought Tisdall
not rich enough to marry; “but the objection of your fortune being
removed, I declare I have no other; nor shall any consideration of my
own misfortune, in losing so good a friend and companion as her,
prevail on me, against her interest and settlement in the world,
since it is held so necessary and convenient a thing for ladies to
marry, and that time takes off from the lustre of virgins in all
other eyes but mine. I appeal to my letters to herself whether
I was your friend or not in the whole concern, though the part I
designed to act in it was purely passive.” He had even
thought “it could not be decently broken,” without disadvantage
to the lady’s credit, since he supposed it was known to the town;
and he had always spoken of her in a manner far from discouraging.
Though he knew many ladies of rank, he had “nowhere met with an
humour, a wit, or conversation so agreeable, a better portion of good
sense, or a truer judgment of men or things.” He envied
Tisdall his prudence and temper, and love of peace and settlement,
“the reverse of which has been the great uneasiness of my life, and
is likely to continue so.”This
letter has been quoted at some length because of its great
importance. It is obviously capable of various interpretations,
and some, like Dr. Johnson, have concluded that Swift was resolved to
keep Stella in his power, and therefore prevented an advantageous
match by making unreasonable demands. I cannot see any ground
for this interpretation, though it is probable that Tisdall’s
appearance as a suitor was sufficiently annoying. There is no
evidence that Stella viewed Tisdall’s proposal with any favour,
unless it can be held to be furnished by Swift’s belief that the
town thought—rightly or wrongly—that there was an engagement.
In any case, there could be no mistake in future with regard to
Swift’s attitude towards Stella. She was dearer to him than
anyone else, and his feeling for her would not change, but for
marriage he had neither fortune nor humour. Tisdall consoled
himself by marrying another lady two years afterwards; and though for
a long time Swift entertained for him feelings of dislike, in later
life their relations improved, and Tisdall was one of the witnesses
to Swift’s will.The
Tale of a Tub was
published in 1704, and Swift was soon in constant intercourse with
Addison and the other wits. While he was in England in 1705,
Stella and Mrs. Dingley made a short visit to London. This and
a similar visit in 1708 are the only occasions on which Stella is
known to have left Ireland after taking up her residence in that
country. Swift’s influence over women was always very
striking. Most of the toasts of the day were his friends, and
he insisted that any lady of wit and quality who desired his
acquaintance should make the first advances. This, he
says—writing in 1730—had been an established rule for over twenty
years. In 1708 a dispute on this question with one toast, Mrs.
Long, was referred for settlement to Ginckel Vanhomrigh, the son of
the house where it was proposed that the meeting should take place;
and by the decision—which was in Swift’s favour—“Mrs.
Vanhomrigh and her fair daughter Hessy” were forbidden to aid Mrs.
Long in her disobedience for the future. This is the first that
we hear of Hester or Esther Vanhomrigh, who was afterwards to play so
marked a part in the story of Swift’s life. Born on February
14, 1690, she was now eighteen. Her father, Bartholomew
Vanhomrigh, a Dublin merchant of Dutch origin, had died in 1703,
leaving his wife a fortune of some sixteen thousand pounds. On
the income from this money Mrs. Vanhomrigh, with her two daughters,
Hester and Mary, were able to mix in fashionable society in London.
Swift was introduced to them by Sir Andrew Fountaine early in 1708,
but evidently Stella did not make their acquaintance, nor indeed hear
much, if anything, of them until the time of the
Journal.Swift’s
visit to London in 1707–9 had for its object the obtaining for the
Irish Church of the surrender by the Crown of the First-Fruits and
Twentieths, which brought in about £2500 a year. Nothing came
of Swift’s interviews with the Whig statesmen, and after many
disappointments he returned to Laracor (June 1709), and conversed
with none but Stella and her card-playing friends, and Addison, now
secretary to Lord Wharton.
[0d]
Next year came the fall of the Whigs, and a request to Swift from the
Irish bishops that he would renew the application for the
First-Fruits, in the hope that there would be greater success with
the Tories. Swift reached London in September 1710, and began
the series of letters, giving details of the events of each day,
which now form the
Journal to Stella.
“I will write something every day to MD,” he says, “and make it
a sort of journal; and when it is full I will send it, whether MD
writes or no; and so that will be pretty; and I shall always be in
conversation with MD, and MD with Presto.” It is interesting
to note that by way of caution these letters were usually addressed
to Mrs. Dingley, and not to Stella.The
story of Swift’s growing intimacy with the Tory leaders, of the
success of his mission, of the increasing coolness towards older
acquaintances, and of his services to the Government, can best be
read in the Journal
itself. In the meantime the intimacy with the Vanhomrighs grew
rapidly. They were near neighbours of Swift’s, and in a few
weeks after his arrival in town we find frequent allusions to the
dinners at their house (where he kept his best gown and periwig),
sometimes with the explanation that he went there “out of mere
listlessness,” or because it was wet, or because another engagement
had broken down. Only thrice does he mention the “eldest
daughter”: once on her birthday; once on the occasion of a trick
played him, when he received a message that she was suddenly very ill
(“I rattled off the daughter”); and once to state that she was
come of age, and was going to Ireland to look after her fortune.
There is evidence that “Miss Essy,” or Vanessa, to give her the
name by which she will always be known, was in correspondence with
Swift in July 1710—while he was still in Ireland—and in the
spring of 1711;
[0e] and
early in 1711 Stella seems to have expressed surprise at Swift’s
intimacy with the family, for in February he replied, “You say they
are of no consequence; why, they keep as good female company as I do
male; I see all the drabs of quality at this end of the town with
them.” In the autumn Swift seems to have thought that Vanessa
was keeping company with a certain Hatton, but Mrs. Long—possibly
meaning to give him a warning hint—remarked that if this were so
“she is not the girl I took her for; but to me she seems
melancholy.”In
1712 occasional letters took the place of the daily journal to “MD,”
but there is no change in the affectionate style in which Swift
wrote. In the spring he had a long illness, which affected him,
indeed, throughout the year. Other reasons which he gives for
the falling off in his correspondence are his numerous business
engagements, and the hope of being able to send some good news of an
appointment for himself. There is only one letter to Stella
between July 19 and September 15, and Dr. Birkbeck Hill argues that
the poem “Cadenus and Vanessa” was composed at that time.
[0f]
If this be so, it must have been altered next year, because it was
not until 1713 that Swift was made a Dean. Writing on April 19,
1726, Swift said that the poem “was written at Windsor near
fourteen years ago, and dated: it was a task performed on a frolic
among some ladies, and she it was addressed to died some time ago in
Dublin, and on her death the copy shewn by her executor.”
Several copies were in circulation, and he was indifferent what was
done with it; it was “only a cavalier business,” and if those who
would not give allowances were malicious, it was only what he had
long expected.From
this letter it would appear that this remarkable poem was written in
the summer of 1712; whereas the title-page of the pamphlet says it
was “written at Windsor, 1713.” Swift visited Windsor in
both years, but he had more leisure in 1712, and we know that Vanessa
was also at Windsor in that year. In that year, too, he was
forty-four, the age mentioned in the poem. Neither Swift nor
Vanessa forgot this intercourse: years afterwards Swift wrote to her,
“Go over the scenes of Windsor. . . . Cad thinks often of
these”; and again, “Remember the indisposition at Windsor.”
We know that this poem was revised in 1719, when in all probability
Swift added the lines to which most exception can be taken.
Cadenus was to be Vanessa’s instructor:—
“His
conduct might have made him styledA
father, and the nymph his child.”He
had “grown old in politics and wit,” and “in every scene had
kept his heart,” so that he now “understood not what was love.”
But he had written much, and Vanessa admired his wit. Cadenus
found that her thoughts wandered—
“Though
she seemed to listen moreTo
all he spoke than e’er before.”When
she confessed her love, he was filled with “shame, disappointment,
guilt, surprise.” He had aimed only at cultivating the mind,
and had hardly known whether she was young or old. But he was
flattered, and though he could not give her love, he offered her
friendship, “with gratitude, respect, esteem.” Vanessa took
him at his word, and said she would now be tutor, though he was not
apt to learn:—
“But
what success Vanessa metIs
to the world a secret yet.Whether
the nymph to please her swainTalks
in a high romantic strain;Or
whether he at last descendsTo
act with less seraphic ends;Or,
to compound the business, whetherThey
temper love and books together,Must
never to mankind be told,Nor
shall the conscious Muse unfold.”Such
is the poem as we now have it, written, it must be remembered, for
Vanessa’s private perusal. It is to be regretted, for her own
sake, that she did not destroy it.Swift
received the reward of his services to the Government—the Deanery
of St. Patrick’s, Dublin—in April 1713. Disappointed at
what he regarded as exile, he left London in June. Vanessa
immediately began to send him letters which brought home to him the
extent of her passion; and she hinted at jealousy in the words, “If
you are very happy, it is ill-natured of you not to tell me so,
except ’tis what is inconsistent with my own.” In his reply
Swift dwelt upon the dreariness of his surroundings at Laracor, and
reminded her that he had said he would endeavour to forget everything
in England, and would write as seldom as he could.Swift
was back again in the political strife in London in September, taking
Oxford’s part in the quarrel between that statesman and
Bolingbroke. On the fall of the Tories at the death of Queen
Anne, he saw that all was over, and retired to Ireland, not to return
again for twelve years. In the meantime the intimacy with
Vanessa had been renewed. Her mother had died, leaving debts,
and she pressed Swift for advice in the management of her affairs.
When she suggested coming to Ireland, where she had property, he told
her that if she took this step he would “see her very seldom.”
However, she took up her abode at Celbridge, only a few miles from
Dublin. Swift gave her many cautions, out of “the perfect
esteem and friendship” he felt for her, but he often visited her.
She was dissatisfied, however, begging him to speak kindly, and at
least to counterfeit his former indulgent friendship. “What
can be wrong,” she wrote, “in seeing and advising an unhappy
young woman? You cannot but know that your frowns make my life
unsupportable.” Sometimes he treated the matter lightly;
sometimes he showed annoyance; sometimes he assured her of his esteem
and love, but urged her not to make herself or him “unhappy by
imaginations.” He was uniformly unsuccessful in stopping
Vanessa’s importunity. He endeavoured, she said, by
severities to force her from him; she knew she was the cause of
uneasy reflections to him; but nothing would lessen her
“inexpressible passion.”Unfortunately
he failed—partly no doubt from mistaken considerations of kindness,
partly because he shrank from losing her affection—to take
effective steps to put an end to Vanessa’s hopes. It would
have been better if he had unhesitatingly made it clear to her that
he could not return her passion, and that if she could not be
satisfied with friendship the intimacy must cease. To quote Sir
Henry Craik, “The friendship had begun in literary guidance: it was
strengthened by flattery: it lived on a cold and almost stern
repression, fed by confidences as to literary schemes, and by
occasional literary compliments: but it never came to have a real
hold over Swift’s heart.”With
1716 we come to the alleged marriage with Stella. In 1752,
seven years after Swift’s death, Lord Orrery, in his
Remarks on Swift,
said that Stella was “the concealed, but undoubted, wife of Dr.
Swift. . . . If my informations are right, she was married to
Dr. Swift in the year 1716, by Dr. Ashe, then Bishop of Clogher.”
Ten years earlier, in 1742, in a letter to Deane Swift which I have
not seen quoted before, Orrery spoke of the advantage of a wife to a
man in his declining years; “nor had the Dean felt a blow, or
wanted a companion, had he been married, or, in other words, had
Stella lived.” What this means is not at all clear. In
1754, Dr. Delany, an old friend of Swift’s, wrote, in comment upon
Orrery’s Remarks,
“Your account of his marriage is, I am satisfied, true.” In
1789, George Monck Berkeley, in his
Literary Relics,
said that Swift and Stella were married by Dr. Ashe, “who himself
related the circumstances to Bishop Berkeley, by whose relict the
story was communicated to me.” Dr. Ashe cannot have told
Bishop Berkeley by word of mouth, because Ashe died in 1717, the year
after the supposed marriage, and Berkeley was then still abroad.
But Berkeley was at the time tutor to Ashe’s son, and may therefore
have been informed by letter, though it is difficult to believe that
Ashe would write about such a secret so soon after the event.
Thomas Sheridan, on information received from his father, Dr.
Sheridan, Swift’s friend, accepted the story of the marriage in his
book (1784), adding particulars which are of very doubtful
authenticity; and Johnson, in his
Lives of the Poets,
says that Dr. Madden told him that Stella had related her “melancholy
story” to Dr. Sheridan before her death. On the other hand,
Dr. Lyon, Swift’s attendant in his later years, disbelieved the
story of the marriage, which was, he said, “founded only on
hearsay”; and Mrs. Dingley “laughed at it as an idle tale,”
founded on suspicion.Sir
Henry Craik is satisfied with the evidence for the marriage.
Mr. Leslie Stephen is of opinion that it is inconclusive, and Forster
could find no evidence that is at all reasonably sufficient; while
Mr. Stanley Lane-Poole, Mr. Churton Collins, and others are strongly
of opinion that no such marriage ever took place. A full
discussion of the evidence would involve the consideration of the
reliability of the witnesses, and the probability of their having
authentic information, and would be out of place here. My own
opinion is that the evidence for the marriage is very far from
convincing, and this view seems to be confirmed by all that we know
from his own letters of Swift’s relations with Stella. It has
been suggested that she was pained by reports of Swift’s
intercourse with Vanessa, and felt that his feelings towards herself
were growing colder; but this is surmise, and no satisfactory
explanation has been given to account for a form of marriage being
gone through after so many years of the closest friendship.
There is no reason to suppose that there was at the time any gossip
in circulation about Stella, and if her reputation was in question, a
marriage of which the secret was carefully kept would obviously be of
no benefit to her. Moreover, we are told that there was no
change in their mode of life; if they were married, what reason could
there be for keeping it a secret, or for denying themselves the
closer relationship of marriage? The only possible benefit to
Stella was that Swift would be prevented marrying anyone else.
It is impossible, of course, to disprove a marriage which we are told
was secretly performed, without banns or licence or witnesses; but we
may reasonably require strong evidence for so startling a step.
If we reject the tale, the story of Swift’s connection with Stella
is at least intelligible; while the acceptance of this marriage
introduces many puzzling circumstances, and makes it necessary to
believe that during the remainder of Stella’s life Swift repeatedly
spoke of his wife as a friend, and of himself as one who had never
married.
[0g]
What right have we to put aside Swift’s plain and repeated
statements? Moreover, his attitude towards Vanessa for the
remaining years of her life becomes much more culpable if we are to
believe that he had given Stella the claim of a wife upon him.
[0h]From
1719 onwards we have a series of poems to Stella, written chiefly in
celebration of her birthday. She was now thirty-eight (Swift
says, “Thirty-four—we shan’t dispute a year or more”), and
the verses abound in laughing allusions to her advancing years and
wasting form. Hers was “an angel’s face a little cracked,”
but all men would crowd to her door when she was fourscore. His
verses to her had always been
“Without
one word of Cupid’s darts,Of
killing eyes, or bleeding hearts;With
friendship and esteem possessed,I
ne’er admitted Love a guest.”Her
only fault was that she could not bear the lightest touch of blame.
Her wit and sense, her loving care in illness—to which he owed that
fact that he was alive to say it—made her the “best pattern of
true friends.” She replied, in lines written on Swift’s
birthday in 1721, that she was his pupil and humble friend. He
had trained her judgment and refined her fancy and taste:—
“You
taught how I might youth prolongBy
knowing what was right and wrong;How
from my heart to bring suppliesOf
lustre to my fading eyes;How
soon a beauteous mind repairsThe
loss of changed or falling hairs;How
wit and virtue from withinSend
out a smoothness o’er the skinYour
lectures could my fancy fix,And
I can please at thirty-six.”In
1723 Vanessa is said to have written to Stella or to Swift—there
are discrepancies in the versions given by Sheridan and Lord Orrery,
both of whom are unreliable—asking whether the report that they
were married was true. Swift, we are told, rode to Celbridge,
threw down Vanessa’s letter in a great rage, and left without
speaking a word.
[0i]
Vanessa, whose health had been failing for some time, died shortly
afterwards, having cancelled a will in Swift’s favour. She
left “Cadenus and Vanessa” for publication, and when someone said
that she must have been a remarkable woman to inspire such a poem,
Stella replied that it was well known that the Dean could write
finely upon a broomstick.Soon
after this tragedy Swift became engrossed in the Irish agitation
which led to the publication of the
Drapier’s Letters,
and in 1726 he paid a long-deferred visit to London, taking with him
the manuscript of
Gulliver’s Travels.
While in England he was harassed by bad news of Stella, who had been
in continued ill-health for some years. His letters to friends
in Dublin show how greatly he suffered. To the Rev. John
Worrall he wrote, in a letter which he begged him to burn, “What
you tell me of Mrs. Johnson I have long expected with great
oppression and heaviness of heart. We have been perfect friends
these thirty-five years. Upon my advice they both came to
Ireland, and have been ever since my constant companions; and the
remainder of my life will be a very melancholy scene, when one of
them is gone, whom I most esteemed, upon the score of every good
quality that can possibly recommend a human creature.” He
would not for the world be present at her death: “I should be a
trouble to her, and a torment to myself.” If Stella came to
Dublin, he begged that she might be lodged in some airy, healthy
part, and not in the Deanery, where too it would be improper for her
to die. “There is not a greater folly,” he thinks, “than
to contract too great and intimate a friendship, which must always
leave the survivor miserable.” To Dr. Stopford he wrote in
similar terms of the “younger of the two” “oldest and dearest
friends I have in the world.” “This was a person of my own
rearing and instructing from childhood, who excelled in every good
quality that can possibly accomplish a human creature. . . . I
know not what I am saying; but believe me that violent friendship is
much more lasting and as much engaging as violent love.” To
Dr. Sheridan he said, “I look upon this to be the greatest event
that can ever happen to me; but all my preparation will not suffice
to make me bear it like a philosopher nor altogether like a
Christian. There hath been the most intimate friendship between
us from our childhood, and the greatest merit on her side that ever
was in one human creature towards another.”
[0j]
Pope alludes in a letter to Sheridan to the illness of Swift’s
“particular friend,” but with the exception of another reference
by Pope, and of a curiously flippant remark by Bolingbroke, the
subject is nowhere mentioned in Swift’s correspondence with his
literary and fashionable friends in London.Swift
crossed to Ireland in August, fearing the worst; but Stella rallied,
and in the spring of 1727 he returned to London. In August,
however, there came alarming news, when Swift was himself suffering
from giddiness and deafness. To Dr. Sheridan he wrote that the
last act of life was always a tragedy at best: “it is a bitter
aggravation to have one’s best friend go before one.” Life
was indifferent to him; if he recovered from his disorder it would
only be to feel the loss of “that person for whose sake only life
was worth preserving. I brought both those friends over that we
might be happy together as long as God should please; the knot is
broken, and the remaining person you know has ill answered the end;
and the other, who is now to be lost, is all that was valuable.”
To Worrall he again wrote (in Latin) that Stella ought not to be
lodged at the Deanery; he had enemies who would place a bad
interpretation upon it if she died there.Swift
left London for Dublin in September; he was detained some days at
Holyhead by stress of weather, and in the private journal which he
kept during that time he speaks of the suspense he was in about his
“dearest friend.”
[0k]
In December Stella made a will—signed “Esther Johnson,
spinster”—disposing of her property in the manner Swift had
suggested. Her allusions to Swift are incompatible with any
such feeling of resentment as is suggested by Sheridan. She
died on January 28, 1728. Swift could not bear to be present,
but on the night of her death he began to write his very interesting
Character of Mrs. Johnson,
from which passages have already been quoted. He there calls
her “the truest, most virtuous and valuable friend that I, or
perhaps any other person, was ever blessed with.” Combined
with excellent gifts of the mind, “she had a gracefulness, somewhat
more than human, in every motion, word, and action. Never was
so happy a conjunction of civility, freedom, easiness, and
sincerity.” Everyone treated her with marked respect, yet
everyone was at ease in her society. She preserved her wit,
judgment, and vivacity to the last, but often complained of her
memory. She chose men rather than women for her companions,
“the usual topic of ladies’ discourse being such as she had
little knowledge of and less relish.” “Honour, truth,
liberality, good nature, and modesty were the virtues she chiefly
possessed, and most valued in her acquaintance.” In some
Prayers used by Swift during her last sickness, he begged for pity
for “the mournful friends of Thy distressed servant, who sink under
the weight of her present condition, and the fear of losing the most
valuable of our friends.” He was too ill to be present at the
funeral at St. Patrick’s. Afterwards, we are told, a lock of
her hair was found in his desk, wrapped in a paper bearing the words,
“Only a woman’s hair.”Swift
continued to produce pamphlets manifesting growing misanthropy,
though he showed many kindnesses to people who stood in need of
help. He seems to have given Mrs. Dingley fifty guineas a year,
pretending that it came from a fund for which he was trustee.
The mental decay which he had always feared—“I shall be like that
tree,” he once said, “I shall die at the top”—became marked
about 1738. Paralysis was followed by aphasia, and after acute
pain, followed by a long period of apathy, death relieved him in
October 1745. He was buried by Stella’s side, in accordance
with his wishes. The bulk of his fortune was left to found a
hospital for idiots and lunatics.There
has been much rather fruitless discussion respecting the reason or
reasons why Swift did not marry Stella; for if there was any
marriage, it was nothing more than a form. Some have supposed
that Swift resolved to remain unmarried because the insanity of an
uncle and the fits and giddiness to which he was always subject led
him to fear insanity in his own case. Others, looking rather to
physical causes, have dwelt upon his coldness of temperament and
indisposition to love; upon the repugnance he often showed towards
marriage, and the tone of some of the verses on the subject written
in his later years. Others, again, have found a cause in his
parsimonious habits, in his dread of poverty, the effects of which he
had himself felt, and in the smallness of his income, at least until
he was middle-aged.
[0l]
It may well be that one or all of these things influenced Swift’s
action. We cannot say more. He himself, as we have seen,
said, as early as 1704, that if his humour and means had permitted
him to think of marriage, his choice would have been Stella.
Perhaps, however, there is not much mystery in the matter.
Swift seems to have been wanting in passion; probably he was
satisfied with the affection which Stella gave him, and did not wish
for more. Such an attachment as his usually results in
marriage, but not necessarily. It is not sufficiently
remembered that the affection began in Stella’s childhood.
They were “perfect friends” for nearly forty years, and her
advancing years in no way lessened his love, which was independent of
beauty. Whether Stella was satisfied, who shall say? Mrs.
Oliphant thought that few women would be disposed to pity Stella, or
think her life one of blight or injury. Mr. Leslie Stephen
says, “She might and probably did regard his friendship as a full
equivalent for the sacrifice. . . . Is it better to be the most
intimate friend of a man of genius or the wife of a commonplace
Tisdall?” Whatever we may surmise, there is nothing to prove
that she was disappointed. She was the one star which
brightened Swift’s storm-tossed course; it is well that she was
spared seeing the wreck at the end.The
Journal to Stella
is interesting from many points of view: for its bearing upon Swift’s
relations with Stella and upon his own character; for the light which
it throws upon the history of the time and upon prominent men of the
day; and for the illustrations it contains of the social life of
people of various classes in London and elsewhere. The fact
that it was written without any thought of publication is one of its
greatest attractions. Swift jotted down his opinions, his
hopes, his disappointments, without thought of their being seen by
anybody but his correspondents. The letters are transparently
natural. It has been said more than once that the
Journal, by the
nature of the case, contains no full-length portraits, and hardly any
sketches. Swift mentions the people he met, but rarely stops to
draw a picture of them. But though this is true, the casual
remarks which he makes often give a vivid impression of what he
thought of the person of whom he is speaking, and in many cases those
few words form a chief part of our general estimate of the man.
There are but few people of note at the time who are not mentioned in
these pages. We see Queen Anne holding a Drawing-room in her
bedroom: “she looked at us round with her fan in her mouth, and
once a minute said about three words to some that were nearest her.”
We see Harley, afterwards the Earl of Oxford, “a pure trifler,”
who was always putting off important business; Bolingbroke, “a
thorough rake”; the prudent Lord Dartmouth, the other Secretary of
State, from whom Swift could never “work out a dinner.”
There is Marlborough, “covetous as Hell, and ambitious as the
prince of it,” yet a great general and unduly pressed by the
Tories; and the volatile Earl of Peterborough, “above fifty, and as
active as one of five-and-twenty”—“the ramblingest lying rogue
on earth.” We meet poor Congreve, nearly blind, and in fear
of losing his commissionership; the kindly Arbuthnot, the Queen’s
physician; Addison, whom Swift met more and more rarely, busy with
the preparation and production of
Cato; Steele,
careless as ever, neglecting important appointments, and “governed
by his wife most abominably”; Prior, poet and diplomatist, with a
“lean carcass”; and young Berkeley of Trinity College, Dublin, “a
very ingenious man and great philosopher,” whom Swift determined to
favour as much as he could. Mrs. Masham, the Duchess of
Somerset, the Duchess of Shrewsbury, the Duchess of Hamilton, Lady
Betty Germaine, and many other ladies appear with more or less
distinctness; besides a host of people of less note, of whom we often
know little but what Swift tells us.Swift
throws much light, too, on the daily life of his time. The
bellman on his nightly rounds, calling “Paaast twelvvve o’clock”;
the dinner at three, or at the latest, four; the meetings at
coffee-houses; the book-sales; the visit to the London sights—the
lions at the Tower, Bedlam, the tombs in Westminster Abbey, and the
puppet-show; the terrible Mohocks, of whom Swift stood in so much
fear; the polite “howdees” sent to friends by footmen; these and
more are all described in the
Journal. We
read of curious habits and practices of fashionable ladies; of the
snuff used by Mrs. Dingley and others; of the jokes—“bites,”
puns, and the like—indulged in by polite persons. When Swift
lodged at Chelsea, he reached London either by boat, or by
coach,—which was sometimes full when he wanted it,—or by walking
across the “Five Fields,” not without fear of robbers at night.
The going to or from Ireland was a serious matter; after the long
journey by road came the voyage (weather permitting) of some fifteen
hours, with the risk of being seized or pursued by French privateers;
and when Ireland was reached the roads were of the worst. We
have glimpses of fashionable society in Dublin, of the quiet life at
Laracor and Trim, and of the drinking of the waters at Wexford, where
visitors had to put up with primitive arrangements: “Mrs. Dingley
never saw such a place in her life.”Swift’s
own characteristics come out in the clearest manner in the
Journal, which
gives all his hopes and fears during three busy years. He was
pleased to find on his arrival in London how great a value was set on
his friendship by both political parties: “The Whigs were ravished
to see me, and would lay hold on me as a twig while they are
drowning;” but Godolphin’s coldness enraged him, so that he was
“almost vowing vengeance.” Next day he talked treason
heartily against the Whigs, their baseness and ingratitude, and went
home full of schemes of revenge. “The Tories drily tell me I
may make my fortune, if I please; but I do not understand them, or
rather, I do
understand them.” He realised that the Tories might not be
more grateful than others, but he thought they were pursuing the true
interests of the public, and was glad to contribute what was in his
power. His vanity was gratified by Harley inviting him to the
private dinners with St. John and Harcourt which were given on
Saturdays, and by their calling him Jonathan; but he did not hope too
much from their friendship: “I said I believed they would leave me
Jonathan, as they found me . . . but I care not.”Of
Swift’s frugal habits there is abundant evidence in the
Journal. When
he came to town he took rooms on a first floor, “a dining-room and
bed-chamber, at eight shillings a week; plaguy dear, but I spend
nothing for eating, never go to a tavern, and very seldom in a coach;
yet after all it will be expensive.” In November he mentions
that he had a fire: “I am spending my second half-bushel of
coals.” In another place he says, “People have so left the
town, that I am at a loss for a dinner. . . . It cost me
eighteenpence in coach-hire before I could find a place to dine in.”
Elsewhere we find: “This paper does not cost me a farthing: I have
it from the Secretary’s office.” He often complains of
having to take a coach owing to the dirty condition of the streets:
“This rain ruins me in coach-hire; I walked away sixpennyworth, and
came within a shilling length, and then took a coach, and got a lift
back for nothing.”
[0m]Swift’s
arrogance—the arrogance, sometimes, of a man who is morbidly
suspicious that he may be patronised—is shown in the manner in
which he speaks of the grand ladies with whom he came in contact.
He calls the Duke of Ormond’s daughters “insolent drabs,” and
talks of his “mistress, Ophy Butler’s wife, who is grown a little
charmless.” When the Duchess of Shrewsbury reproached him for
not dining with her, Swift said that was not so soon done; he
expected more advances from ladies, especially duchesses. On
another occasion he was to have supped at Lady Ashburnham’s, “but
the drab did not call for us in her coach, as she promised, but sent
for us, and so I sent my excuses.” The arrogance was,
however, often only on the surface. It is evident that Swift
was very kind in many cases. He felt deeply for Mrs. Long in
her misfortunes, living and dying in an obscure country town.
On the last illness of the poet Harrison he says, “I am very much
afflicted for him, as he is my own creature. . . . I was afraid
to knock at the door; my mind misgave me.” He was “heartily
sorry for poor Mrs. Parnell’s death; she seemed to be an excellent
good-natured young woman, and I believe the poor lad is much
afflicted; they appeared to live perfectly well together.”
Afterwards he helped Parnell by introducing him to Bolingbroke and
Oxford. He found kind words for Mrs. Manley in her illness, and
Lady Ashburnham’s death was “extremely moving. . . . She
was my greatest favourite, and I am in excessive concern for her
loss.” Lastly, he was extraordinarily patient towards his
servant Patrick, who drank, stopped out at night, and in many ways
tried Swift’s temper. There were good points about Patrick,
but no doubt the great consideration which Swift showed him was due
in part to the fact that he was a favourite of the ladies in Dublin,
and had Mrs. Vanhomrigh to intercede for him.But
for the best example of the kindly side of Swift’s nature, we must
turn to what he tells us in the
Journal about
Stella herself. The “little language” which Swift used when
writing to her was the language he employed when playing with Stella
as a little child at Moor Park. Thackeray, who was not much in
sympathy with Swift, said that he knew of “nothing more manly, more
tender, more exquisitely touching, than some of these notes.”
Swift says that when he wrote plainly, he felt as if they were no
longer alone, but “a bad scrawl is so snug it looks like a PMD.”
In writing his fond and playful prattle, he made up his mouth “just
as if he were speaking it.”
[0n]Though
Mrs. Dingley is constantly associated with Stella in the affectionate
greetings in the
Journal, she seems
to have been included merely as a cloak to enable him to express the
more freely his affection for her companion. Such phrases as
“saucy girls,” “sirrahs,” “sauceboxes,” and the like, are
often applied to both; and sometimes Swift certainly writes as if the
one were as dear to him as the other; thus we find, “Farewell, my
dearest lives and delights, I love you better than ever, if possible,
as hope saved, I do, and ever will. . . . I can count upon
nothing, nor will, but upon MD’s love and kindness. . . . And
so farewell, dearest MD, Stella, Dingley, Presto, all together, now
and for ever, all together.” But as a rule, notwithstanding
Swift’s caution, the greetings intended for Stella alone are easily
distinguishable in tone. He often refers to her weak eyes and
delicate health. Thus he writes, “The chocolate is a present,
madam, for Stella. Don’t read this, you little rogue, with
your little eyes; but give it to Dingley, pray now; and I will write
as plain as the skies.” And again, “God Almighty bless poor
Stella, and her eyes and head: what shall we do to cure them, poor
dear life?” Or, “Now to Stella’s little postscript; and I
am almost crazed that you vex yourself for not writing. Can’t
you dictate to Dingley, and not strain your dear little eyes? I
am sure ’tis the grief of my soul to think you are out of order.”
They had been keeping his birthday; Swift wished he had been with
them, rather than in London, where he had no manner of pleasure: “I
say Amen with all my heart and vitals, that we may never be asunder
again ten days together while poor Presto lives.” A few days
later he says, “I wish I were at Laracor, with dear charming MD,”
and again, “Farewell, dearest beloved MD, and love poor poor
Presto, who has not had one happy day since he left you.” “I
will say no more, but beg you to be easy till Fortune takes his
course, and to believe MD’s felicity is the great goal I aim at in
all my pursuits.” “How does Stella look, Madam Dingley?”
he asks; “pretty well, a handsome young woman still? Will she
pass in a crowd? Will she make a figure in a country church?”
Elsewhere he writes, on receipt of a letter, “God Almighty bless
poor dear Stella, and send her a great many birthdays, all happy and
healthy and wealthy, and with me ever together, and never asunder
again, unless by chance. . . . I can hardly imagine you absent
when I am reading your letter or writing to you. No, faith, you
are just here upon this little paper, and therefore I see and talk
with you every evening constantly, and sometimes in the morning.”
The letters lay under Swift’s pillow, and he fondled them as if he
were caressing Stella’s hand.Of
Stella herself we naturally have no direct account in the
Journal, but we
hear a good deal of her life in Ireland, and can picture what she
was. Among her friends in and about Trim and Laracor were Dr.
Raymond, the vicar of Trim, and his wife, the Garret Wesleys, the
Percevals, and Mr. Warburton, Swift’s curate. At Dublin there
were Archdeacon Walls and his family; Alderman Stoyte, his wife and
sister-in-law; Dean Sterne and the Irish Postmaster-General, Isaac
Manley. For years these friends formed a club which met in
Dublin at each other’s houses, to sup and play cards (“ombre and
claret, and toasted oranges”), and we have frequent allusions to
Stella’s indifferent play, and the money which she lost, much to
Mrs. Dingley’s chagrin: “Poor Dingley fretted to see Stella lose
that four and elevenpence t’other night.” Mrs. Dingley
herself could hardly play well enough to hold the cards while Stella
went into the next room. If at dinner the mutton was underdone,
and “poor Stella cannot eat, poor dear rogue,” then “Dingley is
so vexed.” Swift was for ever urging Stella to walk and ride;
she was “naturally a stout walker,” and “Dingley would do well
enough if her petticoats were pinned up.” And we see Stella
setting out on and returning from her ride, with her riband and mask:
“Ah, that riding to Laracor gives me short sighs as well as you,”
he says; “all the days I have passed here have been dirt to those.”If
the Journal
shows us some of Swift’s less attractive qualities, it shows still
more how great a store of humour, tenderness, and affection there was
in him. In these letters we see his very soul; in his literary
work we are seldom moved to anything but admiration of his wit and
genius. Such daily outpourings could never have been written
for publication, they were meant only for one who understood him
perfectly; and everything that we know of Stella—her kindliness,
her wit, her vivacity, her loyalty—shows that she was worthy of the
confidence.