The Strange Case Of Dr. Jekyll And Mr. Hyde E-Book und Hörbuch

Robert Louis Stevenson

• E-Book-Herausgeber: Jazzybee Verlag
  Hörbuch-Herausgeber: FrontPage Publishing
• Kategorie: Krimi
• Sprache: Englisch
• Veröffentlichungsjahr: 2014

Seitenzahl: 168

Beschreibung

The book which put Stevenson's name in the mouth of the ' man in the street,' lifted him at a single bound to a place among men of the time and, by the still greater sensation which it created in America, led to the large income which soon afterwards he drew from the United States. The ear of a great public to whom his earlier writings were unknown was captured by this intense picture of the elements of good and evil in man's nature. It was hailed from pulpits and in the religious press as a great moral parable; though its moral quality, on close analysis, is seen to be more an illusion, due to the art of its writing, than the essence of the fable. Reduced to its simplest formula Jekyll and Hyde is a cry of terror at the potency for evil latent in the human soul. Such moral force as it has depends upon its assault on the nerves, not on its appeal to the heart. If not thus interpreted by the preachers of the time, it yet served the purpose of moving their hearers by the spectacle of the evil partner in the human ego, indulged in a moment ' when virtue slumbered,' coming in the end to destroy the good.

Leseprobe

The Strange Case Of Dr. Jekyll And Mr. Hyde

Robert Louis Stevenson

Contents:

Robert Louis Stevenson – A Biographical Primer

The Strange Case Of Dr. Jekyll And Mr. Hyde

Story Of The Door

Search For Mr. Hyde

Dr. Jekyll Was Quite At Ease

The Carew Murder Case

Incident Of The Letter

Incident Of Dr. Lanyon

Incident At The Window

The Last Night

Dr. Lanyon's Narrative

Henry Jekyll's Full Statement Of The Case

The Strange Case Of Dr. Jekyll And Mr. Hyde, R. L. Stevenson

Jazzybee Verlag Jürgen Beck

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ISBN: 9783849642556

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Frontcover: Based on a work by Kim Traynor, licenced under the Creative Commons Attribution-Share Alike 3.0 Unported license. More information on this licence and re-usage of the work can be obtained at http://creativecommons.org/licenses/by-sa/3.0/deed.en.

Robert Louis Stevenson – A Biographical Primer

By Sidney Colvin

The Scottish novelist, essayist, poet, and traveller was born at 8 Howard Place, Edinburgh, on 13 Nov. 1850. He was baptised Robert Louis Balfour, but from about his eighteenth year dropped the use of the third christian name and changed the spelling of the second to Louis; signing thereafter Robert Louis in full, and being called always Louis by his family and intimate friends. On both sides of the house he was sprung from capable and cultivated stock. His father, Thomas Stevenson [q. v.], was a member of the distinguished Edinburgh firm of civil engineers [see under Stevenson, Robert; Stevenson, David; and Stevenson, Alan]. His mother was Margaret Isabella (d. 14 May 1897), youngest daughter of Lewis Balfour, for many years minister of the parish of Colinton in Midlothian, and grandson to James Balfour (1705–1795) [q. v.], professor at Edinburgh first of moral philosophy and afterwards of the law of nature and of nations. His mother's father was described by his grandson in the essay called ‘The Manse.’ Robert Louis was his parents' only child. His mother was subject in early and middle life to chest and nerve troubles, and her son may have inherited from her some of his constitutional weakness as well as of his intellectual vivacity and taste for letters. His health was infirm from the first. He suffered from frequent bronchial affections and acute nervous excitability, and in the autumn of 1858 was near dying of a gastric fever. In January 1853 his parents moved to No. 1 Inverleith Terrace, and in May 1857 to 17 Heriot Row, which continued to be their Edinburgh home until the father's death in 1887. Much of his time was also spent in the manse at Colinton on the water of Leith, the home of his maternal grandfather. If he suffered much as a child from the distresses, he also enjoyed to the full the pleasures, of imagination. He was eager in every kind of play, and made the most of all the amusements natural to an only child kept much indoors by ill-health. The child in him never died; and the zest with which in after life he would throw himself into the pursuits of children and young boys was on his own account as much as on theirs. This spirit is illustrated in the pieces which he wrote and published under the title ‘A Child's Garden of Verses,’ as well as in a number of retrospective essays and fragments referring with peculiar insight and freshness of memory to that period of life (‘Child's Play,’ ‘Notes of Childhood,’ ‘Rosa quo locorum,’ and others unpublished).

Such a child was naturally a greedy reader, or rather listener to reading; for it was not until his eighth year that he learned to read easily or habitually to himself. He began early to take pleasure in attempts at composition: a ‘History of Moses,’ dictated in his sixth year, and an account of ‘Travels in Perth,’ in his ninth, are still extant. Ill-health prevented his getting much regular or continuous schooling. He attended first (1858–61) a preparatory school kept by a Mr. Henderson in India Street; and next (at intervals for some time after the autumn of 1861) the Edinburgh Academy. For a few months in the autumn of 1863 he was at a boarding-school kept by a Mr. Wyatt at Spring Grove, near London; from 1864 to 1867 his education was conducted chiefly at Mr. Thompson's private school in Frederick Street, Edinburgh, and by private tutors in various places to which he travelled for his own or his parents' health. Such travels included frequent visits to health resorts in Scotland; occasional excursions with his father on his nearer professional rounds, e.g. to the coasts and lighthouses of Fife in 1864; and also longer journeys—to Germany and Holland in 1862, to Italy in 1863, to the Riviera in the spring of 1864, and to Torquay in 1865 and 1866. From 1867 the family life became more settled between Edinburgh and Swanston cottage, a country home in the Pentlands which Thomas Stevenson first rented in that year, and the scenery and associations of which inspired not a little of his son's work in literature (see especially A Pastoral and St. Ives).

In November of the same year, 1867, Louis Stevenson was entered as a student at the Edinburgh University, and for several winters attended classes there with such regularity as his health and inclinations permitted. According to his own account (essay on A College Magazine; Life of Fleeming Jenkin, &c.), he was alike at school and college an incorrigible idler and truant. But outside the field of school and college routine he showed eager curiosity and activity of mind. ‘He was of a conversable temper,’ so he says of himself, ‘and insatiably curious in the aspects of life; and spent much of his time scraping acquaintance with all classes of man and woman kind.’ At the same time he read precociously and omnivorously in the belles-lettres, including a very wide range of English poetry, fiction, and essays, and a fairly wide range of French; and was a genuine student of Scottish history, and to some extent of history in general. He had been intended as a matter of course to follow the family profession of engineering; and from 1868 his summer excursions took a professional turn. In that and the two following years he went to watch the works of the firm in progress at various points on the mainland and in the northern and western islands. He was a favourite, though a very irregular, pupil of the professor of engineering, Fleeming Jenkin [q. v.]; and must have shown some aptitude for the calling hereditary in his family, inasmuch as in 1871 he received the silver medal of the Edinburgh Society of Arts for a paper on a suggested improvement in lighthouse apparatus. The outdoor and seafaring parts of the profession were in fact wholly to his taste, as in spite of his frail health he had a passion for open-air exercise and adventure (though not for sports). Office work, on the other hand, was his aversion, and his physical powers were unequal to the workshop training necessary to the practical engineer. Accordingly in this year, 1871, it was agreed that he should give up the hereditary profession and read for the bar.

For several ensuing years Stevenson attended law classes in the university, giving to the subject some serious although fitful attention, until he was called to the bar in 1875. But it was on another side that this ‘pattern of an idler,’ to use his own words, was gradually developing himself into a model of unsparing industry. From childhood he had never ceased to practise writing, and on all his truantries went pencil and copybook in hand. Family and school magazines in manuscript are extant of which, between his thirteenth and sixteenth years, he was editor, chief contributor, and illustrator. In his sixteenth year he wrote a serious essay on the ‘Pentland Rising of 1666’ (having already tried his hand at an historical romance on the same subject). This was printed as a pamphlet, and is now a rarity in request among collectors. For the following four or five years, though always writing both in prose and verse, he kept his efforts to himself, and generally destroyed the more ambitious of them. Among these were a romance on the life of Hackston of Rathillet, a poetical play of ‘Semiramis’ written in imitation of Webster, and ‘Voces Fidelium,’ a series of dramatic dialogues in verse. A few manuscript essays and notes of travel that have been preserved from 1868 to 1870, together with his letters to his mother of the same period, show almost as good a gift of observation and expression as his published work of five or six years later. Less promising and less personal are a series of six papers which he contributed in 1871 to the ‘Edinburgh University Magazine,’ a short-lived periodical started by him in conjunction with one or two college friends and fellow-members of the Speculative Society.

With high social spirits and a brilliant, somewhat fantastic, gaiety of bearing, Stevenson was no stranger to the storms and perplexities of youth. A restless and inquiring conscience, perhaps inherited from covenanting ancestors, kept him inwardly calling in question the grounds of conduct and the accepted codes of society. At the same time his reading had shaken his belief in Christian dogma; the harsher forms of Scottish Calvinistic Christianity being indeed at all times repugnant to his nature. From the last circumstance arose for a time troubles with his father, the more trying while they lasted because of the deep attachment and pride in each other which always subsisted between father and son. He loved the aspects of his native city, but neither its physical nor its social atmosphere was congenial to him. Amid the biting winds and rigid social conventions of Edinburgh he craved for Bohemian freedom and the joy of life, and for a while seemed in danger of a fate like that of the boy-poet, Robert Fergusson [q. v.], with whom he always owned a strong sense of spiritual affinity.

But his innate sanity of mind and disposition prevailed. In the summer of 1873 he made new friends, who encouraged him strongly to the career of letters. His first contribution to regular periodical literature, a little paper on ‘Roads,’ appeared in the ‘Portfolio’ (edited by Philip Gilbert Hamerton) for December 1873. In the meantime his health had suffered a serious breakdown. In consequence of acute nervous exhaustion, combined with threatening lung symptoms, he was ordered to the Riviera, where he spent (chiefly at Mentone) the winter of 1873–4. Returning with a certain measure of recovered health in April 1874, he went to live with his parents at Edinburgh and Swanston, and resumed his reading for the bar. He attended classes for Scots law and conveyancing, and for constitutional law and history. He worked also for a time in the office of Messrs. Skene, Edwards, & Bilton, of which the antiquary and historian, William Forbes Skene [q. v.], was senior partner. On 14 July 1875 he passed his final examination with credit, and was called to the bar on the 16th, but never practised. Since abandoning the engineering profession he had resumed the habit of frequent miscellaneous excursions in Scotland, England, or abroad. Now, in 1875, began the first of a series of visits to the artistic settlements in the neighbourhood of Fontainebleau, where his cousin, Mr. R. A. M. Stevenson, was for the time established. He found the forest climate restorative to his health, and the life and company of Barbizon and the other student resorts congenial. In the winter of 1874–5 he made in Edinburgh the acquaintance of Mr. W. E. Henley, which quickly ripened into a close and stimulating literary friendship. In London he avoided all formal and dress-coated society; and at the Savile Club (his favourite haunt) and elsewhere his own Bohemian oddities of dress and appearance would sometimes repel at first sight persons to whom on acquaintance he soon became endeared by the charm of his conversation. Among his friends of these years may be especially mentioned Mr. Leslie Stephen, Mr. James Payn, Dr. Appleton (editor of the ‘Academy’), Professor Clifford, Mr. Walter Pollock, Mr. Cosmo Monkhouse, Mr. Andrew Lang, and Mr. Edmund Gosse. In 1876 he went with Sir Walter Simpson on the canoe tour in Belgium and France described in the ‘Inland Voyage.’ In the spring of 1878 he made friends at Burford Bridge with a senior whom he had long honoured, Mr. George Meredith; and in the summer had a new experience in serving as secretary to Professor Fleeming Jenkin in his capacity of juror on the Paris Exhibition. In the autumn of the same year he spent a month at Monastier in Velay, whence he took the walk through the mountains to Florac narrated in the ‘Travels with a Donkey in the Cevennes.’

During these years, 1874–8, his health, though frail, was passable. With his vagrant way of life he combined a steady and growing literary industry. While reading for the bar in 1874–5, much of his work was merely experimental (poems, prose-poems, and tales not published). Much also was in preparation for proposed undertakings on Scottish history. His studies in Highland history, which were diligent and exact, in the end only served to provide the historical background of his Scottish romances. Until the end of 1875 he had only published, in addition to essays in the magazines, an ‘Appeal to the Church of Scotland,’ written to please his father and published as a pamphlet in 1875. In 1876 he contributed as a journalist, but not frequently, to the ‘Academy’ and ‘Vanity Fair,’ and in 1877 more abundantly to ‘London,’ a weekly review newly founded under the editorship of Mr. Glasgow Brown, an acquaintance of Edinburgh Speculative days. In the former year, 1876, began the brilliant series of essays on life and literature in the ‘Cornhill Magazine’ which were afterwards collected with others in the volumes called severally ‘Virginibus Puerisque’ and ‘Familiar Studies of Men and Books.’ They were continued in 1877, and in greater number throughout 1878. His first published stories were: ‘A Lodging for the Night’ (Temple Bar, October 1877); ‘The Sire de Malétroit's Door’ (Temple Bar, January 1878); and ‘Will o' the Mill’ (Cornhill Magazine, January 1878).

The year 1878 was to Stevenson one of great productiveness. In May was issued his first book, ‘The Inland Voyage,’ containing the account of his canoe trip, and written in a pleasant fanciful vein of humour -nd reflection, but with the style a little over-mannered. Besides six or eight characteristic essays of the ‘Virginibus Puerisque’ series, there appeared in ‘London’ (edited by Mr. Henley) the set of fantastic modern tales called the ‘New Arabian Nights,’ conceived in a very spirited and entertaining vein of the realistic-unreal, as well as the story of ‘Providence and the Guitar;’ and in the ‘Portfolio’ the ‘Picturesque Notes on Edinburgh,’ republished at the end of the year in book form. During the autumn and winter of this year he wrote ‘Travels with a Donkey in the Cevennes,’ and was much engaged in the planning of plays in collaboration with Mr. Henley, of which one, ‘Deacon Brodie,’ was finished in the spring of 1879. This was also the date of the essay ‘On some Aspects of Burns.’ In the same spring he drafted in Edinburgh, but afterwards laid by, four chapters on ethics (a study to which he once referred as being always his ‘veiled mistress’) under the name of ‘Lay Morals.’ In few men have the faculties been so active on the artistic and the ethical sides at once, and this fragment is of especial interest in the study of its author's mind and character.

By his various published writings Stevenson had made little impression as yet on the general reader. But the critical had recognised in him a new artist of the first promise in English letters, who aimed at, and often achieved, those qualities of sustained precision, lucidity, and grace of style which are characteristic of the best French prose, but in English rare in the extreme. He had known how to stamp all he wrote with the impress of a vivid personal charm; had shown himself a master of the apt and animated phrase; and whether in tale or parable, essay or wayside musing, had touched on vital points of experience and feeling with the observation and insight of a true poet and humourist.

The year 1879 was a critical one in Stevenson's life. In France he had met an American lady, Mrs. Osbourne (née Van de Grift), whose domestic circumstances were not fortunate, and who was living with her daughter and young son in the art-student circles of Paris and Fontainebleau. At the beginning of 1879 she returned to California. In June Stevenson determined to follow. He travelled by emigrant ship and train, partly for economy, partly for the sake of the experience. The journey and its discomforts proved disastrous to his health, but did not interrupt his industry. Left entirely to his own resources, he stayed for eight months partly at Monterey and partly at San Francisco. During a part of these months he was at death's door from a complication of pleurisy, malarial fever, and exhaustion of the system, but managed nevertheless to write the story of ‘The Pavilion on the Links,’ two or three essays for the ‘Cornhill Magazine,’ the greater part of a Californian story, ‘A Vendetta in the West’ (never published), a first draft of the romance of ‘Prince Otto,’ and the two parts of the ‘Amateur Emigrant’ (not published till some years later). He also tried to get work on the local press, and some contributions were printed in the ‘Monterey Independent;’ but on the whole his style was not thought up to Californian standards. In the spring of 1880 he was married to Mrs. Osbourne, who had obtained some months before a divorce from her husband. She nursed him through the worst of his illness, and in May they went for the sake of health to lodge at a deserted mining station above Calistoga, in the Californian coast range. The story of this sojourn is told in the ‘Silverado Squatters.’

Later, Stevenson brought his wife home in August 1880. She was to him a perfect companion, taking part keenly and critically in his work, sharing all his gipsy tastes and love of primitive and natural modes of life, and being, in spite of her own precarious health, the most devoted and efficient of nurses in the anxious times which now ensued.

For the next seven or eight years Stevenson's life seemed to hang by a thread. Chronic lung disease had declared itself, and the slightest exposure or exertion was apt to bring on a prostrating attack of cough, hæmorrhage, and fever. The trial was manfully borne; and in every interval of respite he worked in unremitting pursuit of the standards he had set before himself.