The Legend of Good Women E-Book

Geoffrey Chaucer

• Herausgeber: Edizioni Aurora Boreale
• Kategorie: Poesie und Drama
• Sprache: Englisch
• Veröffentlichungsjahr: 2023

Beschreibung

Geoffrey Chaucer, born in London around 1340, was an English poet, author, philosopher, scientist, diplomat and politician. He has been called the “father of English literature”, or, alternatively, the “father of English poetry”, but he should be considered, in a broader sense, for the breadth of his interests and the richness of his works, the father of English Humanism. He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin.
Parallel to his activity as a prolific writer, he maintained a career in the civil service as a bureaucrat, courtier, diplomat, comptroller of the customs for the port of London and member of parliament.
The Legend of Good Women, the third longest of Chaucer’s works, after The Canterbury Tales and Troilus and Criseyde, is a poem in the form of a dream vision and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which Chaucer later used throughout The Canterbury Tales. This form of the heroic couplet would become a significant part of English literature no doubt inspired by Chaucer.
The poem - indebted to several sources, including Ovid’s Heroides and Metamorphoses, the works of Virgil and Vincent of Beauvais - is a collection of different narratives, a sequence of stories about famous women from history and mythology: Cleopatra, Thisbe of Babylon, Dido queen of Cathage, Hypsipyle, Medea, Lucretia, Ariadne, Philomela, Phyllis, and Hypermnestra. A historical, mythical, heroic and allegorical exaltation of the feminine, even from the most sacred and spiritual point of view.

Leseprobe

SYMBOLS & MYTHS

GEOFFREY CHAUCER

THE LEGEND OF GOOD WOMEN

Edizioni Aurora Boreale

Title: The Legend of Good Women

Author: Geoffrey Chaucer

Publishing series: Symbols & Myths

With a preface by Boris Yousef

Editing by Nicola Bizzi

ISBN: 979-12-5504-385-0

Cover image: Frederick Sandys, Medea, 1868

(Birmingham, Birmingham Museum & Art Gallery)

Edizioni Aurora Boreale

© 2022 Edizioni Aurora Boreale

Via del Fiordaliso 14 - 59100 Prato - Italia

[email protected]

www.auroraboreale-edizioni.com

GEOFFREY CHAUCER, THE FATHER OF ENGLISH HUMANISM

By Boris Yousef

Geoffrey Chaucer, born in London most likely around 1340 (the precise date remain unknown), was an English poet, author, philosopher, scientist, diplomat and politician. He has been called the “father of English literature”, or, alternatively, the “father of English poetry”, but he should be considered, in a broader sense, for the breadth of his interests and the richness of his works, the father of English Humanism.

He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin. Chaucer’s contemporary Thomas Hoccleve hailed him as «the firste fyndere of our fair langage». Almost two thousand English words are first attested to in Chaucerian manuscripts.

Parallel to his activity as a prolific writer, he maintained a career in the civil service as a bureaucrat, courtier, diplomat, comptroller of the customs for the port of London and member of parliament.

Chaucer’s first major work was The Book of the Duchess, an elegy for Blanche of Lancaster who died in 1368. He also wrote masterpieces such as Anelidaand Arcite, The House of Fame, Parlement of Foules, The Legend of Good Women and Troilus and Criseyde, but is especially remembered internationally for his magnus opus, The Canterbury Tales, a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.

Chaucer also translated Boethius’ Consolation of Philosophy and The Romance of the Rose by Guillaume de Lorris (extended by Jean de Meun). Eustache Deschamps called himself a «nettle in Chaucer’s garden of poetry».

According to tradition, Chaucer studied law in the Inner Temple (an Inn of Court). He became a member of the royal court of Edward III as a valet de chambre, yeoman, or esquire on 20 June 1367, a position which could entail a wide variety of tasks. His wife also received a pension for court employment. He travelled abroad many times, at least some of them in his role as a valet. In 1368, he may have attended the wedding of Lionel of Antwerp to Violante Visconti, daughter of Galeazzo II Visconti, in Milan. Two other literary stars of the era were in attendance: Jean Froissart and Petrarch. Around this time, Chaucer is believed to have written The Book of the Duchess in honour of Blanche of Lancaster, the late wife of John of Gaunt, who died in 1369 of the plague.

Chaucer travelled to Picardy the next year as part of a military expedition; in 1373 he visited Genoa and Florence. Numerous scholars such as Skeat, Boitani, and Rowland suggested that, on this Italian trip, he came into contact with Francesco Petrarca and Giovanni Boccaccio. They introduced him to medieval Italian poetry, the forms and stories of which he would use later.

Chaucer died of unknown causes on 25 October 1400, although the only evidence for this date comes from the engraving on his tomb which was erected more than houndred years after his death. There is some speculation that he was murdered by enemies of Richard II or even on the orders of his successor Henry IV, but the case is entirely circumstantial. Chaucer was buried in Westminster Abbey in London, as was his right owing to his status as a tenant of the Abbey’s close. In 1556, his remains were transferred to a more ornate tomb, making him the first writer interred in the area now known as Poets’ Corner.

The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer. The poem is the third longest of Chaucer’s works, after The Canterbury Tales and Troilus and Criseyde and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales. This form of the heroic couplet would become a significant part of English literature no doubt inspired by Chaucer.

The poem- indebted to several sources, including Ovid’s Heroides and Metamorphoses, the works of Virgil and Vincent of Beauvais - is a collection of different narratives, and some scholars have noted that writing the poem may have given Chaucer the opportunity to practise knitting a series of narratives together, which is what he later did to great effect in The Canterbury Tales. The result was a historical, mythical, heroic and allegorical exaltation of the feminine, even from the most sacred and spiritual point of view.

Chaucer wrote it after he wrote Troilus and Criseyde, but before the The Canterbury Tales. It was probably begun in around 1386 and was subsequently left unfinished.

The prologue of the poem is a dream-vision. It imagines a narrator, who encounters the God of Love and his queen, Alceste. The narrator (whose identity is never revealed) is reprimanded by the God of Love and Alceste for the presentation of women in his previous works. This frame-story proceeds into a sequence of stories about famous women from history and mythology: Cleopatra, Thisbe of Babylon, Dido queen of Cathage, Hypsipyle, Medea, Lucretia, Ariadne, Philomela, Phyllis, and Hypermnestra.

Boris Yousef

Moscow, August 8, 2023.

Portrait of Geoffrey Chaucer

THE LEGEND OF GOOD WOMEN

PROLOGUE

A thousand tymes have I herd men telle,

      That ther is Ioye in heven, and peyne in helle;

      And I acorde wel that hit is so;

      But natheles, yit wot I wel also,

      That ther nis noon dwelling in this contree,

      That either hath in heven or helle y-be,

      Ne may of hit non other weyes witen,

      But as he hath herd seyd, or founde hit writen;

      For by assay ther may no man hit preve.

10      But God forbede but men should leve

      Wel more thing then men han seen with ye!

      Men shal nat wenen every-thing a lye

      But-if him-self hit seeth, or elles dooth;

      For, God wot, thing is never the lasse sooth,

      Thogh every wight ne may hit nat y-see.

      Bernard the monk ne saugh nat al, parde!

      Than mote we to bokes that we finde,

      Through which that olde thinges been in minde.

      And to the doctrine of these olde wyse,

20      Yeve credence, in every skilful wyse,

      That tellen of these olde appreved stories,

      Of holinesse, or regnes, of victories,

      Of love, of hate, of other sundry thinges,

      Of whiche I may not maken rehersinges.

      And if that olde bokes were a-weye,

      Y-loren were of remembraunce the keye.

      Wel oghte us than honouren and beleve

      These bokes, ther we han non other preve.

      And as for me, thogh that I can but lyte,

30      On bokes for to rede I me delyte,

      And to hem yeve I feyth and ful credence,

      And in myn herte have hem in reverence

      So hertely, that ther is game noon

      That fro my bokes maketh me to goon,

      But hit be seldom, on the holyday;

      Save, certeynly, whan that the month of May

      Is comen, and that I here the foules singe,

      And that the floures ginnen for to springe,

      Farwel my book and my devocioun!

40      Now have I than swich a condicioun,

      That, of alle the floures in the mede,

      Than love I most these floures whyte and rede,

      Swiche as men callen daysies in our toun.

      To hem have I so great affeccioun,

      As I seyde erst, whan comen is the May,

      That in my bed ther daweth me no day

      That I nam up, and walking in the mede

      To seen this flour agein the sonne sprede,

      Whan hit upryseth erly by the morwe;

50      That blisful sighte softneth al my sorwe,

      So glad am I whan that I have presence

      Of hit, to doon al maner reverence,

      As she, that is of alle floures flour,

      Fulfilled of al vertu and honour,

      And ever y-lyke fair, and fresh of hewe;

      And I love hit, and ever y-lyke newe,