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Frances Eliza Hodgson Burnett (24 November 1849 – 29 October 1924) was a British-American novelist and playwright. She is best known for the three children's novels Little Lord Fauntleroy (published in 1885–1886), A Little Princess (1905), and The Secret Garden (1911).Frances Eliza Hodgson was born in Cheetham, Manchester, England. After her father died in 1852, the family fell on straitened circumstances and in 1865 immigrated to the United States, settling near Knoxville, Tennessee. There Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870, her mother died, and in 1872 Frances married Swan Burnett, who became a medical doctor. The Burnetts lived for two years in Paris, where their two sons were born, before returning to the United States to live in Washington, D.C., Burnett then began to write novels, the first of which (That Lass o' Lowrie's), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular. She wrote and helped to produce stage versions of Little Lord Fauntleroy and A Little Princess.Burnett enjoyed socializing and lived a lavish lifestyle. Beginning in the 1880s, she began to travel to England frequently and in the 1890s bought a home there, where she wrote The Secret Garden. Her oldest son, Lionel, died of tuberculosis in 1890, which caused a relapse of the depression she had struggled with for much of her life. She divorced Swan Burnett in 1898, married Stephen Townsend in 1900, and divorced him in 1902. A few years later she settled in Nassau County, Long Island, where she died in 1924 and is buried in Roslyn Cemetery.In 1936 a memorial sculpture by Bessie Potter Vonnoh was erected in her honour in Central Park's Conservatory Garden. The statue depicts her two famous Secret Garden characters, Mary and Dickon.
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Pretty Sister Of José
Frances Hodgson Burnett
CHAPTER I.
It had taken him a long time, and it had cost him José much hard labor, to prepare for his aged grandmother and Pepita the tiny home outside Madrid, to which he at last brought them in great triumph one hot summer's day, when the very vine-leaves and orange-trees themselves were dusty. It had been a great undertaking for him in the first place, for he was a slow fellow José; slow as he was dull and kind and faithful to Pepita and the grandmother. He had a body as big as an ox, and a heart as big as his body, but he was slow and dull in everything but one thing that was his carpenter work. He was well enough at that, and more than well enough, for he had always had a fancy and a knack for it from the time when as a boy he had worked in his uncle's vineyards and tilled his fields and fed his beasts. His uncle had been counted a rich man among his neighbors, but when his sister and her husband died and left the two children, José and Pepita, penniless, and with no protector save himself and their grandmother, already an old woman, it was upon the grandmother that the burden fell, for he did nothing for them except to give them, grudgingly now and then, a few poor vegetables or a little fallen fruit. It is true that when José was old enough to labor in the fields he gave him work to do, but he paid him ill and treated him ill also, giving him poor food and harsh words, and often enough blows the poor lad did not deserve. So it came about that while he was at his work José fell into the way of planning to escape from all this, and make another home for himself and his pretty child-sister and the old woman. He knew there was only one way to do it: if he could carry his one gift where it would be of more use to him than it could possibly be in a poor small village; if he could carry it to a market where there were more people and where work was better paid for. Where the king and queen were, of course, there must be more money, and one could find more to do and live better. It was Padre Alejandro, the village priest, who had suggested this to him first. He was a kind, jovial old fellow, the padre, and had seen something of the world, too, long ago, which was perhaps why he was never very hard upon a simple sinner who went to confession, and could give a bit of unecclesiastical advice now and then. He had always been kind to José, and as Pepita had grown prettier and prewhen she had come into the house with a basket of grapes on her little head, rose-flushed with the hot day, her black hair curlihe had been betrayed into the worldly remark that such pretty young things ought to have something brighter to look forward to than hard work and scant fare, which made them old before their time, and left them nothing to look back upon. But he only said it to Jovita, and Jovita only stared a little, it never having occurred to her that there was anything much in the world but hard labor and poverty. And what difference did it make that one was pretty, except that it became more probable that some gay, lazy fellow would pretend to fall in love with one, and then after marriage leave one all the work to do and a houseful of hungry children to feed? She had seen that often enough. Had it not been so with Pepita's mother, who died at twenty-five almost an old woman, worn out with trouble and hard usage?