7 best short stories by Arthur Thomas Quiller-Couch - Arthur Quiller-Couch - E-Book

7 best short stories by Arthur Thomas Quiller-Couch E-Book

Arthur Quiller-Couch

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Beschreibung

Sir Arthur Thomas Quiller-Couch was a Cornish writer who published using the pseudonym Q. Although a prolific novelist, he is remembered mainly for his literary criticism and short stories. With his vast number of short stories, Q shows his dynamic range of style and creativity with tales of the supernatural, Viking tales, satires, historical fiction, romantic adventures, tales of heroic swashbuckling, mystery and crime fiction, and sea-going adventures. The critic August Nemo has selected seven short stories by this author for your appreciation: - I Saw Three Ships. - The Haunted Dragoon. - A Blue Pantomime. - The Two Householders. - The Disenchantment of 'Lizabeth. - The Laird's Luck. - Captain Dick and Captain Jacka.

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Table of Contents

Title Page

The Author

I Saw Three Ships

The Haunted Dragoon

A Blue Pantomime

The Two Householders

The Disenchantment of ’Lizabeth

The Laird’s Luck

Captain Dick and Captain Jacka

About the Publisher

The Author

Arthur Quiller-Couch was born in the town of Bodmin, Cornwall. He was the son of Dr. Thomas Quiller Couch, who was a noted physician, folklorist and historian who married Mary Ford and lived at 63, Fore Street, Bodmin, until his death in 1884. Thomas was the product of the union of two ancient local families, the Quiller family and the Couch family. Arthur was the third in a line of intellectuals from the Couch family. His grandfather, Jonathan Couch, was an eminent naturalist, also a physician, historian, classicist, apothecary, and illustrator (particularly of fish). His younger sisters Florence Mabel and Lilian M. were also writers and folklorists.

Arthur Quiller-Couch had two children. His son, Bevil Brian Quiller-Couch, was a war hero and poet, whose romantic letters to his fiancée, the poet May Wedderburn Cannan, were published in Tears of War. Kenneth Grahame inscribed a first edition of his The Wind in the Willows to Arthur's daughter, Foy Felicia, attributing Quiller-Couch as the inspiration for the character Ratty.

He was educated at Newton Abbot Proprietary College, at Clifton College, and Trinity College, Oxford, where he took a First in Classical Moderations (1884) and a Second in Greats (1886). From 1886 he was for a brief time a classical lecturer at Trinity. After some journalistic experience in London, mainly as a contributor to the Speaker, he settled in 1891 at Fowey in Cornwall.

In Cornwall he was an active political worker for the Liberal Party. He was knighted in 1910, and in 1928 was made a Bard of the Cornish cultural society Gorseth Kernow, adopting the Bardic name Marghak Cough ('Red Knight'). He was Commodore of the Royal Fowey Yacht Club from 1911 until his death.

Quiller-Couch died at home in May 1944, after being slightly injured by a jeep near his home in Cornwall in the preceding March. He is buried in Fowey's parish church of St. Fimbarrus.

I Saw Three Ships

Chapter 1.

The First Ship.

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In those west-country parishes where but a few years back the feast of Christmas Eve was usually prolonged with cake and cider, “crowding,” and “geese dancing,” till the ancient carols ushered in the day, a certain languor not seldom pervaded the services of the Church a few hours later. Red eyes and heavy, young limbs hardly rested from the Dashing White Sergeant and Sir Roger, throats husky from a plurality of causes — all these were recognised as proper to the season, and, in fact, of a piece with the holly on the communion rails.

On a dark and stormy Christmas morning as far back as the first decade of the century, this languor was neither more nor less apparent than usual inside the small parish church of Ruan Lanihale, although Christmas fell that year on a Sunday, and dancing should, by rights, have ceased at midnight. The building stands high above a bleak peninsula on the South Coast, and the congregation had struggled up with heads slanted sou’-west against the weather that drove up the Channel in a black fog. Now, having gained shelter, they quickly lost the glow of endeavour, and mixed in pleasing stupor the humming of the storm in the tower above, its intermittent onslaughts on the leadwork of the southern windows, and the voice of Parson Babbage lifted now and again from the chancel as if to correct the shambling pace of the choir in the west gallery.

“Mark me,” whispered Old Zeb Minards, crowder and leader of the musicians, sitting back at the end of the Psalms, and eyeing his fiddle dubiously; “If Sternhold be sober this morning, Hopkins be drunk as a fly, or ’tis t’other way round.”

“’Twas middlin’ wambly,” assented Calvin Oke, the second fiddle — a screw-faced man tightly wound about the throat with a yellow kerchief.

“An’ ’tis a delicate matter to cuss the singers when the musicianers be twice as bad.”

“I’d a very present sense of being a bar or more behind the fair — that I can honestly vow,” put in Elias Sweetland, bending across from the left. Now Elias was a bachelor, and had blown the serpent from his youth up. He was a bald, thin man, with a high leathern stock, and shoulders that sloped remarkably.

“Well, ‘taint a suent engine at the best, Elias — that o’ yourn,” said his affable leader, “nor to be lightly trusted among the proper psa’ms, ‘specially since Chris’mas three year, when we sat in the forefront of the gallery, an’ you dropped all but the mouthpiece overboard on to Aunt Belovely’s bonnet at ‘I was glad when they said unto me.’”

“Aye, poor soul. It shook her. Never the same woman from that hour, I do b’lieve. Though I’d as lief you didn’t mention it, friends, if I may say so; for ’twas a bitter portion.”

Elias patted his instrument sadly, and the three men looked up for a moment, as a scud of rain splashed on the window, drowning a sentence of the First Lesson.

“Well, well,” resumed Old Zeb, “we all have our random intervals, and a drop o’ cider in the mouthpieces is no less than Pa’son looks for, Chris’mas mornin’s.”

“Trew, trew as proverbs.”

“Howsever, ’twas cruel bad, that last psa’m, I won’t gainsay. As for that long-legged boy o’ mine, I keep silence, yea, even from hard words, considerin’ what’s to come. But ’tis given to flutes to make a noticeable sound, whether tunable or false.”

“Terrible shy he looks, poor chap!”

The three men turned and contemplated Young Zeb Minards, who sat on their left and fidgeted, crossing and uncrossing his legs.

“How be feelin’, my son?”

“Very whitely, father; very whitely, an’ yet very redly.”

Elias Sweetland, moved by sympathy, handed across a peppermint drop.

“Hee-hee!” now broke in an octogenarian treble, that seemed to come from high up in the head of Uncle Issy, the bass-viol player; “But cast your eyes, good friends, ‘pon a little slip o’ heart’s delight down in the nave, and mark the flowers ‘pon the bonnet nid-nodding like bees in a bell, with unspeakable thoughts.”

“’Tis the world’s way wi’ females.”

“I’ll wager, though, she wouldn’t miss the importance of it — yea, not for much fine gold.”

“Well said, Uncle,” commented the crowder, a trifle more loudly as the wind rose to a howl outside: “Lord, how this round world do spin! Simme ’twas last week I sat as may be in the corner yonder (I sang bass then), an’ Pa’son Babbage by the desk statin’ forth my own banns, an’ me with my clean shirt collar limp as a flounder. As for your mother, Zeb, nuthin ‘ud do but she must dream o’ runnin’ water that Saturday night, an’ want to cry off at the church porch because ’twas unlucky. ‘Nothin’ shall injuce me, Zeb,’ says she, and inside the half hour there she was glintin’ fifty ways under her bonnet, to see how the rest o’ the maidens was takin’ it.”

“Hey,” murmured Elias, the bachelor; “but it must daunt a man to hear his name loudly coupled wi’ a woman’s before a congregation o’ folks.”

“’Tis very intimate,” assented Old Zeb. But here the First Lesson ended. There was a scraping of feet, then a clearing of throats, and the musicians plunged into “O, all ye works of the Lord.”

Young Zeb, amid the moaning of the storm outside the building and the scraping and zooming of the instruments, string and reed, around him, felt his head spin; but whether from the lozenge (that had suffered from the companionship of a twist of tobacco in Elias Sweetland’s pocket), or the dancing last night, or the turbulence of his present emotions, he could not determine. Year in and year out, grey morning or white, a gloom rested always on the singers’ gallery, cast by the tower upon the south side, that stood apart from the main building, connected only by the porch roof, as by an isthmus. And upon eyes used to this comparative obscurity the nave produced the effect of a bright parterre of flowers, especially in those days when all the women wore scarlet cloaks, to scare the French if they should invade. Zeb’s gaze, amid the turmoil of sound, hovered around one such cloak, rested on a slim back resolutely turned to him, and a jealous bonnet, wandered to the bald scalp of Farmer Tresidder beside it, returned to Calvin Qke’s sawing elbow and the long neck of Elias Sweetland bulging with the fortissimo of “O ye winds of God,” then fluttered back to the red cloak.

These vagaries were arrested by three words from the mouth of Old Zeb, screwed sideways over his fiddle.

“Time — ye sawny!”

Young Zeb started, puffed out his cheeks, and blew a shriller note. During the rest of the canticle his eyes were glued to the score, and seemed on the point of leaving their sockets with the vigour of the performance.

“Sooner thee’st married the better for us, my son,” commented his father at the close; “else farewell to psa’mody!”

But Young Zeb did not reply. In fact, what remained of the peppermint lozenge had somehow jolted into his windpipe, and kept him occupied with the earlier symptoms of strangulation.

His facial contortions, though of the liveliest, were unaccompanied by sound, and, therefore, unheeded. The crowder, with his eyes contemplatively fastened on the capital of a distant pillar, was pursuing a train of reflection upon Church music; and the others regarded the crowder.

“Now supposin’, friends, as I’d a-fashioned the wondrous words o’ the ditty we’ve just polished off; an’ supposin’ a friend o’ mine, same as Uncle Issy might he, had a-dropped in, in passin’, an’ heard me read the same. ‘Hullo!’ he’d ‘a said, ‘You’ve a-put the same words twice over.’ ‘How’s that?’ ‘How’s that? Why, here’s O ye Whales (pointin’ wi’ his finger), an’ lo! again, O ye Wells.’ ”T’aint the same,’ I’d ha’ said. ‘Well,’ says Uncle Issy, ”tis spoke so, anyways’—”

“Crowder, you puff me up,” murmured Uncle Issy, charmed with this imaginative and wholly flattering sketch. “No — really now! Though, indeed, strange words have gone abroad before now, touching my wisdom; but I blow no trumpet.”

“Such be your very words,” the crowder insisted. “Now mark my answer. ‘Uncle Issy,’ says I, quick as thought, ‘you dunderheaded old antic — leave that to the musicianers. At the word ‘whales,’ let the music go snorty; an’ for wells, gliddery; an’ likewise in a moving dulcet manner for the holy an’ humble Men o’ heart.’ Why, ‘od rabbet us! — what’s wrong wi’ that boy?”

All turned to Young Zeb, from whose throat uncomfortable sounds were issuing. His eyes rolled piteously, and great tears ran down his cheeks.

“Slap en ‘pon the back, Calvin: he’s chuckin’.”

“Ay — an’ the pa’son at’ here endeth!’”

“Slap en, Calvin, quick! For ’tis clunk or stuffle, an’ no time to lose.”

Down in the nave a light rustle of expectancy was already running from pew to pew as Calvin Oke brought down his open palm with a whack!knocking the sufferer out of his seat, and driving his nose smartly against the back-rail in front.

Then the voice of Parson Babbage was lifted: “I publish the Banns of marriage between Zebedee Minards, bachelor, and Ruby Tresidder, spinster, both of this parish. If any of you know cause, or just impediment, why these two persons —”

At this instant the church-door flew open, as if driven in by the wind that tore up the aisle in an icy current. All heads were turned. Parson Babbage broke off his sentence and looked also, keeping his forefinger on the fluttering page. On the threshold stood an excited, red-faced man, his long sandy beard blown straight out like a pennon, and his arms moving windmill fashion as he bawled —

“A wreck! a wreck!”

The men in the congregation leaped up. The women uttered muffled cries, groped for their husbands’ hats, and stood up also. The choir in the gallery craned forward, for the church-door was right beneath them. Parson Babbage held up his hand, and screamed out over the hubbub —

“Where’s she to?”

“Under Bradden Point, an’ comin’ full tilt for the Raney!”

“Then God forgive all poor sinners aboard!” spoke up a woman’s voice, in the moment’s silence that followed.

“Is that all you know, Gauger Hocken?”

“Iss, iss: can’t stop no longer — must be off to warn the Methodeys! ‘Stablished Church first, but fair play’s a jewel, say I.”

He rushed off inland towards High Lanes, where the meeting-house stood. Parson Babbage closed the book without finishing his sentence, and his audience scrambled out over the graves and forth upon the headland. The wind here came howling across the short grass, blowing the women’s skirts wide and straining their bonnet-strings, pressing the men’s trousers tight against their shins as they bent against it in the attitude of butting rams and scanned the coast-line to the sou’-west. Ruby Tresidder, on gaining the porch, saw Young Zeb tumble out of the stairway leading from the gallery and run by, stowing the pieces of his flute in his pocket as he went, without a glance at her. Like all the rest, he had clean forgotten the banns.

Now, Ruby was but nineteen, and had seen plenty of wrecks, whereas these banns were to her an event of singular interest, for weeks anticipated with small thrills. Therefore, as the people passed her by, she felt suddenly out of tune with them, especially with Zeb, who, at least, might have understood her better. Some angry tears gathered in her eyes at the callous indifference of her father, who just now was revolving in the porch like a weathercock, and shouting orders east, west, north, and south for axes, hammers, ladders, cart-ropes, in case the vessel struck within reach.

“You, Jim Lewarne, run to the mowhay, hot-foot, an’ lend a hand wi’ the datchin’ ladder, an’— hi! stop! — fetch along my second-best glass, under the Dook o’ Cumberland’s picter i’ the parlour, ‘longside o’ last year’s neck; an’-hi! cuss the chap — he’s gone like a Torpointer! Ruby, my dear, step along an’ show en-Why, hello! —”

Ruby, with head down, and scarlet cloak blown out horizontally, was already fighting her way out along the headland to a point where Zeb stood, a little apart from the rest, with both palms shielding his eyes.

“Zeb!”

She had to stand on tip-toe and bawl this into his ear. He faced round with a start, nodded as if pleased, and bent his gaze on the Channel again.

Ruby looked too. Just below, under veils of driving spray, the seas were thundering past the headland into Ruan Cove. She could not see them break, only their backs swelling and sinking, and the puffs of foam that shot up like white smoke at her feet and drenched her gown. Beyond, the sea, the sky, and the irregular coast with its fringe of surf melted into one uniform grey, with just the summit of Bradden Point, two miles away, standing out above the wrack. Of the vessel there was, as yet, no sign.

In Ruby’s present mood the bitter blast was chiefly blameworthy for gnawing at her face, and the spray for spoiling her bonnet and taking her hair out of curl. She stamped her foot and screamed again —

“Zeb!”

“What is’t, my dear?” he bawled back in her ear, kissing her wet cheek in a preoccupied manner.

She was about to ask him what this wreck amounted to, that she should for the moment sink to nothing in comparison with it. But, at this instant, a small group of men and women joined them, and, catching sight of the faces of Sarah Ann Nanjulian and Modesty Prowse, her friends, she tried another tack —

“Well, Zeb, no doubt ’twas disappointing for you; but don’t ‘ee take on so. Think how much harder ’tis for the poor souls i’ that ship.”

This astute sentence, however, missed fire completely. Zeb answered it with a point-blank stare of bewilderment. The others took no notice of it whatever.

“Hav’ee seen her, Zeb?” called out his father.

“No.”

“Nor I nuther. ‘Reckon ’tis all over a’ready. I’ve a-heard afore now,” he went on, turning his back to the wind the better to wink at the company, “that ’tis lucky for some folks Gauger Hocken hain’t extra spry ‘pon his pins. But ’tis a gift that cuts both ways. Be any gone round by Cove Head to look out?”

“Iss, a dozen or more. I saw ’em ‘pon the road, a minute back, like emmets runnin’.”

“’Twas very nice feelin’, I must own — very nice indeed — of Gauger Hocken to warn the church-folk first; and him a man of no faith, as you may say. Hey? What’s that? Dost see her, Zeb?”

For Zeb, with his right hand pressing down his cap, now suddenly flung his left out in the direction of Bradden Point. Men and women craned forward.

Below the distant promontory, a darker speck had started out of the medley of grey tones. In a moment it had doubled its size — had become a blur — then a shape. And at length, out of the leaden wrack, there emerged a small schooner, with tall, raking masts, flying straight towards them.

“Dear God!” muttered some one, while Ruby dug her finger-tips into Zeb’s arm.

The schooner raced under bare poles, though a strip or two of canvas streamed out from her fore-yards. Yet she came with a rush like a greyhound’s, heeling over the whitened water, close under the cliffs, and closer with every instant. A man, standing on any one of the points she cleared so narrowly, might have tossed a pebble on to her deck.

“Hey, friends, but she’ll not weather Gaffer’s Rock. By crum! if she does, they may drive her in ‘pon the beach, yet!”

“What’s the use, i’ this sea? Besides, her steerin’ gear’s broke,” answered Zeb, without moving his eyes.

This Gaffer’s Rock was the extreme point of the opposite arm of the cove — a sharp tooth rising ten feet or more above high-water mark. As the little schooner came tearing abreast of it, a huge sea caught her broadside, and lifted as if to fling her high and dry. The men and women on the headland held their breath while she hung on its apex. Then she toppled and plunged across the mouth of the cove, quivering. She must have shaved the point by a foot.

“The Raney! the Raney!” shouted young Zeb, shaking off Ruby’s clutch. “The Raney, or else —”

He did not finish his sentence, for the stress of the flying seconds choked down his words. Two possibilities they held, and each big with doom. Either the schooner must dash upon the Raney — a reef, barely covered at high water, barring entrance to the cove — or avoiding this, must be shattered on the black wall of rock under their very feet. The end of the little vessel was written — all but one word: and that must be added within a short half-minute.

Ruby saw this: it was plain for a child to read. She saw the curded tide, now at half-flood, boiling around the Raney; she saw the little craft swoop down on it, half buried in the seas through which she was being impelled; she saw distinctly one form, and one only, on the deck beside the helm — a form that flung up its hands as it shot by the smooth edge of the reef, a hand’s-breadth off destruction. The hands were still lifted as it passed under the ledge where she stood.

It seemed, as she stood there shivering, covering her eyes, an age before the crash came, and the cry of those human souls in their extremity.

When at length she took her hands from her face the others were twenty yards away, and running fast.

Chapter 2.

The Second Ship.

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Fate, which had freakishly hurled a ship’s crew out of the void upon this particular bit of coast, as freakishly preserved them.

The very excess of its fury worked this wonder. For the craft came in on a tall billow that flung her, as a sling might, clean against the cliff’s face, crumpling the bowsprit like paper, sending the foremast over with a crash, and driving a jagged tooth of rock five feet into her ribs beside the breastbone. So, for a moment it left her, securely gripped and bumping her stern-post on the ledge beneath. As the next sea deluged her, and the next, the folk above saw her crew fight their way forward up the slippery deck, under sheets of foam. With the fifth or six wave her mizen-mast went; she split open amidships, pouring out her cargo. The stern slipped off the ledge and plunged twenty fathoms down out of sight. And now the fore-part alone remained — a piece of deck, the stump of the foremast, and five men clinging in a tangle of cordage, struggling up and toppling back as each successive sea soused over them.

Three men had detached themselves from the group above the cliff, and were sidling down its face cautiously, for the hurricane now flattened them back against the rock, now tried to wrench them from it; and all the way it was a tough battle for breath. The foremost was Jim Lewarne, Farmer Tresidder’s hind, with a coil of the farmer’s rope slung round him. Young Zeb followed, and Elias Sweetland, both similarly laden.

Less than half-way down the rock plunged abruptly, cutting off farther descent.

Jim Lewarne, in a cloud of foam, stood up, slipped the coil over his head, and unwound it, glancing to right and left. Now Jim amid ordinary events was an acknowledged fool, and had a wife to remind him of it; but perch him out of female criticism, on a dizzy foothold such as this, and set him a desperate job, and you clarified his wits at once. This eccentricity was so notorious that the two men above halted in silence, and waited.

Jim glanced to right and left, spied a small pinnacle of rock about three yards away, fit for his purpose, sidled towards it, and, grasping, made sure that it was firm. Next, reeving one end of the rope into a running noose, he flung it over the pinnacle, and with a tug had it taut. This done, he tilted his body out, his toes on the ledge, his weight on the rope, and his body inclined forward over the sea at an angle of some twenty degrees from the cliff.

Having by this device found the position of the wreck, and judging that his single rope would reach, he swung back, gained hold of the cliff with his left hand, and with his right caught and flung the leaded end far out. It fell true as a bullet, across the wreck. As it dropped, a sea almost swept it clear; but the lead hitched in a tangle of cordage by the port cathead; within twenty seconds the rope was caught and made fast below.

All was now easy. At a nod from Jim young Zeb passed down a second line, which was lowered along the first by a noose. One by one the whole crew — four men and a cabin-boy — were hauled up out of death, borne off to the vicarage, and so pass out of our story.

Their fate does not concern us, for this reason — men with a narrow horizon and no wings must accept all apparent disproportions between cause and effect. A railway collision has other results besides wrecking an ant-hill, but the wise ants do not pursue these in the Insurance Reports. So it only concerns us that the destruction of the schooner led in time to a lovers’ difference between Ruby and young Zeb — two young people of no eminence outside of these pages. And, as a matter of fact, her crew had less to do with this than her cargo.

She had been expressly built by Messrs. Taggs & Co., a London firm, in reality as a privateer (which explains her raking masts), but ostensibly for the Portugal trade; and was homeward bound from Lisbon to the Thames, with a cargo of red wine and chestnuts. At Falmouth, where she had run in for a couple of days, on account of a damaged rudder, the captain paid off his extra hands, foreseeing no difficulty in the voyage up Channel. She had not, however, left Falmouth harbour three hours before she met with a gale that started her steering-gear afresh. To put back in the teeth of such weather was hopeless; and the attempt to run before it ended as we know.

When Ruby looked up, after the crash, and saw her friends running along the headland to catch a glimpse of the wreck, her anger returned. She stood for twenty minutes at least, watching them; then, pulling her cloak closely round her, walked homewards at a snail’s pace. By the church gate she met the belated Methodists hurrying up, and passed a word or two of information that sent them panting on. A little beyond, at the point where the peninsula joins the mainland, she faced round to the wind again for a last glance. Three men were following her slowly down the ridge with a burden between them. It was the first of the rescued crew — a lifeless figure wrapped in oil-skins, with one arm hanging limply down, as if broken. Ruby halted, and gave time to come up.

“Hey, lads,” shouted Old Zeb, who walked first, with a hand round each of the figure’s sea-boots; “now that’s what I’d call a proper womanly masterpiece, to run home to Sheba an’ change her stockings in time for the randivoose.”

“I don’t understand,” said his prospective daughter-in-law, haughtily.

“O boundless depth! Rest the poor mortal down, mates, while I take breath to humour her. Why, my dear, you must know from my tellin’ that there hev a-been such a misfortunate goin’s on as a wreck, hereabouts.”

He paused to shake the rain out of his hat and whiskers. Ruby stole a look at the oil-skin. The sailor’s upturned face was of a sickly yellow, smeared with blood and crusted with salt. The same white crust filled the hollows of his closed eyes, and streaked his beard and hair. It turned her faint for the moment.

“An the wreck’s scat abroad,” continued Old Zeb; an’ the interpretation thereof is barrels an’ nuts. What’s more, tide’ll be runnin’ for two hour yet; an’ it hasn’ reached my ears that the fashion of thankin’ the Lord for His bounty have a-perished out o’ this old-fangled race of men an’ women; though no doubt, my dear, you’d get first news o’ the change, with a bed-room window facin’ on Ruan Cove.”

“Thank you, Old Zeb; I’ll be careful to draw my curtains,” said she, answering sarcasm with scorn, and turning on her heel.

The old man stooped to lift the sailor again. “Better clog your pretty ears wi’ wax,” he called after her, “when the kiss-i’-the-ring begins! Well-a-fine! What a teasin’ armful is woman, afore the first-born comes! Hey, Sim Udy? Speak up, you that have fifteen to feed.”

“Ay, I was a low feller, first along,” answered Sim Udy, grinning. “‘Sich common notions, Sim, as you do entertain!’ was my wife’s word.”

“Well, souls, we was a bit tiddlywinky last Michaelmas, when the Young Susannah came ashore, that I must own. Folks blamed the Pa’son for preachin’ agen it the Sunday after. ‘A disreppitable scene,’ says he, ”specially seein’ you had nowt to be thankful for but a cargo o’ sugar that the sea melted afore you could get it.’ (Lift the pore chap aisy, Sim.) By crum! Sim, I mind your huggin’ a staved rum cask, and kissin’ it, an’ cryin’, ‘Aw, Ben — dear Ben!’ an’ ‘After all these years!’ fancyin’ ’twas your twin brother come back, that was killed aboard the Agamemny—”

“Well, well — prettily overtook I must ha’ been. (Stiddy, there, Crowder, wi’ the legs of en.) But today I’ll be mild, as ’tis Chris’mas.”

“Iss, iss; be very mild, my sons, as ’tis so holy a day.”

They tramped on, bending their heads at queer angles against the weather, that erased their outlines in a bluish mist, through which they loomed for a while at intervals, until they passed out of sight.

Ruby, meanwhile, had hurried on, her cloak flapping loudly as it grew heavier with moisture, and the water in her shoes squishing at every step. At first she took the road leading down-hill to Ruan Cove, but turned to the right after a few yards, and ran up the muddy lane that was the one approach to Sheba, her father’s farm.

The house, a square, two-storeyed building of greystone, roofed with heavy slates, was guarded in front by a small courtlage, the wall of which blocked all view from the lower rooms. From the narrow mullioned windows on the upper floor, however, one could look over it upon the duck-pond across the road, and down across two grass meadows to the cove. A white gate opened on the courtlage, and the path from this to the front door was marked out by slabs of blue slate, accurately laid in line. Ruby, in her present bedraggled state, avoided the front entrance, and followed the wall round the house to the town-place, stopping on her way to look in at the kitchen window.

“Mary Jane, if you call that a roast goose, I cull it a burning shame!”

Mary Jane, peeling potatoes with her back to the window, and tossing them one by one into a bucket of water, gave a jump, and cut her finger, dropping forthwith a half-peeled magnum bonum, which struck the bucket’s edge and slid away across the slate flooring under the table.

“Awgh — awgh!” she burst out, catching up her apron and clutching it round the cut. “Look what you’ve done, Miss Ruby! an’ me miles away, thinkin’ o’ shipwrecks an’ dead swollen men.”

“Look at the Chris’mas dinner, you mazed creature!”

In truth, the goose was fast spoiling. The roasting apparatus in this kitchen was a simple matter, consisting of a nail driven into the centre of the chimney-piece, a number of worsted threads depending therefrom, and a steel hook attached to these threads. Fix the joint or fowl firmly on the hook, give it a spin with the hand, and the worsted threads wound, unwound, and wound again, turning it before the blaze — an admirable jack, if only looked after. At present it hung motionless over the dripping-pan, and the goose wore a suit of motley, exhibiting a rich Vandyke brown to the fire, an unhealthy yellow to the window.

“There now!” Mary Jane rushed to the jack and gave it a spin, while Ruby walked round by the back door, and appeared dripping on the threshold. “I declare ’tis like Troy Town this morning: wrecks and rumours o’ wrecks. Now ’tis ‘Ropes! ropes!’ an’ nex’ ’tis ‘Where be the stable key, Mary Jane, my dear?’ an’ then agen, ‘Will’ee be so good as to fetch master’s second-best spy-glass, Mary Jane, an’ look slippy?’— an’ me wi’ a goose to stuff, singe, an’ roast, an’ ‘tatties to peel, an’ greens to cleanse, an’ apples to chop for sauce, an’ the hoarders no nearer away than the granary loft, with a gatherin’ ‘pon your second toe an’ the half o’ ’em rotten when you get there. The pore I be in! Why, Miss Ruby, you’m streamin’-leakin’!”

“I’m wet through, Mary Jane; an’ I don’t care if I die.” Ruby sank on the settle, and fairly broke down.

“Hush ‘ee now, co!”

“I don’t, I don’t, an’ I don’t! I’m tired o’ the world, an’ my heart’s broke. Mary Jane, you selfish thing, you’ve never asked about my banns, no more’n the rest; an’ after that cast-off frock, too, that I gave you last week so good as new!”

“Was it very grand, Miss Ruby? Was it shuddery an’ yet joyful — lily-white an’ yet rosy-red — hot an’ yet cold —‘don’t lift me so high,’ an’ yet ‘praise God, I’m exalted above women’?”

“’Twas all and yet none. ’Twas a voice speakin’ my name, sweet an’ terrible, an’ I longed for it to go on an’ on; and then came the Gauger stunnin’ and shoutin’ ‘Wreck! wreck!’ like a trumpet, an’ the church was full o’ wind, an’ the folk ran this way an’ that, like sheep, an’ left me sittin’ there. I’ll — I’ll die an old maid, I will, if only to s — spite such ma — ma — manners!”

“Aw, pore dear! But there’s better tricks than dyin’ unwed. Bind up my finger, Miss Ruby, an’ listen. You shall play Don’t Care, an’ change your frock, an’ we’ll step down to th’ cove after dinner an’ there be heartless and fancy-free. Lord! when the dance strikes up, to see you carryin’ off the other maids’ danglers an’ treating your own man like dirt!”

Ruby stood up, the water still running off her frock upon the slates, her moist eyes resting beyond the window on the midden-heap across the yard, as if she saw there the picture Mary Jane conjured up.

“No. I won’t join their low frolic; an’ you ought to be above it. I’ll pull my curtains an’ sit up-stairs all day, an’ you shall read to me.”

The other pulled a wry face. This was not her idea of enjoyment. She went back to the goose sad at heart, for Miss Ruby had a knack of enforcing her wishes.

Sure enough, soon after dinner was cleared away (a meal through which Ruby had sulked and Farmer Tresidder eaten heartily, talking with a full mouth about the rescue, and coarsely ignoring what he called his daughter’s “faddles”), the two girls retired to the chamber up-stairs; where the mistress was as good as her word, and pulled the dimity curtains before settling herself down in an easy-chair to listen to extracts from a polite novel as rendered aloud, under dire compulsion, by Mary Jane.

The rain had ceased by this, and the wind abated, though it still howled around the angle of the house and whipped a spray of the monthly-rose bush on the quarrels of the window, filling the pauses during which Mary Jane wrestled with a hard word. Ruby herself had taught the girl this accomplishment — rare enough at the time — and Mary Jane handled it gingerly, beginning each sentence in a whisper, as if awed by her own intrepidity, and ending each in a kind of gratulatory cheer. The work was of that class of epistolary fiction then in vogue, and the extract singularly well fitted to Ruby’s mood.

“My dearest Wil-hel-mina,” began Mary Jane, “racked with a hun-dred conflicting emotions, I resume the nar-rative of those fa-tal moments which rapt me from your affection-ate embrace. Suffer me to re-to recap —”

“Better spell it, Mary Jane.”

“To r.e., re-c.a.p., cap, recap — i.t, it, re-capit — Lor’! what a twister! — u, recapitu — l.a.t.e, late, recap-it-u-late the events detailed in my last letter, full stop — there! if I han’t read that full stop out loud! Lord Bel-field, though an adept in all the arts of dissim-u-lation (and how of-ten do we not see these arts allied with unscru-pu-lous pas-sions?), was unable to sus-tain the gaze of my infu-ri-a-ted pa-pa, though he comported himself with suf-fic-ient p.h.l.e.g.m — Lor’! what a funny word!”

Ruby yawned. It is true she had drawn the dimity curtains — all but a couple of inches. Through this space she could see the folk busy on the beach below like a swarm of small black insects, and continually augmented by those who, having run off to snatch their Christmas dinner, were returning to the spoil. Some lined the edge of the breakers, waiting the moment to rush in for a cask or spar that the tide brought within reach; others (among whom she seemed to descry Young Zeb) were clambering out with grapnels along the western rocks; a third large group was gathered in the very centre of the beach, and from the midst of these a blue wreath of smoke began to curl up. At the same instant she heard the gate click outside, and pulling the curtain wider, saw her father trudging away down the lane.

Mary Jane, glancing up, and seeing her mistress crane forward with curiosity, stole behind and peeped over her shoulder.

“I declare they’m teening a fire!”

“Who gave you leave to bawl in my ear so rudely? Go back to your reading, this instant.” (A pause.) “Mary Jane, I do believe they’m roastin’ chestnuts.”

“What a clever game!”

“Father said at dinner the tide was bringin’ ’em in by bushels. Quick! put on your worst bonnet an’ clogs, an’ run down to look. I must know. No, I’m not goin’— the idea! I wonder at your low notions. You shall bring me word o’ what’s doin’— an’ mind you’re back before dark.”

Mary Jane fled precipitately, lest the order should be revoked. Five minutes later, Ruby heard the small gate click again, and with a sigh saw the girl’s rotund figure waddling down the lane. Then she picked up the book and strove to bury herself in the woes of Wilhelmina, but still with frequent glances out of window. Twice the book dropped off her lap; twice she picked it up and laboriously found the page again. Then she gave it up, and descended to the back door, to see if anyone were about who might give her news. But the town-place was deserted by all save the ducks, the old white sow, and a melancholy crew of cocks and hens huddled under the dripping eaves of the cow-house. Returning to her room, she settled down on the window-seat, and watched the blaze of the bonfire increase as the short day faded.

The grey became black. It was six o’clock, and neither her father nor Mary Jane had returned. Seven o’clock struck from the tall clock in the kitchen, and was echoed ten minutes after by the Dutch clock in the parlour below. The sound whirred up through the planching twice as loud as usual. It was shameful to be left alone like this, to be robbed, murdered, goodness knew what. The bonfire began to die out, but every now and then a circle of small black figures would join hands and dance round it, scattering wildly after a moment or two. In a lull of the wind she caught the faint sound of shouts and singing, and this determined her.

She turned back from the window and groped for her tinder-box. The glow, as she blew the spark upon the dry rag, lit up a very pretty but tear-stained pair of cheeks; and when she touched off the brimstone match, and, looking up, saw her face confronting her, blue and tragical, from the dark-framed mirror, it reminded her of Lady Macbeth. Hastily lighting the candle, she caught up a shawl and crept down-stairs. Her clogs were in the hall; and four horn lanterns dangled from a row of pegs above them. She caught down one, lit it, and throwing the shawl over her head, stepped out into the night.

The wind was dying down and seemed almost warm upon her face. A young moon fought gallantly, giving the massed clouds just enough light to sail by; but in the lane it was dark as pitch. This did not so much matter, as the rain had poured down it like a sluice, washing the flints clean. Ruby’s lantern swung to and fro, casting a yellow glare on the tall hedges, drawing queer gleams from the holly-bushes, and flinging an ugly, amorphous shadow behind, that dogged her like an enemy.

At the foot of the lane she could clearly distinguish the songs, shouts, and shrill laughter, above the hollow roar of the breakers.

“They’re playin’ kiss-i’-the-ring. That’s Modesty Prowse’s laugh. I wonder how any man can kiss a mouth like Modesty Prowse’s!”

She turned down the sands towards the bonfire, grasping as she went all the details of the scene.

In the glow of the dying fire sat a semicircle of men — Jim Lewarne, sunk in a drunken slumber, Calvin Oke bawling in his ear, Old Zeb on hands and knees, scraping the embers together, Toby Lewarne (Jim’s elder brother) thumping a pannikin on his knee and bellowing a carol, and a dozen others — in stages varying from qualified sobriety to stark and shameless intoxication — peering across the fire at the game in progress between them and the faint line that marked where sand ended and sea began.

“Zeb’s turn!” roared out Toby Lewarne, breaking off The Third Good Joy midway, in his excitement.

“Have a care — have a care, my son!” Old Zeb looked up to shout. “Thee’rt so good as wed already; so do thy wedded man’s duty, an’ kiss th’ hugliest!”

It was true. Ruby, halting with her lantern a pace or two behind the dark semicircle of backs, saw her perfidious Zeb moving from right to left slowly round the circle of men and maids that, with joined hands and screams of laughter, danced as slowly in the other direction. She saw him pause once — twice, feign to throw the kerchief over one, then still pass on, calling out over the racket:—

“I sent a letter to my love, I carried water in my glove, An’ on the way I dropped it — dropped it — dropped it —”

He dropped the kerchief over Modesty Prowse.

“Zeb!”

Young Zeb whipped the kerchief off Modesty’s neck, and spun round as it shot.

The dancers looked; the few sober men by the fire turned and looked also.

“’Tis Ruby Tresidder!” cried one of the girls; “‘Wudn’ be i’ thy shoon, Young Zeb, for summatt.”