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During Napoleon's campaign in Egypt, a French soldier becomes separated from his regiment and finds himself wandering lost in the desert. Just when he was about to give up all hope, he makes an unlikely friend. Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comedie Humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Emile Zola, Charles Dickens, Gustave Flaubert, Jack Kerouac, and Henry James, filmmakers Akira Kurosawa and Eric Rohmer as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
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A PASSION IN THE DESERT
BY
HONORE DE BALZAC
Copyright © 2018 by Honore de Balzac.
All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations em- bodied in critical articles or reviews.
This book is a work of fiction. Names, characters, businesses, organiza- tions, places, events and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
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Book and Cover design by Sheba Blake Publishing
First Edition: February 2018
TABLE OF CONTENTS
NOTE TO READERS
A PASSION IN THE DESERT
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"The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"--to speak in the style of the programme.
"By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for----"
"What seems to you a problem," said I, interrupting, "is really quite natural."
"Oh!" she cried, letting an incredulous smile wander over her lips.
"You think that beasts are wholly without passions?" I asked her. "Quite the reverse; we can communicate to them all the vices arising in our own state of civilization."
She looked at me with an air of astonishment.