The Three Musketeers(Illustrated) E-Book

Dumas Alexandre

• Herausgeber: Swish
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2024

Beschreibung

Key Features:

• Illustrated Edition with 20 Stunning Illustrations
• Includes a Detailed Summary
• Comprehensive Character List
• Author Biography of Alexandre Dumas

The Three Musketeers by Alexandre Dumas is an epic tale of loyalty, bravery, and adventure that has captivated readers for generations. Set in the vibrant and dangerous world of 17th-century France, the novel follows the journey of young d'Artagnan as he sets out to join the elite King's Musketeers. Along the way, he befriends the legendary trio—Athos, Porthos, and Aramis—three skilled swordsmen bound by honor and their famous motto: "All for one, and one for all!"
Together, they face enemies both powerful and cunning, from the ruthless Cardinal Richelieu to the mysterious and dangerous Milady de Winter. Packed with thrilling sword fights, political intrigue, and secret romance, The Three Musketeers delivers an unforgettable adventure that continues to inspire countless adaptations in film, television, and theater.
This beautifully illustrated edition brings the classic to life with 20 handpicked illustrations, enhancing your reading experience. Along with the original text, this edition also features a detailed summary, a comprehensive character list, and an insightful biography of Alexandre Dumas, making it a must-have for both new readers and long-time fans.
Dive into the timeless world of swashbuckling heroes, villainous plots, and high-stakes adventure—experience The Three Musketeers like never before!
 

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                                                                            The Three Musketeers                                                      

                                                         

                                                                             BY

                                    ALEXANDRE DUMAS

                                                                                                      ABOUT DUMAS

Alexandre Dumas: A Legacy of Adventure and Imagination

Born on July 24, 1802, in Villers-Cotterêts, France, Alexandre Dumas became one of the most celebrated and prolific authors of the 19th century. His full name, Dumas Davy de la Pailleterie, reflected his mixed heritage—his father, Thomas-Alexandre Dumas, was a French general of Haitian descent, and his mother, Marie-Louise Élisabeth Labouret, was a Frenchwoman. The legacy of his father’s military career and his family’s complex history of race and status would influence Dumas’ writing, giving him a deep understanding of the themes of identity, freedom, and power.

From an early age, Dumas showed a flair for storytelling and an insatiable curiosity for life. Moving to Paris in his twenties, he became immersed in the literary and theatrical world of the French capital. His rise to prominence began in the theater, where his historical plays earned him a reputation as a talented dramatist. But it was his shift to writing novels that would cement his place in literary history.

Dumas’ adventurous spirit and vivid imagination brought forth timeless tales that blended historical fact with fiction, filled with intrigue, romance, and swashbuckling heroes. His most iconic works include The Three Musketeers (1844), The Count of Monte Cristo (1844-1846), and The Man in the Iron Mask (1850). These novels, serialized for a mass audience, were characterized by their fast pace, richly drawn characters, and intricate plots. Dumas had an uncanny ability to transport readers into worlds of political intrigue, duels of honor, and grand conspiracies, set against the backdrop of French history.

What made Dumas truly remarkable was not just his storytelling, but his ability to connect with a wide audience. His novels were devoured by both the elite and common people alike, transcending class divides. His success allowed him to live lavishly, though his extravagant lifestyle often led to financial troubles. Despite this, Dumas never ceased writing, producing over 300 volumes in his lifetime, including works on travel, culinary arts, and crime.

Dumas’ mixed-race heritage was a point of pride, but it also brought him into conflict with the prejudices of his time. He was vocal about issues of race and identity, and his personal experience of discrimination may have shaped the themes of justice and vengeance that run through his novels, particularly in The Count of Monte Cristo.

Dumas passed away on December 5, 1870, but his literary legacy lived on. He remains one of the most translated French authors in the world, and his works have inspired countless adaptations in film, television, and theater. Alexandre Dumas’ ability to combine history, adventure, and human drama into epic narratives made him a master storyteller whose influence continues to captivate audiences today.

In 2002, his remains were moved to the Panthéon in Paris, alongside other French literary giants like Victor Hugo and Voltaire—a fitting tribute to a man whose imagination and pen brought so much to the world.

SUMMARY

The Three Musketeers by Alexandre Dumas is a thrilling tale of loyalty, courage, and adventure set in 17th-century France. The story follows the young and ambitious d’Artagnan, who leaves his home in the provinces to join the prestigious King’s Musketeers. Along the way, he befriends three seasoned musketeers—Athos, Porthos, and Aramis—each with their own secrets and flaws.

Together, the four men become embroiled in a world of political intrigue, espionage, and high-stakes romance, facing enemies such as the cunning Cardinal Richelieu and the mysterious Milady de Winter. Through daring sword fights, dangerous missions, and acts of heroism, they live by their famous motto: "All for one, and one for all!"

Dumas masterfully blends history and fiction, delivering a fast-paced narrative filled with wit, honor, and betrayal. The Three Musketeers is not just a story of friendship, but a sweeping saga of adventure and intrigue that explores the lengths to which one will go for loyalty and justice. It remains a timeless classic, captivating readers with its swashbuckling action and unforgettable characters.

CHARACTERS LIST

1. D’Artagnan

Role: The main protagonist

Description: A young, brave, and hot-headed Gascon who travels to Paris to join the King’s Musketeers. He is determined, quick-witted, and fiercely loyal to his friends. Over time, he matures into a skilled swordsman and an honorable man.

2. Athos

Role: One of the three musketeers

Description: The oldest and wisest of the musketeers, Athos is a nobleman with a tragic past. He is calm, honorable, and somewhat melancholic, hiding a deep personal sorrow that eventually connects him to the villain, Milady de Winter.

3. Porthos

Role: One of the three musketeers

Description: A larger-than-life figure, Porthos is known for his strength, love of fine clothes, and appetite for luxury. Though sometimes boastful and concerned with appearances, he is a brave and loyal friend in battle.

4. Aramis

Role: One of the three musketeers

Description: A charming and religious man, Aramis is torn between his desire to become a priest and his duties as a musketeer. He is sophisticated, ambitious, and skilled with both words and swords.

5. Cardinal Richelieu

Role: The primary antagonist

Description: The powerful and manipulative chief minister to King Louis XIII. Richelieu is a master strategist who uses his influence to control France and undermine the king’s authority. He is constantly at odds with the musketeers.

6. Milady de Winter

Role: The secondary antagonist

Description: A cunning and dangerous femme fatale, Milady is a spy and assassin who serves Cardinal Richelieu. She is beautiful, manipulative, and utterly ruthless, using seduction, deception, and murder to achieve her goals. She shares a dark history with Athos.

7. King Louis XIII

Role: The ruler of France

Description: The somewhat indecisive and weak-willed king of France, who is easily influenced by Cardinal Richelieu. Though well-meaning, he often relies on others to make decisions for him.

8. Queen Anne of Austria

Role: The queen of France

Description: The lonely and isolated queen, who is married to Louis XIII but has a secret romantic connection with the Duke of Buckingham. She becomes a key figure in the political intrigue between France and England.

9. Duke of Buckingham

Role: Queen Anne's secret lover

Description: An influential English nobleman and politician who is romantically involved with Queen Anne. His love for the queen brings him into conflict with Cardinal Richelieu.

10. Monsieur de Tréville

Role: Captain of the Musketeers

Description: A loyal servant to the king and a father figure to d’Artagnan and the three musketeers. He is a firm leader who stands against Cardinal Richelieu’s influence.

11. Rochefort

Role: Cardinal Richelieu’s agent

Description: A skilled and sinister swordsman who serves as the cardinal’s enforcer. He is an enemy of d’Artagnan and plays a key role in carrying out Richelieu’s schemes.

12. Constance Bonacieux

Role: D’Artagnan’s love interest

Description: A beautiful and brave young woman who serves as Queen Anne’s lady-in-waiting. She becomes romantically involved with d’Artagnan and helps him in his missions for the queen.

These characters, each with their own motivations and complexities, create the rich and engaging world of The Three Musketeers, where loyalty, betrayal, and honor shape the fate of nations.

Contents

Author’s Preface

I. The Three Presents Of D’Artagnan The Elder

II. The Antechamber Of M. De Tréville

III. The Audience

IV. The Shoulder Of Athos, The Baldric Of Porthos And The Handkerchief Of Aramis

V. The King’s Musketeers And The Cardinal’s Guards

VI. His Majesty King Louis XIII

VII. The Interior Of The Musketeers

VIII. Concerning A Court Intrigue

IX. D’Artagnan Shows Himself

X. A Mousetrap In The Seventeenth Century

XI. In Which The Plot Thickens

XII. George Villiers, Duke Of Buckingham

XIII. Monsieur Bonacieux

XIV. The Man Of Meung

XV. Men Of The Robe And Men Of The Sword

XVI. In Which M. Séguier, Keeper Of The Seals, Looks More Than Once For The Bell

XVII. Bonacieux At Home

XVIII. Lover And Husband

XIX. Plan Of Campaign

XX. The Journey

XXI. The Countess De Winter

XXII. The Ballet Of La Merlaison

XXIII. The Rendezvous

XXIV. The Pavilion

XXV. Porthos

XXVI. Aramis And His Thesis

XXVII. The Wife Of Athos

XXVIII. The Return

XXIX. Hunting For The Equipments

XXX. D’Artagnan And The Englishman

XXXI. English And French

XXXII. A Procurator’s Dinner

XXXIII. Soubrette And Mistress

XXXIV. In Which The Equipment Of Aramis And Porthos Is Treated Of

XXXV. A Gascon A Match For Cupid

XXXVI. Dream Of Vengeance

XXXVII. Milady’s Secret

XXXVIII. How, Without Incommoding Himself, Athos Procures His Equipment

XXXIX. A Vision

XL. A Terrible Vision

XLI. The Siege Of La Rochelle

XLII. The Anjou Wine

XLIII. The Sign Of The Red Dovecot

XLIV. The Utility Of Stovepipes

XLV. A Conjugal Scene

XLVI. The Bastion Saint-Gervais

XLVII. The Council Of The Musketeers

XLVIII. A Family Affair

XLIX. Fatality

L. Chat Between Brother And Sister

LI. Officer

LII. Captivity: The First Day

LIII. Captivity: The Second Day

LIV. Captivity: The Third Day

LV. Captivity: The Fourth Day

LVI. Captivity: The Fifth Day

LVII. Means For Classical Tragedy

LVIII. Escape

LIX. What Took Place At Portsmouth, August 23, 1628

LX. In France

LXI. The Carmelite Convent At Béthune

LXII. Two Varieties Of Demons

LXIII. The Drop Of Water

LXIV. The Man In The Red Cloak

LXV. Trial

LXVI. Execution

LXVII. Conclusion

Epilogue

Author’s Preface

In which it is proved that, notwithstanding their names’ ending in os and is, the heroes of the story which we are about to have the honor to relate to our readers have nothing mythological about them.

A short time ago, while making researches in the Royal Library for my History of Louis XIV., I stumbled by chance upon the Memoirs of M. d’Artagnan, printed—as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long, in the Bastille—at Amsterdam, by Pierre Rouge. The title attracted me; I took them home with me, with the permission of the guardian, and devoured them.

It is not my intention here to enter into an analysis of this curious work; and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages. They will therein find portraits penciled by the hand of a master; and although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII., Anne of Austria, Richelieu, Mazarin, and the courtiers of the period, less faithful than in the history of M. Anquetil.

But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. Now, while admiring, as others doubtless will admire, the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought.

D’Artagnan relates that on his first visit to M. de Tréville, captain of the king’s Musketeers, he met in the antechamber three young men, serving in the illustrious corps into which he was soliciting the honor of being received, bearing the names of Athos, Porthos, and Aramis.

We must confess these three strange names struck us; and it immediately occurred to us that they were but pseudonyms, under which D’Artagnan had disguised names perhaps illustrious, or else that the bearers of these borrowed names had themselves chosen them on the day in which, from caprice, discontent, or want of fortune, they had donned the simple Musketeer’s uniform.

From that moment we had no rest till we could find some trace in contemporary works of these extraordinary names which had so strongly awakened our curiosity.

The catalogue alone of the books we read with this object would fill a whole chapter, which, although it might be very instructive, would certainly afford our readers but little amusement. It will suffice, then, to tell them that at the moment at which, discouraged by so many fruitless investigations, we were about to abandon our search, we at length found, guided by the counsels of our illustrious friend Paulin Paris, a manuscript in folio, endorsed 4772 or 4773, we do not recollect which, having for title, “Memoirs of the Comte de la Fère, Touching Some Events Which Passed in France Toward the End of the Reign of King Louis XIII. and the Commencement of the Reign of King Louis XIV.”

It may be easily imagined how great was our joy when, in turning over this manuscript, our last hope, we found at the twentieth page the name of Athos, at the twenty-seventh the name of Porthos, and at the thirty-first the name of Aramis.

The discovery of a completely unknown manuscript at a period in which historical science is carried to such a high degree appeared almost miraculous. We hastened, therefore, to obtain permission to print it, with the view of presenting ourselves someday with the pack of others at the doors of the Académie des Inscriptions et Belles Lettres, if we should not succeed—a very probable thing, by the by—in gaining admission to the Académie Française with our own proper pack. This permission, we feel bound to say, was graciously granted; which compels us here to give a public contradiction to the slanderers who pretend that we live under a government but moderately indulgent to men of letters.

Now, this is the first part of this precious manuscript which we offer to our readers, restoring it to the title which belongs to it, and entering into an engagement that if (of which we have no doubt) this first part should obtain the success it merits, we will publish the second immediately.

In the meanwhile, as the godfather is a second father, we beg the reader to lay to our account, and not to that of the Comte de la Fère, the pleasure or the ennui he may experience.

This being understood, let us proceed with our history.

I. The Three Presents Of D’Artagnan The Elder

On the first Monday of the month of April, 1625, the market town of Meung, in which the author of Romance of the Rose was born, appeared to be in as perfect a state of revolution as if the Huguenots had just made a second La Rochelle of it. Many citizens, seeing the women flying toward the High Street, leaving their children crying at the open doors, hastened to don the cuirass, and supporting their somewhat uncertain courage with a musket or a partisan, directed their steps toward the hostelry of the Jolly Miller, before which was gathered, increasing every minute, a compact group, vociferous and full of curiosity.

In those times panics were common, and few days passed without some city or other registering in its archives an event of this kind. There were nobles, who made war against each other; there was the king, who made war against the cardinal; there was Spain, which made war against the king. Then, in addition to these concealed or public, secret or open wars, there were robbers, mendicants, Huguenots, wolves, and scoundrels, who made war upon everybody. The citizens always took up arms readily against thieves, wolves or scoundrels, often against nobles or Huguenots, sometimes against the king, but never against the cardinal or Spain. It resulted, then, from this habit that on the said first Monday of April, 1625, the citizens, on hearing the clamor, and seeing neither the red-and-yellow standard nor the livery of the Duc de Richelieu, rushed toward the hostel of the Jolly Miller. When arrived there, the cause of the hubbub was apparent to all.

A young man—we can sketch his portrait at a dash. Imagine to yourself a Don Quixote of eighteen; a Don Quixote without his corselet, without his coat of mail, without his cuisses; a Don Quixote clothed in a woolen doublet, the blue color of which had faded into a nameless shade between lees of wine and a heavenly azure; face long and brown; high cheek bones, a sign of sagacity; the maxillary muscles enormously developed, an infallible sign by which a Gascon may always be detected, even without his cap—and our young man wore a cap set off with a sort of feather; the eye open and intelligent; the nose hooked, but finely chiseled. Too big for a youth, too small for a grown man, an experienced eye might have taken him for a farmer’s son upon a journey had it not been for the long sword which, dangling from a leather baldric, hit against the calves of its owner as he walked, and against the rough side of his steed when he was on horseback.

For our young man had a steed which was the observed of all observers. It was a Béarn pony, from twelve to fourteen years old, yellow in his hide, without a hair in his tail, but not without windgalls on his legs, which, though going with his head lower than his knees, rendering a martingale quite unnecessary, contrived nevertheless to perform his eight leagues a day. Unfortunately, the qualities of this horse were so well concealed under his strange-colored hide and his unaccountable gait, that at a time when everybody was a connoisseur in horseflesh, the appearance of the aforesaid pony at Meung—which place he had entered about a quarter of an hour before, by the gate of Beaugency—produced an unfavorable feeling, which extended to his rider.

And this feeling had been more painfully perceived by young D’Artagnan—for so was the Don Quixote of this second Rosinante named—from his not being able to conceal from himself the ridiculous appearance that such a steed gave him, good horseman as he was. He had sighed deeply, therefore, when accepting the gift of the pony from M. d’Artagnan the elder. He was not ignorant that such a beast was worth at least twenty livres; and the words which had accompanied the present were above all price.

“My son,” said the old Gascon gentleman, in that pure Béarn patois of which Henry IV. could never rid himself, “this horse was born in the house of your father about thirteen years ago, and has remained in it ever since, which ought to make you love it. Never sell it; allow it to die tranquilly and honorably of old age, and if you make a campaign with it, take as much care of it as you would of an old servant. At court, provided you have ever the honor to go there,” continued M. d’Artagnan the elder, “—an honor to which, remember, your ancient nobility gives you the right—sustain worthily your name of gentleman, which has been worthily borne by your ancestors for five hundred years, both for your own sake and the sake of those who belong to you. By the latter I mean your relatives and friends. Endure nothing from anyone except Monsieur the Cardinal and the king. It is by his courage, please observe, by his courage alone, that a gentleman can make his way nowadays. Whoever hesitates for a second perhaps allows the bait to escape which during that exact second fortune held out to him. You are young. You ought to be brave for two reasons: the first is that you are a Gascon, and the second is that you are my son. Never fear quarrels, but seek adventures. I have taught you how to handle a sword; you have thews of iron, a wrist of steel. Fight on all occasions. Fight the more for duels being forbidden, since consequently there is twice as much courage in fighting. I have nothing to give you, my son, but fifteen crowns, my horse, and the counsels you have just heard. Your mother will add to them a recipe for a certain balsam, which she had from a Bohemian and which has the miraculous virtue of curing all wounds that do not reach the heart. Take advantage of all, and live happily and long. I have but one word to add, and that is to propose an example to you—not mine, for I myself have never appeared at court, and have only taken part in religious wars as a volunteer; I speak of Monsieur de Tréville, who was formerly my neighbor, and who had the honor to be, as a child, the play-fellow of our king, Louis XIII., whom God preserve! Sometimes their play degenerated into battles, and in these battles the king was not always the stronger. The blows which he received increased greatly his esteem and friendship for Monsieur de Tréville. Afterward, Monsieur de Tréville fought with others: in his first journey to Paris, five times; from the death of the late king till the young one came of age, without reckoning wars and sieges, seven times; and from that date up to the present day, a hundred times, perhaps! So that in spite of edicts, ordinances, and decrees, there he is, captain of the Musketeers; that is to say, chief of a legion of Cæsars, whom the king holds in great esteem and whom the cardinal dreads—he who dreads nothing, as it is said. Still further, Monsieur de Tréville gains ten thousand crowns a year; he is therefore a great noble. He began as you begin. Go to him with this letter, and make him your model in order that you may do as he has done.”

Upon which M. d’Artagnan the elder girded his own sword round his son, kissed him tenderly on both cheeks, and gave him his benediction.

On leaving the paternal chamber, the young man found his mother, who was waiting for him with the famous recipe of which the counsels we have just repeated would necessitate frequent employment. The adieux were on this side longer and more tender than they had been on the other—not that M. d’Artagnan did not love his son, who was his only offspring, but M. d’Artagnan was a man, and he would have considered it unworthy of a man to give way to his feelings; whereas Mme. D’Artagnan was a woman, and still more, a mother. She wept abundantly; and—let us speak it to the praise of M. d’Artagnan the younger—notwithstanding the efforts he made to remain firm, as a future Musketeer ought, nature prevailed, and he shed many tears, of which he succeeded with great difficulty in concealing the half.

The same day the young man set forward on his journey, furnished with the three paternal gifts, which consisted, as we have said, of fifteen crowns, the horse, and the letter for M. de Tréville—the counsels being thrown into the bargain.

With such a vade mecum D’Artagnan was morally and physically an exact copy of the hero of Cervantes, to whom we so happily compared him when our duty of an historian placed us under the necessity of sketching his portrait. Don Quixote took windmills for giants, and sheep for armies; D’Artagnan took every smile for an insult, and every look as a provocation—whence it resulted that from Tarbes to Meung his fist was constantly doubled, or his hand on the hilt of his sword; and yet the fist did not descend upon any jaw, nor did the sword issue from its scabbard. It was not that the sight of the wretched pony did not excite numerous smiles on the countenances of passers-by; but as against the side of this pony rattled a sword of respectable length, and as over this sword gleamed an eye rather ferocious than haughty, these passers-by repressed their hilarity, or if hilarity prevailed over prudence, they endeavored to laugh only on one side, like the masks of the ancients. D’Artagnan, then, remained majestic and intact in his susceptibility, till he came to this unlucky city of Meung.

But there, as he was alighting from his horse at the gate of the Jolly Miller, without anyone—host, waiter, or hostler—coming to hold his stirrup or take his horse, D’Artagnan spied, though an open window on the ground floor, a gentleman, well-made and of good carriage, although of rather a stern countenance, talking with two persons who appeared to listen to him with respect. D’Artagnan fancied quite naturally, according to his custom, that he must be the object of their conversation, and listened. This time D’Artagnan was only in part mistaken; he himself was not in question, but his horse was. The gentleman appeared to be enumerating all his qualities to his auditors; and, as I have said, the auditors seeming to have great deference for the narrator, they every moment burst into fits of laughter. Now, as a half-smile was sufficient to awaken the irascibility of the young man, the effect produced upon him by this vociferous mirth may be easily imagined.

Nevertheless, D’Artagnan was desirous of examining the appearance of this impertinent personage who ridiculed him. He fixed his haughty eye upon the stranger, and perceived a man of from forty to forty-five years of age, with black and piercing eyes, pale complexion, a strongly marked nose, and a black and well-shaped mustache. He was dressed in a doublet and hose of a violet color, with aiguillettes of the same color, without any other ornaments than the customary slashes, through which the shirt appeared. This doublet and hose, though new, were creased, like traveling clothes for a long time packed in a portmanteau. D’Artagnan made all these remarks with the rapidity of a most minute observer, and doubtless from an instinctive feeling that this stranger was destined to have a great influence over his future life.

Now, as at the moment in which D’Artagnan fixed his eyes upon the gentleman in the violet doublet, the gentleman made one of his most knowing and profound remarks respecting the Béarnese pony, his two auditors laughed even louder than before, and he himself, though contrary to his custom, allowed a pale smile (if I may be allowed to use such an expression) to stray over his countenance. This time there could be no doubt; D’Artagnan was really insulted. Full, then, of this conviction, he pulled his cap down over his eyes, and endeavoring to copy some of the court airs he had picked up in Gascony among young traveling nobles, he advanced with one hand on the hilt of his sword and the other resting on his hip. Unfortunately, as he advanced, his anger increased at every step; and instead of the proper and lofty speech he had prepared as a prelude to his challenge, he found nothing at the tip of his tongue but a gross personality, which he accompanied with a furious gesture.

“I say, sir, you sir, who are hiding yourself behind that shutter—yes, you, sir, tell me what you are laughing at, and we will laugh together!”

The gentleman raised his eyes slowly from the nag to his cavalier, as if he required some time to ascertain whether it could be to him that such strange reproaches were addressed; then, when he could not possibly entertain any doubt of the matter, his eyebrows slightly bent, and with an accent of irony and insolence impossible to be described, he replied to D’Artagnan, “I was not speaking to you, sir.”

“But I am speaking to you!” replied the young man, additionally exasperated with this mixture of insolence and good manners, of politeness and scorn.

The stranger looked at him again with a slight smile, and retiring from the window, came out of the hostelry with a slow step, and placed himself before the horse, within two paces of D’Artagnan. His quiet manner and the ironical expression of his countenance redoubled the mirth of the persons with whom he had been talking, and who still remained at the window.

D’Artagnan, seeing him approach, drew his sword a foot out of the scabbard.

“This horse is decidedly, or rather has been in his youth, a buttercup,” resumed the stranger, continuing the remarks he had begun, and addressing himself to his auditors at the window, without paying the least attention to the exasperation of D’Artagnan, who, however, placed himself between him and them. “It is a color very well known in botany, but till the present time very rare among horses.”

“There are people who laugh at the horse that would not dare to laugh at the master,” cried the young emulator of the furious Tréville.

“I do not often laugh, sir,” replied the stranger, “as you may perceive by the expression of my countenance; but nevertheless I retain the privilege of laughing when I please.”

“And I,” cried D’Artagnan, “will allow no man to laugh when it displeases me!”

“Indeed, sir,” continued the stranger, more calm than ever; “well, that is perfectly right!” and turning on his heel, was about to re-enter the hostelry by the front gate, beneath which D’Artagnan on arriving had observed a saddled horse.

But, D’Artagnan was not of a character to allow a man to escape him thus who had the insolence to ridicule him. He drew his sword entirely from the scabbard, and followed him, crying, “Turn, turn, Master Joker, lest I strike you behind!”

“Strike me!” said the other, turning on his heels, and surveying the young man with as much astonishment as contempt. “Why, my good fellow, you must be mad!” Then, in a suppressed tone, as if speaking to himself, “This is annoying,” continued he. “What a godsend this would be for his Majesty, who is seeking everywhere for brave fellows to recruit for his Musketeers!”

He had scarcely finished, when D’Artagnan made such a furious lunge at him that if he had not sprung nimbly backward, it is probable he would have jested for the last time. The stranger, then perceiving that the matter went beyond raillery, drew his sword, saluted his adversary, and seriously placed himself on guard. But at the same moment, his two auditors, accompanied by the host, fell upon D’Artagnan with sticks, shovels and tongs. This caused so rapid and complete a diversion from the attack that D’Artagnan’s adversary, while the latter turned round to face this shower of blows, sheathed his sword with the same precision, and instead of an actor, which he had nearly been, became a spectator of the fight—a part in which he acquitted himself with his usual impassiveness, muttering, nevertheless, “A plague upon these Gascons! Replace him on his orange horse, and let him begone!”

“Not before I have killed you, poltroon!” cried D’Artagnan, making the best face possible, and never retreating one step before his three assailants, who continued to shower blows upon him.

“Another gasconade!” murmured the gentleman. “By my honor, these Gascons are incorrigible! Keep up the dance, then, since he will have it so. When he is tired, he will perhaps tell us that he has had enough of it.”

But the stranger knew not the headstrong personage he had to do with; D’Artagnan was not the man ever to cry for quarter. The fight was therefore prolonged for some seconds; but at length D’Artagnan dropped his sword, which was broken in two pieces by the blow of a stick. Another blow full upon his forehead at the same moment brought him to the ground, covered with blood and almost fainting.

It was at this moment that people came flocking to the scene of action from all sides. The host, fearful of consequences, with the help of his servants carried the wounded man into the kitchen, where some trifling attentions were bestowed upon him.

As to the gentleman, he resumed his place at the window, and surveyed the crowd with a certain impatience, evidently annoyed by their remaining undispersed.

“Well, how is it with this madman?” exclaimed he, turning round as the noise of the door announced the entrance of the host, who came in to inquire if he was unhurt.

“Your Excellency is safe and sound?” asked the host.

“Oh, yes! Perfectly safe and sound, my good host; and I wish to know what has become of our young man.”

“He is better,” said the host, “he fainted quite away.”

“Indeed!” said the gentleman.

“But before he fainted, he collected all his strength to challenge you, and to defy you while challenging you.”

“Why, this fellow must be the devil in person!” cried the stranger.

“Oh, no, your Excellency, he is not the devil,” replied the host, with a grin of contempt; “for during his fainting we rummaged his valise and found nothing but a clean shirt and eleven crowns—which however, did not prevent his saying, as he was fainting, that if such a thing had happened in Paris, you should have cause to repent of it at a later period.”

“Then,” said the stranger coolly, “he must be some prince in disguise.”

“I have told you this, good sir,” resumed the host, “in order that you may be on your guard.”

“Did he name no one in his passion?”

“Yes; he struck his pocket and said, ‘We shall see what Monsieur de Tréville will think of this insult offered to his protégé.’”

“Monsieur de Tréville?” said the stranger, becoming attentive, “he put his hand upon his pocket while pronouncing the name of Monsieur de Tréville? Now, my dear host, while your young man was insensible, you did not fail, I am quite sure, to ascertain what that pocket contained. What was there in it?”

“A letter addressed to Monsieur de Tréville, captain of the Musketeers.”

“Indeed!”

“Exactly as I have the honor to tell your Excellency.”

The host, who was not endowed with great perspicacity, did not observe the expression which his words had given to the physiognomy of the stranger. The latter rose from the front of the window, upon the sill of which he had leaned with his elbow, and knitted his brow like a man disquieted.

“The devil!” murmured he, between his teeth. “Can Tréville have set this Gascon upon me? He is very young; but a sword thrust is a sword thrust, whatever be the age of him who gives it, and a youth is less to be suspected than an older man,” and the stranger fell into a reverie which lasted some minutes. “A weak obstacle is sometimes sufficient to overthrow a great design.

“Host,” said he, “could you not contrive to get rid of this frantic boy for me? In conscience, I cannot kill him; and yet,” added he, with a coldly menacing expression, “he annoys me. Where is he?”

“In my wife’s chamber, on the first flight, where they are dressing his wounds.”

“His things and his bag are with him? Has he taken off his doublet?”

“On the contrary, everything is in the kitchen. But if he annoys you, this young fool—”

“To be sure he does. He causes a disturbance in your hostelry, which respectable people cannot put up with. Go; make out my bill and notify my servant.”

“What, monsieur, will you leave us so soon?”

“You know that very well, as I gave my order to saddle my horse. Have they not obeyed me?”

“It is done; as your Excellency may have observed, your horse is in the great gateway, ready saddled for your departure.”

“That is well; do as I have directed you, then.”

“What the devil!” said the host to himself. “Can he be afraid of this boy?” But an imperious glance from the stranger stopped him short; he bowed humbly and retired.

“It is not necessary for Milady1 to be seen by this fellow,” continued the stranger. “She will soon pass; she is already late. I had better get on horseback, and go and meet her. I should like, however, to know what this letter addressed to Tréville contains.” And the stranger, muttering to himself, directed his steps toward the kitchen.

In the meantime, the host, who entertained no doubt that it was the presence of the young man that drove the stranger from his hostelry, re-ascended to his wife’s chamber, and found D’Artagnan just recovering his senses. Giving him to understand that the police would deal with him pretty severely for having sought a quarrel with a great lord—for in the opinion of the host the stranger could be nothing less than a great lord—he insisted that notwithstanding his weakness D’Artagnan should get up and depart as quickly as possible. D’Artagnan, half stupefied, without his doublet, and with his head bound up in a linen cloth, arose then, and urged by the host, began to descend the stairs; but on arriving at the kitchen, the first thing he saw was his antagonist talking calmly at the step of a heavy carriage, drawn by two large Norman horses.

His interlocutor, whose head appeared through the carriage window, was a woman of from twenty to two-and-twenty years. We have already observed with what rapidity D’Artagnan seized the expression of a countenance. He perceived then, at a glance, that this woman was young and beautiful; and her style of beauty struck him more forcibly from its being totally different from that of the southern countries in which D’Artagnan had hitherto resided. She was pale and fair, with long curls falling in profusion over her shoulders, had large, blue, languishing eyes, rosy lips, and hands of alabaster. She was talking with great animation with the stranger.

“His Eminence, then, orders me—” said the lady.

“To return instantly to England, and to inform him as soon as the duke leaves London.”

“And as to my other instructions?” asked the fair traveler.

“They are contained in this box, which you will not open until you are on the other side of the Channel.”

“Very well; and you—what will you do?”

“I—I return to Paris.”

“What, without chastising this insolent boy?” asked the lady.

The stranger was about to reply; but at the moment he opened his mouth, D’Artagnan, who had heard all, precipitated himself over the threshold of the door.

“This insolent boy chastises others,” cried he; “and I hope that this time he whom he ought to chastise will not escape him as before.”

“Will not escape him?” replied the stranger, knitting his brow.

“No; before a woman you would dare not fly, I presume?”

“Remember,” said Milady, seeing the stranger lay his hand on his sword, “the least delay may ruin everything.”

“You are right,” cried the gentleman; “begone then, on your part, and I will depart as quickly on mine.” And bowing to the lady, he sprang into his saddle, while her coachman applied his whip vigorously to his horses. The two interlocutors thus separated, taking opposite directions, at full gallop.

“Pay him, booby!” cried the stranger to his servant, without checking the speed of his horse; and the man, after throwing two or three silver pieces at the foot of mine host, galloped after his master.

“Base coward! false gentleman!” cried D’Artagnan, springing forward, in his turn, after the servant. But his wound had rendered him too weak to support such an exertion. Scarcely had he gone ten steps when his ears began to tingle, a faintness seized him, a cloud of blood passed over his eyes, and he fell in the middle of the street, crying still, “Coward! coward! coward!”

“He is a coward, indeed,” grumbled the host, drawing near to D’Artagnan, and endeavoring by this little flattery to make up matters with the young man, as the heron of the fable did with the snail he had despised the evening before.

“Yes, a base coward,” murmured D’Artagnan; “but she—she was very beautiful.”

“What she?” demanded the host.

“Milady,” faltered D’Artagnan, and fainted a second time.

“Ah, it’s all one,” said the host; “I have lost two customers, but this one remains, of whom I am pretty certain for some days to come. There will be eleven crowns gained.”

It is to be remembered that eleven crowns was just the sum that remained in D’Artagnan’s purse.

The host had reckoned upon eleven days of confinement at a crown a day, but he had reckoned without his guest. On the following morning at five o’clock D’Artagnan arose, and descending to the kitchen without help, asked, among other ingredients the list of which has not come down to us, for some oil, some wine, and some rosemary, and with his mother’s recipe in his hand composed a balsam, with which he anointed his numerous wounds, replacing his bandages himself, and positively refusing the assistance of any doctor, D’Artagnan walked about that same evening, and was almost cured by the morrow.

But when the time came to pay for his rosemary, this oil, and the wine, the only expense the master had incurred, as he had preserved a strict abstinence—while on the contrary, the yellow horse, by the account of the hostler at least, had eaten three times as much as a horse of his size could reasonably be supposed to have done—D’Artagnan found nothing in his pocket but his little old velvet purse with the eleven crowns it contained; for as to the letter addressed to M. de Tréville, it had disappeared.

The young man commenced his search for the letter with the greatest patience, turning out his pockets of all kinds over and over again, rummaging and rerummaging in his valise, and opening and reopening his purse; but when he found that he had come to the conviction that the letter was not to be found, he flew, for the third time, into such a rage as was near costing him a fresh consumption of wine, oil, and rosemary—for upon seeing this hot-headed youth become exasperated and threaten to destroy everything in the establishment if his letter were not found, the host seized a spit, his wife a broom handle, and the servants the same sticks they had used the day before.

“My letter of recommendation!” cried D’Artagnan, “my letter of recommendation! or, the holy blood, I will spit you all like ortolans!”

Unfortunately, there was one circumstance which created a powerful obstacle to the accomplishment of this threat; which was, as we have related, that his sword had been in his first conflict broken in two, and which he had entirely forgotten. Hence, it resulted when D’Artagnan proceeded to draw his sword in earnest, he found himself purely and simply armed with a stump of a sword about eight or ten inches in length, which the host had carefully placed in the scabbard. As to the rest of the blade, the master had slyly put that on one side to make himself a larding pin.

But this deception would probably not have stopped our fiery young man if the host had not reflected that the reclamation which his guest made was perfectly just.

“But, after all,” said he, lowering the point of his spit, “where is this letter?”

“Yes, where is this letter?” cried D’Artagnan. “In the first place, I warn you that that letter is for Monsieur de Tréville, and it must be found, or if it is not found, he will know how to find it.”

His threat completed the intimidation of the host. After the king and the cardinal, M. de Tréville was the man whose name was perhaps most frequently repeated by the military, and even by citizens. There was, to be sure, Father Joseph, but his name was never pronounced but with a subdued voice, such was the terror inspired by his Gray Eminence, as the cardinal’s familiar was called.

Throwing down his spit, and ordering his wife to do the same with her broom handle, and the servants with their sticks, he set the first example of commencing an earnest search for the lost letter.

“Does the letter contain anything valuable?” demanded the host, after a few minutes of useless investigation.

“Zounds! I think it does indeed!” cried the Gascon, who reckoned upon this letter for making his way at court. “It contained my fortune!”

“Bills upon Spain?” asked the disturbed host.

“Bills upon his Majesty’s private treasury,” answered D’Artagnan, who, reckoning upon entering into the king’s service in consequence of this recommendation, believed he could make this somewhat hazardous reply without telling of a falsehood.

“The devil!” cried the host, at his wits’ end.

“But it’s of no importance,” continued D’Artagnan, with natural assurance; “it’s of no importance. The money is nothing; that letter was everything. I would rather have lost a thousand pistoles than have lost it.” He would not have risked more if he had said twenty thousand; but a certain juvenile modesty restrained him.

A ray of light all at once broke upon the mind of the host as he was giving himself to the devil upon finding nothing.

“That letter is not lost!” cried he.

“What!” cried D’Artagnan.

“No, it has been stolen from you.”

“Stolen? By whom?”

“By the gentleman who was here yesterday. He came down into the kitchen, where your doublet was. He remained there some time alone. I would lay a wager he has stolen it.”

“Do you think so?” answered D’Artagnan, but little convinced, as he knew better than anyone else how entirely personal the value of this letter was, and saw nothing in it likely to tempt cupidity. The fact was that none of his servants, none of the travelers present, could have gained anything by being possessed of this paper.

“Do you say,” resumed D’Artagnan, “that you suspect that impertinent gentleman?”

“I tell you I am sure of it,” continued the host. “When I informed him that your lordship was the protégé of Monsieur de Tréville, and that you even had a letter for that illustrious gentleman, he appeared to be very much disturbed, and asked me where that letter was, and immediately came down into the kitchen, where he knew your doublet was.”

“Then that’s my thief,” replied D’Artagnan. “I will complain to Monsieur de Tréville, and Monsieur de Tréville will complain to the king.” He then drew two crowns majestically from his purse and gave them to the host, who accompanied him, cap in hand, to the gate, and remounted his yellow horse, which bore him without any further accident to the gate of St. Antoine at Paris, where his owner sold him for three crowns, which was a very good price, considering that D’Artagnan had ridden him hard during the last stage. Thus the dealer to whom D’Artagnan sold him for the nine livres did not conceal from the young man that he only gave that enormous sum for him on the account of the originality of his color.

Thus D’Artagnan entered Paris on foot, carrying his little packet under his arm, and walked about till he found an apartment to be let on terms suited to the scantiness of his means. This chamber was a sort of garret, situated in the Rue des Fossoyeurs, near the Luxembourg.

As soon as the earnest money was paid, D’Artagnan took possession of his lodging, and passed the remainder of the day in sewing onto his doublet and hose some ornamental braiding which his mother had taken off an almost-new doublet of the elder M. d’Artagnan, and which she had given her son secretly. Next he went to the Quai de Feraille to have a new blade put to his sword, and then returned toward the Louvre, inquiring of the first Musketeer he met for the situation of the hôtel of M. de Tréville, which proved to be in the Rue du Vieux-Colombier; that is to say, in the immediate vicinity of the chamber hired by D’Artagnan—a circumstance which appeared to furnish a happy augury for the success of his journey.

After this, satisfied with the way in which he had conducted himself at Meung, without remorse for the past, confident in the present, and full of hope for the future, he retired to bed and slept the sleep of the brave.

This sleep, provincial as it was, brought him to nine o’clock in the morning; at which hour he rose, in order to repair to the residence of M. de Tréville, the third personage in the kingdom, in the paternal estimation.

II. The Antechamber Of M. De Tréville

M.de Troisville, as his family was still called in Gascony, or M. de Tréville, as he has ended by styling himself in Paris, had really commenced life as D’Artagnan now did; that is to say, without a sou in his pocket, but with a fund of audacity, shrewdness, and intelligence which makes the poorest Gascon gentleman often derive more in his hope from the paternal inheritance than the richest Perigordian or Berrichan gentleman derives in reality from his. His insolent bravery, his still more insolent success at a time when blows poured down like hail, had borne him to the top of that difficult ladder called Court Favor, which he had climbed four steps at a time.

He was the friend of the king, who honored highly, as everyone knows, the memory of his father, Henry IV. The father of M. de Tréville had served him so faithfully in his wars against the league that in default of money—a thing to which the Béarnais was accustomed all his life, and who constantly paid his debts with that of which he never stood in need of borrowing, that is to say, with ready wit—in default of money, we repeat, he authorized him, after the reduction of Paris, to assume for his arms a golden lion passant upon gules, with the motto Fidelis et fortis. This was a great matter in the way of honor, but very little in the way of wealth; so that when the illustrious companion of the great Henry died, the only inheritance he was able to leave his son was his sword and his motto. Thanks to this double gift and the spotless name that accompanied it, M. de Tréville was admitted into the household of the young prince where he made such good use of his sword, and was so faithful to his motto, that Louis XIII., one of the good blades of his kingdom, was accustomed to say that if he had a friend who was about to fight, he would advise him to choose as a second, himself first, and Tréville next—or even, perhaps, before himself.

Thus Louis XIII. had a real liking for Tréville—a royal liking, a self-interested liking, it is true, but still a liking. At that unhappy period it was an important consideration to be surrounded by such men as Tréville. Many might take for their device the epithet strong, which formed the second part of his motto, but very few gentlemen could lay claim to the faithful, which constituted the first. Tréville was one of these latter. His was one of those rare organizations, endowed with an obedient intelligence like that of the dog; with a blind valor, a quick eye, and a prompt hand; to whom sight appeared only to be given to see if the king were dissatisfied with anyone, and the hand to strike this displeasing personage, whether a Besme, a Maurevers, a Poltiot de Méré, or a Vitry. In short, up to this period nothing had been wanting to Tréville but opportunity; but he was ever on the watch for it, and he faithfully promised himself that he would not fail to seize it by its three hairs whenever it came within reach of his hand. At last Louis XIII. made Tréville the captain of his Musketeers, who were to Louis XIII. in devotedness, or rather in fanaticism, what his Ordinaries had been to Henry III., and his Scotch Guard to Louis XI.

On his part, the cardinal was not behind the king in this respect. When he saw the formidable and chosen body with which Louis XIII. had surrounded himself, this second, or rather this first king of France, became desirous that he, too, should have his guard. He had his Musketeers therefore, as Louis XIII. had his, and these two powerful rivals vied with each other in procuring, not only from all the provinces of France, but even from all foreign states, the most celebrated swordsmen. It was not uncommon for Richelieu and Louis XIII. to dispute over their evening game of chess upon the merits of their servants. Each boasted the bearing and the courage of his own people. While exclaiming loudly against duels and brawls, they excited them secretly to quarrel, deriving an immoderate satisfaction or genuine regret from the success or defeat of their own combatants. We learn this from the memoirs of a man who was concerned in some few of these defeats and in many of these victories.

Tréville had grasped the weak side of his master; and it was to this address that he owed the long and constant favor of a king who has not left the reputation behind him of being very faithful in his friendships. He paraded his Musketeers before the Cardinal Armand Duplessis with an insolent air which made the gray moustache of his Eminence curl with ire. Tréville understood admirably the war method of that period, in which he who could not live at the expense of the enemy must live at the expense of his compatriots. His soldiers formed a legion of devil-may-care fellows, perfectly undisciplined toward all but himself.

Loose, half-drunk, imposing, the king’s Musketeers, or rather M. de Tréville’s, spread themselves about in the cabarets, in the public walks, and the public sports, shouting, twisting their mustaches, clanking their swords, and taking great pleasure in annoying the Guards of the cardinal whenever they could fall in with them; then drawing in the open streets, as if it were the best of all possible sports; sometimes killed, but sure in that case to be both wept and avenged; often killing others, but then certain of not rotting in prison, M. de Tréville being there to claim them. Thus M. de Tréville was praised to the highest note by these men, who adored him, and who, ruffians as they were, trembled before him like scholars before their master, obedient to his least word, and ready to sacrifice themselves to wash out the smallest insult.

M. de Tréville employed this powerful weapon for the king, in the first place, and the friends of the king—and then for himself and his own friends. For the rest, in the memoirs of this period, which has left so many memoirs, one does not find this worthy gentleman blamed even by his enemies; and he had many such among men of the pen as well as among men of the sword. In no instance, let us say, was this worthy gentleman accused of deriving personal advantage from the cooperation of his minions. Endowed with a rare genius for intrigue which rendered him the equal of the ablest intriguers, he remained an honest man. Still further, in spite of sword thrusts which weaken, and painful exercises which fatigue, he had become one of the most gallant frequenters of revels, one of the most insinuating lady’s men, one of the softest whisperers of interesting nothings of his day; the bonnes fortunes of de Tréville were talked of as those of M. de Bassompierre had been talked of twenty years before, and that was not saying a little. The captain of the Musketeers was therefore admired, feared, and loved; and this constitutes the zenith of human fortune.

Louis XIV. absorbed all the smaller stars of his court in his own vast radiance; but his father, a sun pluribus impar, left his personal splendor to each of his favorites, his individual value to each of his courtiers. In addition to the levees of the king and the cardinal, there might be reckoned in Paris at that time more than two hundred smaller but still noteworthy levees. Among these two hundred levees, that of Tréville was one of the most sought.

The court of his hôtel, situated in the Rue du Vieux-Colombier, resembled a camp from by six o’clock in the morning in summer and eight o’clock in winter. From fifty to sixty Musketeers, who appeared to replace one another in order always to present an imposing number, paraded constantly, armed to the teeth and ready for anything. On one of those immense staircases, upon whose space modern civilization would build a whole house, ascended and descended the office seekers of Paris, who ran after any sort of favor—gentlemen from the provinces anxious to be enrolled, and servants in all sorts of liveries, bringing and carrying messages between their masters and M. de Tréville. In the antechamber, upon long circular benches, reposed the elect; that is to say, those who were called. In this apartment a continued buzzing prevailed from morning till night, while M. de Tréville, in his office contiguous to this antechamber, received visits, listened to complaints, gave his orders, and like the king in his balcony at the Louvre, had only to place himself at the window to review both his men and arms.

The day on which D’Artagnan presented himself the assemblage was imposing, particularly for a provincial just arriving from his province. It is true that this provincial was a Gascon; and that, particularly at this period, the compatriots of D’Artagnan had the reputation of not being easily intimidated. When he had once passed the massive door covered with long square-headed nails, he fell into the midst of a troop of swordsmen, who crossed one another in their passage, calling out, quarreling, and playing tricks one with another. In order to make one’s way amid these turbulent and conflicting waves, it was necessary to be an officer, a great noble, or a pretty woman.

It was, then, into the midst of this tumult and disorder that our young man advanced with a beating heart, ranging his long rapier up his lanky leg, and keeping one hand on the edge of his cap, with that half-smile of the embarrassed provincial who wishes to put on a good face. When he had passed one group he began to breathe more freely; but he could not help observing that they turned round to look at him, and for the first time in his life D’Artagnan, who had till that day entertained a very good opinion of himself, felt ridiculous.

Arrived at the staircase, it was still worse. There were four Musketeers on the bottom steps, amusing themselves with the following exercise, while ten or twelve of their comrades waited upon the landing place to take their turn in the sport.

One of them, stationed upon the top stair, naked sword in hand, prevented, or at least endeavored to prevent, the three others from ascending.

These three others fenced against him with their agile swords.

D’Artagnan at first took these weapons for foils, and believed them to be buttoned; but he soon perceived by certain scratches that every weapon was pointed and sharpened, and that at each of these scratches not only the spectators, but even the actors themselves, laughed like so many madmen.